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Frankston RSL Sub Branch
Drinking Mug
Grey enamelled metal mug, WW2 vintage. The enamel is chipped in places.On the bottom of the mug is the symbol 'D^D'.ww2, enamelled mug -
Footscray Community Arts
Body Form, Rai Banda, (exact); Taken 1994, Printed 2006
MEDIUM: Photographic print. DESCRIPTION: Black and white photography print, no frame. A figurative nude stands against a cracked and splitting wall, the image captures a faceless woman’s body as it curls inward upon itself, her head and chest guarded and held by her arms and hands. A vulnerable moment captured in black and white photography. Signed and dated across bottom of print.photograph, body, print, banda, form -
Mission to Seafarers Victoria
Drawing, Charles George Darvall (1831-1924), 1899
Small illustration by Charles George Darvall (1831-1924), cousin of William Henry Charles Darvall.Born in England in 1831, he arrived in Victoria in 1858. A watercolour artist, he travelled around the goldfields and later taught at the Sandhurst School of Arts and Design.Small ink seaside landscape found on the 1896-1902 scrapbookBottom right corner: C.G.D. 99charles georges darvall (1831-1924), william henry charles darvall (1830-1906) -
Glenelg Shire Council Cultural Collection
Card - Card - Monochrome print of Maretimo Portland, Victoria, Jenny Ward, Maretimo, n.d
Cream card, blank inside, monochrome print of Maretimo, Portland on front. Jenny Ward '84'Front: 'Maretimo', printed, bottom right -
Greensborough Historical Society
Newspaper clipping, Students take a ride back in time, 1980s
Watsonia Heights Primary school is a local education facility. Article written by Rosalie Bray.Features a photograph of two students wearing period clothing on horse back. The article also lists school activities from the period.A photocopy of a newspaper article on activities at Watsonia Heights Primary school.Some biro writing at bottom of page.watsonia heights primary school, rosalie bray -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - harbour view, n.d
Port of Portland Authority ArchivesBack: fd012, bottom right in pencil.port of portland archives, portland harbour, whalers bluff -
Glenelg Shire Council Cultural Collection
Photograph, Photograph - Tugs, n.d
Port of Portland Authority ArchivesFront: P23 bottom black pen.port of portland -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland harbour, n.d
Port of Portland AuthorityBack: Harb022, pencil bottom right.port of portland archives, aerial photography, portland harbour -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - artist's impression of Kyeema, n.d
On August 19th 1966 a Public meeting was held in the Portland Town Hall with Cr Mibus as Mayor of the town of Portland chairing. From this meeting, a Provisional Committee of ten (10) people was established. At the first meeting of this Committee, it was resolved that a competition to find a name for the Centre was held amongst the local schools. From over two hundred (200) entries the name “Kyeema”, an aboriginal word meaning “dawn” was selected. The Kyeema Centre opened in June 1967 in the Portland Guide Hall. These temporary premises were used until funds could be raised to build on the land the Portland Town Council gave for this project. On 23 November 1969 the new building was built on land donated by the Portland Town Council at the corner of Lalor Street and Bridgewater Road and was officially opened by the Hon. Malcolm Fraser. This facility provided services to children and adults with intellectual disabilities.Black and white photo of an artist's impression of what Kyeema would look like when builtFront: ':KYEEMA:' printed bottom of photokyeema, support services, architect, artists impression -
Kiewa Valley Historical Society
Bowl Ceramic, circa mid to late 1900's
This bowl was probably used by migrant workers on the SEC Victoria Kiewa Hydro Electricity Scheme circa 1950's. Due to the uneven pattern it can be assumed that this bowl was a cheap imported one possibly from Asia.This bowl has historical significance as a cheap imported mixing bowl or soup/main meal dish that shows the influence of the migrant infusion into the Kiewa Valley, maybe in the "gold rush" era. This medium sized ceramic/porcelain bowl has a gold painted rim and fine blue hair pin patterns and flowers. The pattern has been poorly applied and the irregular top lines appear to indicate an unprofessional alignment. The exterior has a rippled formation which has not been extended to the top rim. bottom inscription too faded to readkitchen bowl, main rice dish, mixing bowl -
Orbost & District Historical Society
teapot, Untitled, 9.10.1871
Square-shaped china teapot. White background with brown transfer images of pineapples. Spout and handle ornately designed. Manufactured by Ridgways, a Staffordshire Pottery in England, with the English registry mark dating its registration to 1871. In the pattern, “Cenis”. Bottom-Ridgeways, -Cenis, Stoke on Trentteapot domestic-items food-drink-consumption ridgways -
Orbost & District Historical Society
black and white photograph / postcard, first half 20th century
Pumpkins were grown widely on Orbost farms and used to feed pigsThis photograph is associated with pumpkin growing in Orbost.A black / white photograph / postcard of a paddock of pumpkins.on front- at bottom - "Orbost, East Gippsland"orbost-agriculture pumpkins-orbost -
Orbost & District Historical Society
black and white photograph, 1889
This photograph has been taken looking down Nicholson Street, Orbost. Temple's Store is on the left and the Club Hotel on the right. The township began to take shape about 1885. (More information from Newsletter August, 2004 Pauline Wilkinson)This is a very early pictorial record of early Orbost township.Three copies of a black / white photograph of a main road, unsealed with wooden buildings on both sides.The building on the right side of the photograph has a verandah with several people standing under the awning, There seems to be two or three young children further down on the edge of the road.on front at bottom - Orbost Main Street -
Orbost & District Historical Society
ink bottle, first half 20th century
An ink bottle was made of glass or ceramic and typically sat on a desk. The writer would dip the pen (or quill) into the bottle to put more ink on the pen. Because they sat on a desk, ink bottles were often decorative.We have mostly dispensed with ink bottles and quills. This item is an example of early stationery equipment commonly used in schools, households and commercial enterprises.A cylindrical brown glazed ceramic ink bottle with the neck narrowing to a pouring lip.Towards the bottom : WYATT MOTTS LANCELEY -
Glen Eira Historical Society
Album - Album page, Halstead, Bambra Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From the Victorian Heritage Register Database - Citation for Halstead, 23 Bambra Road as at (as at 12/10/2020) https://vhd.heritagecouncil.vic.gov.au/places/276: Halstead is believed to be the oldest standing residence in Caulfield constructed in 1857 with subsequent additions during the 19th Century. The house was built for and owned by James Dickson, a stock agent, until his death in 1880. Although on a much reduced parcel of land, Halstead is one of the few remaining remnants of Caulfield when it was an area of mansion houses occupied by town residing squatters, professional and business men. It is important for its place in the socio-economic history of south eastern suburban Melbourne, the inland pattern of development stretching from Malvern through Murrumbeena. Architecturally the single storey building displays a history of alteration and addition. Its main front presents with a single storey cast iron verandah across the full width, including the two pavilion wings at each end. Located towards the rear on the Halstead Street side is the substantial three storey tower with its Mansard roof and cast-iron balustrade which makes the house clearly visible from Halstead Street and Bambra Road. Because of internal alteration the importance of the building relates to the exterior only of the main house. Halstead is believed to be the oldest standing residence in the city of Caulfield. https://vhd.heritagecouncil.vic.gov.au/places/43645: "Halstead" is regionally important as a surviving large villa from the early Victorian (1850's) period, offering insights into the lifestyles of the privileged in Caulfield at that time. The later tower is of architectural interest for its use of Medieval Romanesque enrichment.Page 33 of Photograph Album with one landscape photograph of the exterior of Halstead, taken from the street.Hand written: 33 [bottom left] trevor hart, caulfield north, bambra road, 1850's, halstead, james dickson, mansion, villa residence, cast iron verandah, pavillion wings, halstead street, victorian, tower, balustrading, decorative brackets, mansard roof, brick, slate roof, curved windows, single storey mansions, cast iron work, medieval romanesque style, slate roofs, gardens -
Glen Eira Historical Society
Album - Album page, Glenferrie Street, 4, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Glen Eira Heritage Management Plan 1996 by Andrew Ward: In 1905, most of portion 27 was vacant land, however Glenferrie Street had been formed and the land subsequently subdivided. In 1906, Robert Joseph Haddon, architect and painter, designed and built for his private residence, a brick house on the west side. Haddon named the house "Anselm". Also built on the property were a garage and fibro cement studio. "Anselm" is architecturally important at the State level as a substantially intact, highly personalised and boldly expressed house expressive the Arts and Crafts movement and incorporating Art Nouveaux enrichment in a variety of forms, the use of ornamental terra cotta tiles to the comer tower being of special note. Its importance at the State level is strengthened by its place as the home of the noted architect and Melboume's most influential exponent (Freeland, J.M., Architecture in Australia, p. 213) of the Art Nouveaux movement. Victorian Heritage Register https://vhd.heritagecouncil.vic.gov.au/places/4442 What is significant? Anselm was designed by noted English born architect Robert Joseph Haddon(1866-1929) as his own house and constructed in 1906. A single storey Arts and Crafts influenced red brick house with attic, Anselm has a pyramidal slate roof with prominent chimney stacks. There is a octagonal corner tower with saucer shaped domed roof surmounted by a weather vane, and the tower has decorative terracotta panels immediately below the eaves line. The front door opens immediately into a large living or common room, screened from view by a timber and bottle glass screen. The large room was designed to function as a drawing and dining room. The house is rich with hand crafted details including door and window furniture, wrought iron gutter brackets, fireplaces (one with built in wood box), and fire tools. The interior decoration includes hand painted frieze of Port Phillip in the study, and a hand painted frieze of turbulent sea with sailing boats in the tiled bathroom. There is a small hand painted tile at the base of the tower which states ?This building was erected AD1906 from designs by Robt J Haddon FRIBA,Lond FRIVA Melb Architect?. He also designed an attic addition which was constructed in 1927. Anselm is substantially intact although the double casement window immediately to the south of the front door was originally circular....Page 61 of Photograph Album with one exterior photograph (portrait) of Anselm.Hand written: 61 [bottom left] trevor hart, anselm, art nouveaux, arts and crafts, tower, bay window, glenferrie street, robert joseph haddon, 1900's, terra cotta tiles, double storey, caulfield north, corner tower, brick house, attics -
Glen Eira Historical Society
Album - Album page, Congregational Church, Grange Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. This church has since become the Greek Orthodox Church. From Victorian Heritage Database: Citation for Greek Orthodox Church HO84 https://vhd.heritagecouncil.vic.gov.au/places/43587 (as at 19/10/2020) The former Primitive Methodist, later Congregational, church at 152 Grange Road, Glen Huntly, is a small timber building, erected in 1885 (89?) in South Melbourne and relocated to Glenhuntly in 1909. It is a highly individual picturesque timber structure with distinctive spire and timber enrichment. It has aesthetic, historical and social significance. Its aesthetic value is derived from the choice of materials and picturesque Gothic Revival character showing American influence. Its historical value is derived from its survival as a rare example of a Primitive Methodist Church building whilst its social value hinges on its early roles as a place of worship for the Primitive Methodists in South Melbourne and the Congregationalists in Glenhuntly.Page 73 of Photograph Album with two photographs (both portrait) of front and side views of the spire of the Congregational Church on Grange RoadHand written: 73 [bottom left] trevor hart, congregational church, grange road, gothic revival, carnegie, glen huntly, glenhuntly, greek orthodox church, primitive methodist church, spire, timber buildings -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland HArbour, n.d
Port of Portland Authority ArchivesBack: harb005 - pencil, bottom rightport of portland archives, aerial photography, portland harbour -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Foreshore Development, n.d
Port of Portland Authority ArchivesBack: fd005, bottom right, pencil.port of portland archives, reclamation henty beach, bentinck street -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - K. S. Anderson Wharf, n.d
Port of Portland AuthorityBack: Harb021, pencil bottom right.port of portland archives, k s anderson wharf -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Leisure object - Stereograph Cards, Methodist Mission to Papua New Guinea, 1939
Stereographs consist of two nearly identical photographs paired to produce the illusion of a single three-dimensional image, usually when viewed through a stereoscope. These series of cards are made by one of the Pioneers families of the district who travelled went on a cruise aboard the 'Katoomba' to Papua New Guinea in 1939. The cruise was arranged by the Society of Australasia Methodist Missionary Cruise to Papua New Guinea in April 1939. The Cruise left Brisbane with 370 methodists from Melbourne, Sydney and Brisbane.Many of the early pioneers in the City of Moorabbin were Methodists.43 Homemade black & white - stereograph cards - two identical pictures on cardboard.Description of photo is written on bottom of card.stereograph card, papua new guinea, methodist, missionary cruise, moorabbin, kwato, samarai, katoomba, rabaul, kabakada, vunairima, port hunter, raluana, bronilow memorial church, dohu island, marriott, stereograph cards -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Leisure object - Stereograph Cards, Sydney, New South Wales, 1939
Stereographs consist of two nearly identical photographs paired to produce the illusion of a single three-dimensional image, usually when viewed through a stereoscope. These series of cards are made by one of the Pioneers families of the district who visited Sydney in April 1939.Made by one of the pioneer family in the City of Moorabbin9 Stereographic Cards - black & whiteDescription of each card written on bottomsydney, stereograph card, new south wales, city of moorabbin, sydney zoo, sydney harbour bridge, sydney royal botanic gardens, cronulla, hyde park sydney, shrine of remembrance, paramatta park, blue mountains, katoomba, three sisters, moorabbin -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Leisure object - The Rose Stereograph Cards, Coronation of King George V, 1911
This collection of Stereograph card depicts scenes from the Coronation of King George V. Produced by 'The Rose Stereographs. George Rose was born in Clunes, Victoria in 1861 and later worked in his father’s boot-making business in Prahran while studying photography. In 1880 he founded the Rose Stereograph Company and became famous for producing stereographs, or stereoviews, which gave the illusion of being in 3D when seen through a hand-held viewer. Some of the pioneers of Moorabbin were staunch supporters of the Monarchy of England. This collection of cards was donated by one of the founding pioneer families.Stereograph cards - 25 cards produced by Rose Stereographs. - black and whiteDescription of each card written on bottomcoronation, king george v, england, monarchy, moorabbin, london, westminster abbey, trafalgar square, boy scouts, crystal palace, queen mary -
Port Melbourne Historical & Preservation Society
Photograph - Houses, Port Melbourne, Janet Bolitho, 29 Jun 1995
Used in C5 hearings August 1999Set of 21 colour photographs of Port homes, taken by Janet Bolitho for use in the C5 panel hearings, August 1999. Photos were taken in June 1995 in Clark St, Princes St, Rouse St, Ross St, Evans StDated in bottom right hand cornersbuilt environment - domestic, princes street, clark street, evans street, ross street, rouse street -
Coal Creek Community Park & Museum
Milk jugs
9098.1 Pottery milk jug, with three stripes of white, light brown and dark brown. 9098.2 Pottery milk jug, with a light and dark brown pattern, with a light brown rim. 'Made in Japan' on bottom of each jug. -
Coal Creek Community Park & Museum
Tea set, 1932
Presented to Olive Cassell in 1932 on the occasion of her marriage to Clive Jarvis, by her brother Leonard, son of local butcher Milton Cassell. The tea set was bought at O.Gilpins store in Korumburra . It was donated by Leonard Cassell on 22nd September 2011. White chin tea set with a black printed transfer of Korumburra Public Park as the decoration on each item. 9090.1 - 9090.4 Four tea cups 9090.5 Saucer 9090.6 - 9090.11 Six side platesOn bottom of each SHEFFIELD MADE IN ENGLAND -
Clunes Museum
Container - METAL TIN
BEIGE TIN WITH WRITTEN EXPLANATION ABOUT THE PRODUCT "SENATOGEN - FOR THE RESTORATIVE OF THE NERVOUS SYSTEMON THE BOTTOM IS A WHITE STICKER WITH THE NUMBER "168"sanatogen, genatosan ltd, metal tin -
Clunes Museum
Domestic object - BREAD AND BUTTER PLATE
A WHITE CHINA BREAD AND BUTTER PLATE WITH BLUE FLORAL TRANSFER PATTERN ON THE BOTTOM WRITTEN IN BROWN INK: 2951bread and butter plate, plate -
Clunes Museum
Domestic object - MILK JUG
A WHITE MILK JUG WITH GOLD FOUR-LEAF CLOVER ON ONE SIDE OF THE JUG AND GOLD LINE AROUND THE BODYOF THE JUGSTAMPED IN GOLD ON THE BOTTOM OF THE JUG: 259milk jug, jug -
Clunes Museum
Painting - PICTURE OF ARTHUR LEAN
.1 A BLACK AND WHITE COPY OF PORTRAIT OF ARTHUR LEAN, HUSBAND OF BEATRICE, IN A DARD-BROWN WOODEN FRAME .2 ORIGINAL PORTRAIT MOUNTED ON MATT BOARDON BOTTOM OF PICTURE: VICTA STUDIO CLUNESvicta studio, arthur lean