A children's tennis racquet, featuring slightly lobbed head, solid convex throat, wood/cardboard laminated frame and shaft, and paper collar and end wrap. Materials: Wood, Twine, Paper, Glue, Lacquer, Metal, Cardboardtennis

A Wilson Slammer racquetball racquet, with one-piece metallic frame, plastic throat brace, plastic handle with leather grip, and cord tail. Materials: Metal, Plastic, Leather, Cord, Nylon, Ink, Adhesive tape, Gluetennis

Colour print reproduction of a watercolour of female figure holding a racquet and standing alongside a male figure smoking a cigarette. Image adhered to glass. Frame made of metal chain. Materials: Ink, Paper, Metal, Adhesive labeltennis

Ticket for famous 1885 Royal Tennis Championship match between Pettitt and Lambert. Information blurb with Christie's pricing ($300 in 2001) adhered to back of frame. UV glass. Materials: Paper, Ink, Metal, Wood, Glasstennis

Original studio portrait photograph of woman holding a tennis racquet resting on her elbow. Lower panel of frame has relief molding of a tennis racquet. Materials: Paper, Photographic emulsion, Glass, Wood, Cardboard, Inktennis

Reproduction of black & white photograph of four men holding tennis racquets and wearing tennis attire. Original photograph is held by us (2009.467). Framed under UV glass. Materials: Ink, Paper, Metal, Wood, Glasstennis

Iron-framed Thurmer upright piano with dark wooden panels. Two marks where candlesticks or other objects may have been attached can be seen on the front panel. Decorative carving on sides. 2 pedals.Thurmer; Sole Agents Allan & co. Pty Ltd Melbourne, on front. Paper sticker inside top lid - 'Ferd. Thurmer'.musical instruments, keyboard, thurmer, piano, augusta borrack (ziebell), leo borrack, allan & co.

Black and white photograph. Photo of block E's facade of the Queen Victoria Memorial Hospital which was to be QVWC. Before restoration and after the hospital had moved to Clayton. Taken from Lonsdale street, scaffolding left of frame. historic buildings, hospitals, charitable organisations, cultural structures and establishments

Large belt driven bandsaw with wooden frame. Metal upper and lower driving wheels for bandsaw. Upper brass and lower cast iron. Wooden work table and saw guard. In poor working order and blade not fitted.trades, carpenttry

Norman Carter took many photos of Surrey Hills and Mont Albert from the 1920s; many were associated with events and activities of the Church of England.Black and white photo taken from diagonally opposite Holy Trinity Anglican Church, Surrey Hills in Union Road, showing the brick skin of the building and the timber frame of the roof. There is scaffolding on the front face and around the spire.On back of original in pencil: "9th Oct 1921" and in a different hand in biro: "Holy Trinity Church / Surrey Hills / Progress of building / 9.10.1921"holy trinity, churches, anglican churches, construction and demolition, norman carter

Caitlin LOWE (1990- ) Born Townsville, Queensland Caitlin Lowe completed a Bachelor of Fine Arts (Visual Arts) degree at the University of Ballarat (later Federation University) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two framed mixed media artworks consisting of 5 x 5 cm LGH tiles, glazed using Speckled Blue Stoneware and Celadon Stoneware glazes. Presented on handmade paper using cotton hand stitching.art, artwork, mixed media, caitlin lowe, ceramics, available

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Print shows an open book with the word ELIDE on the left hand page and a picture of a seated man framed by a circle on the right hand page. An engraving tool and wood block are in the foreground. Foliage protrudes from behind the book. W 90/31 in bottom right hand cornerkeith wingrove memorial trust, bookplate, australian bookplate design awards

Framed Print with heading KOKODA and words Courage, Endurance, Mateship, Sacrifice underneath. Three photographs relating to the Kokoda Track and four paragraphs with headings "The Kokoda Legend", "The Kokoda Campaign", "The Fuzzy Wuzzy Angels" and "The Battle of Isurava".Limited edition 1614 0f 5000

The district of Strathfieldsaye was proclaimed in 1861 and named a Shire on the 17th September in 1866. It remained a shire until amalgamation in 1994 when it became part of the City of Greater Bendigo. The shire was located 8 km to the south- east of Bendigo and covered an area of 601 square kilometres and extended from the Calder Highway to the Coliban and Campaspe Rivers. The shire's administration centre was in Strathfieldsaye until 1972 when new offices were opened in Kennington. Councillor Michael Brennan held roles of Shire Secretary and Clark of Works until around 1998 when his son R. B. Brennan was appointed Assistant Secretary and then Shire Secretary to assist his father with the work load during his later years. Michael Brennan remained Clerk of Works until his death at which time his son was appointed to the duties previously held by his father. Framed black and white head and shoulder portrait of Councillor Brennan with hand coloured and drawn detail. Profile to left. Cut oval brown mount decorated with text and flowers. Hand written title top and lower centreStrathfieldsaye / Shire Council / W H Robinson / Photo / Bendigo / J H B Gribble / Michael Brennan / President 1869 - 70. 1871 - 2. 1872 - 3 / Secretary 1882 to 1900 / Engineer & Valuator 1882 to 1902strathfieldsaye shire council, councillor brennan, president of strathfieldsaye shire

The district of Strathfieldsaye was proclaimed in 1861 and named a Shire on the 17th September in 1866. It remained a shire until amalgamation in 1994 when it became part of the City of Greater Bendigo. The shire was located 8 km to the south- east of Bendigo and covered an area of 601 square kilometres and extended from the Calder Highway to the Coliban and Campaspe Rivers. The shire's administration centre was in Strathfieldsaye until 1972 when new offices were opened in KenningtonFramed black and white head and shoulder portrait of Councillor Hargraves. Profile slightly to right with walrus moustache. Cut rectangle brown mount decorated with coloured text and scrolls. Hand written title top and lower centre.Strathfiledsaye Shire Council / Cr John Hargreaves / President 1919 - 20 1928 - 29 / Presented by his Wife & Familystrathfieldsaye shire council, president of strathfieldsaye shire, councillor hargreaves

David Gordon Collection. Oil on board painting of a man and horse crossing the north end Commercial Rd, Tarnagulla, Signed by artist "Davidson '71". Adhered to backing of frame are various news clippings about the Blacksmiths workshop which is depicted in the painting. Written on back: Subject: Tarnagulla, Victoria Artist: George Davidson Date: Jan. 7 1971

This tile has been made into a wall hanging by the attachment of fine wire at top to two of the curled feet.A small Wessel decorative white ceramic tile or trivet with a white porcelain type top depicting a coloured map of the Mosel River and surrounding towns in Germany. There is a twisted thin gold frame around it with rounded feet in the corners.On the front at the top of the tile is written - 'Die Mosel von KOBLENZ bis TRIER'. On the back is the manufacturer's stamp in raised letters 'Wessel Made in Germany with a crown on top of it'. There is a number '9, 6 tiny dots, K6 2 more dots, 5'tiles, wall tiles, decorative tiles

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $5. The exact date is not known but is older, probably from the 1950s or 1960s. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The card makes a tax deductible receipt. Example of Legacy badges that were sold up to raise money for Legacy's work. Diamond shape badge with the Legacy torch and wreath in a yellow background set within a gold metal diamond-shaped frame. The back is tarnished to a black colour implying it might be silver. It has a metal vertical swing clasp.Imprinted with the manufacturers name 'AJ Parkes' on the reverse.legacy appeal, fundraising, badge week

This is an antique, bread baking tray. During the 19th century people used open flames for cooking or stoves. Stoves were gaining popularity in the 1800s, but they were not electric or gas like ours are now. Instead, they had either a wood fire or a coal fire inside. The stove allowed the heat to more uniformly cook and bake food than an open flame.This is an antique, bread baking tray. There are three tins joined by rivets to a heavy metal frame, so they cannot be separated. It shows considerable surface rust, but no holes and it can be used. It is very heavy, weighing close to 3 kgs. bread tins, baking tins, containers for baking bread

"Instrument of surrender/ of/ Japanese forces in New Guinea, New Britain/ New Ireland, Bougainville/ and adjacent Islands". Signed by "COMMANDER IN CHIEF/ JAPANESE IMPERIAL SOUTHEASTERN ARMY LIEUTENANT GENERAL/ GENERAL OFFICER COMMANDING/ FIRST AUSTRALIAN ARMY".Document - white colour paper, copy of original document. Black ink print with clear plastic laminate applied. Frame - timber, light brown colour varnish, decorative moulding. No glass front. Backing - timber plywood.framed accessories, document', ww2, japanese surrender

Wedding photo of Arthur Thomas Edwards & Martha Course at Anglican Church 1899 Forest Hill. Painting was by Martha.Wedding photo of Arthur Thomas Edwards and Martha Course in a gold coloured ornate frame edged with red velvet. Photo is decorated with painting of yellow wattle & green leaves with small blue flowers also. Background of aqua.wedding, picture

Still Life - Mounted & framed Note: Item approved for deaccession August 2023. SGSC will now follow deaccession procedures as outlined in the Arts and Civic Memorabilia Collection Policy - https://www.southgippsland.vic.gov.au/downloads/file/2763/arts_and_artefacts_collection_policy_c69.

Sebire family photograph taken c 1921.A group family photograph of a mother, Lily and her two children, Mervyn and Edna Sebire taken c. 1921 stanging outside a house with a large fern behind them. It has a metal frame with a gold and brown mount.Written on back: "Lily Martha Sebire, 6th child of Henry & Martha. B. 28.10.1870 D. 23.2.1928." "Mervyn Arthur Wesley Sebire. B 25.6.1914 D. 1992." "Edna Linda Mavis Sebire. B. 19.8.1908 D. 26.4.1971" "Taken about 1921" portrait photographs, pictures, frames, photograph frames, photograph accessories, family life

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. References Barnard FGA 1910, 'Sports and Pastimes' in Jubilee History of Kew Victoria: Its origin & progress 1803-1910. Nixon NV 1980, The History of the Kew Bowling Club 1880-1980. Reeve S 2012, City of Boroondara: Thematic Environmental History, p.216.The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Framed and glazed photograph of Kew Bowling Club, “Hotham Premiers Division 2, 1982-3. [The item is part of the large historic Kew Bowling Club collection (1880-1988) gifted to the Kew Historical Society in 2020].kew bowling club - wellington street - kew (vic), clubs - lawn bowls - kew (vic), kew bowling club - rvba pennants

A copy of the photograph depicting "members of 2nd/5th and 2nd/6th Battalions rush ashore during a 6th Division invasion exercise, Port Douglas, North Queensland, 16th March 1944", the Photograph is in glass wooden frame.

This item is from the private collection of George Shirling of Red Onion, Falls Creek. It is a proof for a poster by James Northfield. Northfield (1887–1973) was an Australian graphic artist best known as the designer of a series of posters for the Australian National Travel Association, promoting holiday destinations across the country. George Shirling arrived in Falls Creek in 1962. He engaged Phil Nowell to build the original Koki Alpine Lodge which opened in 1965 with 14 beds. George operated the lodge with Michael “Baldy” Blackwell as manager. He also graduated in sport psychology in 1981 and was invited to become team psychologist for the Australian Winter Olympic team which went to Albertville, France, in 1992. He later owned the Red Onion Chalet. George credited the success of Koki to “Baldy” Blackwell. “Baldy” and Phil Nowell started the Trackers Mountain Lodge in partnership during the 1980s. In 1971 George sold Koki Lodge to Sigi Doerr. In 2024 the renamed Koki Alpine resort remains a highly popular destination in Falls Creek. George Shirling passed away on 27th February 2023. He had remained actively involved in Falls Creek and was generous with his time and knowledge, always an amazing supporter of The Falls Creek Museum and Falls Creek Village.This item is significant because it is representative of the posters created by James Northfield, Australia's best know graphic designers. Artist's proof of an historical ski promotion poster. It features 2 skiers preparing to descend the slope and 3 other people in the background, one carrying a toboggan. The poster has been mounted in a wooden frame and is accompanied by a sign.On Poster: Visit the Victorian Alps On Sign: ITEM Νο. 55 "Visit the Victorian Alps" 1931 Poster Historical travel poster artist's proof from the original design by James Northfield in 1931. Signed by the artist - Fay Plamka.george shirling, falls creek, victorian alps, james northfield

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. White card backing with white torn looking inner frame. Black and white, portrait orientation, inner image is of an off white colour and is a gride of 9 images, snap shots of graffiti. Cental images are bordered by handwriting.3/30 'Lagoon' P7 Carmel Wallacefawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans