Colour image: two storey hotel, white façade, brown trim. On corner of Barnard Street and View Street, Bendigo. Arched windows on bottom storey. Written over entry 'ParkView Hotel'. Appears to be late 1970's?bendigo, hotel, park view hotel

Colour image: 'Boundary Hotel', Milroy St., Bendigo., white painted single storey building, green corrugated iron roof. Brown trim on windows. Brown and white awnings over doorways. Horse trough out front.bendigo, hotel, boundary hotel bendigo

Childs china tea set consisting of 6 cups, 6 saucers, 6 plates, 1 tea pot with lid, 1 sugar bowl with lid and 1 milk jug, all decorated with coloured flowers and gold trim.toys, domestic equipment, tea set

Poster advertising "Music for the People" Sunday, March 5 (1953?) featuring images of Margaret Nisbett, Soprano, Hector Crawford Conductor of the Australian Symphony Orchestra and Gordon Boyd Baritone. Part of the Music for the People event during the Begonia Festival. Would have been displayed in an internal tramcar advert rack. Has been recycled by the SEC Ballarat depot to display a dyeline print of a1969 tram fare schedule glued to the rear with possibly another earlier version underneath. See Reg Item 7471 for a 1955? version. Demonstrates how posters to advertise Begonia Festival events were printed and then recycled by the SEC depot Ballarat for other purposes.Poster printed on cardboard "Music for the People" during a Ballarat Begonia Festival. The poster has been trimmed on the right hand side and a 1969 tram fare schedule glued to the rear. Cut to fit in a tramcar internal advertisement rack.fares, trams, tramways, secv, ballarat, begonia festival, hector crawford, gordon boyd, margaret nisbett, music for the people

Lord and Lady Gowrie attended the Melbourne Cup 1 November 1938. Their escort on that occasion was drawn from 8th (Indi) Light Horse Regiment and commanded by Lieutenant FC Trickey with soldiers drawn from Benalla, Euroa, Wangaratta, Tallangatta, Wahgunyah, Wodonga and Rutherglen Troops. The 8th Light Horse (Indi) Regiment superseded the 16th Light Horse in 1919. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded. Well prepared memento of vice-regal visit to regional centre and escort duty by the local regiment.Framed photograph of an extract from "The Benalla Ensign" of Friday November 4 1938 reporting on the Governor General's escort to the Melbourne Cup drawn from the 8th Light Horse Regiment. The frame is black painted wood with gold trim.8th light horse regiment, benalla ensign, governor general, gowrie, flemington, cup

Johnson Bros. was founded by two brothers named Alfred and Frederick who purchased a pottery factory in Hanley, England, in 1883. They were grandsons of a renowned English potter, Alfred Meakin. They were later joined in the business by their brothers Henry and Robert. Their business grew rapidly, as they were one of the world's largest pottery factories by the turn of the 20th century. By 1970, Johnson Bros. obtained the Royal Charter to become the official provider of china for Her Majesty Queen Elizabeth II. More than 1,300 patterns have been created throughout Johnson Brothers' history. Due to their growing success, manufacturing plants were established overseas including the establishment of a tableware factory, Johnson Brothers Australia in 1957 in Croydon, Victoria operated through a company known as Sovereign Pottery Ltd. Due to rising competition, Johnson Brothers became part of the Wedgewood Group in 1968. In 2015, following the acquisition of Wedgewood by Finnish company Fiskars, the Johnson Brothers branding was discontinued. The trademark on this bowl was used by Johnson Brothers between 1913 and 1942. An item which reflects the changing market for tableware that was reasonably priced and serviceable. Their innovation of the pottery line called semi-porcelain changed the industry. This development allowed potteries to produce fashionable pottery items that were affordable to all social classes of the time. Their use became widespread in Australia, especially following their establishment of a tableware factory in Melbourne, Victoria. A shallow white bowl with gold trim, probably used for serving vegetables at the table. The underside of the bowl bears the mark of Johnson Bros England. The mark is composed of a green crown above the words "Johnson Bros England" also in green.On under side of bowl, beneath a green crown "Johnson Bros/England"johnson brothers ceramics, domestic utensils, kitchenware

From the 1860's - 1930's various companies called their enamelware products by their own unique names, e.g. graniteware and agateware. The enamel coating put an end to metallic tasting food and prevented rust from contaminating food. It did scratch and chip easily. This lidded can could have been used for storing dripping or other liquids for cooking.A small rusted and chipped lidded can or billy with a wire handle looped at the sides. It has a rolled blue trim around the rim of the can. The rolled lid has a small flattened handle in the middle and the lid fits well to the can.enamel, metal, domestic object, cans

From the 1860's - 1930's various companies called their enamelware products by their own unique names, e.g. graniteware and agateware. The enamel coating put an end to metallic tasting food and prevented rust from contaminating food. It did scratch and chip easily. This lidded can could have been used for storing dripping or other liquids for cooking.A rusted and chipped grey speckled lidded can or billy with a wire handle looped at the sides. It has a rolled black trim around the rim of the can. The rolled lid has a small handle in the middle and the lid fits well to the can.enamel, metal, domestic object, cans

Hand theatre made "trench art", utilising used artillery brass shell casings, of various calibres, hand made with such "tools" as were available at the time. They have been decoratively trimmed at the mouth of each with a "scalloped" pattern, the shallowest casing mounted on small arms casings as "feet" and the large casing inverted engraved and embossed with a depiction of the Australian Commonwealth Military Forces "Rising Sun" badge.This "Dinner Gong" and "Striker" are significant Historically and Socially, as it is believed to be the only example of a dinner gong and striker made in theatre as contemporary "trench art" by serving members of this group. Around the top of the main part of the Gong are stamped the initials of the Australian members of the Royal Flying Corps at the time, it is of possible National historical significance, as they were such a small group at best, and a highly vulnerable group, quite likely to not survive the conflict. This group and their desendants went on to be a part of the formation of the Australian Flying Corps, the beginings of the Royal Australian Air Force. It relates to the embrionic stages of a part of the now Australian Defence Force.A commemorative Dinner Gong construted from Artillery Shell Casings of various sizes. The largest cut short at the bottom, mounted on rifle or machine gun casings cut short as 'feet'. A slightly smaller diameter inverted as the 'gong' with decorative engravings depicting, a Rising Sun emblem on a decorated back ground, 'AFC' (Australian Flying Corps) crowned wings, on the same decorated back ground. The open ends of these larger casings is 'scalloped' and decorated beautifully, while the closed ends have a 'pie crust effect around the flanged edge. There is a biforcated mount at the top to hold the 'striker' made from white metal ballastered rod with a wooden eliptical knob. On the top around the striker mount are stamped the initials of those believed to be the first Australian Aviators in the then AFC.

The Express 11, was built in 1990, and is still in service as the Trimness. A self discharging bulk carrier she was built by Tsuneishi Zosen K. K. Numkauma for Howard Smith Industries Pty. Ltd. Length 150m Beam 24m Gross tons 17,309 speed 13 knots. Sold in 1996 to Trimnes Shipping, of Panama Sold 1996 to Trimnes Shipping Co, Panama and renamed Trimnes.Ship builder's model - Body of moulded polyurethane painted in maroon and black, the deck painted grey, with detailed fittings, machinery, rigging and superstructure, raised on a wooden base.on model: "EXPRESS/ EXPRESS HOBART" on base: PWO 2666.1/ 110/97 SI

In the early 19th century, infant baptismal gowns worn by male and female infants began to be modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.A mid-nineteenth century christening (baptismal) gown, constructed of sturdy white cotton featuring a long skirt, high neck and long sleeves. The gown is constructed by hand, and there is evidence of home-finished needlework, The bodice is loosely pleated with gathering at the high waist, A later cotton tie was attached at the centre waist and commercial lace added to the neckline and cuffs.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

Western fashion in the 1890s saw women's capes become an item of fashionable choice as they fell gracefully over an expansive sleeve. Capes often had a high neck, and were frequently trimmed with jet passementerie and fur. This capelet has a fashionable dog-collar neckline which became fashionable from c.1895, lasting as a style to c.1905. The capelet was probably part of a mourning ensemble.The capelet originally belonged to Catherine Francis Ellen Gulliver (nee Wells) who was born in Ballarat in 1874. The item was passed by descent to her daughter Catherine Francis Helen Taylor (nee Gulliver) [born 1896], and then to her granddaughter, Doris Catherine Kriesfield (nee Taylor) [1922-2015]. Victorian-era capelet, designed to cover the shoulders, and ornamented with a double band of jet passementerie. The capelet has a high dog neck collar, which is lined with leather. The original lace, of which some remains, has been removed in the past, probably due to damage, leaving some traces of its original style. The front of the capelet has large hooks and eyes.fashion design, women's clothing, outerwear, capes, capelets, fashion -- 1890s -- 1900s, mourning wear

Western fashion in the 1890s saw women's capes become an item of fashionable choice as they fell gracefully over an expansive sleeve. Capes often had a high neck, and were frequently trimmed with jet passementerie and fur. This capelet has a fashionable dog-collar neckline which became fashionable from c.1895, lasting as a style to c.1905. The capelet was probably part of a mourning ensemble.The capelet originally belonged to Catherine Francis Ellen Gulliver (nee Wells) who was born in Ballarat in 1874. The item was passed by descent to her daughter Catherine Francis Helen Taylor (nee Gulliver) [born 1896], and then to her granddaughter, Doris Catherine Kriesfield (nee Taylor) [1922-2015]. Victorian-era capelet, designed to cover the shoulders, and ornamented with shamrocks outlined in jet passementerie. The capelet has a dog-collar neck, that is lined with leather. The original lace, forms a wide border edging the satin. The front of the capelet has large hooks and eyes.fashion design, women's clothing, outerwear, capes, capelets, fashion -- 1890s -- 1900s, mourning wear, catherine francis ellen gulliver, doris catherine kriesfield

Photograph, possibly of a driver wearing an MMTB uniform - 1920s. The reproduction print has been made from a damaged negative or copy print with fingerprint marks and water stain damage. The photo shows the cap (possibly number 3508) with the MMTB logo badge, five button tunic with three leather-trimmed pockets, one top pocket along with a button on the top left side.Yields information about early MMTB Uniforms.Black and white photograph of possibly a driver wearing a MMTB uniform. tramways, mmtb, trams, crews, uniforms, tram drivers

William Bailey JACKSON no 5813 Refer Cat no 3445P for his service details.Certificate, colour with oval inset black and white photograph of a soldier from the “District of Epsom Patriotic Committee “. Presented to “Pte Jackson” Frame in heavy glazed wood with gold trim. Signed by the chairman and Hon. Secretary on “July 10th, 1918 “Presented to Private W.B. Jackson by the people of Epsom in grateful appreciation of his services for King and Country in the Great War”certificate, framed, epsom

Wood-encased telephone (aluminium-reinforced edging strips) in leather carrying case. Hinged lid mostly aluminium (some wooden trim). (Missing from original: Metal dividers/calipers should be held by the leather strips on front of case).Metal instruction plate inside lid - shows wiring diagram with instructions in Japanese. Serial No. (Front of wooden box): 146112 (other inscriptions in Japanese)

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 18/37 (lower left) The Wedding, 1924 (lower centre) A. Gee (lower right) Back: (no inscriptions)

A framed formal photograph of a man wearing what appears to be either a graduation robe or a mayoral robe. It is trimmed with fur and he has a frilled ruffle (a jabot?). One hand is resting on a small table and the other holds a scroll.The frame is wooden.

Clothing. Swimming costume. Waisted ladies swimming costume of navy blue cotton interlock fabric. Short sleeves. Front opening to waist with four buttons. Skirted panel over knee length pants. Blue and white trim on neckline.costume, female, swimwear

Clothing. Half slip petticoat, light peach in colour, nylon half slip, trimmed at hemline with 3 cms band of lace, 12 cms band permanently pleated nylon, 8 cms band of lace. Elastic waist band.Label inside side seam: Hanro 100% Nylon. Hips 40costume, female, underwear

Black and white photograph of garden, tall pines in background, palms in foreground. Eaglehawk statues on plinths in centre, gravel path with trimmed shrubs each side. On back in pencil 'Canterbury Park' ' Canterbury Gardens Eaglehawk entrance' James Lerk.? Leo Hughesplace, public gardens, canterbury gardens, eaglehawk

Bendigo Gas Company Embosser for Stamping , Paper, envelopes, stamps. Heavy metal construction in the form of swirling leaves, mounted on metal base approx 20cm by 8cms. With long handle. Painted black with gold trim. Temp Rec#C1.16bendigo, business, bendigo gas company

Clothing. Pink nylon woman's singlet with shaped top at bustline. Ribbon shoulder straps(1cm). Top edge and hem trimmed with 2cm self stripe transparent pink nylon fabric. Singlet made of nylon fleece backed fabric.costume, female underwear, woman's pink nylon singlet

The minutes of each meeting of the Board of Management of the Victorian Deaf & Dumb Institution, the Victorian School for Deaf Children and Deaf Children Australia has been retained from 1862 to 2010.The minutes of the meetings provide an insight into the day to day running of the School, from Wages and Salaries, student issues to broader educational topics, building works and finances.Brown fabricwith leather trim bound book containing the handwritten minutes of the meetings of the Victorian Deaf and Dumb Institution from March 1883 to Feb 1890. Committees included are: General Committee, House committee, sub-committees and special meetings.Spine: "MINUTE BOOK" in gold stamping on red leatherdeaf children australia, deaf education, minutes of meeting

Vinyl Black and White Mural of Vietnam Timeline. superimposed on two photos. On the left - an infantry patrol, and of the right - a series of APC's transporting infantry. Led strip lights and woodgrain trim with a black plastic cut out of a Huey attached to the top.Vietnam Timeline. the Spiritual Home Of Vietnam Veterans, this display was kindly donated by Phillip Island RSLtimeline

A chronicle of officials of the G.C.C. during 1909. This honour board has an important place in the history of the Geelong Cycling Club and signifies the high esteem in which the community held cycling in the early part of the 20th century. Decorative wooden frame around individual photographs on oval ceramic plates and mounted on a wooden background. These are surrounded by pressed metal floral decorations. Inscriptions are in cursive script and painted in blue and white against the wood. There is a gold trim to the wooden frame. "Geelong Cycling Club/R McGann/T. Jenkins/H.H. Barclay/C. Hobbs/A. Beaming, Club Trainer/C. Hudgell/G.A. Martin, Vice Capt/H.G. Cartriss, Captain/E.Kitchen, ICCA Delegn/W.C McEwan/C. Bartlett/B. Freedman,Auditor/Eli Phillips, President/H. Groves, Handicapper/A. Hyatt/H.W. Heath/J. MacPhee/J.McMahon/C. Farrell/C.A.Betts, Hon. Secretary/O. Rowlands/M. O Donnell, Com/J.Kilmartin/C.E.Hewitt, Treasurer/E.Walsh, Com/N.James, Com/G. Martin/H.Mills/L.Redman/A.Palmer/W. Loone/H.L. Kelly/W. Shields/R.Hobbs/Presented/Mr. Charles A. Betts/A token of esteem for valuable services rendered as secretary/Nov 9, 1909” geelong cycling club; r mcgann; t. jenkins; h.h. barclay; c. hobbs; a. beaming; c. hudgell; g.a. martin; h.g. cartriss; e.kitchen; w.c mcewan; c. bartlett; b. freedman; eli phillips; h. groves; a. hyatt; h.w. heath; j. macphee; j.mcmahon; c. farrell; c.a.betts; o. rowlands; m. o donnell; j.kilmartin; c.e.hewitt; e.walsh; n.james; g. martin; h.mills; l.redman; a.palmer; w. loone; h.l. kelly; w. shields; r.hobbs; mr. charles a. betts;

www.myprimitivemethodists.org.ukWhite china with gold trim and green transfer prints and text. Teapot, registration number 13.1, has a serpent like spout. Teapot lid, registration number 13.2. Saucer, registration number 13.3. Plate, registration number 13.4.Teapot front: 'Primitive Methodist Jubliee Chapel Tunstall'; teapot back and teapot lid: 'William Clowes' 'Hugh Bourne'. primitive methodist, primitive methodist jubliee chapel tunstall

Five Pair Long Rayon Gloves. 2 pair Blue. 2 pair Pink. 1 pair Cream. All trimmed around the top and one line of braid. (silk). Buttoned with pearl buttons at wrist. Mc Clure family. stawell clothing material

Made for and worn by Jeanette Margaret Bennett at her wedding at Uniting Church, Riversdale Road, Wattle ParkWhite chiffon 1978 round neck line dress with high waist, long sleeves; with cuff and six covered buttons. Hem line and neck trimmed with satin. Dress lined with satin underskirt. See also 3597., Wedding Veilcostume, female ceremonial

House built early 1900's by Don Mitchelson, brother of Leo Mitchelson, local builders.Colour photograph of timber dwelling at 11 Orme Street. Has hipped roof of corrugated iron, bull nose veranda across front, trimmed with wrought iron lace. Bait for sale notices at front fence. Lakes Entrance Victoriahouses, heritage study