People stand around the Burke & Wills monument watching the unveiling of the Boer War Statue.boer war statue, burke & wills monument, persons, buildings, costume, public, sturt street

People stand around the Queen Victoria statue watching the unveiling of the Boer War statue.boer war statue, queen victoria statue, sturt street, persons, monument, building, public, commerical

Located on Barkly Street. The Library still stands but the Police Station has been demolished.ballarat east library, ballarat east police station, barkly street, buildings

Photograph of Raleigh's or Malakoff's Castle, once stood on the spot where Highpoint now stands.Historical buidlingBlack and White PhotographPlaque at bottom left of frame

A wooden spoon that is kept in the Comradeship Lounge. It is hung on the microphone stand. It is used in comradeship events.Comradeship is important to the legatees and this is used in some of the traditions.Large wooden spoon with a loop at the end of the handle.Engraved with 'Stirrer' on the handlecomradeship, legatee event

Australian cedar music canterbury and adjustable music stand circa 1900 maker unknown.

An ink stand was a basic household item in the homes of the more affluent people in past generations before the more common use of the fountain pen and the biro (late 1940s). The ink stand in a home would have been used mainly for letter writing. It was also a basic item in business houses in the same time frame. There is no provenance for this particular item but it is of interest as a household object of the past and is useful for display. Wooden base with indentations for two ink bottles and pens and white metal handles (000633.1). Two ink bottles made of cut glass with white metal necks and hinged glass tops (000633.2 and .3). One ink pen with bone handle, brass top and rusty nib (000633.4).Pen marked 229.2 (old cataloguing number) Base has name in handwriting ‘Mrs A.H. Davidson’ (the donor) communication, ink set, writing set, warrnambool

A Dray is a type of dead axle wagon that was used to transport heavy loads or objects. They had a flat level floor and while some had no sides, others had box bodies and sides. Tip Drays (also known as Tip Carts, Muck Cart, Scotch Cart, Tumbrel or Putt in different parts of England) were smaller than other drays as their loads were heavy and usually only pulled by one horse. Their basic design included two wheels, a tipping body and shafts. The Tip Dray has a unique mechanism that allows the top to tip backwards to tip the load out of the back of the dray. The tipper was activated by a handle at the front allowing the driver to operate it while still having control over the horse. A Tip Dray was an indispensable piece of equipment in the days before tractors and mechanical trucks. They were used by farmers and carters to transport hay, rocks, bricks, gravel and rubbish etc. and because they were useful for dumping loads, they were favoured for use in road and railway construction. A photo in the collection of the Lorne Historical Society shows a tipping dray being used during the construction of the Great Ocean Road. They were part of the daily street traffic in towns and cities around Australia from the early days of settlement. In Australia in the early 1900's, carters began to join unions to protect their jobs and pay. N.S.W. had a "Trolley, Draymen and Carters Union", Queensland had a "Tip Dray Men's Association" and in W. A. the "Top Dray Driver's Union" had a "cessation of work" in 1911 when they were fighting for an increase in their day's wages. In 1910 a meeting of Tip Carters was held in Geelong at the Trades Hall to discuss the formation of a union (The Geelong Tip Dray Carters) which was a success and a schedule of rates for all carting, whether by contract or day labor, was fixed. By 1912 they had "labelled" more than 50 drays and had representatives on the "Trades Hall and Eight Hours Committee". By the mid 1930's and early 1940's, tip drays were being superseded by mechanical trucks and utes. However tip drays continued to be used in some circumstances. They were a practical solution to the problem of petrol rationing during W. W. 2. It was noted in a letter to the editor in the "Sunshine Advocate" in 1938 that a positive argument for continued use of Tip Drays for rubbish collection related to the idea that a horse drawn vehicle involved with lots of stops and starts at different houses (very like a milkman's delivery route) often involved the horse "driving itself" while the driver picked up the rubbish - something a motor truck was unable to do! Another article written in August 1935 and published in the Age in a parliamentary report into the rubber industry noted "tip drays had almost disappeared and in their place, metal was carted in 5 ton motor trucks" but the report went on to say that as a part of the Government relief work (during the Great Depression) the Government had "to some extent reintroduced the tip drays so that a greater number of men would be employed". This particular tip dray was owned by Mr. Oswald (Jack) Bourke. He used it to deliver dry goods from Sunbury to the Queen Victoria Market in Melbourne several times a week in the 1930's and then (between 1945 and 1962) Mr. Bourke used it on the garbage round in Springvale Victoria for the Springvale Council. The Council owned three drays and the "No. 3" painted on this dray is in recognition of its original number. After the death of Mr. Bourke in 1990, one of Mr. Bourke's sons (Andy) found the dray in a shed and restored it. The sign writing on the back and side panels were added during the restoration. This Tipping Dray is a significant example of a horse drawn vehicle that was used by workers from the early days of white settlement through to the 1940's and even into the early 1960's. It was used in a range of "working class" occupations - road construction, railway construction, carting goods, rubbish collection etc. and would have been found in cities, country towns and on farms.A wooden and metal tipping dray with a box body and four sides. It has two iron and wooden wheels (with 14 spokes), two wooden shafts and a metal tipping mechanism. The back panel folds down to allow loads to be dumped out. It is painted in green and cream with sign writing on one of the sides and on the front and back panels. It features decorative painted lines and designs in burgundy, cream and light blue on most of the wooden parts. The tipping mechanism is on the front of the dray's left side and consists of a metal pin secured with a metal ring, and a lever.Front of dray - "No. 3" Side of dray - "A. & M. BOURKE / Contractors / LONGWARRY" Back of dray - "G.T. ANDREWS / QUEEN VICTORIA MARKET - Stand C23 / Phone DANDENONG 225"flagstaff hill maritime museum and village, warrnambool, shipwreck coast, tipping dray, dray, tip dray, tip cart, vehicles, horse drawn vehicle, springvale council, jack bourke, muck cart, scotch cart, tumbrel, putt, box body, oswald bourke, sunbury, queen victoria market, melbourne, no. 3

During the years 1869-1935 there were well over 250 registered bamboo furniture producers in Britain. The earliest recorded firm was Hubert Bill of 14 Little Camden St, London N.W., who claimed to have been established in (1869) while Daniel Jacobs & Sons of Hackney Road, London, were still in business in 1915, after 45 years of production. Design, quality, price and methods of construction were fairly consistent throughout the whole period, but it was the imaginative and often eccentric choice of subject matter that marked differentiation between the various firms. While most produced standard tables, stands and fire-screens, the more adventurous offered for sale items such as corner shelve units, charcoal barbecue grills and musical tea tables. Shelves were often covered with embossed leather paper designs, at first imported from Japan and then later produced in England. Some firms incorporated the knobbly roots of the bamboo stems into their designs, generally to form feet. Occasionally handles to drawers and cupboards were made with these roots although they were more commonly carved as imitations. Handles were mostly of cheap metal or brass. The ends of the bamboo canes were capped with stamped metal or turned bone, ivory or wooden discs. Methods of construction fell into three categories. First and most common is that of pegging. Bamboo stems being hollow, thick dowels can easily be glued into the joints. Some firms farmed out this work of `plugging' the ends of the canes to part-time workers at home. The second method, that of pinning, was far less satisfactory as bamboo tends to split lengthwise and therefore the jointed pieces eventually disintegrated. The most efficient method was that patented in 1888 (patent No 2383) by the firm of W. F. Needham in Birmingham. It consisted of metal shoes and covers for all joints which were made by wrapping a metal strip around the stems and soldering the overlapping ends. Some joints were further strengthened by a small pin or screw. Needham was by far the largest and most successful manufacturer and their individual and superior method of construction undoubtedly gained them their reputation. A. Englander & Searle of 34 Gt Eastern St and 31 Mare St, Hackney, London, were a firm particularly concerned with methods of construction. Although they seem to have entered the bamboo furniture market at a comparatively late date, about 1898, they produced inexpensive' bamboo, aimed particularly at the export trade. Stating in their catalogue that bamboo furniture “can be exported in one piece or it can be exported in pieces and put together again. The fixing up is much facilitated by a system of marking and numbering. Further, no glue is required for putting together as the screw system only is applied”. This method of construction best fits the Etagere and this item in the flagstaff collection and it is believed to have been made by A Englander & Searle, exported in a knock down form to Australia, purchased in kit form from a dealer here and put together by the purchaser. The bamboo plant stand is a significant item as it highlight furniture fashion of the late Victorian era. This item was highly sort after in its time and although mass produced, not many examples remain because the item is so fragile so this example is a valuable addition to the Flagstaff collection. It is believed,the construction method used is by a notable and respected maker in England of bamboo furniture that was aimed specifically at the export market and probably came to Australia in kit form to be assembled by the purchaser.Bamboo plant stand with octagonal top edged with tortoise shell bamboo the top is of wood and supported by four tortoise shell bamboo legs joined at the base by a square cane covered shelf. The tortoise shell appearance is brown lacquer. Item is part of the Giles Collection. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, furniture, plant stand, bamboo furniture, etagere, victorian furniture, simulated bamboo, tortise shell, a englander & searle, domestic furniture, giles collection, henry giles, cooramook, mailor’s flat, wangoom, 19th century household goods

This photograph shows a parade of Australian volunteers in a country location. In the background, the stand is full of family and friends.Digital copy of black and white photograph. This photo has no captioncharles marshall, world war 1

Telephone used in all households as standed issue for the Postmaster General (PMG) from the 1940's.Black bakerlite telephone with dial face and hand set, with long connection cord.On base PMG 300 S.T.C. 51 S1/90 Old Telephone No JW1503 Face: ABFJLMUWXY {listen before calling} pull dial round to stop and let go.

Belonged to Stand Ruth Marshall, who lived in Oliver Avenue, Blackburn and used in fireplace in1958.Wooden handled bellows with art deco design.bellows, art dec

The Chemist building still stands (2008). Both the chemist and the video shop have been remodelled.Coloured photo of the Chemist Shop near the north West corner of Whitehorse & Mitcham Roads, Mitcham in the late 1980sshops, whitehorse road mitcham

Located on the corner of Bridge and Peel Streets. 8 staff stand on the footpath. Large display windows. w.a. stark, commericial, building, bridge street, peel street, people, vehicle

The building still stands at the corner of Lydiard Street North and Mair Street. It is currently Cuthbert Solicitors.ballarat trustees, lydiard street north, mair street, building, legal, commerical

Brian Naylor stands behind a podium on stage as he hosts the 1985 Carols by Candlelight performance.Col. photograph of Brian Naylor.carols by candlelight, brian naylor

Used under a wringer and screwed onto a trough or lower tub to rinse and dry clothes (by spinning) after they have been soaked and washed with soap.Used by a resident of the Kiewa Valley.Outer green metal tub. Inner silver metal tub with holes all around it. Metal pipe vertical in the centre. Inner tub can spin. Underneath is a steel stand which is attached to the centre pipe to the outer edge. A screw with a 'plug' enables it to be attached to a stand or a lower tub. Underneath the bottom is a red hose which is attached and at its other end a connection for a tap."Patented / Rinsan Dry"washing machine, washing tub, household work

Two black and white photographs associated with Donald Mather. .1) A man, Tom Davis stands surrounded with gold mining equipment such as gold pans, cradles, picks and buckets. He is at Oallen Ford on the Shoalhaven River, New South Wales .2) A man stands beside a ute with 2 women standing on the tray. The photo was taken after crossing a ford at Shoalhaven, New South Walesdonald mather, mather, shoalhaven river, mining, ute, utility, car, gold mining

Many of the Henty's of the Western District of Victoria also owned houses in Kew, Victoria. Stephen Henty, referred to on the reverse of the postcard, lived while a member of the Vitoria Parliament at 'Findon' in Kew. Kew Historical Society also holds a nationally significant collection of costumes belonging to three generations of Henty women.Monochrome, blue tinted 'real photo' postcard of Housen's Richmond Hotel, Portland. Two women stand on the steps of the hotel at left, with the rose garden in front of them. Behind them is a church spire. The hotel and its significance is outlined in two columns of blue coloured text on the reverse.Printed reverse: "THE RICHMOND is the most historical building in the State. On the site of today's building Edward Henty, the founder of permanent settlement in Victoria, commenced his first house February 19, 1835, finishing the work in two months. He had landed in Portland on Nov. 19th, 1834, and turned the first plough furrows in Victoria where the Hotel now stands on the 26th of the following month. It was also here that Major Mitchell ended his explorations from Sydney, meeting the Hentys on August 29th, 1836. In December of the same year Mrs S. G. Henty joined her husband, their son Richmond, the first male white child in Portland, being born in the Henty cottage. The present Richmond Hotel was built in 1840, and became the home of Stephen Henty until his departure from Portland in 1869. Though Edward Henty's first house was demolished in 1840, to make room for the new surveyed town streets, part of his wool store remains in the Hotel grounds, and is used as a wood shed. This is about the oldest building in the State : in it was held the first christening service in Portland on September 26th, 1841. On the site of the Richmond Hotel all the early visiting celebrities were entertained - Mitchell, Wedge, La Trobe, Fyans, Sir John Franklin, Capt. Stokes, etc. No other hostelry in Victoria can give you the historical atmosphere of the RICHMOND. / THE ORIGINAL HOME OF THE HENTYS."henty family, richmond hotel -- portland (vic.), stephen henty, edward henty, richmond henty, henty houses -- victoria, portland, postcards

This menorah has 7 candle holders joined in a horizontal row, on thin rod stands. The circular holders sit on two flat silver strips that are attached to silver rectangles on either side of the holders, creating a shield-like form on either side of the holder. The stand on which this construction is propped up, is made up of rods that stand vertically on either side of the holders and behind the shields. The rods are intersected by other rod 'lines' that visually weave horizontally across the top half of the stand. Each point of intersection of lines and rod stands is marked by a circular shape. Artist's statement: In terms of the Jewish diaspora, the variety and flexibility of approaches within Judaism has enabled the culture to endure and nurture ever stronger connections despite physical distance. This notion of an enriched connectedness was one of the two central ideas which contributed to the development of this piece. The second was the idea of light and its cultural significance. Light is about both practical illumination and spiritual expression. While revealing and manipulating material and form, light has also come to stand for the triumph of goodness over evil for many cultures, Of utmost importance in Jewish ritual, light and its media are also recognised symbols of connection and interaction for Jewish people throughout the world. (1999, Blessed Be the Work, Australian Contemporary Design in Jewish Ceremony II)

Depicted is Michael Sinclair dressed in a collared shirt and woollen bed robe seated in a wheel chair that is being pushed by a nurse dressed in a white nursing uniform. A man wearing a clown costume consisting of a wig, clown suit and face paint, stands next to Michael and the nurse. The trio are located under a tree that stands in front of a brick building.Black and white rectangular photograph printed on matte photographic paperReverse: 5645 (in black pen)/ Michael Sinclair/ Clown ?/ Nurse ?/ ENS AND MURRAY ADVERTISER (stamped in blue ink)/entertainment album, beechworth, burke museum, clown, nurse

HistoricalBlack and white photograph of male band members holding instruments. Also several music stands. Members of the public standing in the background. Large cypress trees in the background.Rear L-R. Bryant West, Obscured?, Unknown, Stan Walton, Alan Cleeland, Peter Forrest. Front L-R. Artie Murdoch?, Unknown, Bill MCLardy, Noel Cleeland, Harry De La Haye, Robert Cleelandphilip island band, music, harry de la haye, artie murdoch, noel cleeland, bryant west, stan walton, alan cleeland, , peter forrest, bill mclardy

This item is on display in the gardens of the Bendigo District RSL Sub Branch Havilah Road. Refer photo .1) re details of manufacture, history and use..1) Plaque metal black on a stand with details re the item. .2) Armoured Personnel Carrier M113A1 (APC) painted in camouflage colours with markings, tracked vehicle.“134233”brsl, smirsl, bdrslinc, apc, carrier

This item is an example of Carnival Ware glass. Carnival Ware is pressed glass to which an iridescent surface shimmer has been applied using metallic salts. The trade name of the colour is 'Marigold'. Carnival Ware was first produced in U.S.A in 1908 and production in both U.S. A. and other countries continued until the 1940s, with the 1920s being the decade when it was most popular. It was a cheaper version of a decorative item for the household as well as having a utilitarian purpose and is a collectable glass today.This vase has no known local significance but is retained as an example of an item likely to be found in many local households of the 20th century.This is an orange-coloured pressed glass vase. It is on a stand of three legs and has a fluted patterned top rim. The body of the vase has raised decorations of butterflies and berries.carnival ware, vintage glass ware, carnival ware glass vase

This trophy is one of several from the 1930s that were awarded as part of inter-church competitions in Warrnambool. One of the chief sponsors of this inter-church competition was Fletcher Jones, the well-known clothing manufacturer. He had his head office and factory in Warrnambool. The competitions were for indoor sports and this one has been awarded for deck quoits. The game of quoits consists of competitors throwing four or five rings or hoops onto a raised spike some metres away. The hoops are generally made of plaited rope and the game is said to have been started or popularized by sailors on board ship. In deck quoits the raised spike is usually replaced by concentric circles drawn on the playing surface. This game became very popular on ocean liner cruises from the 1920s on. The winner of this trophy, the Congregational Men’s Institute (C.M.I.) was a leading church activity group for men in the 1930s. A Congregational Church in Warrnambool was opened in 1864 in Liebig Street and transferred to Henna Street in 1940. This church was sold in 1979 to the Salvation Army when the Congregational Church merged with the Methodist Church to become the Uniting Church. This trophy is of historical interest as it is one of the trophies dating from the 1930s and awarded by the now-defunct Inter-Church Indoor Sports Association in Warrnambool. This is a silver-coloured cup with an attached stem on a brown Bakelite stand. The cup has two ornamental handles. There is an inscription on one side of the cup. The silver is a little tarnished. ‘I.C.I.S.A. Deck Quoits won by C.M.I. 1936-7’inter church indoor sports association warrnambool, congregational church warrnambool

The P.S Rodney was used by Permewan Wright to transport non Union strike breaking shearers to the Darling River sheep stations during the late 19th Century. The Union shearers who were on strike, burnt it to the water line where it remains still.This photograph is very significant as it was one of the events in the Australia wide Shearers strike of 1891-1894. When Unionised Shearers burnt the P.S Rodney while carrying non Union Shearers to the Darling River sheep stations.A rectangular black and white photograph and negative of the remains of the P.S Rodney by the bank of the Darling River, near Pooncarrie N.S.W. Shows the "skeleton" remains. A man stands in the background.Stamped on the back in black ink is 'J176'. In hand writing in black ink are the words " Remains of Rodney."p.s rodney, shearers' strike, pooncarrie n.s.w

Photo of an Australian soldier taken in a formal position. No identification but likely WW1.Small black and white photo of a soldier in uniform leaning against a stand and holding a baton under his arm. Photo is on the front of a postcard that had not been used.Written on the back "Lizzie Brown" Imprint on corner of photo - " Kalima", some numbers and "Bendigo".ww1, soldier, post card, photo

This photograph was taken to mark teh retirement of Glad Procter from the Ballarat Technical Art School a division of the Ballarat School of Mines Black and white photograph of Glad Procter, Metalcraft teacher at the Ballarat Technical Art School. He stands in the workshop aera holding a metal owl faced clock. glad procter, proctor, ballarat technical art school, metalcraft, staffmember

A test tube, also known as a culture tube or sample tube, is a common piece of laboratory glassware consisting of a finger-like length of glass or clear plastic tubing, open at the top, usually with a rounded U-shaped bottom. Test tubes are widely used by pharmacists to hold, mix, or heat small quantities of solid or liquid chemicals, especially for qualitative experiments and assays. Their round bottom and straight sides minimize mass loss when pouring, make them easier to clean, and allow convenient monitoring of the contents. The long, narrow neck slows down the spreading of vapours and gases to the environment. Test tubes are usually held in special-purpose racks, Test tubes for physics and chemistry are usually made of glass for better resistance to heat and corrosive chemicals and longer life. Tubes made from expansion-resistant glasses, such as borosilicate glass, can be placed directly over a Bunsen burner flame.8 clear glass test tubes of varied capacity with 3 glass mixers sitting in a wooden stand. A 1 metre length of clear plastic tubing is with this setglass manufacturers, test tubes, culture tubes, sample tubes, borosilicate glass, otto schlott, felton grimwade company, melbourne glass bottle works, laboratory glass, pharmacy, moorabbin, bentleigh, cheltenham, spotswood melbourne