CLUNES EASTER CENTENARY APRIL 1939 MOCK WEDDING LEADING THE PROCESSION.PHOTOGRAPH OF STREET PARADE IN FRASER STREET CLUNES - PEOPLE IN OLD TIME COSTUME - A MOCK WEDDING APRIL 1939.CLUNES AUCTION MARTlocal history, photography, photographs, events and celebrations, back to clunes

A colour photograph of the interior of The Crossways in Marysville during a wedding in March 1999. The Crossways was built in the early 1920s and is the oldest building in Marysville. The Crossways historic inn survived the 2009 Black Saturday bushfires thanks to the efforts of its co-owner Greg Cherry and, in the days after the fires, provided a much-needed refuge to the Marysville community and firefighters.A colour photograph of the interior of The Crossways in Marysville during a wedding in March 1999.wedding at Crossways/ March 1999/ Geoff & Sharyn Dimechmarysville, victoria, australia, the crossways cabaret, the crossways, crossways, crossways country inn, crossways historic inn, 2009 black saturday bushfires, accommodation, photograph

Dress worn by Alison Watson at the wedding of Angela and Ewan Costain in 1952. Angela was a teacher at Murtoa Primary School. The outfit which included a bonnet and muff was made by Alice Watson, dressmaker, Murtoa. .1 Back and front of flower girl dress. .2 Bonnet displayed on a velvet covered stand. .3 Photograph of bride and flower girl.3 Inside front presentation folder: Best wishes, - Angela and Ewen (Costain) Flower girl Alison Watson (Jobe) Under photograph, bottom L 1952; bottom R Athol Adams Dandenong flower girl dress, alice watson, alumni

Heidelberg Golf Club: Clubhouse renovations 1997-98 - Dining room set for a wedding 1997Colour photograph and caption in albumclubhouse redevelopment 1998, hgc clubhouse 1997, hgc old clubhouse, old dining room, weddings at hgc

Ilma, Bill and Reg Jennings were Dulcie's brothers and sister. Kitty Sandow afterwards married Reg Jennings.Photograph shows bride wearing satin gown and veil, groom wearing formal suit and carrying white gloves, with their attendants - Ilma and Bill Jennings on left hand side, and Kitty Sandow and Reg Jennings on right hand side.dulcie jennings, dulcie corbett, james corbett, ilma jennings, bill jennings, reg jennings, kitty sandow, kitty jennings

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of an Australian "Roadrunner" supply convoy from 1st Logistics Support Base Vung Tau to the 1st ATF Base at Nui Dat passes a wedding party as it drives through Bariaphotograph, 1st logistics support base, vung tau, 1st atf base, baria, gibbons collection catalogue, wedding party, roadrunner, denis gibbons

Black and white copy of original photograph of a man in a dark suit with white collar and buttonhole, seated on an ornate chair. Standing on his right is a lady in a light coloured dress and hat, with her left hand resting on a turned wooden stand, and she is holding a small book in her right hand."Wedding photo c1915 Mr & Mrs John Hanrahan of Snake Valley".mr john hanrahan, mrs hanrahan, anne thomas (nee hanrahan), snake valley

Black and white photographWritten on front of photograph: "Dad at my wedding". Written on back of photograph: "Louis Herry at wedding of Marie (Gribben) in Melbourne".

Black and white photographWritten on rear of backing sheet: "Harold Chivers (Armstrong Road)". However, RDHS was subsequently advised by a family member, Jan Williams, that this is actually a photo of her father, Lionel Chivers. She has a similar photo from his wedding to her mother. Title updated accordingly. Also confirmed by Vivian Chivers on 9/12/2024 that it is Lionel Chivers in photograph.

Black and white copy of original wedding portrait showing a man in a dark suit sitting beside his bride. Man is wearing one glove and holding the other. Woman is standing wearing wedding dress and lace veil and a strand of pearls and holding a bouquet of Gladioli and ribbon.mr gordon bennett, mrs ada bennett, miss ada keil, wedding

Elizabeth Bennett (b. 1858), married William Todd (b. 1855) in 1882 and they had nine children. They were actively involved in the Linton community, particularly with the Church of England, where Mrs. Todd was organist for many years. They celebrated their Golden Wedding at Linton in 1932, by which time they were living in Ballarat.Scanned/modified copy of a photograph of the Todd family, believed to have been taken in Ballarat around 1905/1906. Members of the family are identified by names and dates, which have been printed across the photo.todd family, elizabeth todd, elizabeth bennett, william todd snr., arthur (paddy) todd, john (jack) todd, william j. (billy) todd, milton todd, susie (lucy agnes) todd, charles (charlie) todd, violet todd, millicent todd, stella todd

This photograph is a scanned/modified copy of a photograph already in the LDHS collection (Registration no. 1469). The names of some of the people attending the celebrations are printed on the photograph.Photograph shows a large group of people posed for a photograph outside the hall at St Paul's Church of England, Linton. The original photograph was taken at celebrations for the 50th wedding anniversary of William Todd and Elizabeth Bennett, held on 1st January 1932.william todd, elizabeth todd, elizabeth bennett, arthur (paddy) todd, doris todd, doris mader, lillian todd, lillian henry, russell mcdonagh, lily may bonthorn, albert shearwood, william j. (billy) todd, william j. todd jnr.

Wedding photo of Arthur Thomas Edwards & Martha Course at Anglican Church 1899 Forest Hill. Painting was by Martha.Wedding photo of Arthur Thomas Edwards and Martha Course in a gold coloured ornate frame edged with red velvet. Photo is decorated with painting of yellow wattle & green leaves with small blue flowers also. Background of aqua.wedding, picture

Ethel Eileen (Eileen) Scantlebury was the youngest daughter of Dr George Scantlebury who worked as a doctor in Linton before moving to Cheltenham in 1889 with his wife Catherine (nee Baynes) and family. Eileen was born in Cheltenham in 1899. She completed her university education in 1919 and in the same year married Dr Charles Kellaway, who afterwards became the Director of the Walter and Eliza Hall Institute for medical research.Wedding portrait taken in garden setting showing bride, groom and three attendants. Groom and groomsman in military uniform.eileen scantlebury, dr charles kellaway, weddings

Black and white copy of original photograph of a bride and groom. The bride is wearing a white dress with a train spread out in front of her. She is holding large trailing bouquet."Harold Robert Morgan + Bride (nee) Myrtle Alma Yeoman Cornish 1917"harold robert morgan, myrtle alma yeoman morgan (nee cornish), wedding

A collection of items owned by Leonard James Baker who enlisted in the British Army in WWI then migrated to Australia and enlisted in the Australian Army in WWII. The period covered by the collection is 1918-1971.1. Photograph of Len Baker in WWI British Army uniform 2. Certificate of Transfer to Reserve 1918 3. Photograph of Len and Edie Baker's wedding in 1932 4. Letter from St Paul's Church of England, East Kew vicarage 1940 5. Letter from City of Kew 1941 6. Wallet from City of Kew given in WWII 7. 2nd Australian Imperial Force Certificate of Discharge, dated 7 May 1941 8. Australian Military Forces Volunteer Defence Corps Certificate of Discharge dated 15/3/42 - 9/10/45 9. British Passport issued 20 April 1971 from British High Commission Canberra 10. One original and two copied photographs of his wedding. The items were donated by the great-niece of Len Baker. Many can be viewed in the image carousel above.ww1 (1914-1918), second world war (1939-1945), first world war (1914-1918), ww2 (1939-1945), wwii (1939-1945), wwi (1914-1918), len baker, city of kew

Wendy McLellan is the daughter of Minnie Caroline Beckett (1907-1998). Minnie married Francis James Renkin on 13 March 1934. Peter Renkin (formerly of 59 Guildford Road, Surrey Hills, now Shoreham) is her brother.Black and white wedding photo taken of Minnie Beckett with her parents, Rev Walter and Mrs Clara Beckett, her brother Kenneth and her sister Maude, the bridesmaid. The family group is standing on a picnic rug in front of an Edwardian style timber home with simple verandah fretwork. The house is 'Deloraine', 268 Union Road, Balwyn.weddings, balwyn, union road, miss minnie beckett, rev walter beckett, mrs clara beckett, kenneth beckett, miss maude beckett, 'deloraine', 1930-1940

BHS CollectionFormal sepia photograph of a wedding party with bride and groom, two bridesmaids and best men; and two young girls; unknown date. Photograph credited on the card mount to W. William Kelly, Mitchell Street, Bendigo. McKenzie Family Collection.history, social event

In 1924, the Methodist Church opened at the corner of River Ave and Yan Yean Road, Plenty. It was a simple weatherboard gabled building. The church developed a strong community life with celebrations as well as worships, Sundays Schools and social events. It closed in 1979. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p113 In 1924, the Methodist Church, (which closed in 1976), opened at the corner of River Avenue and Yan Yean Road. Church members including George Starling and Ernest Osmond, built the simple weatherboard gabled building.3 The church developed a strong community life, with celebrations as well as worship through Sunday School anniversaries, picnics, harvest festivals and youth groups. Many volunteers worked hard for the church - teaching Sunday School and ferrying young people to events, sometimes in the backs of trucks and furniture vans. Children from the Sutherland Homes were brought to church by their Matron – a ‘grim martinet’! Members included the Ashton, Reid, Harris, McLachlan, Hopkin, Rose and Stuchbery families. The first wedding was for Vida McLachlan and Ray Stuchbery.4This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, methodist church, plenty

The Eltham Community and Reception Centre was Australia's first public mud-brick building. Commissioned in 1977 by Eltham Shire Council, led by Shire president (and architect) Robert Marshall, architects Whitford and Peck were asked to design a multipurpose facility in mud-brick and timber. The official opening was performed by the Hon. R.J. Hamer; E.D., M.P., Premier of Victorai on Saturday, April 22, 1978. Architects: Whitford & Peck Pty Ltd Quantity Surveyor: D.J. Cant & Associates Structural Civil Engineers: Charlett & Moore Pty Ltd Landscape: Peter Glass, Dennis Edwards Mech Elec: Lobley Treidel & Partners Pty Ltd Acoustics: Riley Barden & Kirkhope Builder: L.U. Simon Pty Ltd Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p177 The Wiggles performed there, so has the ABC’s Play School. New citizens have made their vows, volunteers have been honoured, school children have performed, weddings celebrated and people mourned at funerals. Since 1978 the Eltham Community and Reception Centre at the corner of Pitt Street and Main Road, has provided a beautiful and quintessential Eltham environment for people from all over Melbourne. Recognised as Australia’s first public mud-brick building, the centre was built partly on the site of the parsonage of the former Methodist Church (now the Uniting Church).1 Commissioned by the Eltham Council headed by President Robert Marshall, architects Whitford and Peck were asked to design a multipurpose facility in mud-brick and timber. Following public consultation, it was agreed to build a centre for dances, exhibitions, films, plays or concerts. The results – at a cost of around $620,000 – captured the Eltham rustic style. The building – in soft tones of mud-brick and timber and immense floor-to-ceiling windows – overlooks the Diamond Creek and sporting fields. Eltham’s strong artistic heritage is reflected in the centre. Although the lighting is not ideal for a gallery and labels cannot be placed on walls, the centre hosts the Nillumbik Art Awards and displays around ten to 20% of the Nillumbik Shire Art Collection, usually for around a year at a time.2 On permanent display, close to the entrance, is local artist Clifton Pugh’s White Choughs in the Landscape. Further to the right is the Walter Withers Gallery, named after a local member of the Heidelberg School of artists. As part of the Eltham Gateway opposite the Eltham Hotel, the centre stands on what was once part of the Eltham Town Centre along this section of Main Road, then known as Maria Street. On the same site once stood the house and flour mill owned by Henry Dendy, best known as the founder of Brighton, although he lived longer in Eltham. Beside the drive is a wheel-rim tool with accompanying plaque, illustrating a technology important during the horse-powered age and now almost completely gone, as has the blacksmith’s shop that had housed it nearby. The implement is a platform for fitting iron tyres to the wooden rims of cartwheels. Beneath it is a capsule placed in 1985 to commemorate Victoria’s 150 years, which is to be opened in 2035. Although the plants, forming part of the landscaping by Peter Glass and Denis Edwards, are largely indigenous and other native species, some exotic plants are protected as an important link with the site’s past. Planted at the front around 1920, is a large Peppercorn tree with two joined trunks growing from the base, and close by is a Bhutan Cypress (Cupressus torulosa). Three other Peppercorn trees fringe the drive. The building includes two halls – the larger seating 250 people – and a large foyer overlooking trees and ovals. Both halls have retractable rear walls providing varying spaces as required, and guests can use several external decks. A site for outdoor theatre has been carved out of the natural slope outside the entrance. The Bricklayers Union refused to use the traditional mud-bricks, which weigh more than 22kg. As a result the mud-bricks were redesigned to reduce their weight and were laid back-to-back to produce a wall of normal thickness.3 The centre’s massive timber frame is reminiscent of timber bridge construction, with infill panels of mud-brick.4 In accord with the rustic style are colossal rough-sawn posts, bolts and steel brackets. The combination of mud-brick, exposed feature timber framing and creative design in this centre, characterises Eltham’s innovative buildings and the social movement behind them from the 1940s to the 1970s.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham community and reception centre, mudbrick construction

Digital copy of a photograph of Catherine (Rene) BARLOW and Thomas Jewell taken in 1921.celebrations- weddings, catherine (rene) barlow, thomas jewell

Black and white photo of Marian Hinde, 1886. The wedding dress in photo on display in museum.hinde, marian, knox, mrs. e., museum

A digital copy of a black and white photograph of Arthur and Grace Dickinson on their wedding day in 1923. Arthur built Marysville House in the late 1920s and they ran it as a guest house. Marysville House was the only guest house in Marysville to have survived the 2009 Black Saturday bushfires. It is now the private residence of Peter and Linda Dickinson.A digital copy of a black and white photograph of Arthur and Grace Dickinson on their wedding day in 1923. Arthur built Marysville House in the late 1920s and they ran it as a guest house.marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, photograph

Black and white photograph

alex bruce, lydia bruce (nee lehmann)