On 1 April 1991, ‘A’ Squadron 8/13 Victorian Mounted Rifles linked with 4/19 Prince of Wales’s Light Horse Regiment to form a new regiment of two squadrons: VMR Squadron and PWLH Squadron. The 4/19 Prince of Wales’s Light Horse title was retained, but the VMR Squadron continued to wear the VMR hat badge.Black and white photograph photograph of 15 soldiers of VMR Squadron 4/19 Prince of Wales's Light Horse at Camp, Puckapunyal September 1992. Figures are numbered for identification.1. Sgt Burke, 2.Tpr Ray, 3. Tpr King, 4. Tpr Read, 5. Tpr Rolfe, 6. Cpl Collihole, 7. Tpr Fabik, 8. L/Cpl Hale, 9. Lt Burvill, 10. Tpr Ellison, 11. [Tpr] Sargeson, 12. Tpr Lees, 13. Cpl Lehmann, 14. Cpl Ludeman, 15. Tpr Stamp.military, vmr, puckapunyal, training, armour, uniform

First programmable calculator used by Thompsons Castlemaine Ltd..1) Hewlett Packard programmable calculator model HP9100A. Cream coloured metal housing. Four segment keyboard with keys coloured grey, cream and fawn. .2) Selection of 10 diagnostic cards for above in a plastic case with a clear plastic hinged push back lid..1) Serial number on rear plate "816-00508". .2) Cards part number 5060-5919.engineering, programmable calculator

Born in 1900, Mona was the daughter of Florence Jane McDowall Stuart (1867-1936) and George Hudson Grant (1864-1910) who married in 1899. He was a surveyor and they lived in Albany Crescent, Surrey Hills. Her full name was Jessie Mona Stuart Grant and she had a sister Mollie. In 1924 she married Clarence William Willoughby Webster (1895-1980) - SERN 33286. Clarence was born in Thorpedale where his father was a teacher. He was living in View Street Mont Albert and was a law student when he enlisted on 3 October 1916. After discharge on 10 May 1919, Clarence returned to his studies. He joined a legal firm in the city which became Pearce & Webster (later Pearce Webster Dugdale). Mona and Clarence lived in Surrey Hills and Mont Albert in a number of homes for the remainder of their lives.A history of the Mont Albert Shopping Centre in Hamilton Street, Mont Albert, including the early land use, and a chronology of shop owners. Index, photos., 39p. Compiled by local resident, Mona Webster.On front cover: top RH corner "Kay Kirkwood/98995158"phoenix park estate, mont albert, hamilton street, (mr) - mckerdy, (mr) - andrew, (mr) - dunn, (lady) emma hamilton, railways, churchill street, surrey hills golf club, (mrs) mona webster

David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). Personal communication from Laurie Newton, Beryl's daughter: Dave and Beryl initially lived in East Melbourne after they married. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. The children attended Mont Albert Central School. Lily's sister Alice married Hector Williamson (1892-1981) in 1921. Hector was a civil servant and worked at the Melbourne Museum, where accommodation was provided. They had one daughter Margaret. Another sister Minnie (Min) married Hector's brother Charles (Charlie) Prosser Williamson (1893-1961). Charlie was an engineer and ran a hardware business in Whitehorse Road (near the tram terminus). They lived at 12 Barloa Road and had one son, Donald Williamson, born 1924. Donald (Service number VX146389) entered RMC on 28 February 1942 and graduated on 14 December 1943. He enlisted the following day as a Lieutenant with the 2/32 Infantry Battalion. He was mentioned in Despatches "for exceptional service in the field S.W.P. area". Promulgated in the Commonwealth of Australia Gazette 6 March 1947; was killed in action in Brunei on 3 July 1945. Williamson was buried in grave B.C.10 in Labuan War Cemetery, Borneo, Malaysia.This is part of a large donation related to the Deakin, Mair and Young families with connections to the Surrey Hills / Mont Albert area.A sepia coloured photo with a cream border of 2 girls in either a front or back garden. One is sitting on a cane chair and holding a young baby; the other is standing close by. The fence behind appears to be of constructed of posts with a metal horizontal support and wire mesh. REAR: In blue biro "Isabel Beryl / Margaret Williamson / (cousin) / Auntie Alice & Uncle Hec / her mother & father" The handwriting is believed to be that of Beryl Mair. margaret williamson, beryl mair, isabel mair, children

‘Eignbrook’ at 10 Pembroke Street was built 1904. Until the 1950s this area was the highest spot in the metropolitan area and ships in the Bay could be seen from ground level and views extended almost 360 degrees. A number of homes of this Edwardian period had viewing towers, the one in the photo being that of ‘Maroondah’ at 12 Pembroke Street. Photo taken by W V Hill. Courtesy: Mr William (Bill) Dempsey. Original sepia photograph of a weatherboard home in the Queen Anne style. It has a steep pitched iron roof. It has a woven wire fence across the front of the property and decorative gates. Mounted on white cardboard photo taped on 2 corners.Back of photo is inscribed “Hills, 10 Pembroke St, Surrey Hills”. Card has written underneath the photo, “10 Pembroke St, Home of Hills family, built 1904”pembroke street, house names, surrey hills, hills family, 'maroondah', 'eignbrook', (mr) w v hill, (mr) william (bill) dempsey, journalist, queen anne style, (mrs) annie hill

Copied by Ken Hall from an early postcard. This is Surrey Hills Reservoir No 1 on the corner of Tower Street built in c1892 at a cost of £12,000 to supply higher sections of the area. The builders were Jack and Bob Laudehr, partners in a wood yard in St. Kilda (Vic). They began by delivering firewood but extended to contract work involving timber. Another of their projects was to lay cable tram tracks commencing in Acland Street St. Kilda and running along The Esplanade. The reservoir in Canterbury Road was a large concrete structure built before the introduction of reinforcements. The excavated material was banked against the sides and pine trees were planted in it to add strength to the embankment. They were paid £2,000 for their work. Construction of Surrey Hills Number 2 Reservoir was completed in 1913 and the accompanying tower was built in 1929. It is assumed that the Miss Hill as the source of the donation (via Bill Dempsey) was Ivy Annie Hill (1902-1984). She was the only female child of William Valentine Dempsey to not marry. Bill Dempsey's mother was Laura Constance 'Birdie' Hill (1900-1968) who married Albert Dempsey.A sepia photograph within a post card of a reservoir on Canterbury Road, Surrey Hills. In the background to the left you can see the top halves of two houses and the tops of some trees. The photo takes up only the central section of the postcard.Below the photo on the front of the postcard on blue biro "Reservor [sic] Canterbury Rd / Surrey Hills." On the rear in grey lead pencil in Jocelyn Hall's handwriting: "Donor W Dempsey ------------- Keep / (nephew) / [arrow pointing down] / From Miss Hill / 10 Pembroke St SH / This house can be / seen in front of / No 12 which has / tower"1890, water supply, mmbw, edward d dyer (mr), 10 pembroke street, 12 pembroke street, surrey hills, ivy annie hill (miss), william valentine hill (mr), canterbury road, tower street, water supply structures and establishments, dams and reservoirs, jack laudehr (mr), bob laudehr (mr)

In 1930 Miss Anne Cook opened Anne’s Pantry, a home-made cakeshop at 165 Union Road, but later moved to 135 Union Road. The business of the same name is currently (2018) located at 139 Union Road. Miss Cook used to catch the first train up from Auburn and usually worked into the evening. Eventually the long hours took their toll and she had to sell. Miss E Porteous, her assistant, pictured in this photo, remained for many years with later owners. She recalled: “On the first day we opened at 10 a.m., the people surged in and within half an hour there wasn’t a cake left.” A black and white photograph of a shop interior. There are a number of large jars full of biscuits sitting on the counter. Large tins and boxes are on the shelf to the left hand side. A wicker chair is beside the counter, and part of a table and chair is on the far left hand side. A lady with glasses is standing behind the counter.Original: Top LH corner: Just in case / you forget / Anne's Pantry / 1947 Top Middle: PS/ How could we forget / love Mumunion road, businesses, surrey hills, cake shop, pastry shop, shopkeepers, 1930, 1947, anne's pantry, e. porteous (miss), anne cook (miss)

Born in 1900, Mona was the daughter of Florence Jane McDowall Stuart (1867-1936) and George Hudson Grant (1864-1910) who married in 1899. He was a surveyor and they lived in Albany Crescent, Surrey Hills. Her full name was Jessie Mona Stuart Grant and she had a sister Mollie. In 1924 she married Clarence William Willoughby Webster (1895-1980) - SERN 33286. Clarence was born in Thorpedale where his father was a teacher. He was living in View Street Mont Albert and was a law student when he enlisted on 3 October 1916. After discharge on 10 May 1919, Clarence returned to his studies. He joined a legal firm in the city which became Pearce & Webster (later Pearce Webster Dugdale). Mona and Clarence lived in Surrey Hills and Mont Albert in a number of homes for the remainder of their lives. A black and white portrait of an older lady wearing round wire-rimmed glasses.writers, authors, view street, surrey hills, mont albert, victoria crescent, mrs mona webster, mr clarence webster, jessie mona stuart grant (miss), jessie mona stuart webster (mrs)

John COLLIER (1937- 2012) John Collier was born at Ballarat in 1937. He received a Diploma of Mining and a Diploma of Civil Engineering at the Ballarat School of Mines (SMB), later graduating from the University of Melbourne with a Bachelor of Engineering (Mining). Early in his career he received a Diploma of Accountancy from the Australian Society of Accountants. Collier believes his experience at SMB had a profound influence on his life, especially what he learnt in Geology, Engineering, Chemistry, etc., all of which he found beneficial to his later working life and he is proud of that association. Through his experience in the world-wide mining industry John Collier has made a major impact on the mining industry. He has been exploration leader for a large number of worldwide discoveries and farm-ins both major and minor. He has experience in every facet of the mining industry, and his record in identifying diamond opportunities include Australian (Argyle), Canada (Diabik), Zimbabwe, and the Brazil Pipe (Collier Falls). His success in diamond exploration may be unparalleled. John Collier also has significant success with lead-zinc, iron ore, coal, copper, gold-silver, petroleum, heavy minerals, nickel, uranium, industrial minerals, rare earths, and tin. In 2006 John Collier was made a Legend in Mining by the Australian Mining Industry. Over his last 10 years, he had become a passionate painter, holding several successful solo exhibitions. His naive style featured beautiful and unexpected colour combinations. Many of his most lauded paintings depicted mining scenes, harking back to his Ballarat days. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two artworks by John Collier inspired by his alma mater, the Ballarat School of Mines. art, artwork, john collier, ballarat school of mines, alumni

John COLLIER (1937- 2012) John Collier was born at Ballarat in 1937. He received a Diploma of Mining and a Diploma of Civil Engineering at the Ballarat School of Mines (SMB), later graduating from the University of Melbourne with a Bachelor of Engineering (Mining). Early in his career he received a Diploma of Accountancy from the Australian Society of Accountants. Collier believes his experience at SMB had a profound influence on his life, especially what he learnt in Geology, Engineering, Chemistry, etc., all of which he found beneficial to his later working life and he is proud of that association. Through his experience in the world-wide mining industry John Collier has made a major impact on the mining industry. He has been exploration leader for a large number of worldwide discoveries and farm-ins both major and minor. He has experience in every facet of the mining industry, and his record in identifying diamond opportunities include Australian (Argyle), Canada (Diabik), Zimbabwe, and the Brazil Pipe (Collier Falls). His success in diamond exploration may be unparalleled. John Collier also has significant success with lead-zinc, iron ore, coal, copper, gold-silver, petroleum, heavy minerals, nickel, uranium, industrial minerals, rare earths, and tin. In 2006 John Collier was made a Legend in Mining by the Australian Mining Industry. Over his last 10 years, he had become a passionate painter, holding several successful solo exhibitions. His naive style featured beautiful and unexpected colour combinations. Many of his most lauded paintings depicted mining scenes, harking back to his Ballarat days. This work and subject matter was painted for the artist's alma mater, the Ballarat School of Mines (now Federation University Australia). This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Colourful acrylic on canvas painting depicting the Port Phillip Gold Mining Company, Clunes.art, artwork, john collier, port phillip cold mine, clunes, clunes, available, alumni, mining

With the growth of the Institution, demographic details needed to be recorded along with basic client information This register contains the handwritten entries of registration number, date, name in full, year of birth date classification of gender and age range (5-10 years, 10-15, 15-25, 25-35 or 35 and over), religion, birthplace, previous address, cause of blindness, terms of admission, name and address of parent or guardian. Discharges were also recorded with the registration number, date of discharge, name in full, classification (same as above) and remarks. All entries are recorded according to the date of entry and at each financial year the number of indoor pupils, outdoor pupils and journeymen would be tallied. This register covers the period 1/7/1893 to 30/6/1967. Extremely limited name searching is available for this register, due to its poor condition.1 volume of handwritten entries into columnsroyal victorian institute for the blind, rvib burwood school

To honour the commitment by its volunteers, the Royal Blind Society of New South Wales provided badges to commemorate 5, 10, 15, 20, 25, 30 and 35 years of service. The badge consist of the relevant number in a centre circle, with the words 'Royal Blind Society' around the outside of the circle.Metal pins in various tones with numbersRoyal Blind Society Volunteerroyal blind society of new south wales, badges

To honour the commitment of its Auxiliary, badges were awarded to commemorate 10, 20 and 25 years of service. These consisted of a circle or oval with a gold lighthouse on a blue/green background and the words 'Auxiliary' in gold across the middle of the lighthouse. Around the outside, 'Royal Victorian Institute for the Blind' was written in gold' against a navy blue background, with the relevant number of years at the base of the badge or lighthouse.Metal pin with gold lighthouse and number of years servedroyal victorian institute for the blind, badges

To honour the commitment of its staff, badges were awarded to commemorate years service. These consisted of the Vision Australia Foundation symbol of an eye (flat surface for the iris and areas immediately below and above the eye, and roughened surface for the background of the iris), in gold. A number reflecting the years of service was attached by a loop below the badge in gold. Service was commemorated at the 1st, 3rd, 5th, 10th, 15th, 20th, 25th, 30th, 35th and 40th year. Life Governor, Area Leader and Friend could also be attached to the badge. Metal pin of an eye with attachments1, 3, 5, 10, 15, 20, 25, 30, 35, 40, Life Governor, Area Leader, Friendvision australia foundation, badges

Colour-coded to show existing and proposed buildings, numbered and lettered to indicate use of buildings Related documents: B91.476, B91.484Plan with handwritten amendments by T.H. Kneen on 24.10.1949. Extensive explanation of existing and proposed structures at the College. Plan A: area bounded by Swan St., Yarra Boulevard, reserves for grazing, orchard and vegetable gardens along southern boundary. Amended 24/10/49 T.H. Kneent.h. kneen, burnley gardens, burnley school of horticulture, farm buildings

Paper certificate with Heading " Pozieres"This Certificate confirms that 10 bricks used in the building of the Pozieres Memorial Park have been purchased in the name of Lilydale Sub Branch, Lilydale, Victoria. The bricks are numbered 3666 to 3675 and will be located in the Pozieres Memorial Park France. "Lest we Forget" Signed Yvonne Hall Secretary, Pozieres Remembrance Association INC.

cactus, cacti, clematis, orchard redevelopment, r. hall, geoff olive, pruning garden, field station, vcah, university of melbourne, burnley, jill kellow, field station redevelopment, field nursery, student gardens, turfgrass, grassy woodland, chris findlay, phil tulk, grasslands, herbaceous border, car park, native garden, restoration native garden, john rayner, hilda kirkhope rockery, herb garden, rainforest garden redevelopment, plant lists, shady walk, salvia, trees, tai-haku cherry, tree management, tree lists, david aldous, grey border

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 10 Aberdeen Street, Hawthorn by Margaret Picken.10 Aberdeen, Hawthorn, Margaret Picken '89. Woodards ~ Glen Irisartist - margaret picken 1950-, 10 aberdeen street hawthorn

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink floor-plan on drafting film of 10 Aberdeen Street, Hawthorn by Margaret Picken.Floorplan - 10 Aberdeen Street Hawthorn Margaret Pickenartist - margaret picken 1950-, 10 aberdeen street hawthorn, floorplan

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 10 Airedale Avenue, Hawthorn East by Margaret Picken.10 Airedale Ave, Haw. E, Margaret Picken '93. Woodards ~ Hawthornartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 10 Connell Street, Hawthorn by Margaret Picken.10 Connell St, Hawthorn, Margret Picken '94. Woodards - Hawthorn.artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 10 Cowper Street, Hawthorn East by Margaret Picken.10 Cowper Street, Haw E, Margaret Picken '92. Woodards.artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 10/51 Denham Street, Hawthorn by Margaret Picken.10/51 Denham Street, Haw, Margaret Picken '91. Woodards - Hawthorn.artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 2/10 Denmark Hill Road, Hawthorn by Margaret Picken.2/10 Denmark Hill Road, Hawthorn, Margaret Picken '91. Woodards - C'well.artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 10/40-42 Elphin Grove, Hawthorn by Margaret Picken.10/40-42 Elphin Grove, Haw, Picken c2003. Woodards - Haw. artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 10 Falmouth Street, Hawthorn by Margaret Picken.10 Falmouth St, Haw, Margaret Picken '93. Woodards - Hawthorn.artist - margaret picken 1950-