Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement, Challenge blankets, ElectracolourFirst Time Ever!/Clan Murray Challenge Blankets/Bring You New Colours Glowing like Early Morning Sunlight/Electracolour/from New Swiss Miracle Dyes/Still with the Super Luxury of Kitten-soft Double "Perma-Nap" Finishwool, blanket, blanket fever, challenge, advertisement, australian women's weekly

Both documents relate to Oliver Foster being rejected for Military Service on the grounds of Temporary medical unfitness, one for 1943 & one 1944. Refer Cat No 4783Document, A.A.Form mob.6, off white colours, “Medical Certificates of Temporary Unfitness”. .1) All print in black, typing in black, signed in black & stamped twice in purple. .2) All print in black, hand written in blue, signed in black & stamped twice in purple..1) “Oliver Foster, Tree Lopper Rosedale Rd St Ives”, signed, “O Foster & W Brown”. .2) “Oliver Foster, Tree Lopper Rosedale Rd St Ives”, signed, “ O Foster & B.T Frankel”documents, medical unfitness

Designer book promoting graduating Graphic Design class of 1997. Accompanied by a Compact Disc (CD Rom) of student work, refer item 29163.2 for screen captures from CD Rom. Lecturer, Helmut Stenzel.Graduation book to including works by third (final) year graphic design students, 1997. Perfect bound book, pages printed on satin coated in two colours (black and silver). 4pp card cover printed black and silver external, inside covers printed full colour.university of ballarat, federation university, graphic design, ben mangan, russell kerr, luke keys, travis prices, karen grinter, rosie busuttil, peter horvat, felix lee, karl chandler, matt bowman, adam laszczuk, narelle pietsch, natasha pietsch, jenny tyquin, helmut stenzel

UnknownAbstract scene of a rainforest. Foreground depicts a stand of trees. There are several mountains in the background, set against a blue sky with rays of sun falling on a central mountain. Predominant colours for trees are green, yellow, brown and black. Mounted on cream matt in pale green frame, with glass glazing.Front: Enid Denton (lower right) (brown paint) Back: Rain Forest $600.00 Enid Denton, Smith Avenue, Croydon 3136cema, portland artists society

Photograph of a white, flat roofed building with contrasting colours around the windows, doors and sides and also along the top of the building. A white picket fence runs from either side of the hotel and a main road is in the foreground. On the reverse in biro is written: Magazine Hotel, Eaglehawk, negative, Trembath.buildings, hotel, magazine hotel, magazine hotel , eaglehawk, trembath

Circular black patch with red writing. "Military Police" top, "Sherrif's Office" in vlue writing on blue background. Steer head (middle) surounded by M P in red. Military ribbons (various colours) AFV PRO UNIT - NUI DAT SVN in red writing at bottom.Military Police. AFV PRO UNIT - NUI Dat SVNinsignia, military police, nui dat svn

Gold coloured Medal with Eagle standing on a feathyer with wings at it's side Attached to a red ribbon with white, blue and yellow stripes. Bar ribbon in same colours x two. One in material and the other in metal. Enclosed in blue case Reverse of Medal Shield and laurel leavesBlue hard case "United States of Americamedal, united states of america

B007.1, B007.2 - Round fabric badge mounted on card. The badge is black with blue white and grey detail. It has a St Andrew's cross in the centre beneath the letters PFA. Because of the materials and colours B007.1 appears to be the older badge. Both badges are probably blazer pocket badges."PFA"presbyterian fellowship association

These boots are rare and unwornHigh heeled boots with lace up style, curved heel and rounded toe. Two-toned effect with the colours of black and pale toffee. Leather uppers and canvas and polished cotton lining. Metal grommets to lace up. Original ribbon laces with metal tips. Circa 1920Printing inside reads: 1695-37-5 and the same number (in reverse) is on the sole eg, 37-5-1695

Robert Summerton Games served in the Boer War with the 5th Victorian Mounted Rifles No 1614. He enlisted again in WW1 and served with the 5th Australian Light Horse and also the 4th Camel Regiment. Ribbon bar for Queen South Africa and King South Africa Medals, Rosette made of cloth in the colours of the QSA. Also cardboard Qld railway pass dated 6th May 1919. Also part of the box that was sent to Pte. Games containing his Boer War QSA. Trooper R S Games

Black and white photograph of SEC No. 26, nearing completion of work to convert back to ESCo colours and California Open Combination tramcar. Photograph taken at St Aidans Drive, prior to foot boards and barrier rails being fitted. 30 or 31 October 1987. W.A.Doubleday in cabtrams, tramways, ballarat, st aidans drive , tram 26

Handwritten note, in ink or two colours - on a single sheet of paper titled "M&MT Board Disciplinary Action. 5/6/41". Describes MMTB disciplinary procedures for general matters and collisions and the Board of Reference which hears any appeals arising out of the disciplinary hearings.`trams, tramways, mmtb, unions, discipline, collision

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. References Barnard FGA 1910, 'Sports and Pastimes' in Jubilee History of Kew Victoria: Its origin & progress 1803-1910. Nixon NV 1980, The History of the Kew Bowling Club 1880-1980. Reeve S 2012, City of Boroondara: Thematic Environmental History, p.216.The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.President's Collar used as an insignia of office, comprised of a fabric band in the colours of the Kew Bowling Club, covered with club badges and with a decorative bowling ball attached. [The item is part of the large historic Kew Bowling Club collection (1880-1988) gifted to the Kew Historical Society in 2020].kew bowling club - wellington street - kew (vic), clubs - lawn bowls - kew (vic), insignia of office

The pieces represent the type of cutlery utensils issued to Defence Forces over a wide range of conflicts.Significant in respect to being an example of the types of equipment etc that was used during many conflicts including (likely) the Vietnam War.Era of usage is undetermined. Cutlery set, for use in base, comprising knife, fork and spoon, made of metal. Given the different markings on the pieces and the different aging colours, it is likely that this is not a set but notwithstanding that appearance, they still represent the standard issue of cutlery to the Armed Forces for use 'ín base'.Both the fork and spoon have Rising Sun imprinted onto the handles; plus the fork has two half moon swirls at the end of the handles. The knife has a twin line border on the handle. Additionally, the fork has nickel and silver, sheffield england on reverse of the handle.vietnam, vietnam war, diamond valley vietnam veterans sub branch, equipment

In this image a woman weaves two different colours of plastic cording into a interconnecting X shaped pattern. Weaving has often been done as a commercial skill taught by blind institutes, however machine woven materials and goods have now turned this skill into a recreational one.1 black and white photograph of woman weavingrecreation, weaving

These are likely graduating students of the University of Ballarat Diploma or Advanced Diploma of Graphic Design, as two staff members -- Alister Heighway and Peter Lambeth -- are included. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.Series of 35mm mounted slides featuring TAFE design students (and staff) with their faces pressed against glass or perspex.university of ballarat, federation university australia, design, graphic design, tafe, diploma, advanced diploma, smb

It is unknown how this specific item made its way into the Warrnambool Museum. However, many South African artefacts came to the museum through men who served in the army during the Boer Wars of 1880-81 and 1899-1902.A beaded rope necklace. The rope is made from cloth and plant fibre with glass beads. It has a brass fastening. There are five colours: white, green, black and red with a pink band at the top. In the Zulu culture beads and jewellery were used as a means of communication. Generally they were used to convey messages about whether someone was married, engaged or single. The colours had different meanings but when placed next to white, the meaning would always be positive. white: purity and love black: marriage and rebirth red: also love green: contentment pink: denoted high status Beadwork was almost solely the work of women but men would also wear the jewellery.zulu, south africa, jewellery, beads, kwa zulu natal, africa, boer war, warrnambool

Jane McGrath made this quilt 30 years ago from a tartan fabric sample book (c.1990). It was one of her first quilts. Jane was inspired to quilt by her mother Shirley Critchley. Jane recalls her mother being a very talented quilter, with one example being the “Unpicked Jumper Wagga” which can be found within the National Wool Museum’s Collection (REG 8283). Shirley taught Jane the basics in quilting and assisted her in preparing this quilt. The quilt is backed with material from disused woollen skirts. Jane could not recall what material was used for the internal insulating fabric. Jane donated the Tartan Fabric Sample Quilt to the National Wool Museum in 2021. The quilt had been languishing in her cupboard for many years and had found its way to the op-shop pile, as her children had no desire to inherit her quilts. The top layer of the quilt consists of five distinct rows of tartan samples appliqued together. The rows of tartan samples are broken with a boarder of white, grey, and brown fabric which runs in parallel lines. This fabric is also used to bind the quilt together at the edges. The internal insulating fabric of the quilt is not known. The backing fabric is a grey coloured wool originating from disused skirts. The Tartan samples contain stripes of varying width and colour. The samples have been arranged so that the stripes run diagonal on the quilt. Many different colours have been used. The predominant colours are red and black, with lessening amounts of blue, yellow, white, green, and grey featuring. quilts, tartan fabric samples, upcycle, shirley critchley/jane mcgrath collection

Demonstrates how ESCo managed Weekly tickets during the late 1920's and yields information about the way the system was arranged. The source of the ticket, NSW tramways is significant in that it was obtained by them as a sample. Morning and Evening Weekly Ticket, price 1/6, printed for Week 1, that is not available for Sundays or Holidays. Ticket printed on light weight card, in two colours, teal and light green, numbered 2600 available only between Orphanage and Doveton St. Notes the conditions of use, the time available for which the ticket may be used and where. Printed by J.J. Miller, Melbourne. Ticket has been removed from a block - has staple hole at the top with part of the ticket missing. See Reg Item 2948 for circular detailing their use at the commencement of the issue of this style of Weekly Tickets - some detail differences in the style and colours later on."1/3" in pencil in bottom right hand corner.trams, tramways, tickets, weekly tickets, esco

Model of typical UK double deck, four-wheel tram made by Matchbox models. Notes that over 3000 similar trams were provided to nearly 50 operators by Dick Kerr, later the United Electric Car Company of Preston. Painted in the colours and livery of London Transport. Demonstrates of a model of a Preston UK built double decker tram in London Transport colours. This type of tram was a very popular body in the UK.Model of Preston (UK) double deck tram type Y15 - diecast, painted in a card board box by Matchbox with details of the tram on the rear.models, tramcars, dick kerr, uk trams, london transport, matchbox models

Vest used by Artillery.DCPU (Disruptive Pattern Camouflage Uniform) Work Dress vest. Colours - light to dark green through to light to dark brown, nylon fabric. Stand up collar, two front pockets, front fastening - nylon and plastic zipper. Vest lining - light green nylon fabric.Manufacturers Information on label - black ink print. "WALKABOUT/ TRADITIONALLY AUSTRALIAN/ NSN 8415-66-136-4647/ 94/ SIZE 105 CM CHEST/ NAME/ SERVICE NO./ MACH. WASHABLE WARM WATER ONLY/ DO NOT BLEACH/ DO NOT IRON/ DO NOT STEAM PRESS/ NYLON INNER/ OUTER - POLYESTER FILLED/ MADE IN AUSTRALIA." uniform, army, work dress, dpcu, vest

The recipient is not known and there is no name etc engraved on the rear. There were 6 Life Members of the Bendigo Branch.Badge, metals, colours are blue and red, top has a crown with a membership clip on for the year "1982". Centre is a circular shape with text around, centre is the flag, under is a scroll with the words "LIFE MEMBER". A small gold chain is attached through the scroll area, rear has a pin attachment."Womens Auxiliary - RSL - LIFE MEMBER". On rear raised, "Swann & Hudson"brsl, smirsl, award, life member, wabrsl

Items in the collection re Ron Bollard VX14150, refer Cat No 5919P for his service details..1) Badge cloth, crown at top followed by a yellow "T" on black background, over is two scrolls in metalic gold, central is a depiction of a "Rat", colours are red, blue, green, yellow, white, black and gold. .2) Badge cloth basically same as .1) but has "Victoria" at the bottom."Rats of Tobruk Association Victoria"badges, tobruk, association

Certificate awarded to H.M. Day.Certificate - heavy paper. Original document. Black print with Australian Coat of Arms at top and "AUSTRALIA REMEMBERS/ 1945 - 1995" emblem below print. Signed by Prime Minister, Minister for Veteran Affairs and Federal Member. Print on beige background with decorative edge and emblem in green and gold colours.On certificate - On the 50th Anniversary/ of the end of the Second World War/ a grateful nation expresses it's thanks to/ H.M. Day/ for contributing to the war effort and the coming peace.certificate, ww2, anniversary

This is one of a series of eighteen plaques which commemorated some of the winner of the Grand Annual Steeplechase which is held each year in Warrnambool. The first Grand Annual was held in 1872 as the Warrnambool Handicap Steeplechase. Buxton was the winner in 1963. Local racing steward of 50 years experience, Mr Frank Beattie, ranks the performance of buxton as among the best. He won the Brierly steeplechase on the Tuesday of the 3 day race meeting and won the grand Annual two days later ridden by jockey Noel Cole. This series of plaques were painted by local artist Leslie Lamey and were originally in the members enclosure at the Warrnambool RacecourseThese items relate to a significant part of Warrnambool's sporting and social history..1 Painted white rectangular tin plaque with rolled edges with painting of jockeys silks and cap. The colours are green brown and yellow in opposing squares on the front with brown sleeves. The cap is yellow. Six holes are around the edge. .2 Galvanised rectangular brass plate with engraved black text .1 Buxton and Hoadsville in red and black texta on back of plaque. .2 Mr & Mrs K Bullock BUXTON Winner of the Grand Annual Steeplechase 1963.warrnambool, grand annual steeplechase, noel cole, buxton

This is one of a series of plaques which commemorated some of the winners of the Grand Annual Steeplechase which is held each year in Warrnambool. It is the longest race at a public course in Australia.The first Grand Annual was held in 1872 as the Warrnambool Handicap Steeplechase. This series of plaques were painted by local artist Leslie Lamey and were originally in the members enclosure at the Warrnambool Racecourse. This plaque notes the win of horse Spring Fortune (NZ) in 1987. These items relate to a significant part of Warrnambool's sporting and social history..1 Painted white rectangular tin plaque with rolled edges with painting of jockey's silks and cap. The colours are green and blue in opposing squares on the front with blue sleeves. The cap is green with white lines. . Six holes are around the edge. .2 Galvanised rectangular metal plate with engraved text. .1 SPRING FORTUNE .2 Messers K.T. MYERS J. McLEOD & T.F. DANAHER SPRING FORTUNE (NZ) WINNER OF THE GRAND ANNUAL STEEPLECHASE 1987 warrnambool grand annual steeplechase, spring fortune

Biography, the exceptional life of Wilma Oram Young AM, an Australian Nurse, a captive of the Japanese during WW2. After the War following her return to Australia she was inspired to help her fellow ex POW’s and war veterans through her tireless work with the RSL. Wilma Oram enlisted 0n 12.3 1941 age 24 years VFX58783 in the AANS, embarked for Singapore 2.9.1941, evacuated from Singapore on 12.2.1942 on the Vyner Brooke which was then sunk by the Japanese of Banka Island, they made it to shore on Banka Isl and taken POW for the duration of the War and finally arrived home in Australia on 24.10.1945.Soft cover cardboard, black, white and gold print on front, spine and back, front cover has a collage of B & W photographs of Nurse Wilma Oram Young AM, red, black and gold background colours, 328 pages, white paper, illustrated with B & W photographs.books, biography, nurses, pow’s, ww2