Sir Robert Menzies and his family lived in a number of houses in Kew. He was the local MHR for Kew and for many years Prime Minister of AustraliaTwo colour photographs, mounted in a single gilt frame of the exterior of 74 Charles Street, Kew. During the 1920s, the house was the home of [Sir] Robert and [Dame] Pattie Menzies. The framed photographs were donated by subsequent owners of the property.The annotations to the photographs read: "74 Charles Street Kew / Home of Sir Robert and Dame Pattie Menzies / Early 1920s / Presented by John and Mary Curtin / May 2016".sir robert menzies, dame pattie menzies, 74 charles street (kew)

The Kew Baptist Church was originally located on the corner of Cotham Road and St John’s Parade. In 1922, work commenced on a new, larger church in Highbury Grove. The foundation stone of the new building was laid by Cr Ratten of the City of Kew on Saturday 14 October 1922, with the First Kew Scouts forming a guard of honor. A collection taken up at the laying of the foundation stone raised £454. The site and building cost approximately £6,000. The architects for this new red brick ‘semi-Gothic’ church were Messrs Gawler & Drummond. The interior of the church accommodated 500 parishioners. The seating sloped towards the pulpit with no columns obstructing the view of the worshippers. An early real photo Kodak postcard of the Kew Baptist Church showing its original fenceFaded sepia postcard taken at an oblique angle of exterior of Kew Baptist Church in Highbury Grove. Image shows original fence and paintwork of windows. Photo shows parts of adjacent buildings. Two women walking past on footpath. "Kew Baptist Church"kew baptist church -- highbury grove, churches -- kew (vic.), baptist churches, christian-washfold collection

White china gravy boat with blue floral pattern on exterior, extending from rim to around 1/3 down the side, and leaf pattern on rounded handle. Large spout or lip for pouring. Some blue marks on inside.Maker's mark on base, circular stamp with female figure in centre. 'PEONY' printed at top, '… Pottery Coy Ltd. Glasgow' printed around circle, some missing because of bad printing. 'Made in Scotland' at bottom.domestic items, food & drink consumption, gravy, boat, container, blue and white, china, peony, scotland, glasgow

Metal and glass railway signalling lamps were used for communication, safety and lighting by train guards, shunters and signalmen, as well as station staff in the late 1880s to the early 1900s. They were hand operated and used fuel such as kerosene.The railway signal lamp has local significance as part of a set of three lamps donated by a resident of Wodonga who worked for the Victorian Railways. It also has national significance as an example of communication and safety equipment used by the railways in Australia in the late 19th century and early 20th century.Exterior casing of a black painted metal railway signal lamp with circular blue and red glass filters and a turning mechanism on the top under a circular handle. Small copper plate with the letters "A y" stamped on it, on one side of the lamp. "A y"railway lamps, signalling lamp, train signal lamps

BHS Collectionblack and white photo copy of tram sheds showing exterior. On back of photo 'Bendigo - The Tram Sheds'. Copied ex ''The Bendiogonian'', 24/6/02' written in blue ink. Stamped on back 'K.S.Kings Collection S-A.788.person, individual, basil miller

One black and white photograph of the exterior of the house at 78A-B ALLISON RD, Elsternwick; at corner with Meaney St. Photographer: Kerr Bros, 533 Collins St, Melbourne. Photograph taken 1937 (from back of photograph).

The Greensborough Hotel is on the corner of Main Street and Hailes Street Greensborough. Built in the early 1920s, the hotel has been refurbished and extended over the years. In 2018 the exterior of the hotel was painted grey as in this photo. Previously it was painted green.The Greensborough Hotel remains a landmark in the changing face of Greensborough.Colour digital photographgreensborough hotel, main street greensborough

Exterior view of the main office of Godfrey Hirst and Co. Pty Ltd mills. In 1966 McKendrick Consolidated Industries Ltd purchased Godfrey Hirst Ltd to operate a carpet manufacturing concern and this photo was taken at the time of the takeover.Proof IAN HAWTHORNE / PHOTOGRAPHER / Commercial, Portrait, Wedding, Colour Processor / Upstairs, 140 Moorabool St., Geelong Ph. 98096textile mills, godfrey hirst and co. pty ltd

Exterior view of the main office of Godfrey Hirst and Co. Pty Ltd mills. In 1966 McKendrick Consolidated Industries Ltd purchased Godfrey Hirst Ltd to operate a carpet manufacturing concern and this photo was taken at the time of the takeover.Proof IAN HAWTHORNE / PHOTOGRAPHER / Commercial, Portrait, Wedding, Colour Processor / Upstairs, 140 Moorabool St., Geelong Ph. 98096textile mills, godfrey hirst and co. pty ltd

The law court buildings on the corner of Russell and La Trobe Streets (Melbourne) were later to house the Supreme Court of Victoria. The law courts were built in 1842. The inscription by Dorothy Rogers [sic] incorrectly describes the builders as Swanson Bros., who instead were the builders of the later Magistrates Court on the same site. Matchbox containing architectural fragments from the old law courts [Supreme Court] in Russell Street. The matchbox has a label on the front and more detailed information included in a note inside the box. The item is believed to have belonged to the historian Dorothy Rogers.Exterior "Chips from the old law courts Russell St." Inside: "Court House built by Swanson Bros in 1842 of Moorabool Stone & opened 1st time [sic] in 1843. Stone composed of tiny shells".dorothy rogers collection, supreme court - melbourne (vic), supreme court of victoria - russell street - melbourne (vic)

16 mm Black and white film with sound produced by Southern Cross Films, Perth. It begins with archival film from WWII, explains the meaning and symbolism of the Legacy badge,and shows young girls taking the Legacy oath. There were 1900 orphans in W. Australia and the film explains the origins of Legacy. Perth Legacy's Board of Management is shown and care of children - health and fitness - is explained. Also shown are the January seaside camp activities, annual Christmas picnic with 1000 guests, and a Legatee visiting one of his families with helpful advice. Craig House, Perth Legacy's co-ed residence is featured, followed by the annual presentation of debutantes. 10 mins 41 sec.A visual record of life in the 1950s and the huge number of children to have lost their father in WWII. The commitment of Legacy to giving them a better childhood and the amount of work done by Legatees is impressive.Blue metal canister and film on a spool labelled as The Legacy Story. The 16mm film runs for 10 mins 41 secs.Canister lid exterior, Label, HERSCHELLES FILM LABORATORIES, East Melbourne, Australia SUBJECT, “THE LEGACY STORY’, copy, length 404’ reel no. Canister base exterior, Label from Legacy Club Melbourne. 45 Market St, Melbourne, C.1. Typed label say '16mm Sound film of Perth Legacy's Activities. Purchased by Melbourne Legacy with Perth Legacy's permission and with authority of L/tee Morrie Tonkin and Board of Management of Melbourne Legacy. June 1965. I.E.L.'legacy promotion, activities, junior legatee, marketing

Exterior view of the gardens of Godfrey Hirst and Co. Pty Ltd mills (looking east). In 1966 McKendrick Consolidated Industries Ltd purchased Godfrey Hirst Ltd to operate a carpet manufacturing concern and this photo was taken at the time of the takeover.Proof IAN HAWTHORNE / PHOTOGRAPHER / Commercial, Portrait, Wedding, Colour Processor / Upstairs, 140 Moorabool St., Geelong Ph. 98096godfrey hirst and co. pty ltd

Although manufactured in 1939 it may be possible that it was issued later during the Korean War (1950-1953) as the burn marks on the exterior sides may indicate the use of a hexamine stove which came into use by the Australian Army in the 1950's.Representative of an army issued accoutrement from the Mid 20th Century which may have been used during the Korean War.Well used military mess tin (aluminium), larger one of nest of two (smaller one missing) with flip over metal (carbon?) handle secured to short end by metal loop and rivets.Inscribed to metal loop fastening flip over handle to tin is the maker’s mark ‘C&B Ltd. 1939’ and arrow insignia for ‘Department of Defence’.cooking, hexamine stove, canteen, mess tin

This item of military uniform was worn by Squadron Leader (SQNLDR) Bernard Farley during his period of Full Time service in the Royal Australian Air Force (RAAF) between 27 January 1976 and 02 March 1997. Bernard joined the RAAF as an Airmen was trained and employed as a Clerk Supply (CLKSPL) between 1996 - 1977. He undertook officer cadet training at the Army Officer Cadet School in 1978 and was commissioned into the Ground Defence Category on the 09 December 1978, where he served for 18 years and rose to the rank of SQNLDR. Royal Australian Air Force (RAAF) Working Dress (Jacket - Blue Grey). This uniform was in the period 1966 - 2001 as the primary daily uniform in the office environment. Polyester working dress is approved for wear employed in office or business type environments. The short waist length jacket consists of a jacket has a lapel collar and zip front, with two external chest pockets and exposed pocket flaps, There are portlets on each shoulder that are fastened with a black plastic button. This button has a crown over eagle in flight on the front. Rank slides are slid onto these portlets and this jacket has Squadron Leader rank slides on the portlets. is closed with four gold buttons down the front. Each button is inserted through a small round hole sewn into the right side of the tunic front and held in place at the rear with a safety pin. There are four corresponding button holes sewn into the left front of the tunic to fasten the jacket in the normal closed position when worn. The waist belt is part knitted on the sides and cloth on the front and rear. There is also one interior pocket on the right side below the exterior breast pocket. Maker: Australian Defence Industries The Tunic has two military decorations attached above the exterior left chest pocket. The decoration are: 1. Conspicuous Service Medal - Yellow and Green right sloping diagonal strips 2.. Defence Service Medal (with one clasp) - Blue and Gold upright stripes and round metal clasp positioned centrally. The DSM is awarded for 15 years service and a clasp is awarded for each additional 5 years service.

Postcard, color. On bottom: Exterior View, original Chinese Joss House, Bendigo, Vic. Image shows red painted brick building, central double doorway, chinese symbols on outside of door frame. Circular brick pond in foreground.Rose Seriesbendigo, buildings, chinese joss house, bendigo, joss house, chinese

The Hurstbridge Methodist Church was built in 1925. A vestry was added in c.1949. The Edwardian hall was originally located in Greensborough and moved to Plenty in 1965. It was moved to Hurstbridge in 1985. The 60th anniversary of Hurstbridge Church was celebrated with the dedication of the "new" hall.B & W exterior view of the Hurstbridge Uniting (formerly Methodist) Church located at 1006 Heidelberg-Kinglake Rd. Hurstbridge. The image shows a weatherboard church with a new wooden cross at the front being dedicated by the minister, Rev. Warnock Lowry.hurstbridge uniting church, rev. warnock lowry, methodist

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior of Villa Alba showing corner of slate roof with downpipes.villa alba museum, conservation photographs, victorian architecture, etched glass, slate roofs, victorian downpipes

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior of Villa Alba showing profile of bay window and tower.villa alba museum, conservation photographs, victorian architecture, cement render, quoins, bay windows, towers

This locket is from the museum's collection of objects relating to Wilfred Clarence Busse. Busse was born in Chiltern in 1898, completed his secondary education as Wesley College in the early twentieth century, and went on to study law at the University of Melbourne. As a lawyer, he spent time in the room of Supreme Court Judge Bernard Cussen (1859-1933). Judge Cussen was popular, known for being just and precise and for completing through statutory consolidation in his spare time. As well as working as a lawyer, Busse wrote historical fiction inspired by his life in Chiltern, these included The Blue Beyond; A Romance of the Early Days in South Eastern Australia" and "The Golden Plague: A Romance of the Early Fifties," which won the T.E.Role gold medal for the best historical novel in 1930 and went on to become a best seller. He was a member of the Chiltern Athenaeum until his death in 1960. The placing of hair in lockets was a common 19th and early 20th century, with Queen Victoria wearing a locket containing a piece of Albert’s hair after his death in 1861. Wearing a loved one’s hair or giving a lock of your hair to someone for wearing, could be a gesture of love and friendship, or of mourning. The tangibility and personal nature of hair made it a common keepsake, especially in cases of high mortality or where family members were separated by oceans without the possibility of air travel. The intention and origin of this locket is currently unknown, but it is likely it was a keepsake of love or mourning, either way, a emotional object. This object artistically significant as an example of late 19th/early 20th century jewellery, and social and spiritual sigifiicance as locket containing a piece of hair, which, regardless of exact intention, imbues it with a strong emotional aura. A small dark metal locket with a decorative leaf pattern on the exterior. The locket contains a small amount of reddish hair, supposedly from a loved one or family member of the original owner, and a degraded image that may have ocne represented a person. busse, w.c. busse, wilfred clarence busse, chiltern, chiltern athenaeum, "the blue beyond, a romance of the early days in south eastern australia”, "the golden plague: a romance of the early fifties.", "the golden plague”, wesley college, university of melbourne, sir leo finn bernard cussen, supreme court of victoria, locket, hair locket, hair jewellery, jewellery

Two colour polaroid photographs of the sculpture 'The Grip of Time' on the north exterior wall of the Kew Library. At left is the coat of arms of the City of Kew. The sculpture was purchased and donated to the City of Kew by Mrs Laurel Abercrombie. The artwork was created by Peter Schipperheyn.public sculpture - kew (vic), kew civic hall, kew library, the grip of time, public art

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade ewer, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.A handmade eathernware lidded ewer, the exterior fully covered in an olive green glaze, while the interior is glazed in cream The lower section of the body, the spout and the lid reveal the coil work construction technique used, whereas the upper body is smoothed.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), ewers, pouring vessels, viola annie mcvicars, viola annie ayling