Yields information about the Sturt and Lydiard St intersection and tram services.Negative and Digital image of the Wal Jack Ballarat Negative file of No. 21 turning from Sturt St south side into Lydiard St North. Has the Commonwealth Bank building, National Mutual, and Craig's Hotel. The small newsagent kiosk is in the photo. C. Marks Jewellers in the National Mutual building sign. trams, tramways, sturt st, lydiard st north, tram 23

Yields information about tram services at the corner of Sturt and Lydiard Sts and the appearance of the buildings.Negative and Digital images of the Wal Jack Ballarat Negative file of tram No. 30 turning from the south side of Sturt St into Lydiard St North with a bogie tram 3? on the south side. IN the background is Craig's Hotel, ANZ bank, the National Mutual and the C Marks & Co building. There is a sign for Stonyfell wines.trams, tramways, sturt st, lydiard st, tram 30

Thomas Dicker, Rowan Street, Bendigo, published a monthly mining journal that included geological information, mine details and mining practises for particular mining districts. In 1868/9, Dicker moved to England to open the "Australian and London Mining Agency" with the goals of promoting investment in Victorian mines, entering Victorian mining shares on the London Stock market, and exploring the latest in mining technology that might be suitable for mining in Victoria.Dicker's Mining Record and guide to the gold mines of Victoria, showing the bearings, depths, thickness, dips and underlies of the auriferous lodes; the progress and cost of works in operation; containing also a variety of valuable interesting and statistical information. Published by the proprietor, Thomas Dicker, Rowan Street Sandhurst. A green with black spine hardcover book. Paper glued on the front with the title Dicker's Mining Journal 1862. On the spine in gold lettering Dicker's Mining Record Vol.1 1861-2. The book contains 12 issues of the Dicker's Mining Record, the first from Saturday, November 23, 1861: the last from October 24, 1862. Also, there are two pieces of paper inside front cover with writing in pencil; the first says: shaft originally No.3 shaft of the speedwell coy. in 1902 the North Normanby Coy. was formed and took over the shaft. A new winding engine was installed in 1909. 10 head battery 1905, extra 20 head in 1909. The second, also in pencil, reads: Dept. of Mines Geological survey No.4 Ballarat East goldfields - 1907 - Mr. Marbrey (?) 39 Shamrock St. Bendigo.Sticker on inside front page: Ballarat Historical Museum presented by Mr. W.H. Lewis Young Street. On second page in pencil: Mr. John N Bailey mining manager of John Woods mines Stawell, Sons of Freedom Beaufort (illegible). To Mr. John Bailey as a mark of esteem grom J. Logan.dicker's mining journal, 1862, mining

Extensive history on the foundation of the three Victorian Provincial tramways, operations, tramcar lists and relationship to their private operation and power stations.. Foreword by Professor Weston Bate Yields detailed information about the history of the three SEC Provincial systems, in particular the construction history and their tramcars.Book - 212 pages on art paper with a gloss finish applied to photographs, sewn with glued end papers, folded dust jacket or cover titled "Last Tram at Eleven - Tramways of Ballarat, Bendigo Geelong". Written by William F Scott, published by Full Parallel Productions 2008. Has a cloth book mark. Has a Table of Contents, Index, many photographs, maps, liststramway history, ballarat, bendigo, geelong, tramcars, trams

Item reports on the BTM running night trams to mark the 47th anniversary of the closure of the Ballarat Tramway System that was operated by the SEC. Has a photo of 33 and 40 at Gardens Loop. Item and photo by Ashleigh McMillan.Yields information about the BTM's marking of the anniversary of closure of the SEC System in 1971.Newspaper cutting from The Courier, 20/9/2018 with text and photo of two trams at Gardens Loop. trams, tramways, btm, night trams, closure, tram 33, tram 40

Photo of the scene looking southwest from the Post Office area, with an ESCo tram hauling a trailer and another tram on the opposite side of the roadway. Has the Town Hall, National Mutual Building, C Marks, and Snows in the view. Wal has dated the photo about 1913 on the rear of the postcard and about 1912 in his album notes - considered c1905 as the destinations are hanging from the front of the tram. They were soon after moved to the roof of the tram in a destination box. in the card sent to Ken Magor by Wal Jack, he notes the the Historical Museum has a large photo of this and you can see No. 12 outlined very clearly. See Reg Item 6247 for another version of this photograph/postcard.Yields information about the intersection of Sturt and Lydiard Streets in the early ESCo era and streetscape and the use of the former horse trams as trailers.5128 - Digital image from the Wal Jack Ballarat Album of a coloured postcard - titled "Town Hall and Sturt St Ballarat", has number 300516 and initials JV in the bottom right hand corner. Card printed in Great Britain, produced by Valentines. 5128.1 - Black and white version of the same photo 5128.2 - colour version with a note from Wal Jack to Ken Magor with Ken's stamp on the bottom right hand corner.5128 - On rear in ink "1913" and "Note No. 12 tram on left" 5128.1 - hand written message, undated to May from her brother Claude 5128.2 - see image 5sturt street, ballarat, tramways, esco, town hall, national mutual, trailers, horse trams, tram 12

Photo taken from the store on the corner of Sturt and Grenville Street looking west along Sturt St, shows three trams at the terminus, including the large waiting room shelter. Shows the buildings along Sturt St with few pedestrians. Yields information about the view from Grenville St looking west along Sturt St BallaratCopy Photograph - Black & White - Sturt and Grenville Streets Ballarat Details the image on the rear of the print in ink. "Ballarat - Sturt St, westwards from Grenville St with trams at the City terminus. Note: Large old waiting room on roadway. Tram Nos Left 5 or 6? right - 13? Copy neg Mark Plummer collections ex late John Alfred collection. ballarat, grenville st, shelters, sturt st, esco, tram 13, tram 5

Issued by conductors on the last day of SECV tram services in Bendigo to mark the occasion. Demonstrates the work the local office of the SECV did to mark the occasion. Three SECV paper tickets - 13c (black) No. B293283, 18c (brown) No. A065752 and 5c City Section A359426 over stamped in red "Bendigo Trams 16h April 1972". Has the SEC logo of the time of a child wrapped in a blanket on the rear.bendigo, tramways, secv tramways, last day, closure, tickets, overstamped, secv

Item from The Courier, 25 years ago, about the change of destination of "Orphanage" to "Victoria Street" and a note regarding the introduction of more "modern" second hand trams into Ballarat.Yields information about the change in the name of the Victoria St terminus.Newspaper clipping from The Courier, Ballarat January 1936, about Ballarat trams - titled "25 years ago" Two red arrows mark the item of interest.letters, tramways, public transport, victoria street, orphanage, destinations, new trams

Medium weight cardboard sheet with printed sheet, pasted to one side, advertising City of Ballaarat home help service - blue brown and black printing. Has telephone numbers B5245 and 2255. Used as an internal roof advertisement in trams.Some pencil marksballarat, community services, city of ballaarat

Yields information about the form used in Ballarat and Bendigo by the SEC to enabling ticket checking by Inspectors on the trams.Single sheet of paper titled "Supplementary Trip Way Bill", form No. TYE 1-580, for filling in ticket starting numbers, for tickets from 2d (City Section) through to 1/- value. Also allows for parcel tickets, tram no, trip, route, inspector and punch marks. Has line for filling in date and signature at base of ticket. Used in early 1960's. Max. fare 1/- Item was on display in cabinet of 39 until 10/2004, ex filing cabinet 1992. Two copies held. See also Reg. Item 279. See also Reg. Item 3062 for another sample - 15c max value. See Also Reg Item 4144 for a MMTB version, very similar in style, SEC probably copied it. See Also Reg item 5692 for a pack of 250 of these.trams, tramways, secv rules, by laws, tickets, fares, ballarat, bendigo

166.1- Three Page (2 Quarto) & 1 foolscap tour programme for Tramway Museum Society of Victoria (TMSV) first tour of 17/11/1963. Page 1- welcome and ticket note. Page 2- notes on trams used-Y1 613 and page 3- foolscap- itinerary- times and locations of photo stops. 166.2 - Ticket for tour in style of Melbourne Tramway & Omnibus Co. bell punch ticket on pink coloured card. Images of document and ticket added 5-9-2013Half fare mark crossed out with blue ink on 166.2.tmsv, melbourne, mmtb, y1 class

Yields information about Ballarat and its locations or environs late 1938.Pages 21,22,29 and 30 of the Centenary issue of the Ballarat Courier, 8/3/1938. Page 21 "When the World was Wide", photos, Ballaarat City Council of Centenary of settlement in the Ballarat district, year, and Sturt St. from Bridge St., possibly original photo of time. Ads. - Marks & Phillips, - Tailors and C.J.Coles. Page 22 - Towns that have a history - Learmonth, Clunes, Creswick and Buninyong. Photos - Learmonth, Clunes and Forestry school Creswick. Ads - State Savings Bank of Vic, Swanston Used Cars. Page 29 - Ballarat's historic Sports Grounds - origin and development, Eastern Oval incident, listing of nuggets found and quartz specimens. Ads for Prestige stockings, T&G Mutual Life and Fosters Lager. Photo of mine at No. 6 shaft on Band of Hope and Albion Consolidated. Page 30 - articles - Ballarat's sporting origins and swamp to reservoir (water supply). Photos of First England Cricket team to visit Ballarat and aqueduct at Kirks storage basin. Ads for Craig Bros, Pratts cash stores, Haymes paints and Ballarat Block Arcade - shops. Record reviewed and images of some of the pages added 10-9-2013trams, tramways, ballarat centenary celebrations, centenary, sports ground, water supply

Yields information about the group of conductresses who were trained in 1942 to release their husbands for the war effort, shows them in uniform with bags.239 - Reproduction of a 1942 photograph that appeared in the Christmas New Year issue of SEC News, (1942-43), p13 showing Ballarat's tram Conductresses, traffic clerks standing in front of SECV tram 29, - laminated with 4 Velcro dots on rear. Copy negative of another copy held by Museum. 239.1 - unlaminated copy of same photograph - added 6/8/2002. Copy 2 - ex Alan Bradley's collection of photographs added 31/7/2007. 293.2 - mounted print on black cardboard with adhesive marks on rear. Both Copy 2 or 2391.1 and 239.2 ex Alan Bradley 5/2007. trams, tramways, ballarat trams, secv, conductresses, world war ii , tram 29

Black & white postcard of the Coliseum Hall soon after catching fire - 24/3/1936. In stamp area of card, has 'Kodak Australia', printed on it. In ink has written 'Coliseum Theatre, Ballarat (seating 6000). Taken 10.35am , 24 March 1936, 5 minutes after it was first observed' If card held face up to reflect light, can see imprint of cancellation stamp and cancellation machine - the wavy marks.trams, tramways, ballarat, ballarat coliseum, fire, theatres, tram 34

Yields information about the arrangements for the Australia Day Cavalcades and the way crews were arranged.Eleven heavy cards printed as M&MTB table cards for drivers, but used by the BTPS as run tables for 1979 Australia Day cavalcade for both drivers and conductors - separate cards for each. Prepared in black and green ink with notes. Each card has its own table number. Item Card No. For 325.1 801 Driver ex Preston 325.2 802 Driver 325.3 804 Driver 325.4 805 Driver to Preston 325.5 806 Conductor ex Preston 325.6 807 Conductor 325.7 808 Conductor 325.8 809 Assistant Conductor 325.9 810 Assistant Conductor 325.10 811 Assistant Conductor 325.11 812 Conductor to Preston No. 803 was retained by Bob Prentice on the day. Image of items added 2/11/13.325.7 has pen marks in top area.trams, tramways, mmtb, btps, melbourne, australia day

Photo of two trams crossing each other at Carlton St loop, out of sequence running, normally crossed at Gardens loop Typical of the operation and the street scene at the time. The background trees were later removed.Bogie tram 36 and single trucker (20) crossing at Carlton St. Loop, early 1970's. View looking down track, towards south. No. 36 with Mt Pleasant destination, and No. 20 with Gardens via Sturt St. West on western track. Trees full with leaves. Note V crossing of frog, one made up by SEC? No. 20 has Twin Lakes sign under headlight. Image not square onto photo paper. 358.1 - duplicate copy from William F Scott, smaller print. 358.2 - as above - but mid size print.358.1 - On rear in ink "SEC Ballarat Tramways. Cars on Carlton Street loop, just outside the southern entrance to the Botanical Gardens" and in pencil "Christopher D Phillips, 113 Windermere Street Ballarat (053) 31 6075" and "12/1967" 358.2 - "44)" in top left hand corner, William F Scott address label in bottom right hand corner, trimming marks top and bottom. Label centrally, "photo page 40, Reduce to 5 1/2" and 3 1/4" " and along bottom :Ballarat Tramways (SEC) Christopher D Phillips "28.12.1967"trams, tramways, ballarat, carlton st., wendouree parade , tram 36, 20

This bag belonged to by Mrs Alice "May" Moss CBE (1869-1948), Australian suffragist, social welfare campaigner and longtime resident of 59 North Road, Brighton. Born Alice Frances Mabel Wilson in Ballarat, in 1887 May married Isidore Moss, the son of Norwood's builder Mark Moss. While her children were young, she began to campaign for the rights of women and served as vice-president of the Australian Women's National League in 1906-14, during which time she actively campaigned in Victoria for women's suffrage. She was an Australian delegate at the League of Nations Assembly at Geneva in 1927, where she was the first woman to sit on a finance committee. She attended the International Council of Women in Geneva in the same year and in 1928 was elected as vice president of the ICW, a position she held until her death. She was the first president of the National Council of Women of Australia, serving from 1931 to 1936. May was active in many other community organisations and causes, including the Royal Women's Hospital, the Collingwood Crèche and the Free Kindergarten movement. She served on the board of management of the City Newsboys' Society in 1906-48 and was the first woman lay-member of the National Health and Medical Research Council in 1936-45. She was also member of the International and Lyceum clubs, with an interest in the theatre, painting and woodcarving.French petit point tapestry bag featuring seven people in a bucolic scene, with trees and buildings in the background. Black border. Gold metal hinged opening with ornamental clasp and gold chain.may moss, petit point, 1930s

Ash KEATING Among fifteen finalists this artwork won the 2012 Guirguis New Art Prize, a prestigious national acquisitive biennial art prize administered by Federation University Australia. The Guirguis New Art Prize (GNAP) is a national acquisitive $20,000 contemporary art prize which presents a selection of Australia's most exciting contemporary artists with works that explore and embrace new ways of artistic expression, utilising existing mediums and new technologies in innovative ways. Initiated and generously supported by local Ballarat surgeon Mr Mark Guirguis, this prestigious art prize is administered by the Federation University Australia (FedUni). As a local philanthropist and art collector, in developing the Prize, Mark Guirguis' aims were to celebrate the significance of the arts to communities and to Ballarat, emphasising contemporary art and 'living' culture, and to highlight FedUni's Arts Academy. Artist Ash Keating works across a conceptual, site-responsive and often collaborative art practice that incorporates painting, sculpture, installation, video, performance and public interventions, and has referenced a wide range of social and environmental issues within his art. Frequently working beyond the gallery, and often harnessing community narrative and energy, his work also draws upon myth, ritual and ceremony. 'West Park Proposition', 2012, is a three channel and screen video installation, utilising multiple camera video documentation of an endurance painting intervention undertaken on the morning of 01 September 2012 on the east facing wall of a newly built tilt-slab industrial building, situated on the direct edge of the current urban and rural boundary in Truganina, Victoria. The multi-screen work documents an endurance guerilla-style action painting intervention and ritualised painting performance in which a symbolic violence is enacted against a storehouse of commodity production and consumption. Upon winning the award artists Ash Keating said; “The work was made near Ballarat on the Deer Park bypass. It is an aesthetic comment about the way these new tilt-slab industrial buildings spring up without caring for the environment." The work, which took eight hours to create, was about reclaiming the space from “cost-effective architecture” without any aesthetics. The inaugural judge for the Prize, Jason Smith, Director, Heide Museum of Modern Art (MoMA) said, "Selecting the winner of this inaugural GNAP was exhilarating and excruciating: exhilarating because the seriousness of each artist's enterprise, and their uncompromising resolution of concepts, has created an inaugural exhibition of exceptional power. This first GNAP is a survey of some of the most poetic and provocative imaginations working in Australia today. Selecting one winner from such a show in which each of these artists has in some way transformed my thinking about the world was the excruciating part. Ash Keating's work West Park Proposition, 2012 kept drawing me back in the several hours I spent viewing the works. It simultaneously affirms the political and critical role of the artist as a key agent of change and action, and someone who reminds us of the beauty and resilience of humanity and nature in the face of unrelenting change. As a work combining performance, collaboration and hope, Keating's West Park Proposition is a work of immense and compelling poetry."artist, artwork, keating, ash keating, guirguis, guirguis new art prize, gnap, gnap13

Lou HUBBARD (1957 -) Born Brisbane, Queensland After a career in the film and television, Melbourne based artist Lou Hubbard completed a Master of Fine Art at RMIT University in 2001. She works primarily with video and installation, and has exhibited widely throughout Australia and internationally, Lou Hubbard is currently the Head of Photography at the Victorian College of the Arts. In announcing the award 2015 Guiguis New Art Award the judges applauded Lou Hubbard on her compelling installation, which comprised a deflated, disembowelled latex horse collapsed over a Coalbrookdale patio chair, table and bench seat situated over a skateboard and plastic dog. “Occupying a space between the traditions of equine, assemblage and unmonumental sculpture, Lou Hubbard’s Dead Still Standing confounds and compels viewers in its uncanny play of materials and movement,” senior curator, contemporary art, National Gallery of Victoria and judge Max Delany said. “In this elaborate yet concise work, Hubbard has created a form of surprising and unsettling effect that reflects our experience of a world in translation.” The win came as a surprise for Hubbard, who said she was overwhelmed at the talent of all 15 finalists. “I was so surprised, because I was in good company with the other artists, who were all quite extraordinary,” she said. “In the nature of the competition, I feel very lucky.” With multi-layer meanings to her piece, Hubbard said it was actually Ballarat’s rich history that inspired her work. She said it was the Ballarat goldfields and the idea of what horses might have gone through during those years that gave her a concept to work with. But that wasn’t the only source of ideals portrayed in the piece – Hubbard also explored the effect training had on horses. “The horse stands in a way that portrays (how) the human exhorts the way of training,” she said. “The horse is edging like it wants to move, which is impossible, and the furniture acts in lots of ways. The chair, for example, is like the horse’s ribs, which are being ripped out.” It was these multiple meanings that also had the curator of the Post Office Gallery, Shelley Hinton, impressed with the work. “The work challenges us ethically and culturally, in a way that pleads for analysis, as we do in our complex daily lives,” she said. Lou Hubbard's 'Dead Still Standing' won the was awarded the prestigious $20,000 Guirguis New Art Prize in 2015. The Federation University Guirguis New Art Prize was a national biennial and aquisitive contemporary art prize. The $20,000 biennial acquisitive prize was sponsored by Ballarat surgeon Mark Guirguis, administered by Federation University Australia and presented in partnership with the Art Gallery of Ballarat.The genesis of the prize was to raise the profile and encourage the Art School of what was then Ballarat University. lou hubbard, guirguis, guirguis new art prize, sculpture, horse, animal, installation artwork

Stewart SCAMBLER Stewart Scrambler is also a woodfirer, making ceramic forms inspired by the Western Australian landscape from local clays and glazes and a mix of native timbers from his York property. He used an incised or impressed 'Stewart' for his mark on early works but later started incising his full name.Wheelthrown and woodfired lidded jar. stewart scrambler, ceramics, jan feder memorial ceramics collection, gippsland campus, woodfire 86, bohemian ceramics, australian studio pottery

Kingsley MARKS (1929 - ) Kingsley Marks trained at the South Australian School of Art before teaching secondary schools. He became interested in pottery after attending a class one night a week at the John Martins building in Adelaide. He received grants to travel and study ceramics in Mexico the US and Canada, then taught for twenty years at the Torrens and South Australian Colleges of Advanced Education. Upon his retirement in 1985, he moved to Brentwood near Minlaton and established the Brentwood Pottery, specialising in sculptural work using a range of forming, decorative and firing techniques. (https://www.flickr.com/groups/1281707@N21/discuss/72157641492795284/) Kingsley Marks was a guest at Strezleckie Spotkanie in 1984. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Electric kiln-fired slipcast decorated earthenware. Kevin Marks uses the mark "K" on his work. Gift of the Artist, 1984ceramics, kingsley marks, artwork, gippsland campus, churchill, brentwood pottery, artist, jan feder memorial ceramics collection

Deborah KLEIN (1951- ) Born Melbourne, Victorian Deborah Klein grew up in the inner southern suburb of St. Kilda and lived and worked in London from 1973 - 1980. The experience of living in both of these places was to have a significant and enduring influence on her work. She gained degree and post degree qualifications from Chisholm Institute of Technology, Melbourne and Gippsland College of Advanced Education, and a Research MA from Monash University, Gippsland. Since 1988 Deborah Klein has held regular solo exhibitions and participated in group exhibitions in Australia and internationally. Her work is represented in public and university museum collections throughout Australia. This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed, handcoloured linocut depicting a butterly with a female head with braided hair.Edition 2/36artist, artwork, deborah klein, klein, butterfly, insect, animal, printmaking, linocut, parallel prints, alumni

Martin KING (1957 - ) Born Melbourne This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print Editioned lls '2/36' Signed lrs 'King'artist, artwork, printmaking, parallel prints, martin king

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed digital inkjet on paper artist, artwork, printmaking, mark graver, parallel prints