Language notes, in German P.W.Schmidt, on the development of the Aboriginal Languages.german text, australian languages, pronouns

This souvenir bookmark was for an international conference that highlighted the role Australia archives in an international forum held in Brisbane and in Australia for the first time. It is one of a large collection of bookmarks held at Hymettus that records historical events from the mid-nineteenth century to 2020. small Australian boomerang shaped bookmark with aboriginal motifs.boomerang, archives, bookmarks, conferences, brisbane

Postcard of aboriginal man and boy with traditional implements. Made in Western Germany in perfect colour for John Englander and Co Pty Ltd, Melbourne. Aboriginal artist at work, Australia.basil miller, aborigines, postcards.

The coat of arms on this flag were granted by the British College of Arms in 1970 and represented Brighton City Council's "growing awareness of the importance of formality and correct symbolism in local government". It replaced the council's crest of a pier and yachting scene and was used as council's seal, emblem on its flag and letterhead. The new Coat of Arms, drawn up by the College of Arms in England, depicts the progression from a seaside gardening community to a modern residential city. The prominent forms are on the shield-like coat of arms include waves and a Lymphad (a ship, symbolic of the sea); a market gardener; an aboriginal man; two horns of plenty with abundant fruit and vegetables (the wealth and plenty) and Elster Creek (now Elster Canal). It is underscored by the motto "By their fruits, ye shall know them". Brighton was first incorporated as a borough on 18 January 1859, it became a town on 18 March 1887 and was proclaimed a city on 12 March 1919.Green flag with circular City of Brighton Coat of Arms in the centre. The central circle is white with a yellow edge, with a polychrome coat of arms featuring: the crest which is two cornucopia with fruits and vegetables, above sits a seagull. The mantle above the helmet is in green and gold. The shield is also green and gold with a lymphad (ship) and blue and white waves. The market gardener, holding a hoe, and Aboriginal figure, bearing a boomerang, support the shield and stand upon the compartment which is soil with a representation of Elster creek. A ribbon below contains the motto in blue 'FRUCTU NOSCITUR'.flag, brighton, city of brighton, coat of arms, college of arms, market gardener, aboriginal, elster creek, lymphad, fructu noscitur, armorial bearings, heraldry, cornucopia, by their fruits ye shall know them, motto

Outlines the Aboriginal use of native plants as well as how early European settlers learned from Aboriginal people about their medicinal value. Chapters arranged according to ailments and their treatment.Colour illustrations, colour photographsmedicinal plants, plant identification

Inspected by Joonna Freslov, archaeologist 2.6.2008. Stone tools were used for a variety of purposes, in ways similar to those of steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basalt which is able to withstand repeated impact, and is suitable for use in objects such as stone axes. The stone was quarried, and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rock.The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This axe head is an example of an early stone tool used by the Indigenous people of Eastern Australia.A handmade stone Aboriginal axe head. Finger grips are clear.axehead aboriginal tool stone-artefact

Produced to encourage young Aboriginal people to consider a career in teaching.colour illustrations, b&w illustrations, colour photographsaboriginal education, graphic novels, career planning, comic books, vocational guidance, aboriginal teacher recruitment

Highlights the significant and often unheralded role of first nations people who served in Australia's wars.A large display of memorabilia connected to Reg Saunders, Australia's first Aboriginal Officer. Includes Aboriginal Flag,, Photographic images , Service Medals and Biographical details listed separately as 0355.2 etcA separate typed story of Private William Reginald Rawlings MM, killed in action in August 1918, is included in the display

A history of several Aboriginal reserves, containing long transcribed narratives from those who lived there as well as letters and general information about Aboriginal-white relations in the early 20th century.B&w photographssevington, cummeragunja, moonahcullah, victorian history, new south wales history, race relations, racism, government relations, indigenous reserves, oral histories

Lin ONUS (1948-1996) Language: Wiradjuri / Yorta Yorta Lin Onus played a pivotal role in the recognition of Aboriginal art as an expression of a contemporary and dynamic living culture. Prior to his premature death at just 47 years of age he was a prominent, strident, yet non-confrontational agent in renegotiating the history of colonial and Aboriginal Australia. His father, Bill Onus, was the founder of the Aboriginal Advancement League in Victoria and a prominent maker of artefacts in Melbourne. As a young Koori growing up, Lin lived in a cultural environment that included exposure to visiting Aboriginal artists, including Albert Namatjira. He began his artistic life assisting his father in decorating artifacts, went on to develop skills working with metal and painting with air brush as a panel beater; and by 1974 he was painting watercolors and photo-realist landscapes. In the 1970's he completed a set of paintings on the first Aboriginal guerrilla fighter Mosquito, which holds pride of place on the walls of the Advancement League in Melbourne, to this day. Lin Onus was a largely self-taught artist. Particularly important in his development was his visits to Garmedi (Arnhem Land) starting in 1986. Jack Wunuwun, the Yolngu artist, introduced him into the Murrungun-Djinang clan and gave him permission to use some of traditional images in his paintings. His cultural education on the Aboriginal side was also provided by visits to Cummeragunja with his father, and stories told by his uncle Aaron Briggs, known as 'the old man of the forest' who gave him his Koori name - Burrinja, meaning 'star'. They would sit on the banks of the Murray River within view of the Barmah Forest, Lin's spiritual home, the subject of many of his later paintings and his final resting place. Lin's father had been of the Yorta Yorta people from the Barmah Forest country, and Lin also used images from this area in his paintings. The images in his works include haunting photorealist portrayals of the Barmah red gum forests of his father's ancestral country, and the use of rarrk cross-hatching-based based painting style that he learned (and was given permission to use when in Arnhemland). His painting Barmah Forest won Canberra's national Aboriginal Heritage Award in 1994. (http://www.cooeeart.com.au/aboriginal_artist/lin_onus/A, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition silkscreen.Signed 'Onus' lower right (posthumously by Tiriki Onus) Edition 68/80art, artwork, lin onus, onus, printmaking, screenprint, aboriginal, dreaming, frogs, available

This report presents the results of historical research into the Aboriginal history of the City of Stonnington.maps, colour illustrations, b&w illustrations, colour photographs, tableswoiwurrung, woi wurrung, boonwurrung, boon wurrung, derrimut, william thomas, stonnington, local history, victorian history

This Murnong was found near La Franchi's hutYellow native plant with yellow flower. The root was eaten by Aboriginal people. murnong, microseris sp., yam daisy, flora

Message on back to Mrs Roadknight from Rob and Judith BulmerBlack and white postcard of five Aboriginal children at Lake Tyers Victoriacorrespondence, people

Large group of Aboriginal men and women posing in front of bark hut.Richardson River Blacks Carrs Plains About 1877 Yarry, Old Kitty, Blind Tommy, Topsy, Syntax, Callaghan, Annie, Agnes Captain, Charlie, Polly, Caroline, Creswick Bobby, Teddy, Old Mary, Ann ? ? Little Kitty first nations

Resting in the shade above the river after he has brought his cattle over it, O'Day is disturbed by voices, and rolls over to discover Montieth's daughter Elaine, and her aboriginal companion, Ruby, enjoying themselves in the river. This first encounter with Elaine makes an impression on the young manager that is to last throughout his lifetime.The album and images are significant because they document literature written by a prominent member of the Wodonga community. The presentation of this precis was supported by several significant district families and individuals.Ringer's River Album Coloured photo Plate 9 Resting in the shade above the river after he has brought his cattle over it, O'Day is disturbed by voices, and rolls over to discover Montieth's daughter Elaine, and her aboriginal companion, Ruby, enjoying themselves in the river. This first encounter with Elaine makes an impression on the young manager that is to last throughout his lifetime. Geni Dynon as Ruby and Joan Lehmann as Elaine.des martin, many a mile, ringer's river, northeast victoria stories

The Coat of Arms, represents Brighton City Council's "growing awareness of the importance of formality and correct symbolism in local government". It replaced the council's crest of a pier and yachting scene and was used as council's seal, and emblem on its flag and letterhead. The new Coat of Arms, drawn up by the College of Arms in England, depicts the progression from a seaside gardening community to a modern residential city. The prominent forms are on the shield-like coat of arms include waves and a Lymphad (a ship, symbolic of the sea); a market gardener; an aboriginal man; two horns plenty with abundant fruit and vegetables (the wealth and plenty) and Elster Creek. It is underscored by the motto 'By their fruits, ye shall know them'. Brighton was first incorporated as a borough on 18 January 1859, it became a town on 18 March 1887 and was proclaimed a city on 12 March 1919.Ink and gouache on parchment with wax seals. Allocates a Coat of Arms to the City of Brighton, by the College of Arms in London on 08/09/1970. The Coat of Arms is located on the upper left quadrant and has the following parts: the crest, the wreath, the helmet and mantle, the shield, the supporters, the compartment and the motto. The crest is two cornucopias with fruits and vegetables, above which sits a seagull. The mantle above the helmet is in green and gold. The shield is also green and gold with a lymphad (ship), and blue and white waves, representing the sea. The market gardener, holding a hoe, and Aboriginal figure, bearing a boomerang, support the shield and stand upon the compartment which is soil with a representation of Elster Creek. A ribbon below contains the motto in 'FRUCTU NOSCITUR'. The certificate text explains the origins of Brighton and the parts of the coat of arms. At the bottom of the folded parchment are three signatures and titles, below which three red wax seals in gold tin containers hang from blue ribbons.coat of arms, certificate, city of brighton, college of arms, market gardener, aboriginal, wax seal, elster creek, lymphad, fructu noscitur, letters patent, armorial bearings, heraldry, seal

One of several drawing included in a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandBlack & White Pen drawing depicting three views of an Aboriginal Pebble Implement.local history, illustrations, pen & ink, aboriginal implement, aboriginal tools, dr l adam, john jenner, bryant west

Original steel engraving by J.C Armytage after John SkinnerPROUT (1806 - 1876). Prout was born in Plymouth and was a member of the New Watercolour Society in London, he latter emigrated and lived for some time in Sydney and Hobart before returning to England. Published in "Australia... Illustrated with Drawings by Skinner Prout, N Chevalier, etc. by Edwin Carlton Booth F.R.C.I. (printed 1873-76) Virtue & Co., London, and as part work from about 1873. Steel Steel Engraved antique print some with marking to the margins. Image 12 x 18 cm. John Skinner Prout (1806 - 1876) was an architectural illustrator and painter. Born in Plymouth and nephew of Samuel Prout (Topographical illustrator, drawing master and colourist). John specialised in similar subjects to his uncle but was practically self-taught. He was elected a member of the New Watercolour Society on his return from Australia in 1849, where he visited Sydney and Hobart. He had already forfeited his membership of the NWS in 1838 by being overseas. John settled in Bristol after 1849 whewre he became a good friend of W.J. Muller (artist). He later moved to London where he died, at Camden Town on 29th August 1876Framed print of etching depicting four aboriginals one of which is climbing a treeprint, gwalior plains

Pioneer Schools of Australia. Signed Copy. History of Education including Aboriginal Schools.L. J. Blakeschool, early education

15230 Sergeant Jeffrey Max Duroux, Royal Australian Infantry, Units:6 Battalion, Royal Australian Regiment* 9 Battalion, Royal Australian Regiment Vietnam service: 8 June 1966- 5 January 1969 Date of death: 5 January 1969, South Vietnam. *Duroux was a Battle of Long Tan veteran. He was an Aboriginal soldier, one of several who served in Vietnam.1x Australian Active Service Medal (clasps Thai-Malaya, Malaya, Vietnam) 1x General Service Medal (clasp Malaya) 1x Vietnam Medal 1x Australian Service Medal 1945-75 S.E. Asia 1x Australian Defence Medal 1x Republic of Vietnam Campaign Medal 1960- 1x Malaysia Medal 1x Infantry Combat Badge 3x Presidential Unit Citation Badgessgt. jeffrey max duroux, aboriginal, long tan, 6 rar, 9 rar, medal, badge, killed in action