Monochrome postcard titled lower right: “RIVER YARRA AT STUDLEY PARK, MELBOURNE”. The postcard was produced by ROBERT JOLLEY, MELB, (active 1900-1904). The photo is positioned to the left of the card and framed by an art nouveau design. A handwritten annotation on the front reads “BUT WITH THE MORNING / COOL REFLECTION CAME / BLANCHE STEPHENS”. On the reverse, there is a handwritten address in black ink to: MISS L STEPHENS / 26 WEST TERRACE / ADELAIDE. There is no division on the reverse of the postcard, dating it to before 1905. It lacks a postage stamp and postmark. Monochrome postcard of the River Yarra in Studley Park. The view is of the Yarra and its banks, with Kew on the left and Abbotsford on the right, as it appeared in the years 1900-1904. On the Abbotsford side of the river, there are a number of weeping willows lining the banks and houses on the hillside. The Studley Park side of the river includes some remnant vegetation and meandering walking tracks. Three very small figures are sitting on the Kew side. "RIVER YARRA AT STUDLEY PARK, MELBOURNE"river yarra -- kew (vic.), postcards -- kew, postcards -- studley park, robert jolley

The lake was built in 1904, during the curatorship of Mr Thake. Lee Heap Furniture Warehouse of Williamstown used the postcards to advertise. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.Sepia image of the ornamental lake and part of the Curator’s Lodge in the background on the left side of card. The small island with a succulent is in the centre of the image with a similar plant on the right side of it. The water is edged with rocks. Reflections of the plantings and lodge can be seen.Front: ‘The Artificial Lake, Williamstown Gardens. Vic.’ ‘0457/3’ ‘THE CROWN STUDIOS, SYDNEY’. Reverse: Centre top ‘POST CARD’ with a logo in the middle of the words. Left top corner a drawing of an artist’s board and brushes with a camera in the centre. Left side ‘MESSAGE ONLY.’ Right side ‘ADDRESS ONLY.’ Top right corner inside a dotted rectangle ‘STAMP HERE’. Bottom on card ‘BY THE CROWN STUDIOS, SYNDEY.’ Under the vertical line down the middle line ‘Neither the Address not the Message must cross this line’. In ink ‘With Compliments from’. An oval stamp with scalloped rim ‘LEE HEAP FURNITURE MANUFACTURER’ inside inner oval ‘FURNITURE WAREHOUSE, / WILLIAMSTOWN’.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, ornamental lake, crown studios, lee heap furniture warehouse

Gary Stranks - 2nd row from bottom, 1st on right In background, classroom windows on left and toilets to rightDigital file only scanned by EDHS from item on loanclass photo, eltham east primary school, gary stranks, grade 3

A clock with a coloured photograph of a frigate GODAVARI and the statue of liberty in the background. A small quartz clock in the upper right corner. Gold writing in the bottom edge stating ‘Presented by The Commanding Officer & Officers.’ There is also a stamp ship crest for the ship GODAVARI next to the writing. There is a wooden stand insert on the secured by two screws. There are two metal holders on the upper part of the display as well. Copwud clock mechanism in the top left corner. Item is housed in blue velvet box with twin clasps.‘Presented by The Commanding Officer V Officers’ The DOGAVARI crest. Lower right corner, verso: PMA0146 On wooden stand holder: PMA0146/1

This is one in a series of letters written by various seafarers to Lillie Duncan. Lillie was a member of the Ladies' Harbour Lights Guild during the 1920s. She seems to have struck up a number of friendships with seafarers who used the facility. The Ladies' Harbour Lights Guild was responsible for much of the fundraising that constructed and maintained the organisation from its inception in 1902. They were also responsible for arranging dances and other social activities designed to make seafarers welcome in a strange environment.The purpose of the Mission to Seafarers is, as it always was, to provide comfort and welfare services to visiting seafarers. This letter, and the series of which it is a part, underscores the importance of making relationships abroad for those who earned their living on the seasHandwritten letter in three parts consisting of a white envelope with two white pages of handwritten text in black ink, using only the face of the page. \there is a blue coloured postage stamp in the top right cornerTwo circular postmarks at the top of the envelope, one to the left and the other to the right. The first is reads: ALICANTE/4 MAR 29/indecipherable, and the second postmark is identical. Stamp horizontally through the circular postmark, is a third which reads: ESPANA/SOLO EXPORTA/ACEITE PURO/DE OLIVA. On the reverse side of the envelope is printed with: ANCHOR-BROCKLEBANK LINE/OF CALCUTTA STEAMERSted, lillie duncan, lhlg, alicante, ss mandasor

Items in the collection re Lt Col J. Swatton, refer Cat No 6719.2P for his service details.This is an enlarged version of a contour map. It is undated. On centre left is Ravenswood Train station. The Calder Highway is shown, from the bottom of the map to halfway up left side. Top right side shows "Spring Hill".Each grid square is 1000 x 1000 yards. Top right corner grid is 230,000 E, 450,000 Nth. Magnetic variation when this map was made is 6.55' grid to magnetic Nth. printed onto the map, with an "X" are 'Starting Point', "Debussing Point", and "Assembly Point" . Handwritten in red pencil at top LHS are the letters "C.O".passchendaele barracks trust, map, j.w. swatton

Le Havre is an urban French commune and city in the Seine-Maritime department in the Normandy region of northwestern France. It is situated on the right bank of the estuary of the river Seine on the Channel southwest of the Pays de Caux. The sixteen photos are from circa 1917.Important Booklet as it shows rare photos of an area in France during WW1.Booklet with light cardboard cover bounded by red stringFront page is crest with poppies and titled Le Havre et Sainte-Adresse with initials E.L.D (printers initials). Written in pen on the top right corner are the words Mrs J.McIntyre Elcho Lara Lake Aus - Vic. On the back page is a stamp, Catalogues Industriels E. Le Deley 127, Boulevard Sebastopol, Paris Inside are photos of of the area around Le Havre, Franceelcho, lara lake, le havre, france, ww1, world war one, mcintrye, j. mcintrye, vue general, l'hotel de ville, sainte-adresse, vue d'ensemble du boulevard maritime, sainte-adresse - la heve, sainte-adresse - ensemble du nice-havrais, le casino et la plage, bassin du commerce, sainte-adresse - boulevard felix-faure, panorama pris de l'hotel de ville et rue de paris, le transatlantique "france" 220m de long entrant au port, "la provence" entrant au port par gros temps, sainte-adresse - ensemble du nice-havrais et des nouvelles villas, place gambetta, le nouveau casino marie-christine 1910, le pont du commerce et la bourse

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Page 48 of Photograph Album with two landscape photographs of 2 different houses in Elizabeth Street.Hand written: Elizabeth Street [top right] / Corner of Bent Street [under top right photo] / 22 Elizabeth St [under bottom right photo] / 48 [bottom right] trevor hart, elsternwick, elizabeth street, houses, verandahs, fences

Distinguished Flying Cross Ribbon belonged to "Flight Lieutenant Allan Josiah George Polkinghorne DFC", No. 414950 RAAF who was with 4 Squadron at time of his discharge.Ribbon - sloping purple lines from left down to right on a white background. White edging at left and right. Ribbon attached to metal backing with two mounting pins.award, dfc, raaf, ribbon, allan josiah george polkinghorne

AWAS sisters from Tatura Group internment camps. Rear: Sisters S O'Shannessy, M Morrison and E Chalmers. Seated: Sisters Robinson, D Evans, M Peck and Lorraine Danson.Black and white photograph of 7 nursing sisters, 3 standing, 4 seated, in uniform. Building behind them and a tree on the far right. Sister on right has a hat on.sister o'shannessy, sister morrison, sister chalmers, sister robinson, sister evans, sister peck, sister lorraine danson, awas

Worn by patients at Sunbury Asylum.Overalls in grey (faded blue) galatea, with white pinstripe. Back straps held at bib with two buckles. Single pocket on front right hip. Opening on right side.Nonecostume, sunbury asylum, george evans collection

Maldon Fire Brigade Runners (at Bendigo) Approx 1967 Left to right - ? Walters, Alan Lang, Peter Cox (hard to see behind right wheel), Roy Baxter.

The Garratts were approaching 35 years of age and needed constant repairs to keep them in service, the other rolling stock was between 45 and 60 years old, the track was generally in poor condition, and the amount of traffic offering was only a faction of that carried previously and came from one station, Beech Forest. A further sign of decay was in the transfer of goods between the gauges. Where eight or nine men had worked full-time transferring between gauges only one man was seen by 1960, with several other men hired on the basis of '$2 a truck', assuming they could be found. In 1961 VR announced its intention to close the line which it did on 30 June 1962. Colour. On 9 August 1961 a G42 locomotive and goods train departing for Colac with the coal stage on the left, the saw mill and Gangers Shed on the right, and houses in the right background.. beech forest; railways;

Black and white postcard of a general view of town taken from railway station, Bruthen Hotel top right background, railway crossing lower right, Bruthen VictoriaGeneral View Bruthentownship, land settlement

Illustration. Depiction of Steven Henty's homestead, overlooking Portland Bay (view from sea, looking towards land). The dwelling is on the top of a hill with smoke coming out of the chimney and a group of people in front. Birds in flight in the foreground. There is a smaller bordered illustration on the bottom right-hand corner featuring a number of small dwellings near water, two people on a boat and a number of people on the foreshore. Image has been cut from a book, text on reverse of the image.STEPHEN HENTY'S HOMESTEAD Signature in left hand side of main image and signature of the right-hand side of the border of the smaller image. Both are illegible.first european settlers, henty, stephen henty

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem and detailed views of flowering plant in coloured pencil. On left is a stem view with small pink pea flowers and no leaves. On right (t-b): flower buds; side view of stem with flowers; front view of flower; rear view of flower with sepals. Each view is numbered in pencil and with typed numbers and letters on white paper affixed to surface of paper. Mounted in double matt (white on apricot), framed under glass in gold wooden frame.Front: CEW (signature, lower left in image) (maroon pencil). Daviesia brevifolia (lower right) (pencil). Back: 20 (top left) (pen)cema, botanical, collin woolcock, botanical drawings, woolcock collection

Illustrated hardcover book with dustjacket. Book has a mid-blue cover, with abbreviated title and authors surname printed in gilt on spine. The dustjacket has a coloured photograph of the front of the hospital as background. An oval black and white photograph of Sister Esther (Mother Foundress of the Community of the Holy Name) is superimposed at the top right front corner. Full title and author's name is printed in white at bottom of front. Abbreviated title and author's name printed in white on spine.non-fictionA history of St George's hospital, Kew. Hospital was founded by the Church of England in 1912 and administered by the Sisters of the Community of the Holy Name until 1949. In 1925 a midwifery wing had been added, and the hospital was registered as a Midwifery Training School. The hospital was sold to the Victorian Hospitals and Charities Commission in 1949.st george's hospital, kew, hospitals-victoria, midwifery training, medical trainining, church of england, ellerslie

Photograph - black and white. Photo of Mitchell Street, right hand side Bendigo Kozy Korner Café, Photo No.5. Small convertible car parked in gutter to the right. Vehicle with white canopy and men unloading goodsto the left. Peters Ice Cream sign bottom right corner.place, streetscape, mitchell street, bendigo, mitchell street bendigo.

Information title on document. "Instrument of Surrender" Signed by "Commander 22 Base Force/ Dutch Borneo Major General/ Commander Seventh Australian Division". Document - white coloured paper, copy of original document. Black ink print with five black and white photographs on right side Australian Coat of Arms at top of document. Frame - timber, black gloss paint, shaped moulding, glass front and timber backing with brown paper finish, metal clips and hanging wire. Two brass name plaques adhered to glass front lower left and lower right corners with information. Framers stamp on backing paper.Brass plaques - etched with black ink print. Left - "PRESENTED TO MITIAMO/ EAST LODDON RSL/ BY PM 6565 A.B. BRYAN O'BRIEN" Right - "THIS REMAINS TGHE PROPERTY OF THE MITIAMO/ EAST LODDON RSL". Framers stamp - Black ink "GALLERIA/ FRAMING & PRINTS/ Cnr HIGH 7 OAK STREETS/ GOLDEN SQUARE 3555/ Ph: (054) 47 0484. framed accessories, document, ww2, japanese surrender

Khaki coloured dress trousers with pressed seam running vertically down front and back of each leg. Two hip pockets, one on each side, with rear pocket on right side fastened by plastic button; additional pocket sits in waistline on right side. Trousers have seven loops for a belt and smaller loops for metal inserts which support a Sam Brown belt. Trousers fastened by a zipper in front and flap which secures with a plastic button on the interior. Spare button is sewn into the interior waistband. Leg hem is reinforced at front and back with strip of synthetic binding, presumably to aid against wear from rubbing on boots. Interior label on left back of waistband reads "DRY CLEAN/REPRESS ON ORIGINAL CREASES/USE DAMP CLOTH OR MEDIUM TO/HOT STEAM IRON/MENDING PATCH ATTACHED" Interior label on right back of waistband reads "ARMY NO/NAME" dress uniform, pants, australian defence force

In 1928 the Committee of the National War Memorial of Victoria called on the public to donate funds to the building of the Shrine of Remembrance (see booklet at 01206). This receipt is an example of the certificate provided to the donor to show their contribution. The donation from Miss R. Booth was for 1 shilling. The right hand portion was intended to be detached and kept, it did not record the amount as it was to show she had made a gift to the Shrine regardless of the amount. In the booklet at 01206 people were asked to donate whatever they could depending on their circumstances and made a point that the amount wouldn't be shown on the certificate. The Legacy Interview/Report Form shows that Mrs R Innes donated this artefact to Legacy in 1981. It is part of the business practice of recording how things were donated to Legacy and all the details of the items. Items were in an envelope with other photos and programmes from different items relating to the Shrine of Remembrance - including discussions on its location and design. Labelled 'Shrine of Remembrance S1 - S14' it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history. (01181 - 01190, 01206 - 01211).A record of the general public contributing to the building of the Shrine of Remembrance, in 1928 Victorians were asked to contribute approximately £100,000 to the building project. Also that items relating to the Shrine were donated to Legacy for archiving and that procedures were in place to record the event. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01190, 01206 - 01211)A receipt of a donation in 1928 to the fund for building the Shrine, off white paper and black print. Plus a pink foolscap Interview/Report Form detailing the donation of the receipt to Legacy in 1981, black print and blue pen handwriting.S14 in red pen in top right corner. Handwritten message signed by J Mangan in blue pen.memorial, shrine of remembrance

Black and white photograph of MMTB No. 58 in Wellington St. St Kilda, about to enter St Kilda Junction and continue to St Kilda beach via Fitzroy St St Kilda, late 1925 or early 1926 - Wellington St electric line opened 27/12/1925. Note the sign on the left hand pole about travel to Malvern and St Kilda Beach, the workmen and that another tram has left heading outwards. On the right hand side is part of a sign advising people to catch cars to the Esplanade. Photo from the Collection of the Department of Infrastructure now with the Public Records Office - image number H102. Note: this photo is now out of copyright and was not an original VR photograph, but one copied from another source and collected as their Heritage series. See Image 3673i2 for a digital image of the card photograph at the PRO on 7/1/2019 that this photograph comes from. Further notes from Rod Atkins: Note the Electrical box at base of the pole on left hand side of the photo. No section insulators yet as power would have been stretched from Dandenong Road / Chapel Street right through to Fitzroy Street to run the first services. Great shot of the "H" car. Malvern bound is a another Californian combo car, but with original destination boxes and PPTT style "No" on the left side of the apron but cant make out the number.Has Department of Infrastructure copy right stamp on rear and number "H 102" in ink on rear and "2-3"trams, tramways, mmtb, st kilda junction, wellington st, trackwork, st kilda beach, tram 58

It took 15 years to invent the can. It took 100 more to invent a standard way to open it. In the 19th century, decades after the invention of canning, there were virtually no can openers. Canned food, such as sardines, came with its own "key" to peel back the tin lid. Birth of the can One of the oddest things about the can opener is that the can predates it by almost 150 years. Though common today, cans were once military-grade technology. In 1795, Napoleon, to whom the phrase "an army marches on its stomach" is attributed, offered 12,000 francs to anyone who could find a way to preserve food. Without any knowledge of bacteria or their role in food spoilage, scientists didn't even know where to begin. It took 15 years before a chef named Nicholas Appert claimed the prize after successfully jarring food. Soon after that, his countryman Philippe de Girard came up with a variant on Appert's method—metal tins—and sold the idea to the British. Spoiled food, and the sickness it caused, was a widespread problem. The public would have benefited from canned food, but for decades cans were almost exclusively for the army and the navy. The canning process, with its hours of boiling and steaming, its scrupulous cleanliness, its heated metal, and its need for a great deal of disposable material, made canned food far too expensive for anyone but the military. No can openers were needed or even possible. The metal of early cans was too thick to make openers practical. Soldiers and sailors had plenty of sharp objects on hand and made ample use of them when they wanted to eat. During the 19th century, the process of canning was refined and mechanised, and the metal wall of the average can slimmed down enough that a civilian could get it open—if that civilian had the right tool. No one had that tool yet, so early cans had to open themselves. In other words, they came with built-in openers. The result was a confusing but pleasing free-for-all, in terms of product engineering. Each type of food came with its own kind of can, and each kind of can came with its own kind of opener. Tinned fish and meat were often sold in rectangular cans. These cans were fitted with a "key" that would roll down the top of the can. Coffee, beans, and other types of meat were packaged in cylinders with metal strips that could be peeled back with their own kinds of built-in keys. Cans of milk, which didn't need to be completely opened, came with puncture devices. As tinned food became more common, its containers became more regular. A nice cylindrical can became the norm, and, as these cans filled kitchens, more engineers put their minds to finding a convenient way to open all of them. The first standalone can opener worked on a simple principle: point, stab, and pull. From the mid-19th century to the end of World War I, the typical can opener looked roughly like a wrench, if the lower 'jaw' of the wrench were replaced with a blade. People used the blade to puncture the top of the can near its edge, push the upper jaw against the side of the can, and drag the blade through the metal along the rim. Because meat was the first and most popular canned substance, these can openers were often shaped to look like cows and given the nickname 'bully beef can openers'. The bully beef can opener, popular in the mid-19th century, resulted in many lost fingers. Bully beef can openers were so common, effective, and sturdy that they are still frequently available on collectors' sites. Some are advertised as “still working,” and every last one of them is, without a doubt, soaked in the blood of our ancestors. Dragging a sharp blade along the edge of a can is certain to cause injury sooner or later. So once people got a reliable can shape and a reliable way to get the can open, the search was on for a reliable way to get a can open without the possibility of losing a finger. The answer came in 1925, from the Star Can Opener Company of San Francisco. This is probably the first can opener that resembles the one people have in their kitchens today. Instead of using a blade to pry open a metal can, buyers could clamp the edge of the can between two wheels and twist the handle of one of the wheels to move the blade around the lip. The Star can openers weren't perfect. Compared to the bully beef model, they were flimsy and breakable, but they probably prevented a few injuries. Six short years after the Star model came to market, the first electric can opener was invented. It was patented in 1931 by the Bunker Clancey Company of Kansas City, who had already been sued by the Star Can Opener Company for trying sell a double-wheeled can opener like the Star model (the case was dismissed). The electric can opener must have seemed like the wave of the future and a sure-fire seller, but it proved to be too far ahead of its time. In 1931 not that many households had electricity, and those that did weren't interested in buying can openers. The Bunker Clancey Company was subsequently bought by the Rival Company, which still makes small appliances like can openers today. It took another 25 years for electrically powered can openers to become practical. In the 1950s, Walter Hess Bodle and his daughter, Elizabeth Bodle, developed an electric can opener in the family garage. Walter came up with the opener's blades and motor, and Elizabeth sculpted the outside. Their can opener was a free-standing unit that could sit on the kitchen counter. The Udico brand of the Union Die Casting Company put it on the market in time for Christmas in 1956 and had great success with it. Over the next few years it came out in different styles and colours, and, like the bully beef can opener, has become a collector's item. Also like the bully beef model, Udico can openers often still work. They don't make 'em like they used to. Although there have been some design changes and refinements over the last sixty years, there have yet to be any more leaps forward in can opener technology. If you're resentfully opening a can, you are almost certainly doing it using the Star design, manually forcing the can between two wheels, or the Bodle design, clamping the can into a free-standing electrical opener. Whether or not you enjoy your holiday meals, at least you can be happy that you are not getting poisoned by your own food or cutting open your hand with the blade you use to get at it. That's something, right?The can opener is still a very important and essential item in most kitchens.Can opener, right handed, metal, upper blade section serrated, inscription 'Peerless Pat.Feb 11-90'.Peerless Pat.Feb 11-90flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, cannning, can opener, kitchen equipment

The drawing is very detailed showing streets, cross streets, route, loops, schools, woollen mills, ovals, sections, track phones, stops, route and track miles, pedestrian crossings, railway stations and notes on through route mileages.Print of a drawing showing in very good detail, the schematic layout of the Geelong Tram system. Produced in 1953 and sent to Tramway Supt. in 1970 for his records. Gives very detailed information on another SEC tramway system.Dyeline print of SEC Drawing No. GE-T13-8829, titled "Schematic Diagram Geelong Tramway Routes". Drawing prepared 27/8/1953. Stapled to the top right hand corner of the sheet is a SEC memo form from finance section, distribution services to the Dept. Tramway Superintendent, Ballarat, dated 6-2-1970 forwarding Les Denmead the plan. Was unstapled during the 1/2008 copying of the drawing. On top right hand corner of drawing, "Ballarat Tramway Preservation Society Catalogue No. 605" in ink and on rear in two places "Geelong Tramways" and one "BTPS 605"geelong, map, track layout, tram stops