This original photograph is printed on Kodak photo postcard paper dating from 1908-1914. It belonged to the Anthony family who sent six children to Williamstown Grammar. The eldest, Queenie Anthony, commenced in 1908. In 1914, when the original building was gifted to the Education Department to establish Williamstown High School, Queenie and her siblings remained with Mabel Molland, moving to Holy Trinity Hall, to complete their primary school years. The teacher seated at the right is not Mabel Molland, who commenced in 1911. This is possibly Miss Molland's predecessor, Miss Towl. Research is underway to identify students in the photograph.Black and white photograph of a group of students in four rows with Denis Gerity standing at the left and a woman seated at the right. A board is placed before the front row with the letter 'WGS'. The photograph is printed onto postcard stock branded Kodak Austral.Handwritten inscriptions on the back include the word 'Anthony' three times (one in the top half, two in the bottom half) and a large smudge in the bottom right corner - all in light blue ink. Also possibly 'Old Grammar School Pupils of Mr. Gerity' and 'Mrs' in black ink. There is name and address inscribed in dark blue writing ink along the left edge. A number '14' in graphite in the stamp box and a further number '1' encircled and underlined in dark blue ink in the bottom right corner.

Black and white photograph containing 6 members of the Maldon Fire Brigade Running Team Back Row: Paull Lahn, Bruce McGregor, Jack Shearer, Roy Baxter (Barney) Front Row: John Hughes, Eddie Williams (Chisel)maldon fire brigade running team

Black and White Photograph Marist Bros.. College Grade 8 Class Photo. Four rows of students, male teacher in middle of back row. On bottom in biro ' Marist Bros, Grade 8 ( T. Jordan ) 17th June 1936.bendigo, history, catholic education, http://home.ccb.vic.edu.au/community/alumni/pages/mbc.html

Aged 17, Edwin Thomas Penny took over the 10 acres of freehold land held by his deceased father, Thomas Penny. Edwin Penny developed a reputation as an innovative orchardist and market gardener who grew apples, plums, passion fruit, peaches, pears, and lemons, and between the trees he planted potatoes, rhubarb and other vegetables.Sepia toned digital image of the Penny family. Back row left to right: Clifford Penny, Reubin Penny, Edwin Penny. Front row left to right: Albert Penny, Edwin Thomas Penny, Hilda Penny and Lytton Pennymarket garden, orchards, fruit, vegetables, moorabbin, cheltenham

Vagarini was an Italian painter at Camp 3 Tatura. He was arrested in Palestine and sent to Australia on the Queen Elizabeth.ModernistFour rows of huts. Flower gardens are planted at the front of the first hut. Rows of red dirt in the foreground. Bright blue sky and a large tree growing at the back of the first hut and is in the centre of the picture. R. Wied wrtitten on back of painting.Cesare Vagarini

Huttley Martin FamilyB/W Studio Portrait: 2 row of girls in hockey uniforms: white lace up 'Sailor' tunics, with dark scarfs, dark skirts, lace up shoes. Girl in the middle of the front row holding two hockey sticksGainsborough 215 Chapel Street Prahan On reverse Harry Martin m alice Henderson (my Uncle) MADGE HUTTLEY'S UNCLEhuttley, martin, sport, education

Digital scan of black and white photograph. J Barton Jnr (cox) H Rutter (Str) F Huddlestone (7) R Luff (6) R Manser (5) W Ramsbottom (4) W Wakeham (3) W Tatt (2) V Muller (Bow) J Barton Snr (Coach)rowers, rowing, sportsmen, men, river, riverbank, sports, row

This is a photograph of crew members that formed the football team of the S.S. Hororata. The vessel was ordered by the New Zealand Shipping Co Ltd of London, completed in 1914. In august of that year she was requisitioned ( as A20) for transport of the Australian expeditionary force in WW1. In WW2 she was known as the SS Waroonga and torpedoed in 1943. (Internet ref 2018) This vessel was a regular visitor to Melbourne and crews visited and contributed donations to the MTS.This photograph provides an early record of the many crew based football (soccer) teams that would enjoy matches when ashore with other crews. The Mission to seamen organised and promoted many such matches and encouraged the friendly competition during outings. In addition this particular group photograph is of interest as it indicates the many talents and interests of the crew through the items and animals the individuals are posed with. Sepia toned photograph of the S.S. "Hororata" Football Team dated April 1923. The photograph has been mounted onto a brown cardboard frame with the text 'S.S. "Hororata's" Football Team/April 1923' on the top and the bottom. The photograph itself is of 24 men in three rows, 9 on the top row, 8 in the middle row and 7 on the bottom row. The man in the bottom row furthest left is kneeling behind a bird cage with a cockatoo in it. The man second from the left is holding a guitar. The man third from the left is holding a cat. The man fourth from the left is lying down peeking through the buoy with the text "S.S. Hororata's/Plymouth". The man second from the right is holding a lute and the man furthest right on the bottom row is also kneeling behind a bird cage with a cockatoo. In the middle row, the man second from the left is holding a banjo. The man third from the right is holding a flute. The man second from the right is holding an accordion. All other men in the middle and top rows have their arms crossed. The men are situated on the ships deck. Behind them is a ladder and what appears to be a door opening and on the left side of the photograph are some ropes and a pulley system.On lower edge of mount handwritten in black ink: S.S. "Hororata" Football Team April 1923hat, 1923, uniform, pulley, cap, banjo, guitar, rope, cockatoo, accordion, flute, cat, ladder, ss hororata football team, ss hororata, lute, ww1, ww2, troopship, ship crew, deck, soccer, football, sports, crew photo, crews and ships

Entry ticket to the Olympic Games in Melbourne in 1956. Row B, seat 27 for the 4th of December 1956. Tickets were printed in 15 - two colour combinations based on 4 basic colour backgrounds and seven overprints. Thus there was a colour for each day of the Games. The back of the ticket showed a plan of the particular stadium indicating the position of the seat.Front: Pictures of soccer players and Olympic Torch. MAIN STADIUM / MELBOURNE CRICKET GROUND / XVI OLYMPIAD MELBOURNE / NOVEMBER 22 - DECEMBER 8, 1956 / B27 / ROW SEAT B11 / DEC 4 1956 / DEC 4 - INC. TAX. Back: Sketch of stadium / 3rd elevation / Brunton Ave. / Score board / Finish / Main Stadium / Melbourne Cricket Ground.olympic games, melbourne 1956, ticket

The Grinton Collection. "C. 38th Battalion soldiers" Front row left Cpl NEWTON "MM" Third row 3rd from left Cpl POPPINS. Third row 4th from left Pte BARKELL. Refer Cat No 1280 for Jack Grintons service details.Photograph - Framed. Photograph - black and white photograph on paper depicting a formal group portrait of 35 soldiers seated and standing. Background - brick building. Frame - Timber, light varnish finish, Perspex front, cardboard backing. "Group 4: Portraiture and remembrance". C. 38th Battalion soldiers.framed accessories, camera on the somme, ww1, 38th bn, grinton, portraits

Black and white photograph - Grade 6A, 1956"Attached to photograph" Back Row- L to R: No names 2nd Row - L to R: Beverley Beattie, Phylis(?), Sandra LeBusque, Pamela Cowan, Lee Tonkin, Pamela Goodall, Noeline King, ?, ?, ?, ?. 3rd Row - L to R: ?, ?, ?, ?, Pauline Villaume, Judy Bower, Pat Saines, ?, ?, Ailsa Ralston, Marion Hayward. Front Row - L to R: No names Teacher: Mr Stuart

Black and white photograph - Grade 5B, 1962"Attached to photograph" Back Row- L to R: ?, ?, ?, ?, Bill Reid, ?, ?, ?, ?, ?, ?. 2nd Row- L to R: ?, ?, Jeanette Goodchild, ?, Karen Bibby, Gabriella Iwenowicz, Valerie Robinson, Susan Jamieson, ?, Lorraine Bowring. 3rd Row- L to R: Ian Anderson, Maureen Bosaid, Robyn Myles, ?, ?, ?, ?, Dawn Bracken, ?, Jennifer Elliot, Susan Deuter, ?, ?. Front Row- L to R: No names. Teacher:

Black and white photograph - Grade 2B,1960"Attached to photograph" Back Row- L to R: ?, ?, Greg Peters, Bruce McDonough, Alan Bibby, ?, ?, ?, ?, Mal Kerr, Bruce Barber, Norm Pearson. 2nd Row- L to R: ?, ?, ?, ?, ?, Elizabeth Clarke, ?, Clare Hargreaves, ?, ?, Grant Nichol. 3rd Row- L to R: ?, ?, ?, ?, ?, ?, ?, ?, ?, Alan Foley, ?, ?, ?. Front Row- L to R: Ron Saines, David Pumpa, ?, David Kenley, ?, ?, ?, ?, David (?). Teacher:

Black and white photograph of Williamstown High School boys on stairs, while on a school trip to Brisbane in 1948.Accompanied by a identifying note: Doc Walsh, top row, left. George Bird, 2nd row down, 3rd boy. George Piconi & Trevor Treadwell also in photograph.williamstown high school, 1948, school trips, brisbane, brisbane tour

Black and white photograph of six men standing behind five men seated in front casually dressed, one holding cricket bat."In front row x Mr Preston, Mr Cork, Mr Alf Smith x in back row x Mr Edgar Nicholls x Mr Perc Roberts".sports, linton cricket club 1900, preston, alf smith, edgar nicholls, perc roberts, a.c. cork

One of four photographs donated by Ian Hannan.Large Black & White photograph of local school children at the beach. Back Row: L-R: Charles Jones, Michael Metzzer, Donald Cameron, John Cadogan, Howard Dixon. Middle Row: L-R: kneeling, Eileen Jones, Kaye Jeffrey, Ilze Pakalns. Front Row: L-R: seated, Robert Jeffrey, Ian Ferguson, Shirley Booth, Jenny Jones, Marie McGuigan.cowes beach, ian hannan, cowes state school

A poster printed by the RMIT in 2018, to promote an exhibition of works at the MTSV about the interelationships between labour, working life and artistic practice. BACKGROUND The Work of Art was an exhibition about labour, working life and artistic practice. The exhibition explored three aspects of art's relationship to work: (1) artworks about contemporary labour, (2) the labour of art-making itself and (3) the often precarious aspects of life as a working artist. Throughout the exhibition, different artists "worked" from the space of the gallery, revealing the layers of manual, emotional and intellectual labour involved in the work of art. CONTRIBUTION I was invited to develop the exhibition by the "Murphy Group", a group of researchers at RMIT. As the lead co-curator for the exhibition, I researched the history of artistic responses to working conditions. Through this process I identified a gap - while many artists have explored the conditions of labour and working life in their artworks, fewer have drawn attention to the working conditions of artists themselves. This became a key theme in the exhibition. The exhibition presented the work of nine contemporary Australian artists, including high profile and mid-career artists like Bindi Cole and Bek Conroy, alongside the work of emerging artists. In addition to the display of artworks throughout the space, five artists worked performatively, bringing to life the processes and manual labour involved in artmaking. A public forum extended the complex discussion on the relationship between art, work and labour. SIGNIFICANCE The works were presented in the context of a public space that has a strong relationship to contemporary labour - the Mission to Seafarers in Docklands. The Mission to Seafarers is a working mission that provides support to ship-workers. Presenting the works in this space created a real connection between the artworks and the lived experience of precarious labour. The exhibition reached a large audience including over 1000+ visitors in 10 days. It fostered a high engagement on social media and attracted media coverage including a feature in ArtsHub.A record of the ongoing involvement of the MTSV in art, and working with the art community by providing a suitable venue and display space.A3 size yellow paper promotional poster, double-sided. Three-quarters of the front of the poster is covered with the repeated line "Art, Labour & Working Life" in large font, to form ten rows. These rows are in outline form except for picked out words which are in entirely black characters and these cascade down, a row at a time, a word at a time, to form the same line ("Art, Labour & Working Life"). rmit, 2018, events, labour, working life, artistic practice, hiring event, cultural events, multimedia, nicholas walton-healey

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of the Phillip Island Premiership Football Team of 1922 Back row: D Pretty, L Walton, Ernie Jenner, W McLardy, C Williams, A Morrison, Guy Borton, Charlie Craft. Middle row: Bryant West, Hatfield, Alex McLardy, Arnie Brown, Newton McLardy, Reg Justice. Front row: Harold West, Bert Smith, Ken West, Ernie Matthews, Bert West. local history, photography, phillip island football team 1922, black & white photograph, phillip island football club, john jenner, bryant west

This petticoat was one of several items donated from the estate of Susan Henry OAM nee Vedmore (1944 - 2021). It is in very good condition and appears to be from the Edwardian era - early 20th century. A petticoat is a lady's undergarment - worn under a skirt or dress. They provided warmth, modesty and shape to the dress. In the middle of the 19th century, petticoats were worn over hoops, bustles or in layers. Petticoats varied according to the style of the outside skirt or dress. Plain petticoats tended to be worn with everyday wear whilst better dresses (party dresses or silk gowns) were worn with petticoats that often had more trim and embellishments. Edwardian petticoats had less volume than Victorian era petticoats and they had a "dust ruffle" or lining under a lace flounce. The "dust ruffle" protected the lace flounce and gave the petticoat more flare at the bottom, greater freedom when walking as well as saving the flounce (which was often made of finer material) from everyday wear and tear. Tucks are another feature of Edwardian petticoats - when the lace at the bottom became worn, it could be cut off and the tucks released. This extended the life of the petticoat. This petticoat features an intricate trim of broderie anglaise. Although broderie anglaise was a lace that could be made by hand, it was very time consuming to make. St Gallen was a city in Switzerland that had become known for producing quality textiles. At the beginning of the 19th century, the first embroidery machines were developed in St Gallen. Factories used embroidery machines but people also had them in their homes. They were able to produce broderie anglaise for export. By the early 20th century, machine made lace, fabric, ribbons etc. were being sold in drapers shops all over England and Wales to women who were making clothes and furnishings for their families. It is highly likely that the lady who made this petticoat brought the lengths of broderie anglaise already made to embellish and personalise her petticoat. Susan's family (Harold and Gladys Vedmore) immigrated to Australia from Wales in 1955 and settled in Warrnambool. Susan was well known in the Warrnambool community for her work supporting children and families across the district - particular those with disabilities, or those who were homeless, unemployed or isolated. Susan was the founding trustee of the "Vedmore Foundation" - a Warrnambool philanthropic trust set up in 2010 to support a range of charitable and not-for-profit causes by providing grant assistance. In 2021, she was awarded a Medal of the Order of Australia for services to the community.This item is an example of the needlework skills of women in the late 19th century - creating pintucks and adding lace to personalise and embellish a practical item of clothing. It is also significant as an example of a practical solution to the difficulties that women of this era faced with regard to the washing of clothes and household linens.A white lawn petticoat with a 22.5 cm opening that fastens with 2 small buttons and a drawstring tie. It is decorated with two wide pintucks followed by two gathered frills (or flounces) - one decorated with three rows of narrow pintucks and a single row of broderie anglaise and the bottom frilled hem finished with 3 rows of broderie anglaise in a flower design. The two bottom frills are lined with plain white cotton fabric.flagstaff hill maritime museum and village, great ocean road, petticoat, lady's petticoat, undergarment, lady's undergarment, lingerie, edwardian petticoat, broderie anglaise, lace, machine made lace, hand sewn, machine sewn, draper's shop, susan henry oam, vedmore foundation

Bendigo Advertiser ''The way we were'' from 2001. History's sportsmen: the Ironbark Methodist Cricket Team circa 1949. Back row: J. Harris, J. Tyack, G. Speedy, A. Bolitho, B. Tyack and R. Tyack. Centre row: M. Turner, J. Roach, W. Boucher and D. Moon. Front row: R. Blandthorn, M. Tyack and B. Pollack. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Coloured photograph of the 1987 Netball - Grade 4. The girls are wearing yellow Golden Square t shirts and dark blue skirts. The girl in the centre of the front row is holding a netball. The names of the girls are:- Back Row (L - R) Katrina Caldwell, Joanna White, Clare Baxter, Angie Phelan, Rebekah Boschert. Front Row (L - R) Maree Long, Tonya McNamara, Rachael McEwan.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph 1987 netball - grade 4, katrina caldwell, joanna white, clare baxter, angie phelan, rebekah boschert, maree long, tonya mcnamara, rachael mcewan

Photograph - black and white. A photo of the Kangaroo Flat Fire Brigade, 1961. Front row - Jack Luke, Wal.Anderson (ex.Capt.), Bill Bowery (Capt.), Rowell, W.Browning (Sec.). Centre Row - Browning, Wayne Pattison, Noel Austin, Max McGregor, Eric Lanyon, J.Sutherland, V.Bellis, Boucher, T.Guilmartin. Back Row - Graeme Danson, Bob Kenley, Len Boucher, Alan Langley, Bruce Pain, K.Smith.The Herald and Weekly Times Ltd. Melbourne.organization, public utility, fire brigade, kangaroo flat fire brigade, 1961.

Formal photograph of four rows of school children sitting and standing upon stools with centre bottom row child holding blackboard reading 'Golden Square State School, Grade 4. One of nine photo's relating to WG Dahl. Biro caption 'Bottom Row Uncle Cyril' is not contemporary with photograph and probably refers to W G Dahl relative . Early 20 th century approx date.bendigo, education, golden square primary school

black and white copy: image shows St. Joseph's School ( grade indecipherable ) students, four rows of 14 boys and 15 girls. On back of image : Received 17.11.1999, St. Joseph's Quarry Hill 1922. Back row : 2nd. From left - Gilbert Victor Hornsby age 7, Front row 1st on right. Marion Alma Dunt, age 6 ( nee Hornsby ) 1916 - 1993.person, group, quarry hill school, dunt

Black and white photograph of 2 steamers moored by the river bank. The foreground steamer has 2 crew dressed in sailors uniform (band members?) There is a person standing on the lower roof section putting a case (?) into the upper floor with quite a few people up there also. There appears to be musical instruments behind the crowd. On the gangplank 2 men are wheeling a piece of equipment onto the steamer. The background steamer is the P. S. Canberra, also moored to the bank and unloading. There is a row boat in the middle of the river with 4 rowers and a standing cox.This appears to be a navel band getting ready for a cruise on the river, a social event that often happens in the Echuca area. On the other side of the river can be seen a "Caltex" sign and a couple of caravans parked between the trees. This could have been part of a river festival.Black and white photograph of 2 steamers moored by the river bank. The background steamer is the P. S. Canberra. The foreground steamer has crew dressed in sailors' uniforms (band members?). There is a person standing on the lower roof section putting a case (?) into the upper floor with quite a few people up there also. There appears to be musical instruments behind the crowd. On the gangplank 2 men are wheeling a piece of equipment onto the steamer. There is a row boat in the middle of the river with 4 rowers and a standing cox.The steamer in the background is marked "Canberra". In pencil on the back is marked P000102.paddle steamers, p.s.canberra

HistoricalBlack & white team photograph. Back row standing with arms folded, front row sitting, one sitting at front with ball. Umpire in white coat holding flag, standing at left. Taken on oval with cypress trees and parked cars in background.1959 Phillip Island Football Club - Seconds phillip island football club seconds 1959, local sporting teams, j. drennan, cleeland, morgan-payler, k mcilwraith, jeffrey, m. toovey, h. lacco, b. robb, g. anderson, p. curtin, m. de la haye

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of six members of the Phillip Island Rifle Club - winners of the McCauley Cup 1960 at Lang Lang. Back row: Bryant West, Percy Cooper, Harry Bradley, Robbie Justice. Front row: Ron (Plugger) Bennell, Ted Waltonlocal history, photography, phillip island rifle club, black & white photograph, mccauley cup, john jenner, bryant west

After his return from World War 1, Christopher Robinson of St John's Parade, Kew played with the Kew Baseball and the Hawthorn East Melbourne Cricket Clubs. This photo includes Chris and this brother Beav.The photograph is of local significance as an image of participation in sport and recreation in the decade following the First World War.An unidentified team photograph, mounted on board, of a cricket club, which may be the Hawthorn East Melbourne Cricket Club. Pictured in the photo are Chris Robinson (middle row 2nd from right) and his brother Beav (2nd row, extreme right).christopher robinson, beav robinson, cricket

The Fred Rochow Railways Collection incorporates photos related to the operation of the Wodonga Railway Station including different types of trains and railways staff C. 1930 – 1990. It was donated to the Wodonga Historical Society by Fred Rochow, a railwayman who spent many years based in Wodonga. He joined the Victorian Railways on 17th June l947 and retired in 1988. For some time, he was a member of the Australian Federated Union of Locomotive Enginemen and served a term as a member of the Trades Hall Council. He had an extensive knowledge of the struggles that took place to achieve better conditions for railway workers. Fred worked for many years as a fireman and then worked his way up the ranks to driver, experiencing many changes from the days of steam locomotives through to diesel trains, locomotives and even the modern XPT train. He worked throughout Victoria at different stages of his career, with his final working years focused on the northeast of Victoria and the Albury to Melbourne line. After his retirement, Fred continued to share his love of steam miniature trains with the community.This collection has local and statewide significance as it captures images of trains, locomotives and personnel who operated the railway services in Wodonga and throughout Northeast Victoria. The railways played a critical role in opening up Victoria and connecting Australia for trade, business, social communication and transport.Back row left to right: Alec Reid, Keith Moore, Colin Whiteland, Bill Welch, Stan Warwick, Unknown, Les Hallawell Front row left to right: Unknown, L Vin Snow, ; Alan Elvish, Cyril Hughes, Unknownrailways wodonga, fred rochow, wodonga railwaymen