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Ballaarat Mechanics' Institute (BMI Ballarat)
Buninyong Gardens (perhaps)
This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.buninyong, gardens -
Ballaarat Mechanics' Institute (BMI Ballarat)
Building unknown perhaps old mental home complex
1960s, ballarat, building, unknown -
Ballaarat Mechanics' Institute (BMI Ballarat)
Building unknown under construction perhaps Uni
1960s, ballarat, building, unknown -
Ballaarat Mechanics' Institute (BMI Ballarat)
Chimney Creswick Rd Martin Stoneware perhaps
1960s, ballarat, chimney, creswick rd -
Melbourne Legacy
Photograph - Junior legatee outing, Hike, 1967
A photo of a young man on a hike at Oberon Bay on Wilson's Promontory, with a sign saying 'Lighthouse 9M'. The date is possibly 1967 from the note on the back. The event and the name of the man is unknown. It is possibly part of a young legatee camp though the photo was in a Comradeship Committee photo album. The Comradeship committee gathered photos of events and compiled them in a Comradeship photo album for Legatees to look through.Melbourne Legacy provided many outings and experiences for Legatees and also junior legatees, this is perhaps one of them in the 1960s.Black and white photo of a young man on a hike.Stamped Property of Melbourne Legacy in purple ink. Handwritten "Dec 1967 / At Oberon Bay / Wilsons Promontory" in pencil.camp, legatee event, junior legatee outing -
Melbourne Legacy
Photograph, Junior Legatees, 1975
Four young ladies around the Legacy symbol and then individual closeups of three of them. From an envelope maked P8 Junior Legatee Photographs, including the text "Blamey House Junior Legatees 1975". Deduction is that the young ladies were junior legatees at one of the residences in 1975. Names unknown.Four of the junior Legatees from Blamey House in 1975 were posed for a photo with the Legacy Symbol, perhaps to be used in a promotional story or marketing.Black and white photo x 4 of four women standing around the Legacy logo, then individual photos.junior legatee, blamey house, residences -
Kew Historical Society Inc
Work on paper - Sepia Wash & Ink, G B Richardson, Creek and Old Watering Stage, on the Yarra, East Collingwood, 1854
Blind Creek was located between the Abbotsford Convent and what is now the Collins Bridge in Studley Park. In an 1858 map of East Collingwood by Clement Hodgkinson, in the State Library of Victoria, one can see how the creek was originally a significant landmark in Collingwood; remaining vacant land until a barrel drain enclosed it. The area was later filled in, surveyed and developed. The position where Blind Creek entered the Yarra was in the immediate vicinity of Hodgson’s Punt, which had linked Kew to the other side of the Yarra from 1839. The Punt was purchased by the Colonial Government in 1852 and was in use until the opening of the Studley Park Road (Johnston Street) Bridge in 1858 made its continued use redundantThe point of view selected by the artist for the watercolour is from the banks of Blind Creek in East Collingwood, looking across the Yarra to the Kew side of the river.Inscribed verso 'Creek and Old Watering stage, on the Yarra East Collingwood 1854 / Trees, stage, &c have long since disappeared / [Artist Signature] / FT 110 / Creek itself now being filled in 1903.gb richardson, blind creek - abbotsford, yarra river - abbotsford (vic) - kew (vic), colonial artists, australian art - 19th century, george bouchier richardson -
Wodonga & District Historical Society Inc
Book - Proud to be Irish: The Journey of Henry McIllree from Ireland to Horse Breeder in Colonial Victoria, Australia, Jane Morrison, 2019
Born in Belturbet, County Cavan, Ireland in 1824, McIllree was the youngest son of a large family. He achieved much after running away from home, aged just 14, to escape being sent into penury as a clergyman. By the time of his untimely death at Wodonga in 1882, McIllree had packed a lot into his life. He had sailed the high seas as an Able Seaman, toiled as a miner, run the Wodonga pound for 19 years, bought town blocks, set up a farm, a vineyard and a short- lived butchery business, served on local boards, appeared in court, leased and bought Upper Murray grazing lands, established a horse and cattle breeding enterprise at Biggara, taken horses to India for sale, and visited Aotearoa/ New Zealand’s Rotorua spas for a heart disease cure. Perhaps the most important even in his life was marrying a young Irish girl, Isabella Johnston from Belfast, at Wodonga in 1855. Their marriage produced 11 children, seven of whom have descendants living in Australia, Europe, Indonesia, Kiribati, the Philippines, and the United States of America.non-fictionBorn in Belturbet, County Cavan, Ireland in 1824, McIllree was the youngest son of a large family. He achieved much after running away from home, aged just 14, to escape being sent into penury as a clergyman. By the time of his untimely death at Wodonga in 1882, McIllree had packed a lot into his life. He had sailed the high seas as an Able Seaman, toiled as a miner, run the Wodonga pound for 19 years, bought town blocks, set up a farm, a vineyard and a short- lived butchery business, served on local boards, appeared in court, leased and bought Upper Murray grazing lands, established a horse and cattle breeding enterprise at Biggara, taken horses to India for sale, and visited Aotearoa/ New Zealand’s Rotorua spas for a heart disease cure. Perhaps the most important even in his life was marrying a young Irish girl, Isabella Johnston from Belfast, at Wodonga in 1855. Their marriage produced 11 children, seven of whom have descendants living in Australia, Europe, Indonesia, Kiribati, the Philippines, and the United States of America.henry mcillree, irish immigration, mcillree genealogy, wodonga pioneers -
City of Ballarat Libraries
Glass Slide, Ballarat Post Office
It is believed the ball on the tower flag pole was raised and lowered to indicate when mail had been sorted and was ready.Previously unknown image of Ballarat. The set and its subjects indicate these images were produced to promote Ballarat and were perhaps aimed at tourists.Ballarat Post Office, ne corner Sturt and Lydiard Streets, image not dated but tower erected 1885. In foreground Burke and Wills memorial fountain, erected 1867.horse and cart, fountain, telegraph pole -
City of Ballarat Libraries
Glass Slide, Ballarat Town Hall
Town Hall completed 1872. Thomas Moore statue erected 1889. No evidence of electric trams indicates the photograph is pre-1905.Previously unknown image of Ballarat. The set and its subjects indicate these images were produced to promote Ballarat and were perhaps aimed at tourists.Ballarat Town Hall, se corner Sturt and Armstrong Streets, image not dated. gas lamps, statue -
City of Ballarat Libraries
Glass Slide, Ballarat Hospital
The blue gums originally planted in Sturt St in the 1860s were grown from seed gifted by Baron von Mueller. About 20 years later shopkeepers complained that the trees shaded their shops too well, and made the street damp. The bluegums were then replaced with exotics.Previously unknown image of Ballarat. The set and its subjects indicate these images were produced to promote Ballarat and were perhaps aimed at tourists.Ballarat Hospital, nw corner Sturt and Drummond Streets, image not dated.gas lamps, horse and cart -
City of Ballarat Libraries
Glass Slide, The Statuary Pavilion, Ballarat Botanic Gardens
This pavilion is a major feature of the Ballarat Botanic Gardens and is unique in Victoria and possibly Australia.Previously unknown image of Ballarat. The set and its subjects indicate these images were produced to promote Ballarat and were perhaps aimed at tourists.The Statuary Pavilion, erected in 1887, houses classically derived sculptures donated to the city by Mr James Russell Thompson. Image not dated. -
City of Ballarat Libraries
Glass Slide, Woman strolling at Lake Wendouree
The lady's clothes help us to date these images, circa early 1890s. She is standing at the steamer landing place; the first steam boat on the Lake was built in 1865 - from 1880 to 1910 the Lake was the social centre of the district, particularly on Sundays, when many people would arrive by steamer from the eastern shore. Previously unknown image of Ballarat. The set and its subjects indicate these images were produced to promote Ballarat and were perhaps aimed at tourists.Lake Wendouree, originally Yuille's Swamp, pictured from the western, or Gardens side. -
City of Ballarat Libraries
Glass Slide, A lady at Lake Wendouree
A view of Lake Wendouree taken from further back on the western foreshore. The lady's costume suggests these images were taken circa early 1890s.Previously unknown image of Ballarat. The set and its subjects indicate these images were produced to promote Ballarat and were perhaps aimed at tourists.Lake Wendouree from the western or Gardens side, looking east. -
City of Ballarat Libraries
Glass Slide, Ballarat City Fire Station
This image shows the elaborate lookout tower which has since had the cantilevered section removed. The face stonework has since been covered with cement render. The residence next door is believed to have been built for Dr. R. Pinnock, in 1877.Previously unknown image of Ballarat. The set and its subjects indicate these images were produced to promote Ballarat and were perhaps aimed at tourists.Ballarat City Fire Station, nw corner Sturt and Raglan Streets, erected 1860. telegraph pole -
City of Ballarat Libraries
Glass Slide, The Fernery, Ballarat Botanic Gardens
Previously unknown image of Ballarat. The set and its subjects indicate these images were produced to promote Ballarat and were perhaps aimed at tourists.The large Fernery was built in 1884. -
City of Ballarat Libraries
Glass Slide, Sturt St looking east from City Fire Brigade tower
Tram tracks can be clearly seen in this image. Horse trams were introduced late in 1887, the line up Sturt St to the Lake and Gardens being built first. Note these tracks do not have any electricity above them - electric trams did not appear until 1905. St Andrews Kirk steeple was erected in 1884.Previously unknown image of Ballarat. The set and its subjects indicate these images were produced to promote Ballarat and were perhaps aimed at tourists.An image repeating von Guerard's famous drawing from the City Fire Brigade tower, looking east along Sturt St to Mt Warrenheip. -
Warrnambool and District Historical Society Inc.
Document - Poll Book, Mid 20th century
The format of this Poll Book indicates that it could be used in any polling in any electoral district in Australia, either State or Federal. Similar booklets may have been used in the Warrnambool area.This booklet is of minor interest as a sample of a Poll Book that was used in elections (perhaps in the Warrnambool area) in the mid 20th century. It can be used for display.This is a booklet of ten pages. It has a cover with black printing. The cover, once coloured pink but now faded, is completely detached. The pages are ruled with red lines but there are no entries.Poll Bookhistory of warrnambool, poll book, warrnambool -
Friends of Ballarat Botanical Gardens History Group
Work on paper - "Lake was scene of both joy and tragedy". Ballarat Courier 6/5/1998, Suicide and Women's Rights, 6/5/1998
This article highlights the popularity of Lake Wendouree for leisure time activities and the account of a suicide in 1884.Elizabeth Murphy's suicide at Lake Wendouree contrasts with the usual happy reports of activities at the Lake and was selected over 100 years later perhaps to give another perspective on Ballarat Life.2/3 of a page of newspaper print with a large black and white picture, mid- page of people paddling in Lake Wendouree in 18884Nonejohn garner, doctor john garner, ballarat botanic gardens, friends of ballarat botanical gardens, lake wendouree, boating, picnicking, paddling, suicide, elizabeth murphy, william pritchard, 1884, ballarat star, john garner collection, gardens, ballarat -
The Beechworth Burke Museum
Photograph, circa. 1850
Date not confirmed, a farm in the Beechworth Warner property with a farmer overlooking calves, poultry and timber. This photograph depicts the farming and agriculture industry in Beechworth. The property, known as Daintree Stud or the Warner property, was formed a part of the town on Beechworth, Victoria. Beechworth became famous in the 19th century from a short- lived gold-rush. The town grew to the extent of building a hospital and mental hospital, court house, hotels, convent, and prison. During this time, the industrial growth of Beechworth was significant, seeing a rise in practices including tanning, cobbling, blacksmithing, and the selling of livestock. This photograph perhaps reveals a small degree of insight into the livestock business.Black and white rectangular photograph on matte photographic paper, unmountedReverse: 5896/ BMM 8093-1farm, agriculture, farming and agriculture, beechworth, beechworth farm, industry -
Mission to Seafarers Victoria
Photograph - Photograph and letter, attached, T. Bateman, The members of the crew S.S. Siltonhall 1929, 16/10/1929
This letter was written by a representative of the crew of the SS Siltonhall to the Mission to Seafarers in Oct 1929. Their ship caught fire in the Indian Ocean and were rescued by the SS Anthea. The crew was sent to Melbourne and spent some time at the Mission. Article in the Argus, Tuesday 15 October 1929, page 6 "THE SILTONHALL'S SEAMEN. TO THE EDITOR OF THE ARGUS Sir, the story of the disaster to the s.s. Siltonhall is still fresh in the public mind. The ship caught fire and she was abandoned and sank in the Indian Ocean. The crew took to the boats and were rescued and brought safely in to Melbourne. They have been with us now for nearly a week now, taking full advantage of the hospitality of the Mission to Seamen Institute.So far they have been provided with the bare necessities of one complete suit of clothing by the shipping authorities. They leave here to return home to England on Wednesday. If anyone will kindly contribute any articles of clothing or boots they will be most acceptable, especially as the men will be going to a cooler climate. Please send them to me. Yours Sincerily, HOWARD S. BAILEY, Chaplain, Missions to Seamen, Australian Wharf, Oct. 14."This letter and photograph indicate the valuable service that the Mission to Seafarers provides to crews of ships wrecked off the Australian coast. The smiling crew of the S.S. Siltonhall evidently appreciated that when they were in desperate need they were cared for. The picture was possibly taken in a nautical context, perhaps at the docks or on board a ship.B/W photograph of group of 22 men. Letter signed T. Bateman from crew of the SS Siltonhall dated Oct. 16th 1929. "Oct 16th 1929. / The members of the crew of the SS Siltonhall, / which caught fire in the Indian Ocean, and / was abandoned on Sept 21st 1929, wish to / thank the 'Missions to Seamen', and all those / concerned, for their hospitality, in the way of / Concerts, Socials, etc., also for boots and clothing / gratefully received. / On behalf of the crew. T. Bateman." photograph, letter, 1929, siltonhall, ship, crew, mission, seafarers, wreck, fire, bateman, melbourne, australia, shipwreck, reverend howard s. bailey, j. bateman -
Mission to Seafarers Victoria
Badge, Wallace Bishop, MN Australia, circa 1940
WW2 Merchant Navy Australia, issued by the Commonwealth Government 1940 MN War Service officially-numbered silver lapel badge. A company called Bishop also manufactured badges in Melbourne .Intended as a form of service badge for Australian Merchant Seafarers especially those perhaps serving on the newly armed civilian craft. The term Merchant Navy was coined by King George V in 1919, as recognition of the sacrifice made by merchant seafarers during the First World War.WW2 Merchant Navy war service solid (silver) badge. Initials ‘MN’ enclosed by oval rope motif with crown above. The word ‘Australia’ (UC) displayed beneath. Retains original two-loop lapel fixtures. Officially-numbered 10910 on the back. Inscribed "issued by the Commonwealth Government 1940". "Wallace-Bishop Brisbane".ww2, merchant navy, commonwealth government 1940, badge, war service, australia, mn -
Mission to Seafarers Victoria
Domestic object - Cigarette box, Early 20th Century
Found under the wooden floor of the Billiards room of 717 Flinders St. during renovation works on Tuesday 29 May 2018. This size of pack would have held 5 small cigarettes. Probably dropped by a visiting seafarer during a game of billiards. ( NB the term Capstan in the nautical context refers to the winding mechanism used to wind in ropes and halyards often manned by several crew on older vessels.)The company WD & HO Wills were also cigarette manufacturers of the brand "Senior Service" ( referencing the Navy) this pack also uses the term "Navy" and "Capstan" in the brand name, alluding to the nautical, perhaps suggesting that seafarers or those with an interest in the sea were especially targeted by promotions and advertising in the 20th c. Commercially printed very small packet wrap or box for a pack of 5 cigarettes originally folded and glued now opened out. ( the card slide out holder or silver paper wrap of the cigarettes that would have completed the packet is missing).See Image for detailscigarettes, packaging, capstan, navy cut, sailors, seamen, smoking -
Mission to Seafarers Victoria
Article - Newspaper Clipping, The First Asian Port Chaplain, 1963
Appointed to both the Mission to Seamen and the Chinese Church Mission in Little Bourke St Rev'd Wong and his family commenced his appointment at the Mission in 1963. A former head of the 1500 student Kei yen school , Hong Kong he was accompanied by his wife and two sons Timothy and John. Ordained a Deacon in 1953 he became a priest in 1955 and was inducted on arrival in Melbourne by Bishop Sambell. The family arrived on the cargo -liner "Tjiluwah".Rev'd Stephen Wong was the first Asian Port Chaplain appointed and worked at the Mission part-time form 1963-1968. He played an important role in raising awareness among asian seamen and was perhaps the inspiration behind the first Mission brochures to be printed in Chinese characters. Undated / unsourced news clipping featuring head shot photograph of Rev'd Stephen Wong and description of new role at the Mission and was minister of the Chinese church in little Bourke St.stephen wong, timothy wong, padre stephen wong, hong kong -
Ballaarat Mechanics' Institute (BMI Ballarat)
Bread Carters Union Procession, perhaps for 8 Hour Day
This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.bread carters union -
Glen Eira Historical Society
Album - Album page, Myoora, 405 Alma Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Myoora - Victorian Heritage Register (VHR) Number H0490 https://vhd.heritagecouncil.vic.gov.au/places/275 Myoora, 405 Alma Road, North Caulfield, was designed by Reed, Henderson & Smart and can be attributed to Anketell Henderson. It was built in 1886 and 1887 for Thomas Christian, who had founded the fabled gold mine, the Day Dawn at Charters Towers. He never occupied the house although his widow lived there for some time. The house was subdivided into three and later six flats. Myoora was one of many large mansions on broad acres with gardens in Caulfield. Perhaps the grandest was Labassa. The mansions date from the 1850s through to the late 1890s. The siting of Myoora on a ridge influenced its planning and composition. A central hall and corridor along the ridge is entered from the centre of the more formal north facade. The entrance is marked by an elaborately detailed tower. A stair turret provides a second accent. The western end of the building is completed by a massively detailed chimney as the service wing. The south facade enjoyed an outlook to port phillip from a two-storey cast iron verandah. Bay windows, chimneys, the tower and the turret and minor details are brought together in a sophisticated asymmetrical composition. This is reflected in the planning. The asymmetry of Myoora pivoting on the tower is the most notable feature of the building. The walls are built of cement rendered brick. The cement render has not been painted. The roof is slate. The balconies and verandah are cast iron. The footings and cellar are bluestone. The architectural firm Reed, Henderson & Smart was very prominent in Victoria in the nineteenth century. Anketell Henderson was an eminent and well respected member of the profession. He worked successfully in London and interstate as well as in Victoria. They were better known for commercial and public buildings. Myoora is an important private commission. The style of Myoora is a combination of details from the Continental and English Renaissance through the boom style and the Queen Anne style. There is also an early influence from the American Romanesque style especially in the stair turret. The latter style was important at the turn of the century and Myoora is a significant precursor. Other buildings of a similar scale survive in Caulfield and elsewhere. Labassa, the most fabulous, is quite different stylistically as are most of the other comparable mansions.Page 6 of Photograph Album including four black and white photographs of the mansion Myoora. Two photographs in the top half of the page are in portrait orientation while the two photographs in the bottom half of the page are in landscape orientation.Handwritten: "Myoora" 405 Alma Rd [top right hand corner] / 8 Oct 1966 Neg 229 [underneath top left photograph] / 8 Oct 1966 Neg 230 [underneath bottom left photograph] / 6 [bottom right]caulfield north, trevor hart, alma road, mansion, myoora, tower, lacework, arched windows, anketell henderson, thomas christian, 1880's, cement rendered brick, slate roof, cast iron verandah, cast iron balconies, bluestone footings, queen anne, american romanesque, bay windows, boom style, continental and english renaissance, cast iron work, reed henderson & smart, flats, gardens, asymmetrical style -
Glen Eira Historical Society
Album - Album page, Myoora, 405 Alma Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Myoora - Victorian Heritage Register (VHR) Number H0490 https://vhd.heritagecouncil.vic.gov.au/places/275 Myoora, 405 Alma Road, North Caulfield, was designed by Reed, Henderson & Smart and can be attributed to Anketell Henderson. It was built in 1886 and 1887 for Thomas Christian, who had founded the fabled gold mine, the Day Dawn at Charters Towers. He never occupied the house although his widow lived there for some time. The house was subdivided into three and later six flats. Myoora was one of many large mansions on broad acres with gardens in Caulfield. Perhaps the grandest was Labassa. The mansions date from the 1850s through to the late 1890s. The siting of Myoora on a ridge influenced its planning and composition. A central hall and corridor along the ridge is entered from the centre of the more formal north facade. The entrance is marked by an elaborately detailed tower. A stair turret provides a second accent. The western end of the building is completed by a massively detailed chimney as the service wing. The south facade enjoyed an outlook to port phillip from a two-storey cast iron verandah. Bay windows, chimneys, the tower and the turret and minor details are brought together in a sophisticated asymmetrical composition. This is reflected in the planning. The asymmetry of Myoora pivoting on the tower is the most notable feature of the building. The walls are built of cement rendered brick. The cement render has not been painted. The roof is slate. The balconies and verandah are cast iron. The footings and cellar are bluestone. The architectural firm Reed, Henderson & Smart was very prominent in Victoria in the nineteenth century. Anketell Henderson was an eminent and well respected member of the profession. He worked successfully in London and interstate as well as in Victoria. They were better known for commercial and public buildings. Myoora is an important private commission. The style of Myoora is a combination of details from the Continental and English Renaissance through the boom style and the Queen Anne style. There is also an early influence from the American Romanesque style especially in the stair turret. The latter style was important at the turn of the century and Myoora is a significant precursor. Other buildings of a similar scale survive in Caulfield and elsewhere. Labassa, the most fabulous, is quite different stylistically as are most of the other comparable mansions.Page 7 of Photograph Album including four black and white photographs. Three photos are in a portrait orientation and placed diagonally across the page from the top left hand side to the bottom right hand side. One photograph in a landscape orientation is on the top right hand side of the page. Handwritten: 007 (bottom left hand corner)caulfield north, trevor hart, alma road, mansion, myoora, tower, thomas christian, 1880's, queen anne, cement rendered brick, unpainted, balconies, verandahs, anketell henderson, continental and english renaissance, american romanesque, views, cast iron work, reed henderson & smart, flats, gardens, asymmetrical style, slate roofs -
Glen Eira Historical Society
Album - Album page, Myoora, 405 Alma Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Myoora - Victorian Heritage Register (VHR) Number H0490 https://vhd.heritagecouncil.vic.gov.au/places/275 (as at 6/10/2020) Myoora, 405 Alma Road, North Caulfield, was designed by Reed, Henderson & Smart and can be attributed to Anketell Henderson. It was built in 1886 and 1887 for Thomas Christian, who had founded the fabled gold mine, the Day Dawn at Charters Towers. He never occupied the house although his widow lived there for some time. The house was subdivided into three and later six flats. Myoora was one of many large mansions on broad acres with gardens in Caulfield. Perhaps the grandest was Labassa. The mansions date from the 1850s through to the late 1890s. The siting of Myoora on a ridge influenced its planning and composition. A central hall and corridor along the ridge is entered from the centre of the more formal north facade. The entrance is marked by an elaborately detailed tower. A stair turret provides a second accent. The western end of the building is completed by a massively detailed chimney as the service wing. The south facade enjoyed an outlook to port phillip from a two-storey cast iron verandah. Bay windows, chimneys, the tower and the turret and minor details are brought together in a sophisticated asymmetrical composition. This is reflected in the planning. The asymmetry of Myoora pivoting on the tower is the most notable feature of the building. The walls are built of cement rendered brick. The cement render has not been painted. The roof is slate. The balconies and verandah are cast iron. The footings and cellar are bluestone. The architectural firm Reed, Henderson & Smart was very prominent in Victoria in the nineteenth century. Anketell Henderson was an eminent and well respected member of the profession. He worked successfully in London and interstate as well as in Victoria. They were better known for commercial and public buildings. Myoora is an important private commission. The style of Myoora is a combination of details from the Continental and English Renaissance through the boom style and the Queen Anne style. There is also an early influence from the American Romanesque style especially in the stair turret. The latter style was important at the turn of the century and Myoora is a significant precursor. Other buildings of a similar scale survive in Caulfield and elsewhere. Labassa, the most fabulous, is quite different stylistically as are most of the other comparable mansions. Stonnington is perhaps closer but relies on different details from the Queen Anne style and lacks any American influence. For its historical associations through its owners and architects, for its style and composition and for its intactness, Myoora is significant at a State level. The craftmanship of Myoora is what could be expected of a building of the time and type. It is relatively intact and in fair condition. The main staircase has been removed, minor alterations to decorative features have occurred and additions have been made to the exterior.Page 8 of Photograph Album including four black and white photographs. Three photos are in a portrait orientation, one on the left hand side of the page with the other two in the bottom part of the page. One photograph in a landscape orientation is on the top right hand side of the page. Handwritten: "Myoora" 405 Alma Rd [top right hand corner] / Neg 179 DEC 1972 [underneath bottom left photograph] / Neg 180 DEC 1972 [underneath bottom right photograph] / 8 [bottom right]caulfield north, trevor hart, alma road, mansion, myoora, tower, thomas christian, 1880's, queen anne, cement rendered brick, unpainted, balconies, verandahs, anketell henderson, continental and english renaissance, american romanesque, views, cast iron work, reed henderson & smart, flats, gardens, asymmetrical style, slate roofs, entrances -
Glen Eira Historical Society
Album - Album page, Myoora, 405 Alma Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Myoora - Victorian Heritage Register (VHR) Number H0490 From the Victorian Heritage Register Database - Citation for Myoora https://vhd.heritagecouncil.vic.gov.au/places/275 (as at 6/10/2020) Myoora, 405 Alma Road, North Caulfield, was designed by Reed, Henderson & Smart and can be attributed to Anketell Henderson. It was built in 1886 and 1887 for Thomas Christian, who had founded the fabled gold mine, the Day Dawn at Charters Towers. He never occupied the house although his widow lived there for some time. The house was subdivided into three and later six flats. Myoora was one of many large mansions on broad acres with gardens in Caulfield. Perhaps the grandest was Labassa. The mansions date from the 1850s through to the late 1890s. The siting of Myoora on a ridge influenced its planning and composition. A central hall and corridor along the ridge is entered from the centre of the more formal north facade. The entrance is marked by an elaborately detailed tower. A stair turret provides a second accent. The western end of the building is completed by a massively detailed chimney as the service wing. The south facade enjoyed an outlook to port phillip from a two-storey cast iron verandah. Bay windows, chimneys, the tower and the turret and minor details are brought together in a sophisticated asymmetrical composition. This is reflected in the planning. The asymmetry of Myoora pivoting on the tower is the most notable feature of the building. The walls are built of cement rendered brick. The cement render has not been painted. The roof is slate. The balconies and verandah are cast iron. The footings and cellar are bluestone. The architectural firm Reed, Henderson & Smart was very prominent in Victoria in the nineteenth century. Anketell Henderson was an eminent and well respected member of the profession. He worked successfully in London and interstate as well as in Victoria. They were better known for commercial and public buildings. Myoora is an important private commission. The style of Myoora is a combination of details from the Continental and English Renaissance through the boom style and the Queen Anne style. There is also an early influence from the American Romanesque style especially in the stair turret. The latter style was important at the turn of the century and Myoora is a significant precursor. Other buildings of a similar scale survive in Caulfield and elsewhere. Labassa, the most fabulous, is quite different stylistically as are most of the other comparable mansions. Stonnington is perhaps closer but relies on different details from the Queen Anne style and lacks any American influence. For its historical associations through its owners and architects, for its style and composition and for its intactness, Myoora is significant at a State level. The craftmanship of Myoora is what could be expected of a building of the time and type. It is relatively intact and in fair condition. The main staircase has been removed, minor alterations to decorative features have occurred and additions have been made to the exterior.Page 9 of Photograph Album including three black and white photographs. The photos are in a portrait orientation and arranged diagonally across the page from top left to bottom right.Handwritten: Neg 175 DEC 1972 [underneath top left photograph] / Neg 173 DEC 1972 [underneath middle photograph] / 9 [bottom left]caulfield north, trevor hart, alma road, mansion, myoora, tower, thomas christian, 1880's, queen anne, cement rendered brick, unpainted, balconies, verandahs, anketell henderson, continental and english renaissance, american romanesque, views, cast iron work, reed henderson & smart, flats, asymmetrical style, slate roofs, windows -
Glen Eira Historical Society
Album - Album page, Myoora, 405 Alma Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Myoora - Victorian Heritage Register (VHR) Number H0490 Citation for Myoora https://vhd.heritagecouncil.vic.gov.au/places/275 (as at 6/10/2020) Myoora, 405 Alma Road, North Caulfield, was designed by Reed, Henderson & Smart and can be attributed to Anketell Henderson. It was built in 1886 and 1887 for Thomas Christian, who had founded the fabled gold mine, the Day Dawn at Charters Towers. He never occupied the house although his widow lived there for some time. The house was subdivided into three and later six flats. Myoora was one of many large mansions on broad acres with gardens in Caulfield. Perhaps the grandest was Labassa. The mansions date from the 1850s through to the late 1890s. The siting of Myoora on a ridge influenced its planning and composition. A central hall and corridor along the ridge is entered from the centre of the more formal north facade. The entrance is marked by an elaborately detailed tower. A stair turret provides a second accent. The western end of the building is completed by a massively detailed chimney as the service wing. The south facade enjoyed an outlook to port phillip from a two-storey cast iron verandah. Bay windows, chimneys, the tower and the turret and minor details are brought together in a sophisticated asymmetrical composition. This is reflected in the planning. The asymmetry of Myoora pivoting on the tower is the most notable feature of the building. The walls are built of cement rendered brick. The cement render has not been painted. The roof is slate. The balconies and verandah are cast iron. The footings and cellar are bluestone. The architectural firm Reed, Henderson & Smart was very prominent in Victoria in the nineteenth century. Anketell Henderson was an eminent and well respected member of the profession. He worked successfully in London and interstate as well as in Victoria. They were better known for commercial and public buildings. Myoora is an important private commission. The style of Myoora is a combination of details from the Continental and English Renaissance through the boom style and the Queen Anne style. There is also an early influence from the American Romanesque style especially in the stair turret. The latter style was important at the turn of the century and Myoora is a significant precursor. Other buildings of a similar scale survive in Caulfield and elsewhere. Labassa, the most fabulous, is quite different stylistically as are most of the other comparable mansions. Stonnington is perhaps closer but relies on different details from the Queen Anne style and lacks any American influence. For its historical associations through its owners and architects, for its style and composition and for its intactness, Myoora is significant at a State level. The craftmanship of Myoora is what could be expected of a building of the time and type. It is relatively intact and in fair condition. The main staircase has been removed, minor alterations to decorative features have occurred and additions have been made to the exterior.Page 10 of Photograph Album including four black and white photographs. Three photos are in a portrait orientation with the fourth on the right in a landscape orientation.Handwritten: "Myoora" 405 Alma Rd [top right of page] / Neg 176 DEC 1972 [underneath bottom right photograph] / 10 [bottom right]caulfield north, trevor hart, alma road, mansion, myoora, tower, thomas christian, 1880's, queen anne, cement rendered brick, unpainted, balconies, verandahs, anketell henderson, continental and english renaissance, american romanesque, cast iron work, reed henderson & smart, flats, gardens, asymmetrical style, slate roofs, chimneys