The celebration of Queen Victoria's birthday on May 24 was renamed Empire Day in 1903 after her death in 1901. It was celebrated throughout the British Empire culminating in fireworks and bonfires in the evening. Empire Day was first introduced in 1905 to promote loyalty among the dominion countries of the British Empire. (from https://dictionaryofsydney.org/event/empire_day) Celebrated on 24 May, Queen Victoria's birthday, it was directed especially at school children. Teachers were encouraged to promote special steps to develop a feeling of pride in the British Empire and the achievements of the British race. Often a morning of short addresses, recitations and patriotic songs such as 'Rule Britannia' and 'Advance Australia' was followed by a half-day holiday to mark the celebration of Australia's strong ties to the British Empire. (from MuseumsVictoria)Empire Day was a celebration of the British Empire that was held for many years in the United Kingdom, Australia, Canada, and other countries. It took place every year on May 24, the date of Queen Victoria's birthday. Queen Victoria ruled England for 63 years. this item reflects the loyalty to and recognition of the British royal family in the first half of the 20th century.A black / white photograph of a large group of people , men in suits, women in long dresses. They are in a large fenced clearing.on back -" EMPIRE DAY ORBOST before 1909"empire-day celebrations gatherings public-events

This Plaque was presented to the Shire of Ballarat for THE MOST OUTSTANDING entry in the annual Begonia Festival Grand Parade,which is held each year during week end of February/March to celebrate the beautifull Begonias and promote Ballarat. In recognition of Shire of Ballarat's outstanding entry in the 1991 Begonia Festivals Grand ParadeA Rectangular frame of light brown wood with a black metal plague engraved in silver.THE COURIER - EDGAR BARTROP AWARD FOR MOST OUTSTANDING ENTRY IN THE 1991 BEGONIA FESTIVAL GRAND PARADE. Awarded To SHIRE OF BALLARAT. PRESENTED IN HONOUR OF EDGAR BARTROP OBE. FOUNDATION CHAIRMAN OF THE BALLARAT BEGONIA FESTIVAL ASSOCIATION.ballarat begonia festival.1991begonia festival grand parade.shire of ballarat

Phenyle has been used for decades as a cleaner and disinfectant. It is well know for its use for cleaning outdoor toilets and easily identified by its strong odour. The brown glass bottle is immediately recognised as containing a poison. We've all seen them in a hundred different mystery movie scenes. The medicine cabinet opens and there, sitting on a shelf, is the incriminating object -- the ominous dark bottle with the skull and crossbones on the label. In off-screen reality, however, poison bottles have quite a different identity -- they are distinctive, varied, colorful -- and definitely collectible. Obviously, the one thing that sets the poison bottle apart from all other bottles is the need for prominent and immediate identification as a receptacle for toxic material, and this was achieved in a number of ways, including shape, color, embossing and labeling. Poisons were commonly found in the home for the purpose of controlling rodents and other pests, and were sold by grocers and druggists. For consumer protection, as far back as 1829, New York State made mandatory the marking of the bottles with the word "poison" in large letters. Then, in the middle of the 19th century, the American Pharmaceutical Association recommended legislation regarding identification of all poison bottles. In 1872 the American Medical Association also made recommendations -- namely that poison bottles be made of colored glass, and also have a rough surface on one side -- making them identifiable even in the dark -- and the word "poison" visible on the other (the skull and crossbones wasn't quite as ubiquitous as those movies led us to believe). However, passing these laws was not easy, and the manufacturers were essentially left to do as they wished. For collectors, the high point of poison bottle manufacturing was the period ranging roughly from the 1870s to the 1930s. At that time some, of the bottles were distinguished by particularly bright colors, such as cobalt blue (the most common) and emerald green. Others, particularly rare and collectible, had unusual -- and appropriate -- shapes, including skulls, leg bones and coffins. In order to better identify these lethal vessels by feel (not forgetting that there were many people in this period who could not read) when groping for them in the dark, they had such elaborate tactile patterns as quilted diamonds, lattices, hobnails and prominent vertical or horizontal ribbing, as well as spiky knobs and ridges. In addition, many had sharp points on top for the same precautionary purpose. Further efforts to distinguish poison bottles from others included uncommon multisided and triangular shapes, and unusual, hard-to-open tops, the predecessors of the modern child-proof openings. https://www.southcoasttoday.com/story/lifestyle/2001/08/19/poison-bottles-steeped-in-history/50352280007/The recognition and awareness of bottles containing poisonpous substances is extremely important for safety reasons.Bottle, brown glass, diamond shaped. "Bright Star" phenyle. Paper label attached, but peeling off and badly damaged. Corked with contents. Text moulded into glass, some with a border of stars. Poisonous contents, not to be taken. Registered Number 2140. Volume is 20 fluid ounces. Printed label "Bright Star". Text is moulded in the glass in raised lettering: "PHENYLE" outlined and decorated with star border. "POISONOUS", "NOT TO BE TAKEN" "V / DM / A" within oval, "REGD NO. 2140" (D and O are smaller and underlined) . Base is marked "F190".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bright star, phenyl, cleaning and disinfecting chemical, poison, bottles

The medal was presented to Captain Thos. Smith (Thomas Smith) for his assistance in saving the crew of the wrecked barque, the Eleanor Lancaster, at Newcastle in N.N.S.W. (New South Wales). The ship was wrecked during a storm on November 7th, 1856. This medal is significant as a form of recognition of the bravery of Captain Thos Smith.Medal; round, silver, with silver rope border, anchor and rope decoration on top and central inscription on the front, plain back. Black leather-covered case with blue velvet-covered insert and white silk-lined lid. The medal was hand engraved and later presented to Captain Thomas Smith."Presented to CAPT THOs SMITH As a public testimonial of his successful exertions in assisting to save the crew of the Barque ELEANOR LANCASTER during the storm of the 7th Novr" "NEWCASTLE" "N.S.W." "1856"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, medallion, shipwreck eleanor lancaster, captain thomas smith, shipwreck newcastle november 7th 1856, eleanor lancaster, newcastle, thos smith, storm, thomas smith, 7th november 1856, n.s.w. shipwreck, newcastle shipwreck, silver medal, hand engraved, life saving, australian award

A publication to celebrate the 50th anniversary of the dedication of the WW2 Commando memorial at Tidal River on Wilsons Promontory, Victoria, where the first Commando units trained. Wilsons Promontory is regarded as the birthplace of the Australian and New Zealand WW2 Commandos.An annual service is conducted each November at the Tidal River WW2 Commando memorial. Since almost all of the WW2 Commando veterans have passed, the annual service is now conducted by the post-WW2 Australian Commando Association Victoria. The WW2 Commando Association disbanded in 2010. The booklet recognises the raising of the Commandos and their training at Wilsons Promontory, and their continued recognition by the annual memorial service.Booklet , 175 mm by 245 mm, staple bound, 30 pages, full colour cover and centre pages.

This commemorative plaque was made for the round, stained glass window titled “Christ showing the helmsman the way” that was originally installed at the St Nicholas Seamen’s Church in Williamstown. The window was donated as a memorial to the members of the Merchant Navy whose lives were lost in the Second World War, 1939-1945. The donor was the Williamstown Lightkeepers Auxiliary, an independent ladies association working with the Williamstown Missions to Seamen (re-named the Mission to Seafarers in the year 2000). The window was officially dedicated on December 14, 1947 by Geelong's Anglican Bishop, Rt. Rev. J.D. McKie. In the early months of 1948 this bronze plaque was also placed in the chapel above the altar. The Williamstown St Nicholas Seamen’s Church ceased operation in 1966. In 1979 the Victoria Missions to Seamen donated this round, stained glass window and the memorial plaque to Flagstaff Hill Maritime Village, along with many other items and furnishings. These items have been used to simulate the Williamstown Mission and Chapel as much as possible. THE MISSIONS TO SEAMEN The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This plaque is significant for its connection with the round Sanctuary window above the altar in the chapel at Flagstaff Hill. The window was originally installed at the chapel of the St Nicholas Seamen’s Church in Williamstown in 1947, and is listed on the Victorian War Heritage Inventory No. 196973 as an object of significance. The plaque is also significant for its recognition of the members of the Merchant Navy who lost their lives in service to our country during World War II. The plaque is important for its connection with the Williamstown Lightkeepers’ Auxiliary and Missions to Seamen, which were dedicated to supporting seafarers from all over the world. The funds the group raised helped to furnish the St Nicholas Seamen’s Church in Williamstown, including the Sanctuary window, pews, carpets and hangings. These items are now part of the St Nicholas Seamen's Church Williamstown Collection at Flagstaff Hill Maritime Village, Warrnambool. Plaque: rectangular brass commemorative plaque. Each corner has a round hole. Inscription impressed into the metal and filled in with black paint. It is now part of the Williamstown Missions to Seamen Collection. “IN MEMORY OF THE MEMBERS / OF THE MERCHANT NAVY WHO WERE LOST / IN THE SECOND WORLD WAR 1939-1945 / FAITHFUL UNTO DEATH / THE WINDOW ABOVE THE ALTAR / WAS ERECTED BY THE WILLIAMSTOWN / LIGHTKEEPERS AUXILIARY / 1947.”flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, mission to seamen williamstown, st nicholas seaman’s church williamstown, missions to seamen victoria, mission to seafarers, lightkeepers auxiliary, ladies harbour light guild, 139 nelson place williamstown, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, e. s. & a. bank williamstown, christ directing a sailor, christ showing the helmsman the way, quartermaster’s hand on the wheel, stained glass window, church window, religious window, sanctuary window, memorial window, war memorial window, victorian war heritage inventory, victorian heritage database, merchant navy ww2, 1939-1945, anglican church, bishop mckie, flying angel club, williamstown lightkeepers' auxiliary, ladies' harbour lights guild, commemorative window, memorial plaque, merchant navy, ww ii

RAN Fleet chartposter, 1970, ran

Certificate from The Australian Red Cross Society awarded to Mrs. John Harry for Four years of service during World War One.Red Cross Societyorganization, club/society, australian res cross, australian red cross society, mrs. john harry, world war one

non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity

Book non-fictionTraces the social, educational, and psychological barriers for women artists from the Middle Ages to the early 19th century to gain recognition, most relying on relationships with artists in their families to gain success. or conversely denied success through partnerships with male painters. portraiture, flowerpainting, miniaturists, still life

BookStudy commissioned by Arts Queensland and the Australia Council in 1994 to address the lack of published information on women's involvement in the arts.regionalism, cultural industraies, equity, professional recognition, indigenous women, multiculturalism

Ill, maps, p.336.non-fictionOn the afternoon of 18 August 1966, just five kilometres from the main Australian Task Force base at Nui Dat, a group of Viet Cong soldiers walked into the right flank of Delta Company, 6 RAR. Under a blanket of mist and heavy monsoon rain, amid the mud and shattered rubber trees, a dispersed Company of 108 men held its ground with courage and grim determination against a three-sided attack from a force of 2,500 Viet Cong and North Vietnamese Army troops. When the battle subsided, 18 Australian soldiers lay dead and 24 had been wounded. Battlefield clearance revealed 245 enemy bodies with captured documents later confirming the count at over 500 enemy killed and 800 wounded. These men were led by a gruff and gusty perfectionist, Major Harry Smith. Now, some 47 years after the battle, Harry tells his story for the first time. But Long Tan is more than just an account of a historic battle. Harry Smith takes his readers on an extraordinary journey - one that ultimately reveals a remarkable cover-up at the highest military and political echelons. Long Tan is also Harry's life story and portrays his many personal battles, from failed marriages to commando-style killing; from a horrific parachute accident through to his modern-day struggles with bureaucracy for recognition for his soldiers. Harry's battles are tempered by his love of sailing, where he has at last found some peace. Long Tan portrays the wrenching, visceral experience of a man who has fought lifelong battles, in a story that he is only now able to tell. Harry can still hear the gunfire and smell the blood spilt at Long Tan. For him, the fight continues. Collapse summary vietnam conflict - australian involvement, vietnam war 1961-1975 – battles – long tan

Index, bib, p.578.non-fictionAUSTRALIA IN PEACE AND WAR is the first work to trace the development of Australia’s external relations from their colonial origins to the present. It shows how successive Australian governments have seen the world, what their attitudes have been, their actions and (much more often) their reactions. This important and controversial book details the successes and failures of Australian foreign policy over two centuries. It shows how geographical aspects of the world's largest island, anchored off the south-east corner of Asia, have increasingly impinged on perceptions and attitudes historically derived from Europe. It pleads for recognition that Australia can adapt the best of its European traditions in coming to terms with and helping to shape its Asia-Pacific environment. australia - foreign relations, australia - history - military

Stencil used by Sgt. Albert David Lowerson, VC, a soldier settler on Merriang Estate near Myrtleford. Lowerson acquired one of 19 blocks assigned by the Closer Settlement Board on the 700 acre estate in 1920. The stencil marked bales of cured tobacco leaves prior to shipment to Melbourne. Lowerson was one of the few successful soldier settler farmers in the district, operating a piggery, dairy farming and growing tobacco for almost 20 years on "St. Quentin". (Lowerson was awarded the Victoria Cross at Mont St. Quentin on September 1, 1918.) His success and status enabled him to lead a submission on farm debt and infrastructure problems when the soldier settlement scheme was being reviewed at government level. He was active locally on these issues and supported fund raising for a war memorial, memorial hall and veteran welfare.The stencil represents the achievements of A.D.Lowerson, VC as an isolated example of success as a WW1 soldier settler and as a local identity who stridently supported the need for recognition and support of ex-service personnel.Stencil made of thin sheet metal, rusted .Wording of stencil "A.D.LOWERSON. MYRTLEFORD." lowerson a.d., merriang estate, myrtleford, closer settlement board, tobacco, st. quentin, victoria cross, world war 1

fictionthe official body count: thirty-seven. All shot, most burned beyond recognition - had there been any next-of-kin around to do the recognising.vietnam war, 1961-1975 - fiction

world war two aircraft. aircraft recognition, world war two

Advertisement for a ceremony on the lawns near St Kilda pier where the Governor-General will present War Service Certificates.Cream coloured paper printed in brownwwi recognition of service

Notice in preparation for ceremony for the Governor-General to present war service certificates to nurses, sailors and soldiers who lived in St Kilda when they signed up for service. A form was provided with the notice, possibly seeking information about which recipients of the certificates will be attending.White paper, discoloured with age, printed in redwwi recognition of service

Invitation to presentation of War Service Certificate by the Governor-General on 15 May 1921 in memory of Private S. D. Young. The certificates were given to, and in memory of, people who were living in St Kilda at the time they signed up to serve.Brown card printed on one side in blackTypewritten endorsement that the card is addressed to 'Private S.D. Young' and that his position is in Reserve 'B'city of st kilda, wwi recognition of service, st kilda mayoral function, private s. d. young

Program for welcome home to returned local servicemen who served in the second World War, held at St Kilda Town Hall on 24 April 1946.Pamphlet with white card cover and white paper insert, printed in blue, folded and stapledwwii, world war ii, wwii recognition of service, city of st kilda

Invitation to a civic welcome home event for returned service personnel from St Kilda, held by the City of St Kilda at St Kilda Town Hall on 24 April 1946Cream card, discoloured with age, printed on one side in blue - 2 copies.Stamped 1992 and 2000city of st kilda, wwii recognition of service

Advertisement for a Smoke Social presented by the City of St Kilda to welcome home returned servicemen from St Kilda who served in the Second World War. The event was held in the St Kilda Town Hall on 24 April 1946.Cream paper printed in bluecity of st kilda, wwii recognition of service

Medals were presented by the Geelong West Cycling Club until the year 2002. Medals have always been given as recognition of achievement in competitive events.Medal in bronze metal conglomerate. The front of the medal depicts an olive wreath around the circumference, and has a racing cyclist painted on an enamel disk in the centre. On the reverse side, an inscription of the winner of the Men's Pursuit Track Championships for 2002 appears inside an olive wreath decoration. The medal has a blue ribbon attached to it. "GWCC/Track Championships/Pursuit/Men/Jeric Strong/2002"gwcc; track championships; jeric strong;

Medals were presented up until the year 2002 at the Geelong West Cycling Club.Medals are a recognition of achievement in competitive cycling events.2 x Medals - one in bronze metal conglomerate, the other in gold metal conglomerate. The front of the medals depict an olive wreath around the circumference, and has a racing cyclist painted on an enamel disk in the centre. On the reverse sides, inscriptions appear inside an olive wreath decoration. Each medal has a ribbon attached to it.Medal 1 - "GWCC/Track Championships/Time Trial/Men/Jeric Strong/2002" Medal 2 - "GWCC/Track 1998/Steve Kestle/Trophy Series/C Grade/Encouragement Award"gwcc; track championships; time trial; jeric strong; track; steve kestle;

Medals were presented up until the year 2002 at the Geelong West Cycling Club. Medals are a recognition of achievement in competitive cycling events.2 x Medals - one in bronze metal conglomerate, the other in silver metal conglomerate. The front of the medals depict an olive wreath around the circumference, and has a racing cyclist painted on an enamel disk in the centre. On the reverse sides, inscriptions appear inside an olive wreath decoration. Each medal has a green and yellow ribbon attached to it. Medal 1 - "GWCC 1994/Junior Time Trial/Men/D. Marchant" Medal 2 - "GWCC 1994/Junior Time Trial/G. Spaulding"medals, gwcc, jnr time trial, d marchant

Geelong Cycling Veterans Club was formed in 1971 but GWCC still conducted veteran races within the club. These medals appear to be remnants of awards not collected. Medals have always been awarded in recognition of achievement in competitive events. Even after 20+ years of veteran racing, the club still conducted veteran races which seems to indicate a large number older members were affiliated with the club.6 x Medals - one in gold metal conglomerate, three in bronze metal conglomerate, two in silver metal conglomerate. The front of the medals depict an olive wreath around the circumference, and has a racing cyclist painted on an enamel disk in the centre. On the reverse sides, inscriptions appear inside an olive wreath decoration. Each medal has a blue ribbon attached to it. Medal 1 - "GWCC 1995/Veteran Scr Race/J. Nicholson" Medal 2 - "GWCC 1995/Veteran T Trial/P. Good" Medal 3 - "GWCC 1995/Veteran Road Race/P. Good" Medal 4 - "GWCC 1995/Veteran 500 Mt T TrialJ. Nicholson" Medal 5 - "GWCC 1995/Veteran T Trial/K. Bent" Medal 3 - "GWCC 1995/Veteran Road Race/K. Bent"gwcc; veteran; k. bent; p. good; j. nicholson;

Awarded to participant L Stephenson of GWCC in 1951 on completion of the Melbourne to Warrnambool Road Race.L Stephenson is recorded from the late 1920s to 1951 and beyond as a successful racing cyclist with the GACC and GWCC. Awards of such medallions reflects the recognition given to the competitors of the Melbourne-Warrnambool road race over 163 Miles.Small enamelled medallion. It has a black background with green wings coming from a red centre figure. There are inscriptions on the black background and on a green header at the top of the badge. There are also inscriptions on the reverse side of the badge."Healing 1951 Melbourne-Warrnambool 163 Miles" "Jubilee Year 10/KC Luke Melbourne"geelong west cycling club; l stephenson; melbourne warrnambool road race; medallion; 1951;

Thirty years after Geelong Veterans formed, GWCC members still raced both competitions.Recognition of Geelong Cycling Club member's capacity to achieve at a world level.Colour photograph framed in a black wooden frame with gold trim. The photograph is mounted on blue. This is a photograph of the world track cycling master championships in Sydney 2007."World Master Track Cycling Championships/Sydney/2007/3000m Individual Pursuit/Bronze Medalist/Steve Young"world master track cycling championships; 2007; 3000m individual pursuit; bronze medalist; steve young;