Articles in annual report include: List of RVIB president, vice president, board of management, medical staff and officers of the institute, honorary officers and consultant medical staff, President's report, The children - independence and achievement, Our Christmas party, Multi handicapped blind children, Training and understanding at Burwood centre, Financial independence through employment, Training confidence and achievement, Expansion of welfare services, Other services, Carols by candlelight, Auxiliaries and other generous helpers, Public education, Finance, Services and facilities, When you make or amend your will. Events that occurred in 1974 : Two permanent welfare officers in the country at Wangaratta and Sale, Re-equipment programme for the library and enlarging the range of books and magazines available to readers, Burwood centre for multi handicapped blind children separate to school - accommodation for twenty-four, Training department started instruction in use of hand tools - two clients gained employment in wood assembly. 1 volume of text and black and white photographsroyal victorian institute for the blind, annual reports

Articles in annual report include: list of office bearers of the institute and officers of the institute, Introduction and summary, Residence nursery and school for blind children, Programme in rehabilitation, Blind welfare - Mr W Casey retired as welfare officer in December 1964 after a 40 year association, Institute busy factory - faced by serious competition from overseas the basket shop closed, No sugar packaging done since 1963, Employment of blind people, Splendid support from auxiliary, The future, Income and expenditure, Where there's a will there's a way. Events that occurred in 1964 : HRH Duchess of Gloucester visited residential nursery and school, four hundred members of auxiliary lined driveway to greet her, helped by nationwide drive of the Apex clubs this year more blind people are reading talking books, this year a specific department staffed full time was set to demonstrate aids and equipment for blind people.1 volume of text and illustrationsannual reports, royal victorian institute for the blind

Greg DALY (1954- ) Born Melbourne, Victoria Greg Daly is internationally known and respected as a ceramic artist specialising in rich glaze effects, and also as the author of Glazes and Glazing Techniques (1995 Simon & Schuster). His work is represented in over 24 international book publications, in over 80 national and international art galleries and museums (including the National Gallery of Australia and the Victoria & Albert Museum, London), and he has won over 36 national and international awards. He has held over 70 solo exhibitions and was President of Craft Australia from 1992-1995. He has exhibited in over 200 international and national group exhibitions. In 1999 he received an ARC grant to research the effect of firing cycles in the development of copper red glazes. Source http://www.gregdaly.com.au/bio/ This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Stoneware form decorated with lustre glaze. This ceramic form is a sculptural representation of rock forms Daly created during the 1970s and 1980s. His magnificent lustre glaze is a signature of Daly's master work with glaze production. Greg Daly is regarded as Australia's most pre-eminent ceramicist and teacher. His ceramic production is technically outstanding, his original forms float in an ethereal space far superior in conceptual design than those ceramic works which remain rooted to the table tops. This piece is a magnificent example of the work of this ceramic genius. Description by Dr Susan Patersonart, artwork, ceramics, greg daly, lustre, glaze

Henry MORITZ (1931- ) Born Mainz, Germany Arrived Australia c1952 Henry Moritz was an experienced commercial artist when he left Germany for Australia. After working as a railwayman, coal miner, fruit picker and steelworker, he started teaching commercial art at the Ballarat School of Mines Technical Art School in 1963. He moved to the Mount Helen Tertiary Division, and was head of the Art School at the Ballarat College of Advanced Education (BCAE) when he produced this work. The Ballarat College of Advanced Education logo was derived from the Southern Cross depicted on the Eureka Flag, which was adopted by Ballarat College of Advanced Education in 1978. The logo was designed by former student Debra Garton, who graduated with a Diploma of Art and Diploma of Education. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Farmed marquetry using fine woods chosen for their grains and reflective properties: silver ash, cedar, queensland walnut, grey bird's eye maple and African gaboon.art, artwork, henry moritz, marquetry, logo, southern cross, ballarat college of advanced education, available, stars

Max COWARD ( -1991) Born Ballarat Max Coward was training to be an art teacher at the Ballarat Technical Art School from 1937 to 1941. He enlisted in the A.I.F. and was a Naval Trainee at Flinders Naval Depot in 1941. During these years Max Coward was described as a cartoonist and illustrator, and was was attached to the Naval Intelligence Division in 1945, producing stories and drawings for the Navy newspaper Dit. His work was reproduced in the Christmas annual, HMAS Mk IV and the Army educational journal, Salt. He was a foundation staff member at the Burwood Teachers' College art department when it opened at Box Hill in 1954, transferring to the Burwood Campus in 1955. Upon his retirement he moved to Queensland to start a graphic arts consultancy. Coward was active as a printmaker during the 1970s. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition linocut by Max Coward. 'Hen Party' uses simplified forms reminiscent of the shapes gracing 'moderne' interiors of the 1950s and 1960s. The simplification of form and decorative pattern achieved through repetition shows the influence of Paul Klee's work and imagery. lls 'Hen Party' lower centre edition '8/28' lrs 'Max Coward 64' art, artwork, max coward, printmaking, alumni, hens, linoprint, linocut

Noel COUNIHAN (04 Oct 1913 - 05 Jul 1986) This lino cut is the second largest version of Counihan's Laughing Christ series of linocuts from the 1970s. Janet McKenzie in her book 'Noel Counihan' (1986, p. 25) uses Counihan's quote in his description of the Laughing Christ series of art works: "Once again the armies of the Western world were moving against people behind the image of Christ: they were Christian armies. The American and Australian armies in Vietnam had their chaplains with them and were slaughtering Buddhists, as well ironically enough, as Vietnamese Catholics". Counihan's fury at the blood shed and massacre of war behind the image of Jesus is evident in his ironic portrayal of a Laughing Christ. Was this what Jesus was about? Not likely! This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Description by Dr Susan Paterson Framed linocut, the second large version of the Laughing Christ series. The linocut was commissioned by the Print Council of Australia for members' annual subscription and printed on Japanese paper by William Caulfield & Sons, Melbourne.art, artwork, noel counihan, counihan, printmaking, available, christ, linocut printmaking, print council of australia, workers art guild, social realist, social realism, expressionist artist

"The landscape of the Valley is in between Ballarat and Geelong, the pranged aeroplane came from Geelong, the prospector and the strolling couple are surreal props to the scene, and the poetic hippogriffen serves as a bunyip which could be a local connotation of apprehension od bush loneliness. Bernard BOLES (1912-2001) Born Benalla, Victoria Bernard Boles studied at Melbourne Technical College and in London. He was known as critic, writer, sculptor and painter. His works were influences by Cubism and Surrealism. Boles exhibited widely in London and on his return to Australia in 1964. "Boles drew on the biomorphic marine imagery typical of Surrealism all around the world, as seen for example in the work of Wadsworth and Yves Tanguy. In 1949 Boles, having been rejected from the Victorian Artists’ Society, would tie two pictures to the fence outside the show and spend the ensuing two weeks sharing his views on art with passersby." ('Surrealism and Australia: towards a world history of Surrealism' by Rex Butler and A.D.S. Donaldson) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Australian SurrealismFramed Australian Surrealist work. Artist's Comment: "The landscape of the Valley is in between Ballarat and Geelong, the pranged aeroplane came from Geelong, the prospector and the strolling couple are surreal props to the scene, and the poetic hippogriffen serves as a bunyip which coul dbe a local connotation of apprehension od bush loneliness. Gift of Lyndsay Boles.art, artwork, bernard boles, australian surrealism, bunyip

Mary MODEEN (1953- ) Born United States of America Lives Scotland Mary Modeen is an artist/printmaker and interdisciplinary academic who also works in artist books, installations, and recently, in video and sound. She is also an academic of nearly 30 years full-time experience in higher education, residing in Scotland where she convenes the Art, Philosophy and Contemporary Practices at the Duncan of Jordanstone College of Art and Design, University of Dundee. Modeen’s research has several threads: perception as a cognitive and interpretive process, and place-based research, which tends to connect cultural values, history and embodied experience. In 2000, while a Visiting Research Fellow at the University of Ballarat (later Federation University Australia), Mary Modeen was commissioned to create a sculpture in a Public Art context for the campus. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.An external sculpture commissioned in a Public Art context for the Mt Helen campus Business Building (B Building) by Scottish Artist and Visiting Research Fellow, Mary Modeen. Mary Modeen's three dimensional sculptures and installations draw on her interest in "light" relating to artworks and conceptual art. The 'plugs' in the sculpture represent students, while the blue acrylic disk represents alumni, and the spread and impact of our students throughout the community. art, artwork, sculpture, mary modeen, business school art collection

Maurice Copland was the Principal of the Ballarat School of Mines when he died aged 40. It is believed that H.H. Smith, Principal of the Ballarat Technical Art School, was responsible for this plaque. "The design for the proposed Memorial Tablet to the late Principal Mr Maurice I. Copland is respectfully submitted for your approval. It is estimated to cost in oxidized copper and polished blackwood 8.00 pounds." (Ballarat Technical Art School Principal's reports, 26 August 1921) The Ballarat Courier reported on 18 November 1922 :... The tablet had been executed by Mr H.H. Smith and his staff, to whom it was a credit, It would permanently remond them of one of whom they could not think to highly. ..." The tablet was erected just outside Maurice Copland's office, above his chair. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Copper repousse plaque, mounted on blackwood, dedicated to former Principal of the Ballarat School of Mines Maurice Copland.In memory of Maurice Copland, B.M.E.,, principal of this school 1917-1920. Died 1st August 1920.art, artwork, repousse, maurice copland, plaque, h.h. smith, ballarat technical art school, ballarat school of mines, metalwork

Eleanor (Nornie) GUDE (1915- 2002) From 1931 to 1936 Nornie Gude attended the Ballarat Technical Art School, a division of the Ballarat School of Mines. She was accepted into the School at the age of 15 because she was so advanced in painting. She studied at Ballarat Technical Art School, for five years before progressing to Melbourne’s National Gallery of Victoria Art School. Nornie Gude won many art competitions, including first prize at the 1936 Melbourne Royal Agricultural Show for still life drawing, and in 1941 became the first woman to win the National Gallery Students Travelling Scholarship. As an artist Nornie Gude held no theories and was once heard to say, “You spend your first 20 years learning technique and the next 20 years losing it”. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed gouache by Nornie Gude. LLS signed "N.Gude"art, artwork, nornie gude, tea, available, poster, ballarat technical art school, alumni, portrait, robur tea

Reginald (Reg) WARNOCK (1915-1991) Reginald William Warnock undertook the Commercial Art course during the 1930s. On completion, he worked as a designer at Paton’s Advertising Service, Melbourne. Commercial art subjects between 1915 and 1939 reflected changing practises and industry requirements, with Ballarat graduates in demand. In the 1936 Ballarat School of Mines Annual Report it was stated: "It is my pleasure to report a most successful year in the Technical Art School. I the Annual Poster Competition for Technical Schools, organised by Wiltshires Pty Limited, 16 prized valued at 33 pounds 8 shillings - out of 23 prizes valued at 56 pounds - were won by our students. R.W. Warnock moved from Ballarat to Moonee Ponds towards the end of March, 1937. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Commercial art Framed original poster completed at the Ballarat Technical Art School by R.W. Warnock. It shows Oil pouring from a bottle in front of a steam engine. Please use the comment link below if you can assist with information about R.W. Warnock."For power and efficiency" "Mobil Oil"art, artwork, warnock, mobil, oil, poster, r.w. warnock, available, alumni, locomotive, steam engine, motor oil, advertisement, reginald warnock

Jessie STEINFORT Steinfort was Studied Graphic Design at the University of Ballarat (later Federation University) After 12 years of working in design studios and advertising agencies, Steinfort is now a Senior Designer at Ogilvy Melbourne. And previously, he has been responsible for work on BMW & Mini, Carlton Football club, Melbourne Convention and Exhibition Centre, Melbourne Food & Wine Festival, AAMI, Yarra Valley Water, and Arts Centre Melbourne. From 2008 to 2011 Steinfort was lead designer and front-end web developer at clickDM (now HARDWIRE). Where he worked with such clients as HOSTPLUS, GSK, UniSuper and Swann Insurance. From 2000 to 2008 Steinfort was a designer at Mediation Communications working on print and interactive projects for; City of Melbourne, City of Greater Geelong, City of Port Phillip, Mentor Education, and ACMA. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Framed photograph of three mushrooms in a black background. This work was won the 1998 Student Acquisition Award. If you can provide information on this artist or artwork please use the email link below. photography, foto, mushrooms, food, close up, macro, colour, photo, jessie steinfort, alumni, available

Jeff WOODGER Born Bendigo, Victoria Jeff studied art at La Trobe University in 1986, and a Graduate Diploma in teaching in 1989. He worked as a teacher from 1990 to 1998. In 1994 Jeff was awarded a Master of Arts from La Trobe University. He then studied at the prestigious Slade School, London and the National Gallery of Art in Washington D.C. Jeff Woodger completed a Doctor of Philosophy (Fine Art) at University of Ballarat (now Federation University) in 2006. This work was part of the exhibition assessment for this study. Jeff Woodger has lived and worked in Japan regularly since 1994. His passion is to paint post romantic landscapes in the classical style which are deeply inspired by many of the seventeenth century greats such as Claude Lorraine and Salvator Rosa. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, clunes, landscape, artist, jeff woodger, alumni

Rosalind LAWSON (11 January 1948 - ) Born Ballarat, Victoria Rosalind Lawson has spent much of her career working in rural environements, in Australia and Ireland. She has exhibited widely, and in 1997 won the Broken Hill Outback Art Prize. She holds a Master of Fine Art from R.M.I.T. (1995), a Diploma of Fine Art from R.M.I.T, A Diploma of Physical Education, from the University of Melbourne, and a Trained Teachers' Certificate from Melbourne Secondary Teachers' College . Between 1989 and 2012 Ros Lawson Lecturered in painting, drawing, papermaking, and was a tutor in Art History, at the University of Ballarat Arts Academy (now Federation University). Her studio practice includes painting, drawing and paper art using handmade paper. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed stencilled and cut handmade paper in grey, black and orange.art, artwork, rosalind lawson, paper, papermaking, lawson, hand made paper, abstract

Albert E. WILLIAMS (1899-1986) Victoria, Australia Albert Edward Williams was among the first to undertake the five-year, Technical Art Teacher’s Certificate (TATC) at the Ballarat Technical Art School in 1915, with work placement at the Ballarat Lithographic company. Williams taught for several years before he was selected to undertake further teacher training at the Working Men’s College, Melbourne, in 1926. He returned to teach at Ballarat in 1928, facilitating many student activities, while pursuing the arduous Art Teacher’s Certificate. This work was undertaken for the Art Teacher's Certificate, Part I at the Ballarat Technical Art School, School of Mines, Ballarat. From its inception in 1914, it was 30 years before the first candidate achieved the Art Teacher’s Certificate's exhaustive requirements. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Pencil figure drawing of a man in underwear.Verso "Certified as Student Work. H.H. Smith"art, artwork, albert e. williams, life drawing, ballarat technical art school, art teacher's certificate, drawing figure from life

The Black and White committee started in 1936 to raise funds for the children supported by the Sydney Industrial Blind Institute (later Royal Blind Society of NSW) through a variety of events. One such major fundraiser was a Ball, initially began as the White Ball then changed to Black and White Ball in 1948. Ball programs were created to provide opportunity for sponsors to advertise their involvement with this prestigious event, as well include information on the time progression of the night, a menu, a list of the current committee (Patron, President, various positions and members) and the Black and White Derby race sheet. First run in 1956, the Derby gave individuals or businesses the opportunity to sponsor a 'horse' in the race, which was ridden by a 'jockey' who rolled up a line to reach the finish post. Later programs included auction items, information on performers at the Ball and photographs from other events organised by the Black and White Committee (Casino Cruise, Women of Achievement lunch, previous year's Ball, etc.)Booklets with black and white covers with illustrationsCover on title changes: The Black and White Ball (1981-3) The Black and White programme (1985-1988) The Black and White Ball ((1992, 2003, 2005)black and white committee, royal blind society of nsw

The property is in the area that later became Delta Street, on the north side of Back Creek. Once roads were made and streets numbered, this became 1 Delta Road, Surrey Hills. Part of the undeveloped land would become part of South Surrey Park. According to Alan Holt's property register the house was built in c1920 and was demolished after having been neglected in 1991. He records it having had various names: 'Westward Ho', 'Pembroke' and 'The Oaks'. The first owner from 1920 was Eric Rowland Handyside Long who married Agnes May Hay Murray in March 1920. They had one son James Murray Long, born in September 1921. They divorced in 1937 and thereafter the property is listed in the name of Mrs Mary Hay Long, James M Long or Miss Mary Hay Long. According to Alan Holt, the house featured in the television series 'Carson's Law' in c1984.This is one of relatively few photos which record the transformation of rural land into the suburb that became Surrey Hills.A simple dark-stained timber house with a veranda and tiled roof. It is simply fenced with posts and wire mess. There are other houses in the background but part of the area remains as open space.delta road, back creek, south surrey park, wetward ho, pembroke, the oaks, hose names, miss agnes may hay murray, mrs agnes may hay long, mrs mary hay long, miss mary hay long, james murray long, carson's law

Annual report of the Braille & Talking Book Library including Minutes of the AGM, Board of Director's Report, President's report and financial statements. Items also included are: naming the computer which will store the book catalogue for the library 'Tilly', RVIB declared a public library and Minister for the Arts has determined for services to rationalise with the Chairman and Vice-Chairman meeting their counterparts with meetings ongoing, first time borrowers asked to nominate their choice of winning title for Braille Book of the Year, with the literary panel of Stephen Murray-Smith, Joyce Nicholson and Barrett Reid making a short list from which borrowers voted, first time presentation held in the afternoon (with increased attendence) and inaugural Narrator's Award (The Bathurst in honour of former President Hector Bathurst) to Eirene Pappas, Hector Bathurst to receive OAM, Jan Smark Nilsson appointed to National Advisory Committee on Library Services to People with Disabilities and Australia Post approval to change cassette mailing pouches.1 volume of text and illustrationsbraille and talking book library, annual report

There are three, black Bakelite, wall mounted, crank handle telephones across the lightstation; one in the former assistant keeper’s quarters, and two in the former head keeper’s quarters. The phone has instructions for its use on the crank dial. Two have a coiled handset cord, which dates the phone to just after 1949 when these came into use. The third has a smooth cord and must pre date 1949. Another much older wall mounted phone remains in the lighthouse. The four telephones at Gabo Island formed an intercom system that facilitated communication between the lighthouse and lightstation buildings. They demonstrate the necessity for employing various methods of communication in a remotely located lighthouse as well as communication between the lightstation buildings. Telephones of the same wall mounted, crank dial type remain at Cape Otway, Point Hicks. As fixtures, the telephones belong to the building fabric and are included in the existing listing of the Gabo Island Lightstation in the Victorian Heritage Register (H1773). These intact items of equipment have first level contributory significance for their historic value and provenance.Black bakelite telephone, wall mounted with reciever/ handset on spiral cord attached to the body of the phone. There is a crank handle attached to the front of the telephone.On dial under crank handle. Outer perimeter of circular LABEL,"TO CALL:-TURN HANDLE & LIFT HANDSET / WHEN FINISHED PEPLACE HANDSET & TURN HANDLE"

An article about Legacy and its work when it first approached the public for donations. It was in a folder of documents about the history of Legacy. Appears to have been mostly compiled by Legatee Cyril Smith as he has many hand written notes on miscellaneous pieces of paper (some are envelopes addressed to him). The notes were typed up into a summary of the History of Legacy. Also documents relating to the first time Legacy approached the public for donations in September 1956, including newspaper articles that were reprinted, a schedule of information that was approved to be released to the press, and a list of potential donors that was circulated to Legatees in the hope they could contact the ones they knew personally or professionally. The call for public donations was partially due to the purchase of the Dureau building and the need to modify the building for Legacy's needs. The documents from this folder have been added in seperate records (see 01262 to 01281). The folder was part of an attempt to capture history of Legacy, generally from the 1950s.The documents provide an insight into the working of Legacy, especially in the 1950s. Legatee Cyril Smith and others were detailing their experiences and knowledge for the future.A reprinted newspaper article about Legacy and its first appeal.fundraising, history

A photo spread in centre of The Sun newspaper showing pictures from the Government House Legacy Christmas Party in 1957. Featuring the Governor Sir Dallas Brookes with children on a miniature train. It was in a folder of documents about the history of Legacy which appears to have been mostly compiled by Legatee Cyril Smith as he has many hand written notes on miscellaneous pieces of paper (some are envelopes addressed to him). Some notes were typed up into a summary of the History of Legacy. Also documents relating to the first time Legacy approached the public for donations in September 1956, including newspaper articles that were reprinted, a schedule of information that was approved to be released to the press, and a list of potential donors that was circulated to Legatees in the hope they could contact the ones they knew personally or professionally. The documents from this folder have been added in separate records (see 01262 to 01281). The folder was part of an attempt to capture history of Legacy, generally from the 1950s.The documents provide an insight into the working of Legacy, especially in the 1950s. Legatee Cyril Smith and others were detailing their experiences and knowledge for the future.Two newspaper pages of a Legacy Christmas party at Government House in 1957.governor of victoria, government house party, christmas

Three documents that capture the history of the Central Boys PT classes and where they were held, that appears to have been collated for the history of Legacy. It was in a folder of documents about the history of Legacy which appears to have been mostly compiled by Legatee Cyril Smith as he has many hand written notes on miscellaneous pieces of paper (some are envelopes addressed to him). The notes were typed up into a summary of the History of Legacy. Also documents relating to the first time Legacy approached the public for donations in September 1956, including newspaper articles that were reprinted, a schedule of information that was approved to be released to the press, and a list of potential donors that was circulated to Legatees in the hope they could contact the ones they knew personally or professionally. The documents from this folder have been added in seperate records (see 01262 to 01281). The folder was part of an attempt to capture history of Legacy, generally from the 1950s.The documents provide an insight into the working of Legacy, especially in the 1950s. Legatee Cyril Smith and others were detailing their experiences and knowledge for the future.Pages relating to activities run for boys from 1930s to 1950s.history, boys' classes

Members of the Legacy Club, Melbourne, Board of Management in 1938 which included Syd Birrell, Carl Carleton, Jack Barnes, Os Gawler, H Nicholson, W (Bill) Pearce, Lionel Wallace, Brian Armstrong, Eric Harding, Doug McKinlay. Another copy of this photo is labelled as being 1938 which appears to be correct as it was written and framed for presentation to J G Gillespie to commemorate his year as President. The names list around the photo may not be correct either. Second from Right is Legatee Eric Harding OBE, MM, who was also a member of the Limbless Soldiers' Association of Victoria as he lost a leg as a gunner in France in WW1. He served with the Australian Field Artillery in the original Anzac Corps. Despite loosing a leg he was active enough to ride with a Light Horse Party at the head of Melbourne's 1975 Anzac Day march. (Source Trove 18/4/1975)A record of the Board of Management of Melbourne Legacy.Black and white photo of the Board of Management mounted on brown card. Names in black pen around the border, including C Carleton, J Barnes, O Gawler, H Nicholson, W Pearce, L Wallace, B Armstrong, S Birrell, E Harding, D McKinlay. A yellow sticker of the photographer 'Darge 360 William Street Melbourne.'board of management, syd birrell, carleton, os gawler, brian armstrong, eric harding

Margaret Olley (24 June 1923 – 26 July 2011) Born Lismore, New South Wales In 1941 Margaret commenced classes at Brisbane Central Technical College. In 1943 Olley moved to Sydney and enrolled in an art Diploma course at East Sydney Technical College graduating in 1945 with A-class honours. She is known as a still-life and interior painters Margaret who drew inspiration from her home and studio, and the beauty of the everyday objects she gathered around her. Her paintings often feature arrangements of fruits and flowers, set amid domestic ware art and souvenirs of her travels. For her service as an artist and to the promotion of art, she was awarded the Order of Australia in 1991 and made a Companion of the Order of Australia in 1996. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting of an apple on a table with red gingham cloth. art, artwork, margaret olley, olley, apple, fruit, still life

This is a cash book from the business of William Swinton and Sons. The entries list stock, financial assets, deeds and insurance policies from 1902 to 1911. William and Ann Swinton migrated to Australia in 1854 and for a decade William Swinton worked as a builder and carpenter in the Warrnambool area, erecting many buildings, including the Wangoom Presbyterian Church. In 1865 he opened a store in Timor Street, Warrnambool, selling groceries, china, glassware and hardware. By 1888 the business was known as William Swinton and Sons. Branch stores were opened in Cudgee, Nullawarre, Wangoom, South Warrnambool and West Warrnambool. After William died his son Robert became the first managing director in 1913 of Swintons Pty Ltd. In 1934 the business split, with George Swinton and Sons selling furnishings, clothing and glassware and Swintons Pty Ltd selling seeds, hardware and produce. Today the Swinton family still operates a furniture and bedding shop in Timor Street. This cash book is of considerable interest as a business document of William Swinton and Sons. The entries for the early 20th century give details of business stock and finances and will be very useful to researchers. The current Swinton business in Timor Street Warrnambool is the oldest family business in Warrnambool and, with the Swinton name associated with businesses in Timor Street for 152 years, it is one of the oldest family businesses in Australia.This is a hard cover book of 96 pages with a dark green cover and red leather trimmings on the spine and cover corners. There is gold lettering on the spine. The insides of the cover have a green and brown mottled patterning and the page edges have a multi-coloured mottled patterning. The pages have printed ruled red lines. The entries are handwritten in black ink. There are five loose sheets. ‘Cash Book’ swinton family warrnambool, history of warrnambool

In early January 1945, Australian warships took part in their next big naval action of the campaign when American forces were landed at Lingayen Gulf for the invasion of Luzon Island. Their objective was the capital, Manila. The frigates Gascoyne and Warrego carried out survey tasks and escort duties, coming under artillery fire and also attacks from aircraft. The Kanimbla, Manoora and Westralia again transported American troops for the landings and once again the escorts included the cruisers Shropshire and Australia – the latter had undergone repair – and the destroyers Arunta and Warramunga. Whist not confirmed, this large cane woven oval tray with The Philippines Coat of Arms in the centre above list of Royal Australian Navy ships that were involved in the liberation of the Philippines, is believed to have belonged to Robert Hamilton Hutchieson PM 4802 who served on HMAS Westralia as a landing craft coxswain in the Southwest Pacific Campaign 1942 to 1945. Large oval shaped cane woven basket tray The Invasion of the Philippines Image of Coat of Arms Commonwealth of the Philippines Kanimbla, Westralia, Manoura, Australia, Shropshire, Arunta, Warramunga, Gascoyne January 1945ww2, invasion of the philippines, 1945, hmas westralia, hmas kanimbla

Book - with sub title "Electric Tramway Rolling Stock of the Melbourne and Metropolitan Tramways Board", priced at $1, published by Traction Publications of P.O. Box 438, Canberra City in 1971, 3rd edition with a small corrigenda sheet. Describes Melbourne s tram car fleet. Includes brief description of each type, photographs and a summary history. Has many photographs of the various tramcars associated with relevant text. On front cover, has W7 1010 with green and black banding and price. On page 1 is a map of Melbourne tramways drawn in 1971, but showing abandoned lines as well. Page ii, inside cover, has a list of Traction Publications. Back cover has a end on photograph of SW6 940. Outside of covers is gloss paper. Corrigenda sheet - 85mm sq has been glued inside its own cover. See item 8604 for a marked up copy by Norm Cross in preparation of the 4th edition.Book - "Destination City" - card covers - 84 pages - centre stapled.trams, tramways, melbourne, tramcars, mmtb

Commercial Stores was owned and run by Peter Eadie from Perthshire in Scotland, whose brothers were John and Robert. Peter and Robert arrived in Sunbury in 1864 to help their brother John with his milling enterprise. In 1866, Peter purchased the blue stone general store in Macedon Street near the bridge. He later built the Commercial Hotel also in Macedon Street and near the Ballcourt Hotel.Before the railway arrived in Sunbury, Macedon Street was Sunbury's main commercial centre. After the establishment of the railway, the commercial centre shifted close to the railway station. The Eadie family's stately home, 'Dunblane', was on the corner of Brook and Jackson Street.A Lutheran Church now occupies the lower section of the land fronting Brook Street, but the home has a local heritage listing. Peter Eadie became a Shire of Bulla councillor and President in 1880. Dunblane is from the Scots Gaelic -'dun' is a fortified hill and 'Blane' a missionary.The Eadie Family established one of Sunbury's general stores in the town and were involved in many other commercial activities.A print of a non-digital black and white photograph of a country general store. A medium sized vintage open tray truck is parked in front of the shop on the LHSand a horse-drawn open cart is on the RHS of the image.eadie family, peter eadie, commercial stores, macedon street, businesses

Dated 1886 on it's facade, the first listing in Sands & MacDougall Directories for O'Brien's Terrace does not occur until 1891. However, Mr A BROWN is noted as running his hairdressing business at this address from 1887. In 1896 Port Melbourne streets were renumbered and the address of his premises became 149 Bay Street. From that period it has been used as a hairdressing establishment by a number of people & companies. In 1901 the second in a series of hairdressers occupied the premises and the CODESPOTI brothers [see updated information below] continued the tradition when they took over the premises in 1985, naming their business, Bayside Barber Shop. Update July 2024: Reza SABAHI, who currently operates as a barber from the same shop, contacted us with updated information. Domenic CODESPOTI was Tony CODESPOTI's father. Reza SABAHI took over the premises in September 2017 and operates it as Barbers of Port Melbourne proudly continuing the history of barbers at O'Brien's Terrace.A4 copy of poster for Bayside Barber Shop in O'BRIEN's Terrace, Port Melbourneo'brien's terrace, bayside barber shop, domenic codespoti, tony codespoti, mr a brown, charles skegg, a.c. fitzgerald, james burke, v clifford, b wilkins, a dowling, j r willoughby, mrs n wooding, charlie goldfarb, barbers of port melbourne, reza sabahi