6.1 x 24.8 negative strip with four photos of 2 dance programmes, one of a German Mask Ball, which has a gold thread attached and the other, a Return Ball. Cr J H Curnow printed on the front of the programme.entertainment, dance, german mask ball, peter ellis collection, negative, german mask ball programme, cr j h curnow

Louris Holly Larsen-Disney married Percy James White at Melbourne Grammar Chapel on 17 June 1948. In later years the dress was given to an opportunity shop and purchased by Mrs Landells of the Brighton Historical Society. Louris subsequently visited the Society and recognised her dress, and was able to provide BHS with information on it. Also in the Society's collection is a 1950s pink strapless silk chiffon dress worn by Louris, and a wedding photo of Louris taken at her mother and stepfather's home at 53 South Road, Brighton. The couple moved into a house just a few doors down, at 49 South Road.Wedding dress made from silver metallic thread crepe. Fastens down front with small self-covered buttons and loops. Long fitted sleeves fastened with 10 covered buttons and loops. Full bias cut skirt with train.wedding dress, 1940s fashion, louris holly white, percy james white, brighton

Until Linton was connected to the statewide electricity grid in 1939, this gas light was used to light the altar at the Presbyterian Church in Linton.Curved gas light wall bracket, ornamented with leaves. One end designed to be attached to a wall, the other end has a valve, presumably to control the flow of gas. Beyond this valve, the end of the fitting is threaded, to facilitate attachment of a glass cover.gas lighting, presbyterian church linton

The Annual Sports Day in the 1920s featured a number of novelty races such as 'Thread the needle, Siamese or, in this case, Potato. The Touchstone 1926 does not include a report for the Annual Sports Day so the 'JS' cannot be confirm but could be Joyce (Sarah) Bathurst (1934) or Jean (Smith) (1934). Silver plated egg cup with spoon slit in base; engraving on base. Engraved on base: C.P.L.C. Sports 1926 / Under 10 Potato Race / J.S. potato-race, sports, clarendon-presbyterian-ladies-college, 1926

A woman perches on the edge of a chair as she fingerspells on the palm to an older, deaf-blind woman who is seated. In the second picture, an older female pulls a thread taut as she sits in front of a long table. It is unknown where these images were taken, however assumed to be at Elanora.2 black and white photographs of elderly female residentselanora home (brighton), recreation, association for the blind

Address given by Mrs Lavender on the presentation of the Kyneton Colours on 28 February 1861 “Gentlemen of the Kyneton District Mounted Rifles, I feel proud of the honour done me in being deputed by the ladies of Kyneton to present the colours to your honourable Corps. There has always been a peculiar honour and responsibility connected with the colours of a Regiment. They have been unfurled on a battlefield as rallying points for many a splendid troop of gallant soldiers and courageous hearts. They have been spread to the breeze on the storming of many a city and battles hardly fought and dearly won. To retain their position and maintain their integrity, many a brave soldier has freely offered his life in their defence and, when in the hour of adversity they have been lowered, overpowered by the foe, many a brave heart has bit the dust. We might say that the history of our country is written on the banners of our “Fatherland”. The names emblazoned there speak, it is true of many a battlefield, of many a desperate struggle and of many a glorious victory won by British bravery. Gentlemen, your colours are not decorated by names such as Waterloo, Alma, Inkerman, Delhir Cawnpore, and many others I might mention. They are blank and may the God of Peace grant that in this land of adoption, it may be long before necessity of duty calls upon you to maintain the integrity of your colours and win their names. But if in the providence of God, either from internal commotion or external aggression, you should be called into action, may these colours, the token of your Corps, be upheld with the bravery of British Soldiers, their honour maintained with your lives, and may they never be lowered to a foe. Gentlemen, your motto directs: Onward, onward; may it be so Onward at the shout of victory” This item is significant as The Kyneton Colour is the 2nd oldest Regimental Colour knownin Australia, and the oldest Australian Cavalry Colour. It is unique, in that it is hand made from an original design, there is no other colour of this type known to exist. The Kyneton District Mounted Rifles is the oldest ancestor unit of the 4th/19th Prince of Wales's Light Horse Regiment and therefore is historicaly significant to the Regiment in particular and to Australian Military History in general.Regimental Colour of the Kyneton Distric Mounted Rifles. A double sided blue silk damask standard bounded on three sides by 30mm coiled metal fringing. It is heavily embroidered through a silk and cotton layer and these sections are are put back to back forming a sandwich of four layers. Several kinds of metal threads and sequins have been used for the embroidery as well as coloured silk floss, employing satin and stem stitch. The front shows a central insert in white silk divided into four and with a steam engine, bull, plough, and wheat sheaf in the segments. This crest is flanked on the left by a kangaroo and the right by an Emu. Above the crest is a horizontal baton, and above that a smiling sun sitting on a bed of clouds. The initials KD are in the upper hoist area and MD in the upper fly region.Below the crest is a red ribbon with the Latin words VESTICIA NULLA RETRORSUM in metal thread. Below this applique is a green satin stitch shape. The reverse has a red cross with stars surrounded by a green and gold laurel wreath. This is surmounted by a Queen's crown in embroidered metal thread over a base of red silk velvet. The bottom third of the flag is decorated with the words KYNETON DISTRIC MOUNTED RIFLES in embroidered metal thread.See description.standard, colours, kyneton district mounted rifles, kyneton

2 blue canvas Australia Post bags with brass eyelets used mid 20th Century to deliver mail to householders in the City of Moorabbin . Small bag has Australia Post Stamped on it and the large bag has no markings but has white rope threaded through the brass eyeletsAustralia Post Canvas Bags donated by Judy Clark the daughter of George Reed who lived and worked in the City of Moorabbin in 20th century 2 Blue canvas bags with brass eyeletsa) AUSTRALIA POST OFFICE 869 No 5 b) no marking ; white rope australia post, post offices, mail, bentleigh, moorabbin, mckinnon, ormond, cheltenham, highett, early settlers, reed george

Insulates electrical wire which is attached between the outside ridges. It is screwed onto the cross arm of a power pole. It is non conductive so electricity doesn't short to the ground.Used on the power poles in the Kiewa Valley.Clear tinted glass (one green & one brown) domed shaped insulator. Above centre there are 2 ridges to enable the electrical wire/cable to be fixed on. The closed end has a screw thread down to half way to enable it to be attached to a pole.Green one has 'Agee' on side of the open endkiewa hydro electric scheme. electricity. power lines. insulator

The brush in this case could have been used as a hair brush or a clothes brush. It is enclosed in a leather case and was probably an item made for travellers. The brush and case belonged to George Tomlinson of Ballangeich. Ballangeich is a small settlement on the Hopkins Highway about 27 kilometres from Warrambool. George Tomlinson’s grandfather, William Tomlinson , established a farming property at Ballangeich in 1865 and opened a hotel, ‘Half Way House’ on part of the land. George Tomlinson’s father, also William, continued to farm in the area and was known as a fine judge of cattle and sheep. This case and brush are of interest as an example of the brushes men used in the mid 20th century. The items are also of interest as they belonged to a member of a well-known Ballangeich family (Tomlinsons).1 This is a piece of brown leather rolled over and stitched with yellow thread to form a container or case. The case has a closing mechanism – a leather strap and metal buckle. .2 Inside the leather case is a brush with a brown Bakelite back with horsehair inserted. ‘G.E. Tomlinson Ballangeich Victoria’men’s toiletries, ballangeich, history of warrnambool

photograph: black and white photograph of woman operating machinery in factory. Machine has spools of thread being fed into lower section of machine. Woman dressed in uniform. On back of photo : Handschin & Ronus, Aktiengesellschaft, Liestal, ( Scheiz ) Photo taken in Switzerland ?organization, business, hanro, hanro, bendigo, manufacturing

Textiles. Pale green coloured rectangular silk table runner backed with mid green silk twelve cm border on all sides of beaded vines, leaves and flowers. Three cm fringe on all edges of pale blue and silver threads.textiles, domestic, table runner

Textiles, cream coloured six sided lace tea cosy. Diagonal diamond pattern on front and back. Edged with scalloped lace with eyelets. Ribbon threaded from each side of lower edge and tied in a bow at centre top on one side.textiles, domestic, lace tea cosy

Textiles. Hand made cardboard trinket box covered with heavy linen type material with hinged lid. Embroidered cotton light blue flowers on lid. Cording around edge of lid. Seams of embroidered thread. Lined with light blue satin.textiles, domestic, hand made cardboard trinket box

Made by internees, Singapore Group Refugees at Camp 3 Tatura for entertainment purposesSoft cover loose leaf book "Behind the Fence" Sept 1940 - Sept1941. 12month periodical. Has camp sketch on front cover. Written (typed) in English and German. Black & White illustrations and sketches. Card cover bound with coloured thread.tatura, singapore group camp 3, books, history, local

Used at the Sunbury asylumHalf-petticoat in heavy brown (with green and red threads mixed in) wool (flannel?). Cut from two uneven sized pieces of cloth and suspended from waistband of unbleached canvas. There are three rows of puckering (one deep, two narrow) in the fabric.Nonecostume, sunbury asylum, george evans collection

From the collection of Margaret ScarlettCommemoration of the Coronation of Queen Elizabeth & King George V1Coin size (20c), circular with shank on top for threading of a hanging ribbon. Commemorating the Coronation of their Majesties 1937 May 12th . King George V1 and Queen Elizabeth.|Front - Image of King George and Queen Elizabeth|Reverse - Victorian Coat of Arms.Commemoration of the Coronation of their Majesties 1937trophies & awards, public events

Pin doll, with ceramic figurine components and padded fabric lower section. Ceramic sections represent upper body and legs of a flapper girl holding tennis racquet and ball. Metal pins remaining in base. Materials: Ceramic, Cloth, Thread, Wooltennis

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This 'dance frock' by Park Avenue Gowns is one of a number of garments in the collection by this designer.Metallic thread silk cocktail dress and wrap by Park Avenue Gowns, 1960. Virtually identical dresses by the designer were featured in the Australian Women's Weekly in 1960, described as 'dance frocks', to which the wide flairing skirt would be well suited.Label : "Park Avenue Gowns"women's clothing, cocktail dresses, dance frocks, australian fashion - 1960s, fashion designers - melbourne (vic) - park avenue gowns

A set of cream linen table linen comprising: one rectangular centro piece or runner, four rectangular place mats and eight square serviettes. All pieces have pulled thread, or drawn fabric, as well as embroidered detailing, patterns and edging.table linen., household textiles.

Donated by donor, by an elderly friend who had been given the item. Donor had had the item for 20 years.Camisole, white cotton square neck, short sleeve, shaped to the waist. Neck trimmed with broderie anglaise lace, threaded with pink ribbon. Yoke opening 12cm down the front with three pearl buttons to a 64cm waist band and 8cm peplum.costume, female underwear

Long light brown duffle bag, used for carrying clothing and small to medium personal items. A rope threads through a series of brass eyelets around the top of the bag and when closed substitutes as a carry shoulder strap. The bag is missing the rope.Very faded inside markings - "J.T.D. D^D 1950"passchendaele barracks trust, equipment, duffle bag, personal

Part of the Kevin John HERDMAN, No. 397661 Collection. See catalogue No. 5942P for details of his service record. "D" handle used to close a kit bag. The eyelets on the bag are threaded along the straight part. It can then be locked using a padlock through the small loop on the end of the curved sections.Lockable metal D-ring handle for kit bag. Curved section and straight part are hinged. Loop on the end of the curved section fits through a slot in the straight part.d handle, kevin john herdman

Cotton doilie, possibly hand made in the 1950s for domestic use. Doilies like this were used to protect furniture from scratches and for ornamental use. This doilie is crocheted using fine cotton thread in a six-point star circular design with 10 semi-circular details around edge.1 cotton doilie (small ornamental mat), cream crochet cotton. doilies, crochet

Brown oval cardboard with a picture of fairies, rabbits and an elf. The 3 rabbits and the elf are holding hands and dancing. Two of the fairies are sitting on the grass and clapping hands. The third on is standing against a tree playing a flute. They are in the forest with a stream, white flowers and some toadstools. The picture is in greens, pinks, browns and white. At each side of the picture is a 16 point star worked in yellow/green crochet thread. At the top and bottom is a pink 16 point star worked in pink. Holes have been punched in the card for the thread to go through. At the top is a loop for hanging. Written on the back: Eileen Wilson.cottage, miners, wall-hanging, foster & wilson collection, wall-hanging

These old spools or bobbins were used in textile mills and on looms in factories. The wooden one is a piece of the Industrial Revolution. Two vintage or antique wooden and thick cardboard industrial large sewing spools. The wooden one is an example from the Industrial Revolution. It has a round wooden top and base, with metal bands around both ends. There are two holes in one end at the side of the bigger hole in the middle which the spool would be attached to a machine. It has thick twisted discoloured cream string like thread wound around it. The cardboard wide open ended spool is smaller with thick cream coloured silk thread wound onto it.They were probably used in mills or factories.cotton reels, thread holders, threads

Travelling salesmen (hawkers) regularly journeyed from farm to farm selling useful household items like needles, thread, clothing, even cooking pots. Mr T Saker was a salesman selling drapery. He was based in Warrnambool and had a regular route to Lake Bolac and through the Western district.lake bolac, hawkers, drapery, warrnambool, western district

Beeswax has been used for millennia. From the 19th century on the main uses included, the making of candles (mainly for the wealthy), cosmetics ( eg. natural protection and gloss for the lips), wax for seals on mail and documents, and for polishing furniture (scrapings of wax dissolved in spirits such as turpentine). Also used for lubricating thread.Two lumps of beeswax used for a functional purpose. beeswax, wax

Established in London in 1760 as flax dressers and producers of thread for shoemakers, the business was founded by Francis Ullathorne and continued by four of his sons. Eventually they had agencies in Paris, London and Melbourne. They imported all manner of leather goods and tannery supplies by 1866. By 1901 the Melbourne company was named Ullathorne and Hartridge.48 Paper pages with cover missing. Revised List of Prices of goods in Ullathorne & Co's Illustrated Catalogue of Shoemakers' Curriers', Tanners' and Sadlers' Tools and Materials. London 1888 Printed by McCorquodale and Co. 'Armoury' Southwark.