Item used in the late Victorian to early Edwardian period as an insert into a house fireplace allowing the burning of coal or wood as fuel to heat a home.An item that is significant as it gives an insight into daily domestic life in the home regards heating.Fire box insert & tray black metal Embossed design to casting at back of box flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

A box of flashcards as used by primary school teachers. Shirley McRae written on front of box.education, teaching tools, flash cards, teaching, shirley mcrae, educational kit

The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. There were clearly a huge range of toys produced for the Australian and International children’s market in the Nineteenth and Twentieth centuries. The examples of toys in the collection include examples of alphabet toys, arcade toys, baby toys, construction toys, dolls, doll accessories, educational toys, soft toys, tin toys, toy animals, toy blocks, toy machines, toy typewriters, etc.Palitoy was a British toy company. It manufactured some of the most popular toys in Britain, some original items and others under licence.Magnetised toy cats in small cardboard boxBox: "Two Magnetic Perky Pussies"toys, games and puzzles, perky pussies, magnetic toys

This hospital equipment was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme.Historical: Shows the development of scientific hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment.Cardboard white box with black writing containing Body repair kit for the mannequin 'Resusci Anne". Box missing one end. Blue rubber of miscellaneous shape inside with instruction pamphlet.On box - LAERDAL Body Repair Kit / Resusci Anne At end of box - Made in Norway No.: 01.10.00hospital equipment. tawonga. mt beauty. resuscitator doll.

Elizabeth Avis- Box 1835-1913 was born in Sussex, married William Box in 1854 and arrived in Melbourne in 1855. William’s parents George and Mary Box and his siblings sailed with them. William & Mary at first leased land in the area of the ‘Dendy Special Survey Brighton 1841’ and then purchased the property with the pioneer cottage 1868 & 1869. William & Elizabeth established a market garden and raised 13 children. 1888 they built a larger 2nd house in front of the original cottage. William died in 1902 and Mary sold 9 acres in 1908 to W. .Snowden Anderson – it later became Joyce Park where the reconstructed Box Cottage Museum now stands. After Elizabeth died her daughters Ada and Violet lived on the 1 acre property until 1917 when August Reitman, a potter and monumental mason, leased the house and land. He established his pottery business and purchased the property in 1935. The business moved in 1953 but continued to use the cottage as a workshop/ storeroom until it was sold to Lewis Timber P/L in 1970. Elizabeth & William Box settled in the pioneer Cottage in Jasper Road East Brighton 1868 and established a market garden whilst raising their 13 children. This Cottage was reconstructed in Joyce Park, Ormond 1984 and is the home of City of Moorabbin Historical Society. In 1960 many local residents responded to a call for the donation of historical artefacts and the Box Cottage Museum now preserves this eclectic collection for the community.The original Last Will & Testament of Elizabeth Avis Box September 1914In the Supreme Court / of Victoria / In the Probate Jurisdiction / In the Will of Elizabeth Box late of / Jasper Road Bentleigh in the State of / Victoria Widow deceased. Be it known ............. Given at Melbourne this ( 21st September 1914) Signed A Carter / Registrar top left corner 79637 / Snowball ( X232) Bottom left corner 10/9/...box elizabeth, box william, moorabbin, bentleigh, brighton, ormond, pioneers, market gardeners, box george, box mary cripps, reitman august, anderson w. snowden, joyce park ormond, box cottage museum dendy’s special survey brighton 1841,

Brought home by Peter Trull from Moratai, Tarakan IslandRectangular wooden army ammunition (detonator) box with metal clips to close/secure lid to main box.Letters and words on box: 844 Japanese characters/scriptarmy ammunition box, trull, p, tatura, japan, tarakan island, arms, ammunition

Child's Pinafore dress with long sleeves. A tight cuff fastened with a button. Square yolk. Pleated Bodice which is long. Full pleated skirt. Opened right up the back buttoned and hooked. Belonged to Irene Crowley who passed away c1914 aged 3 or 4. Her mother kept this frock and the family found it after she had passed away. stawell clothing material

Pink jewellery box in the form of a Spanish flamenco dancer. The figure is made of clay with a pink lace skirt.

The Medal, Presentation Box and Certificate from Buckingham Palace are a very important addition to Council’s History and Heritage collection because of their association with a past Mayor of the City of Caulfield, Harry Carl Hortin Smith. Although a total of 85,234 Jubilee medals were awarded to 'the great and good throughout the Empire' in 1935 to celebrate the Silver Jubilee of King George V, only a handful of these medals survive in major Australian museum collections. The National Museum of Australia holds a similar medal which was awarded to Sir Robert Menzies. The Museum of Victoria also holds a similar medal but neither collection contains a presentation box or certificate from Buckingham Palace. The significance of the donation is greatly enhanced due to its good condition and the fact that it includes all items associated with the presentation the Medal. Most museum collections only include the jubilee medal. Together these unique historical objects tell a complete story of this important event which was cause for great celebration around the world.Red rectangular box used to hold the "HM King George V Silver Jubilee Medal" which was awarded to Harry, Carl, Hortin Smith, past Mayor of the City of Caulfield."1910 (royal crown symbol) 1935" Embossed in black letting in the middle of the top of the box.city of caulfield, mayor, silver jubilee, harry carl hortin smith, king george v, medal

USED IN THE CLUNES HOSPITAL.1 HEAD LIGHT. PLASTIC HEAD-BAND WITH ADJUSTABLE SETTING FOR LIGHT GLOBE & REFLECTOR .2 BATTERY SET : WOODEN BOX WHICH HOUSED 3 BATTERIES. A DIAL ON THE TOP OF THE BOX (Min to Max) & TWO SCREW TERMINALS. METAL HINGES & CLASPCHENEY ENGLAND ON BOXlocal history, medical & surgery, medical

The sport had its origins during the Depression of the 1930s when teams were formed to keep young women fit and healthy. The sport became more organised during the 1940s with a system of scoring developed to ensure teams could compete against one another. Points were deducted for lack of precisions, dressing, movement and length of pace. At its peak marching competitions drew large crowds of spectators. Teams marched not only in competitions but also frequently appeared in parades and social occasions. Jim Trewin trained Orbost's Marching Girls' team, the Waratahs, and served as vice president of the East Gippsland Marching Girls' zone. His wife, Doris, acted as chaperon Together with a trophy, a chaperone's blazer and photos this uniform forms part of the history of the Orbost Marching Girls group.An Orbost Marching Girls' uniform It has a white pleated skirt, a long-sleeved white blouse and a red velvet vest with 6 gold buttons. There is a badge on the left shoulder. A red ribbon is attached to the blouse as a bow tie. On the vest shoulders are white tabs with gold buttons. The skirt and blouse are made of cotton. A pair of short white gloves are included.On badge- Victorian Girls Marching Associationuniform marching-girls leisure clubs recreation

Royal blue rayon knee length dress made of rayon fabric. Bodice is sleeveless with three shoe string straps on each side. Straps have a decorative knot at shoulder joining the three straps. The neckline is an inverted U shape across the front. The bodice is lined with the royal blue rayon fabric. The front of the bodice has two pleated panels running diagonally from the top with the right side overlapping diagonally. The skirt is an A line shape attached to the bodice with two pleats on either side of the front and back. The skirt is lined with brown paper stiffening fabric. A 9cm horizontal band with three pleats is attached above the waist line. On each pleat is a row of decorative buttons (6, 5, 6) made of strings of clear glass beads coiled into a spiral shape. The central back opening has a 36cm zipper.Tag sown inside back of bodice on RHS - Styled by Jeffrey of Melbourne All Rayoncostume, female daywear, dress

In the 19thC and early 20thC men often wore their shirts for a week or more. However the collars were detachable so that they could be changed when they became dirty or for special occasions eg Church on Sundays Collar studs were used to attach the collar to the shirt. The cardboard box was used for storage and when travelling. The collars were very stiffly starched so as to maintain their shape. Some have Laundry instructions printed on the inside of the collar.The Maggs family were pioneer settlers in Moorabbin Shire.12 detachable, stiffly starched, white collars, from various manufacturers, for a man's shirt. Each Collar has 3 buttonholes for attaching to the shirt - 2 at the neck and 1 centre back. They have been stored in a cardboard box marked 'Boheco regd. ' The box has no lid.Base of Box : Boheco REG. SNOW-WHITE COLLARS / 1 3/4 / Strand / 16 1/2 / MADE IN / AUSTRALIA ( there is no lid ) under box in pencil ; 16 1/2 x 1 3/4 / 1/- each / c/o = Doz. 1 / 3 eachmenswear, clothing, shirts, collars, early settlers, fashion, cheltenham, moorabbin, dairy farmers, market gardeners, maggs family, pioneers

Williams' use of the dog and poem was inspired by a print by the late Barbara Hanrahan (an artist friend) in which a women was holding a cat accompanied by a dog and in which words from a William Blake poem were included / After her mother died Williams made a work of her mother with the dog, holding the cat and using the same words in the Hanrahan print / The dog is a family pet; Dolcie, that Williams fell in love with / The dog as a symbol has been used in fifteenth and sixteenth century painting to represent fidelity in marriage / The use of the dog is also a contradiction to the themes in this work by Williams / Williams found that many of her women friends were having emotional and romantic difficulties, suffering from the same malady again and again, feeling rejected, destroyed and having unfulfilled desires / The female figure standing on her hands is not seeing things realistically / The figure is head over heels, vulnerable, with her skirt around her head revealing more than normal / The text enhances the meaning of the work and draws the viewer into experiencing the foolishness of love, demanding the viewer travel around and around to read it / Overall the dog provides structure to the work and a reliable object on which all else balances / Balance has been one of the recurring or repetitive themes within William's work / It references the physicality of clay, the difficulties in creating balance with the clay and balance in the work / Williams' work is about form rather than colour / Sometimes she uses a coloured clay like a pale terracotta / Williams likes the flatness of the surface in relationship to the marks of the text / She describes herself as a Minimalist, paring down the form to the bare essentials. 'In Love' was a finalist in the 1997 Nillumbik Art Award held at the Eltham Community and Reception Centre, Pitt Street, Eltham. A ceramic sculpture made of white stoneware clay (coated with a wash of gesso) of a girl doing a hand stand on the back of a dog (retriever?) / Her face/head is partially covered by her skirt which has come down / Her skirt is inscribed in the round with the poem "The Lady's First Song" (1938) by W.B. Yeats (see inscriptions and markings) / The dog is looking straight ahead and upwards towards the sky and his tail is pointing straight out. The dog is covered with cross-hatch incised lines to give the illusion of fur and texture / Hand written inscription of W.B. Yeats poem "The Lady's First Song" (1938) on girl's skirt / I turn round / Like a dumb beast in a show. / Neither know what I am / Nor where I go, / My language beaten / Into one name; / I am in love / And that is my shame. / What hurts the soul / My soul adores, / No better than a beast / Upon all fours.williams / yeats / love / ceramic / stoneware / dog

Black and white photograph of the bathing boxes on the left had side and the sea to the rightBathing boxes south beachbathing boxes, south beach, sea, sand, ocean

This skirt belonged to Joan Elizabeth Peck who served with the Royal Australian Air Force in the Second World War. Joan was born on 27 July 1919 in Acton England and enlisted in Echuca on the 6 January 1943. At the time of her discharge from the RAAF in 1945, Joan was serving as an Aircraftwoman with the 2 Air Observers School in Mount Gambier. Throughout the war, the Mt Gambier base operated under the Empire Air Training Scheme.This skirt was donated by the owner, Joan Peck, and has significant provenance. The inscriptions throughout facilitate significant research ability, though records are not publicly accessible and digitised at this time. Joan Peck’s uniform is also significant as an item of social history, revealing the role of local women in the home front war effort. Light khaki coloured skirt in cotton fabric. A-line skirt constructed of four panels with two darts on the back and two pockets on the front (as per photograph in Supplementary File). Side fastening on the left side with a series of four steel hook and eye fasteners. Two fasteners on the back waistband which are tightened by pulling through two steel rings. Peach-cream coloured bias binding on interior of hem. Label attached to the interior waistband of the skirt back, to the left and right of which is a handwritten inscription.Waistband label reads: “V298/MADE IN/AUSTRALIA/1942/SIZE PECK” Inscription handwritten on waistband interior: “105135.” To the right of the interior label: “J. E. PECK”skirt, uniform, second world war, royal australian air force, world war ii, women

Through the address on the box, this dress has a local connection. Miss Mavis Hedrick operated a dress salon at 162 Liebig St Warrnambool in the 1940's. Her parents lived at various houses in Warrnambool, including Skene, Spence and Princess Sts. She married John William Freeman in 1942 and left Warrnambool some time after that date. From wedding reports of the day it doesn't seem that this is Miss Hedrick's wedding dress. It seems more likely that it was purchased from her frock salon in Liebig St Warrnambool.While the owner and original wearer of this dress has eluded us, the dress has a strong link to Warrnambool through the original box with its identifying labels. The dress is very much in the style of the era of Miss Hedrick's dress shop..This cream silk wedding dress and slip was donated in original cardboard box with the address written in large letters on the front. The dress is cream silk with gold metallic trim in two lines across the bodice.There are silk covered buttons on the front and back of the bodice and it has a high rounded V neckline.It has long lily point sleeves .There is a side opening with hook and eye fastening.The skirt is cut on the cross and a small train flows from the back of the dress. A simple A line slip accompanies the dress. It has ribbon shoulder straps and the top is edged in a fine narrow lace. The large box is rectangular and grey in colour. The addressee's name is written in large lettering in black (possibly crayon) . A label is pasted to the top right hand corner. A Victorian Railways stamp is loose with the item.On the Box : Miss Hedrick Frock Salon Warrnambool On Label in top RH corner: Mollard & Williams 238 Flinders Lane Melbourne. Stamp: Victorian Railways Parcel stamp 8d Melbournewarrnambool, 1940's wedding dress, mavis hedrick, mollard and williams, 238 flinders lane melbourne, miss hedricks frock salon

Long gown of Pink Brocade with cap sleeves. Stiff material with a tie around the waist. Long pink with gold embossing brocade. Fitted bodice with cap sleeves. Full skirt with large pleats. Corded pink waistline with a pink bow.ball gown, reid family

c 1901-1910 Two piece Edwardian costume -c 1901-1910 Two piece Edwardian costume - white heavily embroidered material. Short cropped jacket with large scalloped edging. Sleeves have wide border with pleated edging. Long skirt with wide embroidered edging at hemline.costume, female

Came from School of Mines and Industries when the Chemistry Labs were dismantled in the Junior Technical School.Hollow box with four tuning forks of different pitch. Box open at one end.Pitch of fork on box: C(middle) E G C(upper)ballarat school of mines and industries, chemistry, ballarat junior technical school, sound, tuning fork

This jacket would have been worn with a long black skirt by an elderly woman or by one in mourning, probably in early Edwardian times.This item is retained for display purposes.This is lady's black satin top with long sleeves. There are hooks and eyes for the full length of the front. with a fitted, boned waist. It has panels on each side of the opening on the front with black embroidered " frog" decorations. The sleeves are pleated with three bands of black velvet on the cuffs at the wrist. The garment is lined with black cloth. The cream lace around the neckline appears to have been added at a later time.vintage woman's clothing, edwardian era, warrnambool and district historical society collection

This blade is to be used with a Dial O Matic Food Cutter. It is used for cutting and shredding vegetables. A stainless steel French Garnishing Cutter in its original box. The box is red cardboard with yellow print. The blade is used with the Deluxe Dial O Matic Food Cutter invented by Ron Popeil. The blade is 1877.1 and the box is 1877.2.On box - French Garnishing Cutter, stainless steel $1food-preparation kitchen-gadget garnishing-cutter-blade

Sleeveless mid blue below the knee length dress of rayon fabric. Shallow scooped front neckline. Wide shoulders extend over top of arm. Front of bodice in two parts. Top yoke is attached to 12cm midriff section. Midriff section has wide section with two side sections. Front yoke section is attached to midriff section with two small pleats under bust on either side of centre. Across the centre seam of yoke and midriff is a decorative strip of light blue lace of open floral pattern. The back of the bodice is of two pieces with centre seam attached at the waist with vertical darts on either side of centre. Back opening with 50cm metal zipper beginning 9.5cm below the rounded back neckline. Skirt is made of two pieces joined at front and back centre. Front centre panel 16cm with centre seam. From side of centre panel, the skirt is box pleated (4cm). Six box pleats on either side attached to waist of bodice. Pleats continue to back centre seam. Decorative piping attached around waistline. Machine stitched. Unlined. Faced at neck and sleeves with same fabric. Part of ensemble with 11400.523.Created by ZANKO of Melbournecostume, female daywear, dress

8450.1 - Hinged wooden box painted red on all sides except the base and has a brass handle on the lid. The lid has "ËXPLOSIVE BOX" painted in white and black on it and has a keyhole for a brass lock mechanism. The interior is lined with foam. 8450.2 - Brass key with modern blue plastic tag.- EXPLOSIVE BOX - FAXED