Dr Deanne Gilson is a proud Wadawurrung woman living on her ancestral Country of Ballarat. Her award-winning multidisciplinary art practice has spanned forty years full time creating through painting, clay (sculptural installation), fashion & textile design, photography, drawing and recently being recognised at the Koorie Heritage Trust for her work as a Blak Jewellery Designer. Celebrating her continued living culture through art and design that revives traditional marks used by Wadawurrung family, contemporary ceremonial business and including oral stories like her Creation Story. She depicts many indigenous plants, trees, birds, often painting endangered species to highlight the importance of taking care of the land and all living things. Working with the notion that time is traversed and all is connected through layers of Dja (Country), from the Cosmos, to Sky to Under Country. Alongside the issues faced by Aboriginal women stemming from the white male and female colonial gaze. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Dr Deanne Gilson is a proud Wadawurrung woman living on her ancestral Country of Ballarat. Her award-winning multidisciplinary art practice has spanned forty years full time creating through painting, clay (sculptural installation), fashion & textile design, photography, drawing and recently being recognised at the Koorie Heritage Trust for her work as a Blak Jewellery Designer. Celebrating her continued living culture through art and design that revives traditional marks used by Wadawurrung family, contemporary ceremonial business and including oral stories like her Creation Story. She depicts many indigenous plants, trees, birds, often painting endangered species to highlight the importance of taking care of the land and all living things. Working with the notion that time is traversed and all is connected through layers of Dja (Country), from the Cosmos, to Sky to Under Country. Alongside the issues faced by Aboriginal women stemming from the white male and female colonial gaze. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Marlene is a proud Wadawurrung artist, who currently lives in regional Victoria. Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist's meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Marlene is a proud Wadawurrung artist, who currently lives in regional Victoria. Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist's meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Ellie Franks is a proud Gubbi Gubbi woman, living and working in Naarm. Her practice is print informed and utilises print techniques to talk to concepts of identity, belonging and connection. She focuses on the malleability of materials and leans into the fluid nature of various mediums, mistakes and chance. Ellie graduated from RMIT University in 2020 with a Bachelor of Fine Arts and is currently participating in the 2023 Koorie Heritage Trust Blak Design Program. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Ellie Franks is a proud Gubbi Gubbi woman, living and working in Naarm. Her practice is print informed and utilises print techniques to talk to concepts of identity, belonging and connection. She focuses on the malleability of materials and leans into the fluid nature of various mediums, mistakes and chance. Ellie graduated from RMIT University in 2020 with a Bachelor of Fine Arts and is currently participating in the 2023 Koorie Heritage Trust Blak Design Program. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Edwina Green is a Trawlwoolway First Nations multidisciplinary artist based in Naarm (Melbourne, Australia) that works across painting, film, design, installation and sculpture to investigate narratives of perception, historical re-framing, cultural reclamation and the post- colonial paradigm and its impact on people and place. Graduating from The University of Melbourne with a Bachelor of Fine Arts, she has since been exhibited extensively across Australia and internationally. Her research influenced practice, connection to culture, and ties to reclaiming intergenerational disconnection, inform her practice and it’s aims to challenge understandings and interactions of Indigeneity through dynamic and poetic works. She has exhibited in respected galleries and festivals such as Firstdraft, Pari Ari, Incinerator Gallery, The Granville Centre, SEVENTH Gallery, TCB Gallery, Collarworks (New York), Yirramboi, Gertrude St Projection Festival, Brunswick Music Festival, and EFFA (Environmental Film Festival.) She has also worked as an art director, producer and programmer for RISING Melbourne, Samsung, Arts Centre Melbourne, Next Wave, and Darebin City Council. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 70. "Young orchard supervisor in Department of Agriculture - came from Tasmania." T.H. Kneen.Black and white photograph. Vic Lawry, Staff member, standing in front of a shed containing terracotta drainage pipes and sacks.On reverse, "Mr. Laurey (sic) "Vic" B.H.C. 1926."sheds, drainage pipes, mr. laurey (sic), green grows our garden, a.p. winzenried, orchard supervisor, vic lawry, ella chalmers (nee fry), ella fry

Black and white photograph of Lakes Football Club Reserves Team members Back: J Forrester, J Lamanna, G Gudgin, P White, S Smythe, L Somerville, P Forrester, D Armistead, P Marsden, Les Prout trainer Middle: D O'Donell runner, C Dostine, T Wykes, R Yates, S Greer, A Adams, S Campisi, D Veal, D Conduit, Front: S Cox, D Svetlik, T Brickle mascot, M McInnes, C Davis premiers 1990 taken after defeating Orbost Lakes Entrance Victoriaclubs, sports

The Pisagua was a four-masted barque built in 1892 at Geestemünde, Germany. In 1901, Pisagua sailed from Lizard point to Port Pirie in 79 days. On March 12th 1912 she collided with the P&O steamship Oceana in Sussex. Pisagua was towed to Dover, Kent for repairs. The Oceana sank. P&O sued the Pisagua owners but judgment using the 'steam gives way to sail' obligation/rule found the Oceana to be at fault. The Pisagua never sailed again and was converted into a whale factory....

, Alice Colquhoun, Dorothy Roberts, Irene Onley, Ethel Kilby, Polly P, Ann Geoff, Jean Huggins, Rose Smiington, Morkum, Dot Davies, Nan Fraser, Chloris P, Dorothy Cumming, Joy Higtgins, Lillian Hunt, Christine Barton, Dinah Mongta, Charmain LeMaitre, Frances Pilgrim, Myrtle Fitzclarence, Sylvan Sims, Edith Jones, Frances Pilgrim, Myrtle Fitzclarence, Sylvan Sims, Edith Jones, two unnamed. 04864.1 10 x 15 cmColour photograph of five women Ella Cole, Nen Fraser, Nell Ross, Dorothy Lindsay, Muriel Gregory members of Uniting Church Lakes Entrance. Also another colour photograph of twenty four women at a Uniting Church functionpeople

Large sepia photo of band members in uniform, with instruments. The setting is outside with gum trees and a house in the background.Phillip Island Band 1931. Back from left: F. Forrest, F. Towns, B. Edgar [P], H. De La Haye,, A. Towns. Centre: P. Double, A. Morrison, J. McLardy, Christianson's [2], R. De La Haye, B. West, A. Murray. Front: W. McLardy, R. Richardson, N. Cleeland, W. Warren [ BM ], C. Leeson, P. Forrest, H. Watchorn.band, musicians, phillip island band, photograph, de la haye family, f. forrest, peter forrest, f. towns, a. towns, p.double, a. morrison, b. edgar, j. mclardy, christianson family, b. west, a. murray, w. mclardy, r. richardson, n. cleeland, h. watchorn

Formation of a Co-operative Society to finance the construction of a playing oval at the school. Directors - Cr. R.O. Spencer, Cr. P. Vergers, Cr. B. Hubbard, Dr. P. Matthews, Mrs. W. Coombs. J.A. Gibson, Hon. Secretary. 11/7/1961.

Eltham Shire Council Health Department Inspectors - possibly used for stamping meat Cross Ref: EDHS_01870-13 - Dianne Yans, Health Inspector, undertaking inspections at Safeway Supermarket, 1989Self inking rotating brass roller with "ESC" raised surfaces in four locations at 90 degrees. Roller mounted between two brass arms contacts a felt pad (dampened with ink - red residue evident) covered by pivoting brass cover; with fromed wooden handle Stamped on side of brass support arms M. Lober P/L Melbourne Pat Pend 3198 \ 6eltham shire council, health inspector, shire of eltham, meat stamp

.1) Black and white photograph on the front of postcard. 34 Soldiers in uniform drinking tea, informal group and laughing. .2) Black and white original photograph of column of soldiers marching in formation down a dirt road. .1) Written " Donated to SWIMM P. Swandale 2021" .2) as above and also written "Rob Wodell 1922"postcards, ww1, aust soldiers

COL Lawrence FitzGerald OBE was Director of the Survey Corps from 1942 to 1960 and was succeeded by COL Don Macdonald AM, MID. COL Frank Buckland OBE, MID succeeded BRIG Don Macdonald AM, MID as Director of the Survey Corps in 1967. He served as Director until 1972. BRIG Macdonald AM, MID was promoted before assuming the honorary position of Colonel Commandant of the Royal Australian Survey Corps. Royal Australian Survey Corps Colonel Commandant and Director of the Survey Corps c1969 at the Army Headquarters Survey Regiment, Fortuna Villa, Bendigo. .1 Black and white photograph: The Director of the Survey Corps COL Lawrence FitzGerald OBE inspecting the troops. Taken in c1960 on the parade ground at Fortuna Villa. .2 Black and white photograph: L to R: Director of the Survey Corps BRIG Don Macdonald AM, an unidentified British Officer and the CO Army Headquarters Survey Regiment LTCOL Tim Tyler. Taken in 1962 inside the Officers Mess at Fortuna Villa. .3 Black and white photograph: L to R: Colonel Commandant BRIG Don Macdonald AM and the Director of the Survey Corps COL Frank Buckland OBE. Taken in c1969 at the front steps to Fortuna Villa..1 no annotation 2.P named personnel annotated on paper sleeve, .3 named personnel annotated on back royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Richard Noel Levy No 428329 RAAF enlisted on 10.10.1942 age 18 years, he flew with No 180 Sqd "B 25 Mitchell Bombers" flying 49 missions over Germany, his first operation was on 30 11.1944, discharged from the RAAF with the rank of Flying Officer on 3.1 1946.1) RAAF uniform jacket dark blue colour, inner soft lining complete with buttons, belt, Pilot Officers insignia and 3 x service ribbons being 1939 - 45 star, France and Germany Star and Defence medal. Tag on inside pocket with makers and owners details, sleeves have metal crown and wings on. .2)Trousers, dark blue complete with buttons, tag sewn on with makers and owners details. .3) Hat peak RAAF blue colour with Crown and Wings on front, black hat band with black leather strap, leather liner, tag sewn on inside..1) On tag in pocket, " "Oct 1944 P/O R.N.Levy RAAF". .2) Same as .1) .3) "R.N.Levy"raaf, uniforms

One of a collection of photographs donated by Daryl JohnsBlack & White photograph of aerial view over water and land. Newhaven in foreground and San Remo at rear of suspension bridge."The Rose Series P.14000. Aerial view showing Newhaven, San Remo & Suspension Bridge." Airspy Photo.phillip island, newhaven, san remo, daryl johns

Black and white photographic image of a harbour with two long piers running into it and a shorter jetty with a building on it and circular jetty protruding from it. In the foreground are trees, a dirt road with an RACV sign bridging it to the foreground right and a railway track visible between the trees.Front: THE ROSE SERIES P. 10771/ COPYRIGHT (typed, lower left) THE HARBOUR, PORTLAND (typed, lower centre)

This is a postcard of the sports ground in Halls Gap, taken from Chatauqua Peak. It is No. 12197 in the Rose Series of postcards.The photo shows a round clearing (sports ground), seen from above, in the midst of bush. There are some bare strips in the middle of the field and a track around its perimeter. Some buildings are visible to the left of the field and a road runs behind it. There are more buildings just visible through the bush in the centre, on the far side of the road."The Rose Series P. 12197, Sports Ground, from Chatauqua Peak, Halls Gap, Vic" on bottom of postcard.recreation, sport

Hard covered brown book of fairy tales illustrated with nearly 100 full page and other engravings.Bookplate presented to Mary Holmes 1st prize in Spelling and Writing S.S. Ascot 1900 P. Scott. H.T.hans christian anderson, fairy tales, mary holmes, bookplate, prize, ascot state school 2507, premium plate

Hard covered blue book. Bookplate presented to Mary Holmes 1st prize in Spelling and Writing S.S. Ascot 1900 P. Scott. H.T.chatham-holmes family collection, mary holmes, book plate, premium plate

City of Moorabbin was proclaimed 1934 and managed the areas of Cheltenham, Highett, Moorabbin, Bentleigh, East Bentleigh, East Brighton, McKinnon, Ormond until the Amalgamation of Councils in 1994. The City of Kingston then took over the area south of South Road while City of Glen Eira took the area to the north Kingston City Council possesses the original Mayoral Chain of former City of Moorabbin and it is displayed on the Moorabbin Mayoral Robe at KCC Office Cheltenham for the Annual Opening meeting of KCC in February . 2018 The Moorabbin Mayoral Robe was sent on 7 year loan to KCC for display at Cheltenham with the former City of Chelsea and former City of Mordialloc Mayoral Robes.Since the 1960s far-sighted community members have generously donated many significant items to the ‘Box Cottage’ museum, specifically to provide future generations with a fascinating, and tangible insight into day-to-day life from the 1800’s and up to the mid 1900's. Moorabbin City Council supported their efforts until the Amalgamation of Councils 1994. The City of Kingston donated the 1990 City of Moorabbin Mayoral Robes in 2007 Photograph of the City of Moorabbin Mayoral Chain circa 1990 in a glass covered, wooden frame Photograph of Mayoral Chain worn by Kingston City Council Mayor Steve Staikos, with Councillor Brownlees, in November 2018 when Robe and Jabot were loaned to KCC by CMHS Box Cottage MuseumPlate at base of photograph frame states ' City of Moorabbin Mayoral Chain /Manufactured By / P. Blashki & Sons Pty.Ltd'/moorabbin, kingston, mayors, glen eira, mayoral chain, moorabbin shire