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Surrey Hills Historical Society Collection
Digital photo, George L Coop, 688 Whitehorse Rd. Mont Albert c1950, c1950
This was the home of 3 generations of the Coop family: 1. Josephine and George Frank Coop (noted in Box Hill Rate Books for 1947-1954). 2. George Burton Coop (1906-1960) and his family. He was Assistant Chief Architect of Victoria in the Public Works Department (P.W.D.) George Burton Coop was born in c1906 in Williamstown, the son of Josephine Vistarini and George Frank Coop. He married Winifred Alice Trewartha in 1936 and they are listed in the electoral rolls at 688 Whitehorse Road in 1937. George died 3/4/1960, aged 54 years at Mont Albert. 3. George Burton and Alice Coop had 2 children: George Lister Coop - born St Georges Hospital, 8/10/1937 Alison - born c1945. The donor George Lister Coop informed that he initially attended Chatham State School because his first home was the Spanish Mission style flats at 346 Whitehorse Road, opposite Brenbeal Street, Balwyn. When his grandparents died, the family moved to 688 Whitehorse Road and he then attended Mont Albert Central School. The California bungalow style of housing was the dominant style of housing built in the interwar period through the northern parts of Surrey Hills and Mont Albert as formerly semi-rural land was subdivided for new housing. It was relatively inexpensive and affordable. In Australia the Californian bungalow drew upon elements that were popular across the United States from around 1910 to 1939. In Australia the style became popular from 1913. In Melbourne both timber and red brick were used as the main building material. Typically they are one or one and a half story houses and feature sloping roofs and eaves with unenclosed rafters and often a feature a dormer window (or an attic vent designed to look like one) over the main portion of the house. Decorative elements include wood shingles, part stucco rendered exteriors, brick, stone, rendered or a combination of these treatments to exterior chimneys and front porches supported by heavy timber, brick or stucco columns.A sepia photo taken at an angle from the street corner of the property. It is of a Californian bungalow with a driveway that extends through a carport, attached and roofed as part of the house, to the rear of the property. The veranda is accessed from under this covered area. The veranda and carport are supported by brick pillars and the veranda balustrades between are plain with an occasional wider feature panel. The front door is in shadow. There are rolled up striped canvas blinds on the veranda and at least 2 cane chairs. The main structure of the house is weatherboard with a terracotta tiled roof. There is a flower bed across the front of the house with an elevated brick flower box under the main window. There are no chimneys visible.californian bungalow, whitehorse road, george frank coop, (miss) josephine vistarini, (mrs) josephine coop, george burton coop, (miss) winifred trewartha, (mrs) winifred coop, george lister coop, alison coop -
Vision Australia
Book - Object, Better Homes and Gardens Feburary 1974, Part III, 1974
... States for readers in Australia. Better Homes and Gardens...Vision Australia 454 Glenferrie Road Kooyong melbourne ...Example of a Braille magazine imported from the United States for readers in Australia. Better Homes and Gardens was produced by the National Library Service in Braille and exported to Braille libraries around the world. Magazines were costly to produce in-house, as they often held timely information that were not as relevant to the reader by the time that the transcription and embossing process was finished, and each issues required the process to be restarted each time a print issue was created. Working from the magazine itself, rather than an electronic file, and with no automated process yet developed, this issue in 1974 would have been scribed by hand and manually checked before being sent to the large embossing and binding machines for distribution. 1 Braille volume of Better Homes and Gardens magazineBetter Homes and Gardens February 1974 Part IIIbraille library of victoria, braille books -
Vision Australia
Book - Object, Playboy August 1974, 1974
... States for readers in Australia. Playboy was produced...Vision Australia 454 Glenferrie Road Kooyong melbourne ...Example of a Braille magazine imported from the United States for readers in Australia. Playboy was produced by the National Library Service in Braille and exported to Braille libraries around the world. Magazines were costly to produce in-house, as they often held timely information that were not as relevant to the reader by the time that the transcription and embossing process was finished, and each issues required the process to be restarted each time a print issue was created. Working from the magazine itself, rather than an electronic file, and with no automated process yet developed, this issue in 1974 would have been scribed by hand and manually checked before being sent to the large embossing and binding machines for distribution. 1 Braille volume of Playboy magazinePlayboy - entertainment for men, August 1974, Volume 21, No 8, Part IVbraille library of victoria, braille books -
Vision Australia
Administrative record - Text, Tenth Annual Report of the Association for the Advancement of the Blind 1905, 1905
Annual report of the Association for the Advancement of the Blind outlined activities and events over the year, including membership of 166, the death of B.W. Holgate who was a most active worker, another order of goods has arrived from England, due to the large increase of work an office has been opened at Oxford Chambers, the Tea Agency has been reorganised, decision to establish an Australian Braille Correspondence club, asking for help in identifying anyone needing the services of the Association and efforts being made to remove the Immigration Restriction Act thus removing the bond required when travelling between states.1 volume of printed material with some illustrationsassociation for the advancement of the blind, annual reports -
Vision Australia
Photograph (item) - Image, Royal National Institute for the Blind, Liquid measure
Glass bottle with attached phallic shaped measuring device. Attached label to the bottle states that this was used by a physiotherapist and provides a reference for the bottle: RNIB 9448. The Royal National Institute for the Blind did sell materials around the world, and this item could have been ordered from them. royal victorian institute for the blind, equipment -
Federation University Art Collection
Ceramic, Ned Kelly by Vernon Patrick, c1990
Professor Vernon PATRICK (1943- ) Born Havre, Montana, United States of America A lecturer at the Montana State University, Vernon Patrick was a visiting artist to the Gippsland Centre for Art and Design (GCAD).A stoneware platter with decoration featuring Ned Kelly in armour. vernon patrick, jan feder memorial ceramics collection, ceramics, gippsland campus, churchill -
Federation University Art Collection
Ceramic, Vernon Patrick, Stoneware Platter with Stick by Vernon Patrick, c1990
Professor Vernon PATRICK (1943- ) Born Havre, Montana, United States of America A lecturer at the Montana State University, Vernon Patrick was a visiting artist to the Gippsland Centre for Art and Design (GCAD). Contextual or historic informationPlatter with glaze design and stickvernon patrick, ceramics, gippsland campus, churchill, jan feder memorial ceramics collection -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Kurt Webb, [Whimsical Vessel] by Kurt Webb, 1988
Kurt WEBB United States of America Lives Chicago Webb draws his driving force in life and artistic vision from consequential discoveries he makes, while deliberately preferring less ordinary paths to his destinations. Inspirational methodologies in art history including the Dance of Death, Four Horsemen of the Apocalypse, Ship of Fools and Woodcut Novels are cornerstones of his artwork. In 1988, during a visit to Australia, while viewing a small porcelain woodfired bowl and teapot by Australian artist Gwyn Hanssen Pigott, Kurt Webb decided to abandon his desire to make functional pottery. He realized that Piggott’s clay work was beyond comparison or emulation and was impossibly inimitable. In 2015, inspired by using impeccably made, functional commercial tea ware, Webb decided to give pottery making a second chance. As a result, Webb’s new functional work acknowledges traditional influences while he pursues individuality through eclectic subject matter, meticulous construction, and decoratively glazed surfaces–all produced within a contemporary context. A tall vessel with a house and figures at the top.kurt webb, jan feder memorial ceramics collection, ceramics, gippsland campus, sculpture -
Federation University Art Collection
Ceramic, Tall Bowl with Blue Interior by Kurt Webb, 1988
Kurt WEBB United States of America Acclaimed ceramacist and ceramics instructor Kurt Webb attended Illinois State University. He teaches classes with young adults and high school students.Stoneware ceramic piece most probably made at Churchill Campus in 1988 while Kurt Webb was a visiting artist. The exterior features blue and green shaps on tan, with the interior a mid-blue colour with impressed shapes and swirls. kurt webb, ceramics, gippsland campus, jan feder memorial ceramics collection -
Federation University Art Collection
Work on paper - Silkscreen, Graeme Drendel, The Objects Suspended by Graeme Drendel
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. Two objects hang from a timber structure.graeme drendel, printmaking, silkscreen -
Federation University Art Collection
Work on paper - Silkscreen, Graeme Drendel, 'Enclosure with Keeper' by Graeme Drendel
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. Two objects hang from a timber structure.graeme drendel, printmaking, silkscreen -
Federation University Art Collection
Work on paper - Etching, Graeme Drendel, [In anticipation of the skeptics] by Graeme Drendel
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. A etching of a man with a man size goose.graeme drendel, printmaking, goose, fauna -
Federation University Art Collection
Work on paper - Etching, Graeme Drendel, Rooms x 3 by Graeme Drendel
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. Three etchings showing aspects of a room.graeme drendel, printmaking -
Federation University Art Collection
Work on paper - Etching, Graeme Drendel, 'Piggy' by Graeme Drendel, 1974
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with pig. This work was completed during Graeme Drendel's final year at Melbourne State College where he was studying Secondary Art and Craft Teaching and majoring in Printmaking.graeme drendel, printmaking -
Federation University Art Collection
Work on paper - Etching, Graeme Drendel, Etching by Graeme Drendel, 2011
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with a man carrying a calf. graeme drendel, printmaking, calf, cow -
Federation University Art Collection
Work on paper - Etching, Graeme Drendel, Etching by Graeme Drendel
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with a man carrying two milk buckets.graeme drendel, printmaking, bucket, milk, farmer -
Federation University Art Collection
Work on paper - Etching, Graeme Drendel, 'The Ballad of Dr Scabie' by Graeme Drendel
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching of a male doctor or surgeon. graeme drendel, printmaking, doctor, surgeon -
Federation University Art Collection
Work on paper - Etching, Graeme Drendel, 'Memories' by Graeme Drendel
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. graeme drendel, printmaking -
Falls Creek Historical Society
Article - Falls Creek Hosts Australian Junior Cross County Title, 1994
Falls Creek was selected as the venue for the 1994 Kinetix Australian Junior Championships in Cross Country Skiing in 1994. The event was held on the 2nd and 3rd of September. It was attended by over 100 skiers from Victoria, New South Wales, ACT and the United States. Several local skiers performed well, reinforcing North East Victoria as a force in cross country skiing. Nearly 30 teams competed in the Australian Interstate Junior Relay Championships in the final event. To top the events off a huge snowball fight broke out between skiers and officials, showing good fun could be had between rival teams. The event was organised by the Birkebeiner Nordic Ski Club.This article is significant because it records the holding of a major event at Falls Creek.An article covering pages 11 and 12 of "The Hydro Courier" containing images and text. It was published on September 13, 1994 and the images were taken by Falls Creek Photo Service.junior cross country 1994, falls creek events, hydro courier, summit masters, birkebeiner nordic ski club -
Lauriston Girls’ School (incorporating Lauriston Museum and Gallery)
Letter (item), 1M's Peaceful Protest
This red plastic folder entitled "1M''s Peaceful Protest" and the response letter from the Prime Minister of Australia at the time, are part of Record Series 35. Student Work. In October 1986 the girls from Form 1M [Year 7] compiled a volume of poems and drawings titled “1M’s Peaceful Protest” that was sent to the Honourable Robert (Bob) Hawke, regarding the importance of peace in this country and around the world. Bob Hawke, responded with a thank you letter and returned the student’s work back to Lauriston. This “Peaceful Protest” from the girls of Form 1M was significant as it showed how Lauriston students were prepared to speak out and let politicians know what their thoughts were on the zeitgeist issues at the time. In 1986 the ongoing Cold War between the West and the communist states of the Soviet Union, provided a real threat to world peace. The vibrant colours of the students’ poems and drawings bely their concerns about the ongoing threat of the Cold War. The spelling mistake on the front page reminds us how these young students were given the opportunity to develop their own contributions and make mistakes. -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, 1905
This photograph is a record of Head Nurse, Sister Lee-Archer, and her staff of six Trained nurses, 'Nurses', of the Melbourne District Nursing Society (MDNS) outside their new Nurse’s Home and Headquarters rented at 5 Royal Terrace, Nicholson Street, Fitzroy. The bicycles seen were the first mode of transport purchased by MDNS and allowed these Nurses to extend the nursing visits they made into more Melbourne suburbs.The Melbourne District Nursing Society (MDNS) moved into larger premises at No. 5 Royal Terrace, Nicholson Street, Fitzroy in May 1904. Head trained Nurse, Lee-Archer and her staff of six Trained nurses pose outside the new ‘Nurse’s Home’ at 5 Royal Terrace, Nicholson Street, Fitzroy. The Nurses worked in the districts of North and West Melbourne, the City Proper, Carlton, Richmond, South Melbourne, Fitzroy and Collingwood making 17,954 visits during the year. The Society had a set of bye-laws which outlined the work conditions for the Nurses. Section 111.1 states ‘Each nurse shall be ready to go to her district at 9 am. She will be expected to visit urgent cases on Sundays, and will be required to work eight hours on each week day, to wear the special uniform, and live in the Home of the Society’. In February 1885, only 50 years after Melbourne was founded, it was recognized that nursing care was needed for the sick poor in inner Melbourne. The Melbourne District Nursing Society (MDNS), the first Society of its kind in Australia, was founded with one Trained nurse, known as 'Nurse' in those days, and a second employed six months later. They liaised with Doctors and worked in the now CBD, ie from Spencer Street to Spring Street and from Victoria Parade to Flinders Street. From its inception the Society was at the forefront of health care. They provided high quality nursing care; educated their patients in the curing and prevention of disease; teaching the importance of cleanliness, fresh air and good nutrition, both by verbal instruction and demonstration, even supplying soup and milk when needed. At that time they walked the streets and lane ways amid the slums of inner Melbourne carrying their nursing bag containing lotion, ointments, powders, liniment, bandages, dressings, a case of spirits, and the Nurse's own clean apron, soap and small towel for her use. They loaned equipment, such as earthenware hot water bottles, splints, urinals, bed pans, bed cradles, feeding mugs, and air-cushions as well as providing clean bed linen and nightdresses as necessary. Trained Midwives began home births in late 1893 taking midwifery bundles and providing clothes for the babe and mother as needed. This was arduous work, particularly in the heat of summer. As the work increased a third Nurse was employed but due to this arduous work many Nurses only remained with the Society for several months. Permission to use bicycles was given to the Nurses in 1898 and the Society decided to purchase their own in 1903. A business man offered ‘new free wheel’ bicycles at £13 each which included maintenance for one year. Bells and wooden frames were added, at a cost of £5 per frame, so the Nurses could carry extra equipment. Nurses’ bags were strapped to the handlebars. Soup was made for those in need 2-3 times a week and if patients could not arrange to have it collected the soup was delivered by the Nurses on their bicycles. The use of bicycles caused a change in uniform, with white pith helmets, and veils covering them and tied under their chin, now being used. They provided high quality nursing care to a range of people, often in destitute situations, some lying on rags on the floor as they had no bed, others with just a bed and maybe a thin blanket, a chair and nothing else. Their ages ranged from babes, children, adults to the elderly. The Nurses gave medications as ordered by a Doctor, dressed wounds e.g. to the injured, and surgical cases, and to those with leg ulcers; attended to patients with ‘surgical ailments’ such as ‘hip disease’; gave care to those with acute illnesses such as bronchitis, pleurisy, pneumonia, measles, and scarlet fever, as well as those with chronic illnesses such as consumption (tuberculosis), heart disease, arthritis, cancer, debility, neuritis and paralysis. In 1913 a Nurse had her Board and residence, uniforms, bicycle and laundry expenses provided and was paid £50 a year for her first six months. At the end of a year her salary was increased by £5, and later she earns £60 a year. Over the years the nurses complained that their veils became wet in the rain and asked for a change of uniform but this did not occur until 1921. Bicycles continued to be used in inner areas until 1945. Black and white photograph of six Trained nurses and their Matron, who has her hair swept up, and is wearing a long white uniform with belt, and white cap; part of her veil is seen hanging down her back, outside their Nurses Home The trained. nurses are holding their two wheeled bicycles, and are wearing long grey frocks, white collars and belts and straw hats with a Maltese cross in the centre of headband, this is held in place with scarves over the hat and tied under their chins. Their nursing bags are strapped to the handlebars of the bicycles. A black sign with the white capital letters 'Melbourne District Nursing Society. ....nursing the sick poor in their own homes' is on the metal spiked fence. The building is made of brick and five long sash windows are seen in the upper section. A metal roofed veranda, held up with four posts and two brick columns, divides the upper and lower section. A door and three long windows are seen which are partly obscured by several bushes behind the fence.melbourne district nursing society, 5 royal terrace, nicholson st carlton, nurses home, bicycles, mdns transport, royal district nursing service, rdns, mdns trained nurses, sister florence lee-archer -
Beechworth RSL Sub-Branch
Certificate, Certificate of Discharge WWI War Service; 4521 Pte William Clyde Kelly
Private William Clyde Kelly served in World War One as this certificate states he also did war time service in World War two. Certificate of Discharge for William Clyde Kelly 4521 service in the Australian Imperial Forces; there are crease marks where the document has been folder, there is obvious in ground dirt from being carried in a pocket or walletAustralian Imperial Expeditionary Force Certificate of Discharge of 4521 Private William Clyde Kelly at the termination of his period of Enlistment. Service towards completion of engagement 1550 days / Service Abroad 1334 days. Medals & Decorations Distinguished Conduct Medal; Returned Soldier's Badge Issued No. 226186certificate, certificate of service wwi -
Diamond Valley Vietnam Veterans Sub-Branch
Weapon - M16 Rifle, c2010
A faithful depiction of an M16 automatic rifle that gradually partnered the SLR rifle as the typical weapon for riflemen and other soldiers.The model represents the M16 automatic rifle that, with the SLR rifle, became the 'best friend' to many infantry soldiers and other elements of Australian Armed Forces in Vietnam.The M16 rifle is a family of military rifles adapted from the ArmaLite AR-15 rifle for the United States military. The original M16 rifle was a 5.56×45mm automatic rifle with a 20-round magazine. Wikipedia Length: 38.81 in (986 mm) (M16A1); 39.63 in (1,007 mm) (M16A2); 39.37 in (1,000 mm) (M16A4) Caliber: 5.56 mm (.223 in) Designed: 1959 In service: 1964–present Muzzle velocity: 3,150 ft/s (960 m/s) (M855A1 round) Produced: : 1963–present; Sights: Iron sights: Rear: aperture; L-type flip; Front: wing-protected post; Various aiming opticsM16 automatic rifle; made of metal, plastic.vietnam, vietnam war, diamond valley vietnam veterans sub branch -
Mont De Lancey
Flag, Circa 1956
Small fabric Australian flag on a wooden stick. 6 stars represent the unity of the States. 5 stars on right represent the Southern Cross. The 7the point on the stars denotes the Territories of the Commonwealth of Australia.Union Jack in left top corner. 5 stars representing the Southern Cross on the right.flag -
Falls Creek Historical Society
Document - Circular - Falls Creek Ski School Rule Pursuant To Clause 5 (B)(V), 01.08.1963
Bob (Herman) Hymans (a former member of the Royal Netherlands Navy) was born in Bloemendaal, Holland on 30th September 1922. During World War II he fought against the Japanese in the Dutch East Indies (now Indonesia) and was imprisoned in Changi and on the Burma Railway. After gaining qualifications as a Ski Instructor, Bob arrived in Falls Creek in July 1950. Working as an Instructor and Supervisor at Bogong Lodge, Bob decided his future was in accommodation. He was successful in negotiating an indenture for land from the State Electricity Commission (SEC). It took Bob two years to build his Grand Coeur Chalet but, tragically, it was burned down in August 1961. Bob also built the first Chairlift in Australia. This was a single chairlift and the structure was built from wooden electricity poles. He was constantly full of new ideas and proposals for the village. Bob Hymans die on 7th July 2007. This Collection of documents and letters tells the story of Bob's endeavours to develop Falls Creek into the ski village it is today.This item is significant because it documents actions taken by the Falls Creek Tourist Area Management Committee in their role overseeing the Tourist Area.A circular from the Management Committee repeating rule which states that no person can give skiing instruction for money without the prior approval of the Committee.falls creek tourist area management committee, bob hymans, falls creek administration -
Friends of St Brigids Association
Book - Ireland’s New Worlds : Immigrants, Politics, and Society in the United States and Australia, 1815-1922, Campbell, Malcolm. 2008. Ireland’s New Worlds : Immigrants, Politics, and Society in the United States and Australia, 1815-1922. Madison: University of Wisconsin Press
... the United States and Australia, 1815-1922..., Politics, and Society in the United States and Australia, 1815-1922... in the United States and Australia, 1815-1922 ... -
Mont De Lancey
Mixed media - Book and Record, Harold J. Pollock, Menura the Lyrebird, 1979
A book and recording of Menura the Lyrebird. It was recorded in the lyrebirds' natural habitat in the Dandenong Ranges Victoria. The book describes the life of two birds, Theresa and Wanderer with coloured photographs depicting them in the bush.A slim white square hardcover book with text by Harold J. Pollock and a record of Menura the Lyrebird. The cover has the title written at the top - Menura the Lyrebird with a round photograph of a Lyrebird in the bush with its tail fanned. Jacaranda Nature Series is printed in blue at the top right hand corner of the front cover. At the bottom is printed in black lettering - EP RECORD INSIDE FRONT COVER. Inside the left front cover is a pocket with an EP record recorded by Harold J. Pollock. The book has explanations of the sounds recorded as well as coloured photographs of the lyrebirds in their natural habitat. At the back of the book is a list of recordings on each side of the record. The back cover has a black and white photograph of Harold feeding a lyrebird by hand on his knee. A paper card illustrated with a coloured lyrebird on the front with an inscription inside is inserted at the front of the book. 20 pp.non-fictionA book and recording of Menura the Lyrebird. It was recorded in the lyrebirds' natural habitat in the Dandenong Ranges Victoria. The book describes the life of two birds, Theresa and Wanderer with coloured photographs depicting them in the bush.australian birds, australian animals, records -
Mont De Lancey
Domestic object - Dressmaking Patterns, Simplicity, 1960's 1970's 1920's, 30's & 40's
Many women in Australia sewed at home and Madame Weigel's patterns spanned nine decades, closing down in 1969. Simplicity and Butterick patterns are still made today. Simplicity was founded in 1927 in New York, Butterick is the oldest pattern company in the world, founded in 1863. One source states that Ebenezer Butterick is credited with creating the first multi-size sewing patterns in 1892. It is now been purchased by another company.15 Assorted dressmaking patterns: 11 from the 1960's and 70's, 3 vintage - Simplicity, Butterick, Style and Madame Weigel. One is a J & L Stretch Fabric Multi-Sized Family Pattern. The patterns are presented in paper packets with coloured pictures on the front depicting the items which can be made. Inside are tissue paper patterns with paper instructions. Pattern No 9196 has a yellow and white checked piece of material pinned to the front as a possible sample of the material used. The three vintage ones are Madame Weigel patterns, two for women and a child's one. All packets are worn through use and damaged.'Simplicity, Butterick, Style, Madame Weigel and J & l Stretch Fabric' patterns are printed at the top of the relevant patterns with appropriate illustrations of what can be made.sewing, sewing patterns, sewing equipment -
Trafalgar Holden Museum
Vehicle - Chevrolet 1926, 1926
... Australian states to produce Chevrolet and other G.M. vehicles using ...1926 Chevrolet car. Bodied in Australia by Holden Motor Body Builders.Bodies of the local assembly of Chevrolet's were built in Australia as early as 1918 and by 1926 the newly created General Motors (Australia) Pty Ltd had established assembly plants in 5 Australian states to produce Chevrolet and other G.M. vehicles using bodies supplied by Holden Motor Body Builders.Black 4 door, 5 passenger automobile with removable canvas roof.automobile, holden, bodied, car -
Australian Nursing & Midwifery Federation
Australian Nursing Federation campaign badge, 1995
Badge used during Australian Nursing Federation (ANF) campaigning in 1994-1995. The September 1994 ANF Victorian Branch newsletter, On The Record (OTR), includes an article reporting on the Branch's pursuit of a 8% wage increase for members. In this article, Belinda Morieson, Vic. Branch Secretary stated “this claim is fair and responsible. We are not asking for any more than to have our national professional pay rates respected”. The campaign continued into 1995. The April 1995 issue of OTR had an article titled, “[then Victorian Premier Jeff] Kennett Must Act on Nurses 8% Pay Claim”. It states, “the claim for an eight per cent wage increase is moving forward following the success of the industrial action taken by ANF members across the state”. A picture of this badge is included in the article. The ‘Nurses: Worth Every Cent of 8%’ campaign appeared to draw to a close between July 1995 and the end of 1995. An article from the August 1995 OTR entitled “Your 8%: Slow, But Moving” details the proceedings of the ANF’s claim. This historical information places the date of the badge's production and circulation as 1995.Circular red, white and blue plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'PROTECT NATION RATES' and 'NURSES WORTH EVERY CENT OF 8%'.nursing, wages, nurses, unionism, trade unions, campaigning, labour history, 1990s, australian nursing federation, buttons, badges, pins