Postcard produced by the Rose Stereograph Co. No P 3748, showing the scene at the corner of Moorabool and Ryrie Sts Geelong. Has a tram in the far distance along with many motor cars of the late 1940s. In the view are Bright and Hitchcocks, the T&G building, Bank of NSW. The rear of the postcard notes that it is a real photograph. Based on the pencil notation on the rear of item 9059, photo dated 1949.Yields information about the view of Moorabool St at Ryrie St.Black and white Postcard divided back, unused. tramways, trams, geelong, moorabool st, ryrie st

This small ship’s bell, possibly a ‘mess’ or dining room bell, was the smaller of the two bells rescued by the crew of the Schomberg when it was wrecked in 1855. All of the crew from the Schomberg wreck survived. They carried the two ship’s bells with them as they made their way along the coast, eventually arriving at the home of settler, John Manning, who lived at Hopkins Point near Warrnambool. Manning acquired the Schomberg bells, presenting them to two Warrnambool churches; the smaller one to St Joseph’s Catholic Church and the larger bell to St John’s Presbyterian church. This small bell developed a crack after about a year at St Joseph's church and could no longer be used. Thomas Manifold imported a new bell for that church and the cracked belled was stored at his farm and stored. The property was sold years later to John Logan, who donated the discarded bell to the Warrnambool Museum when it first opened in 1886. The Curator, Joseph Archibald, displayed the bell in the entry. The small bell was repaired and re-plated by Briggs Marine in 1986. The larger Schomberg bell was installed in St John’s Presbyterian Church. In 1887 a ‘massive’ new bell, made in Victoria, was installed at the Presbyterian Church, so the old bell was transferred to the nearby Woodford Presbyterian authorities. During World War II the 1887 bell cracked, and could not be repaired. In 1983 the old Schomberg bell from the Woodford church was loaned to Flagstaff Hill Maritime Museum and Village. When the Schomberg was launched in 1855, she was considered the "Noblest” ship that ever floated on the water. Schomberg's owners, the Black Ball Line had commissioned the ship for their fleet of passenger liners. She was built by Alexander Hall of Aberdeen at a cost of £43,103 and constructed with 3 skins. One planked fore and aft and two diagonally planked, fastened together with screw-threaded trunnels (wooden rails). Her First Class accommodation was simply luxurious with velvet pile carpets, large mirrors, rosewood, birds-eye maple and mahogany timbers throughout, soft furnishings of satin damask, and an oak-lined library with a piano. Overall she had accommodation for 1000 passengers. At the launch, the Schomberg's 34-year-old master, Captain 'Bully' Forbes, had promised to reach Melbourne in sixty days stating, "with or without the help of God." Captain James Nicol Forbes was born in Aberdeen in 1821 and rose to fame with his record-breaking voyages on the famous Black Ball Line ships; Marco Polo and Lightning. In 1852 in the ship Marco Polo, he made the record passage from London to Melbourne in 68 days. Unfortunately, there were 53 deaths on the voyage, but the great news was off the record passage by Captain Forbes. In 1854 he took the clipper “Lighting” to Melbourne in 76 days and back in 63 days, this record was never beaten by a sailing ship. He often drove his crew and ship to breaking point to beat his previous records. He cared little for the comfort of the passengers. On this, Schomberg's maiden voyage, he was determined to break existing records. Schomberg departed Liverpool on her maiden voyage on 6th October 1855 flying a sign that read "Sixty Days to Melbourne". She departed with 430 passengers and 3000 tons of cargo including iron rails and equipment intended to build the Melbourne to Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. She also carried a cow for fresh milk, pens for fowls and pigs, and 90,000 gallons of water for washing and drinking. She also carried 17,000 letters and 31,800 newspapers. The ship and cargo were insured for $300,000 a fortune for the time. The winds were poor as she sailed across the equator, slowing Schomberg's journey considerably. The land was first sighted on Christmas Day, at Cape Bridgewater near Portland, Captain Forbes followed the coastline towards Melbourne. Forbes was said to be playing cards when called by the third mate Henry Keen, who reported land about 3 miles off. Due in large part to the captain's regarding a card game as more important than his ship, it eventually ran aground on a sand spit near Curdie's Inlet (about 56 km west of Cape Otway) on 26th December 1855, 78 days after leaving Liverpool. The sand spit and the currents were not marked on Forbes's map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted the SS Queen at dawn and signalled the steamer. The master of the Queen approached the stranded vessel and all of Schomberg’s passengers and crew disembarked safely. The Black Ball Line's Melbourne agent sent a steamer to retrieve the passengers' baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Later one plunderer found a case of Wellington boots, but alas, all were for the left foot. Local merchants Manifold & Bostock bought the wreck and cargo but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. In 1864 after two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned. In 1870, nearly 15 years after the wreck parts of the Schomberg had washed ashore on the south island of New Zealand. The wreck now lies in 825 meters of water and although the woodwork is mostly disintegrated the shape of the ship can still be determined due to the remaining railway irons, girders and the ship’s frame. A variety of goods and materials can be seen scattered about nearby.The bell is particularly significant in that along with other items from the wreck helped in part to having the legislation changed to protect shipwrecks, with far tighter controls being employed to oversee the salvaging of wreck sites. This bell forms part of the Schomberg collection at Flagstaff Hill maritime museum. The collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered Schomberg shipwreck (VHR S 612). The collection is of additional significance because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes from society at the time of the wreck. A small ship’s bell. The bell bears the ship’s name and year of construction on one side and the name and address of the ship’s builders on the other. These details are deeply engraved into the metal and formed in bold upper-case lettering. The bell has two bell stands, a left and a right side. Both stands have an Iron pipe made into an inverted ‘Y’ shape with a hole made in the single length, and feet attached to a rectangular metal plate at the other two ends. Feet are bolted into a timber base that has a hole drilled through the centre for mounting. Bell's front; “SCHOMBERG” with “1855” below. Bell's back “HALL & SONS (crack splits letter “N”) / BUILDERS (in italics) / ABERDEEN” (crack splits letter “B”).flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, schomberg, silver plated bell, mess bell, bell stands, captain ‘bully’ forbes, alexander hall and son, james baines and company, liverpool’s black ball line, bell, schomberg bell, ship's bell, small bell, st joseph's church, briggs marine

Black & white photograph of the Bendigo Butter Factory in Mundy St., mounted on cardboard. It appears to have been part of a display, with explanatory notes attached to each photograph. See 11011.10. On the reverse of the Title photograph is the date 1950-1955 and a blue registration stamp with the words 'Pure creamery, Australia, Victoria regd'. An interior photograph in the series shows a calendar with the date March 1957. This photograph shows one female and two male workers at a machine cutting and wrapping blocks of butter. The workers are identified on the reverse of the photograph from left - Rose McDonald, Harold Speechly and Ken Melling.bendigo, industry, bendigo butter factory, rose mcdonald, harold speechly, ken melling

Black plastic folder, with clear plastic sleeves. White paper cover in insert. with b/w drawing of roses on a branch.The Grampians Rose and Garden Club.stawell, club, flowers

Barneys Chimney The Grampians The Rose Series P1681. Written on the back of post card is message "addressed to Nell and sent from Lil".Black and white photograph of an unusual rock formation.The Rose Series. P. 1681 Barney's Chimney, Grampians, Victoria. Published by "The Rose Stenegraphrs" Armadale, Victoria. Card addressed to Dear Nell and sent from Lil.halls gap grampians

Black and white photograph of PMTT No. 57 in Burke Road Camberwell c1915. Tram showing route No. 12. Possibly at Mayston St. In the view is the State Savings Bank, a Real Estate agent, a snooker hall and a button shop. Photograph features on page 59 of Ian Brady's book on the PMTT, "Melbourne's Foremost Municipal Tramway". Photograph from the Bob Prentice Collection - from the Rose Series post-card P3639. Two copies held.Has caption on the photo "Burke Road, Camberwell c1920's" and in pencil on the rear 'RSCP 325", C1916 and in red ink "H57"trams, tramways, pmtt, burke road, camberwell, tram 59

Divided back postcard with a black and white view of the corner of Spring and Bourke St with Parliament House in the background and a cable car sets. Titled "Parliament House & Treasury Melbourne", along lower edge. Rose Series P 4090. Photo c1940. On rear - postcard divided into two by the Rose Stereograph Co rose symbol. Has the name of the company on the left hand side.trams, tramways, spring st, melbourne, cable trams, bourke st

Divided back postcard featuring a hand coloured black and white photograph of a view looking from Flinders St towards Government House, c1900, or from the roof of the Flinders St Station which could be under construction. Embossed Photograph enclosed within an artists palette, surrounded by roses. Note the buildings between the bridge and Government house - a former asylum? Card from the SEMCO Series Box 545 GPO Melbourne. Addressed to Miss V Hall of Blackwood.trams, tramways, princes bridge, cable trams, flinders st, flinders st station

Bourke St from just east of Swanston St looking west with two cable sets (trailer 457) in the view along with many motor cars, including a number doing hook turns. In the photo are the Leviathan, London, Buckley and Nunn and Myer stores, Helmers Showrooms. Rose Series Postcard - P4765/ see Charles Craig series for original postcard - CC81Yields information about Bourke StBlack and white photograph of a Rose Stereograph postcard.Has "51260" on the rear in ink.trams, tramways, cable trams, swanston st, bourke st, tram 457

A postcard showing a scene looking west from Russell St along Collins St. Has some 7 cable trams, horse-drawn carts, and motor vehicles in view. In the view is Scotts Church, the Athenium, and the Town Hall. In the bottom left-hand corner of the card is "Printed for Commonwealth Immigration Office by Rose Stereograph Co. Vic."Demonstrates a card printed to promote Australian Immigration to Melbourne, possibly post the first world war.Black and White postcard, Divided back.In pencil in the bottom right hand corner "Government publicity issue in England $12"tramways, collins st, cable trams, immigration

Ticket - 2 1/2d, MMTB black printing on light brown paper with the value in green ink. A transfer ticket matched with Reg Item 5522. Has a "Victoria Bitter" print on the rear. Ticket No. R799195 Advice from Dean Filgate 7/1/2020 for this item and 5522: "very interesting tickets (why can't I find gems like these when I haunt old bookshops ?) and even better - a matched transfer pair ! The transfer is (I think) from the original McCaskey Systems printing for the "great fare revision" of March 1921, when most fares rose by ½d (or 1d on Sundays & Public Holidays), and is on the wider paper stock of those issues. The 2½d is from a later printing on narrower (but still "long") paper stock, but retains the black + coloured (value) ink on white paper scheme. The original issues had McCaskey's imprint and the value repeated on the back. They are a very nice pair. At some stage in the early/mid-1920s coloured paper tickets were again produced alongside the white-paper issues, before totally replacing them. Some of the colours were also altered. Sands & McDougall cornered the ticket-printing market about this time, blitzing all opposition with a press that produced 57 tickets at once - compared to everyone else's 2-at-a-time presses (Geoff Dean has more information on this). The "horizontal" format (similar to Sydney) was trialled in the late 1920s, and deemed a failure. The number of sections, their direction, and the use of Up/Down or In/Out varied over the years - I have put together a 'chronology' in order of issue, but unfortunately cannot assign dates of issue (yet ? ). 2nd email of 10/1/2021 Yes - keep those two tickets paired together (most people don't ); the only other matched transfer pair that I have seen was in Travis Jeffrey's collection. The 2½d ticket is a mid-1920s printing (from Sands & McDougall, so I am led to believe), the design being re-worked from their previous batch that had this value in red. There may have been another slight revision before the next design - of horizontal (Sydney-type) tickets - were issued. It would appear that horizontal format had already been used by the cable trams well before the electric trams, and that this "next horizontal issue" was used for both cable and electric trams. What I neglected to say before, was that this is an Electric System issue - as denoted by the "E.S." at the top: the alternate heading was "CABLE TRAMWAYS". Most enthusiasts mistake those initials to mean "Eastern System": demonstrably it is not, because there were "E.S." tickets issued specifically for use at Coburg and Essendon depots only (mostly return fares, with the destinations marked on the ticket).trams, tramways, tickets, mmtb, transfer tickets

Postcard of Swanston St Melbourne, looking south from Bourke St, Rose Series No. P4458. Has a W2 possibly No. 562 south bound showing route 2A ( ST KILDA BEACH VIA SOUTH MELBOURNE - CITY (via Swanston Street)) which dates from 1930. The Shrine of Remembrance is not visible. There are other trams in the view as well. In the background are the Royal Mail Hotel, Browns stores, Carlton Cigarettes, Robur Tea, Ezywalkin shoes and the Leviathan storeYields information about the view along Swanston St from Bourke St.Postcard - black and white, divided back, unused."$3" in pencil on the rear.trams, tramways, w2 class, swanston st, tram 562, route 2a

Rose Series postcard No. P 200, "Flinders St, Station and St Kilda Road, Melbourne" looking south from the roof top of the Nicholas Building in Swanston Street. Has at least eight trams in the view. The trams have a white panel under the driver's windows indicating a war time black out precaution. Has adverts for buying bonds and savings certificates and The Herald learn to Swim advertisement on the end of the verandah for Friday next January 10th at Princes Bridge. This gives a year of 1941.Yields information about St Kilda Road 1941Postcard - printed real photograph with Rose Stereograph Co. name on the rear.tramways, flinders st station, st kilda road, railways, world war ii, trams, mmtb

Rose Series postcard No. P 1040, titled "Flinders Street Railway Station, Melbourne" showing the entrance to the station, many motor cars, some with black-out headlight covers, a MMTB Leyland bus, and a W2 class tram either 288 or 388 (Kew Depot cars at the time.) with the destination of Spencer St. This would have to be one of the first W2 class cars to have the metal gutter replaced by a storm/drip rail. There is an advertising board on the railway station verandah, advertising Liberty Loans. You can just make out the tram overhead for the curve from Swanston Street into Flinders Street.Yields information about Flinders Street and railway station in the early 1940s.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.tramways, trams, flinders st, flinders st station, w2 class, buses, mmtb buses, world war ii

Rose Series postcard No. P 3288 titled "Swanston Street Melbourne", looking north from just past (or south) of Batman Ave. There are five trams in the view and one private Reo bus. W2 class tram 452 (route 64 - City). The trams have a white strip under the driver's windows indicating the war time black out measure. The sign board advertising tram routes to Wattle Park, Burwood etc can be seen above the footpath leading to Batman Ave.Yields information about Swanston St. at the intersection with Batman Ave.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.Has "K J Magor" stamp on rear.trams, tramways, w2 class, swanston st, bus, batman ave, tram 452, route 64, world war ii

Rose Series postcard No. P 10456 titled "Complete view of Flinders Street Railway Station, Melbourne", looking from St Paul's Cathedral steps. Two W2 class trams in Swanston Street, one fitted with a white dash panel under the driver's windows indicating a wartime black-out precautions era. There is an MMTB TS8c or TS11c bus eastbound in Flinders Street bound for "Kew" (Kew Junction). There are some cars waiting to complete their hook turns into Flinders Street. There is an advertisement on the station for the Women's Auxiliary Australian Air Force (WAAAF) this organisation was founded in 1941.Yields information about Flinders St station early 1940s.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.trams, tramways, w2 class, swanston st, flinders st station, flinders st, buses, mmtb buses, ts8c class, world war ii

Photograph shows a train of three carriages and one of the Baldwin-built locomotives with the Sorrento Hotel in the background. All the cars have advertising boards on the rooves advertising Rowland's water and Evans English Ales. Two conductors with caps can be seen with one collecting fares from the footboard. The tram is well loaded.Yields information about the Sorrento steam tram.Black and White postcard, divided back type unused, Rose Series P1812.sorrento, steam trams, baldwin

322 - Black and white Illustration, reproduction of a Victorian Railways Photograph of the Sorrento Steam Tram at the Sorrento Back beach. Printed on heavy card, with caption, source and by Stephen Watson as Card No. 104. Shows the steam locomotive and two cross bench trailers. Photo c1900? Note this photo is reproduced by a number of web sites - 2/9/13, and shows that the illustration has been cropped horizontally. .1- A4 size copy print - see inscriptions. .2 - Original from a Rose Series Postcard - P298, copy added from the Keith Kings collection. Could be a reproduced Postcard.On rear of .1 in ink "Copy neg 20/10/82" and "Herald" in bottom right hand corner on rear.trams, tramways, steam trams, sorrento

A digital copy of a black and white postcard from the Fruit Salad Farm in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.A digital copy of a black and white postcard from the Fruit Salad Farm in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.marysville, victoria, australia, fruit salad farm, accommodation, restaurant, rose series, rose stereograph company, postcard, souvenir, p. 13096

Photograph - black and white. Written on back of photo. Billy Franklin, 15 Hayes St. Iron Bark. Photo of Sloyd Grade 5 class, Violet Street. 22 students and 1 teacher. All the class are holding their chisels. grade 5. violet street., sloyd class, billy franklin, violet street primary school

A black and white postcard from Greenlands guest house in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.A black and white postcard from Greenlands guest house in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.POST CARD The "Rose Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria. Illegible had a good time/ with Arthur Clarke/ about 1932marysville, victoria, australia, greenlands, the spot, green lanes, sarah mclean, murdock mclean, geoffrey cobb, cath m anderson, mr and mrs a.g. clarke, e pigdon, bert patterson, guest house, rose series, rose stereograph company, postcard, souvenir, p. 10142

A black and white postcard from Greenlands guest house in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.A black and white postcard from Greenlands guest house in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.POST CARD The "Rose Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria.marysville, victoria, australia, greenlands, the spot, green lanes, sarah mclean, murdock mclean, geoffrey cobb, cath m anderson, mr and mrs a.g. clarke, e pigdon, bert patterson, guest house, rose series, rose stereograph company, postcard, souvenir, p. 10142

A black and white postcard from Greenlands guest house in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.A black and white postcard from Greenlands guest house in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria.marysville, victoria, australia, greenlands, the spot, green lanes, sarah mclean, murdock mclean, geoffrey cobb, cath m anderson, mr and mrs a.g. clarke, e pigdon, bert patterson, guest house, rose series, rose stereograph company, p. 1004, postcard, souvenir

A black and white postcard of the view of Mt. Grant and Lake Mountain from Green Lanes guest house in Marysville. The postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.A black and white postcard of the view of Mt. Grant and Lake Mountain from Green Lanes guest house in Marysville. The postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.F. Geoffrey Cobb Series No. 2 POST CARD The Rose Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co.,/ Armadale, Victoria.marysville, victoria, australia, greenlands, the spot, green lanes, sarah mclean, murdock mclean, geoffrey cobb, cath m anderson, mr and mrs a.g. clarke, e pigdon, bert patterson, guest house, postcard, souvenir, rose stereograph company, f geoffrey cobb, f geoffrey cobb series no. 2

A digital copy of a black and white postcard of "Lyndhurst" near Taggerty that was produced by the Rose Stereograph Company as a souvenir of Taggerty.A digital copy of a black and white postcard of "Lyndhurst" near Taggerty that was produced by the Rose Stereograph Company as a souvenir of Taggerty.taggerty, victoria, australia, lyndhurst, rose series, p. 2360, rose stereograph company, postcard, souvenir

A digital copy of a black and white postcard of Marysville House that was produced by the Rose Stereograph Company as a souvenir of Marysville.A digital copy of a black and white postcard of Marysville House that was produced by the Rose Stereograph Company as a souvenir of Marysville.THE ROSE SERIES P. 2297/ COPYRIGHT POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria. Dear Mum + Dad,/ I am coming home/ on Wednesday. I/ don't know what/ bus yet. I am coming/ home under sufference./ I know you (illegible)/ miss me an awful/ lot. (illegible) is/ sick she has/ diary. Mum I (illegible)marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, rose stereograph company, rose series, p. 2297, postcard, souvenir

third lady in photograph unknownBlack and white photograph Ian McDougall of Aquatic Centre Committee accepting cheque from Lionesses Rose Hudson and Marea Wright. Lakes Entrance Victoriarecreational facilities, clubs, fundraising

Tilly Aston, possibly in her thirties, holding a bunch of slighly drooping roses in one hand as she rest upon a table, and a fan in the other. She sits in a chair, leaning forwarded, head tilted towards the flowers, dressed in a black evening gown with elaborate jet beading on the bodice and neckline, and black lace cuffs paired with long white evening gloves. Despite her dress, her hair is held back in a simple clip and she wears small silver sleeper earrings. Image made in black and white, sepia and reverse black and white. Original not held.B/W photograph in various tonestilly aston, association for the blind

This is the program for a University of Ballarat Performing Arts presentation of Twelfth Night by William Shakespeare, in 2006, performed by third year Graduate Bachelor of Arts (Acting) students. Director: Kim Durban; Design: John Bennett, Loris Button, Dan Cooling; Lighting Design: Michele Preshaw. The venue was Post Office Box Theatre, Camp Street Ballarat. Dates: June 14 16 at 8pm; June 17 at 2pm and 8pm and June 18th at 5pm. Kim Durban initially trained as a teacher in South Australia, then as a director at the Victorian College of the Arts in Melbourne.In 1990 Kim was awarded the Ewa Czajor Memorial Award for study in Europe. She was the recipient of an Australia Council Training Artistic Directors grant , working Artisiic Associate at Playbox 1994-95. During her Masters studies she received the Yvonne Taylor Award for Directors. In 2001 , Kim was appointed Senior Lecturer in Performing Arts at the University of Ballarat where her productions have included The White Rose, Sweet Charity, 42nd Street, Chekhov in Black and White, A Midsummer Night's Dream, The Night Before The Day After Tomorrow, Kiss Me Kate, All's Well That Ends Well, Richard the Third and On the Town. Synopsis: Sebastian and Viola are twins who are shipwrecked. Separately they find their way to the land of Illyria, both believing that the other had perished. Viola dresses herself as a boy (called Cesario) and enters the service of Count Orsino who asks 'him' to woo Olivia on his behalf. However Olivia falls for Cesario who has fallen in love with Orsino. A subplot involves two drunken knights, Sir Toby and Sir Andrew, a self important steward, Malvolio, a clown , a forged letter and a pair of yellow stockings. The back page of the program shows an advertisement for a performance of Eugene Iomesco's "The Killing Game"; Director Greg Stone, presented by The University of Ballarat Arts Academy for November, 2006, at The Theatreworks. Eugene Iomesco (1909-1994) was a Romanian born French playwright. The program also contains a promotion for a performance titled "Telling Tales An Evening of Subterfuge and Intrigue" presented by Ballarat National Theatre, to be held in June/July 2006 at the Courthouse Theatre.. Fourteen page booklet containing information about three plays: 'Twelfth Night'; 'The Killing Game' and Telling Tales "An Evening of Subterfuge and Intrigue". Program contents for Twelfth Night: Cast: Synopsis; Director; Guest Artist; Performers; Artistic Team and Production Team. The front cover has the outline of a red tree on a black starlit sky. The back cover is black and red and is advertising a coming production in November, 2006, 'the Killing game.twelfth night, university of ballarat performing arts academy, john bennett, loris button, dan cooling, michele preshaw, post office box theatre, shakespeare, william shakespeare, kim durban

Illustration or photograph looking at the Grenville St tram terminus. One of the trams is a Sebastopol-type tram No 22. Has the large shelter in the background and another tram in the view. Taken c1913, following the introduction of the Sebastopol-type tram. From a Rose Series postcard - Rose Number 1710. Note the Mechanics Institute advertising sign on their building advertising the institute rather than a company. The 8-hour monument at the end of the central median can be seen. On the rear is an illustration of Shoppee's Square in the median strip. See item 4083 for a postcard.Yields information about the operation of ESCo trams in Sturt St and in particular the Sebastopol type.Black and white Illustration cut from a journaltramways, trams, sturt st, esco, grenville st, sebastopol type, tram 22, shoppee's square