Showing 6701 items matching "portrait"
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Linton and District Historical Society Inc
Photograph, Scantlebury Family Portrait, circa 1914
Dr George James Scantlebury practised as a doctor in Linton in the 1880s. He married Catherine Millington Baynes who was Postmistress at Linton. The family moved from Linton to Cheltenham in 1889. Vera Scantlebury was born in Linton in 1889 just before the family left for Cheltenham. The Scantlebury's other three children were all born in Cheltenham - George Clifford (Cliff) in 1890, Dorothy (Dot) in 1893, and Ethel Eileen (Eileen) in 1899. Vera Scantlebury (afterwards Vera Scantlebury Brown) also became a doctor. She was instrumental in the establishment of the Infant Welfare Division of the Victorian Health Department, and was first Director of Infant Welfare. Dorothy Scantlebury became Principal of Toorak College in 1942.Black and white copy of original photograph. Family portrait shows Dr George Scantlebury, his wife Catherine (nee Baynes) and their four children, Vera b. 1889, Cliff b. 1890, Dorothy b. 1893, and Eileen b. 1899. L-R: Eileen, George, Vera, Catherine, Dorothy, Cliff.dr george scantlebury, catherine scantlebury (née baynes), vera scantlebury-brown, cliff scantlebury, dorothy scantlebury, eileen scantlebury -
Duldig Studio museum + sculpture garden
Sculpture, Slawa Horowitz-Duldig, Self-portrait by Slawa Horowitz-Duldig c. 1924, c.1924
This self-portrait exemplifies Karl and Slawa's shared interest in the art forms of other cultures - also seen in the significant number of Viennese art books on these topics in the Duldig Studio library. It takes inspiration from Egyptian sculptures and is strikingly similar to the cover image of Götter Ӓgyptens (Gods of Egypt) by Alexander Scharff (Library) although her short hair puts a stylish and very modern slant upon the image. The sculpture is hollow, with a large opening at the rear. Slawa on full face, eyes downcast, hair parted in the middle & pulled back in bun with large comb. Drapes across both shoulders. modernism -
Stawell Historical Society Inc
Photograph, Mr Jacob Wood & Mrs Wood nee Unknown --foundation members of Stawell Corps of the Salvation Army in Alfred Street -- Studio Portrait
Portrait - Mr. & Mrs. Jacob Wood from Alfred Street foundation members of Stawell Corps of the Salvation Army. Mr. and Mrs. Wood were foundation members of the Stawell Corps of the Salvation Army, which was founded in 1884. The first officers being Captain Furbur, and Lieutenant Quick. Mr. and Mrs. Wood lived in Alfred Street. Their original home has been demolished. The certificate is dated 1886.Bearded Gentleman Standing on left with jumper and Salvation Army Badge. Lady in dress and bonnet seated.stawell -
Stawell Historical Society Inc
Photograph, Mr George Jennings -- Studio Portrait
Portrait of George Jennings "Mayo Park" Lubeck. George Jennings was elected to Old Roads Board in 1863. Except for the years 1882 - 84. He served on the Council until 1891 - 1874 Shire President. From County Galway in Ireland. Jennings arrived in Pleasant Creek in 1858. For many years he owned "The Western Turf Hotel at Quartz Reefs. Selected land on the Ashens Run - settled there in 1870.Black and white photograph of a male in a oval setting with decoration in corners making a rectangle. Photograph in brown folder. The male is dressed in a suit, tie at neck of shirt, short hair and with a beard. Also an enlargement of studio photograph.George Jennings Mayo Park Lubeck written in biro.lubeck stawell shire president -
Glenelg Shire Council Cultural Collection
Painting - Portrait, Catherine Millar, n.d
Gilt framed oil painting of Catherine Millar, wife of Hugh Millar. Seated in wooden chair, left hand holding chair arm, right hand on her lap. Mrs Millar is wearing a dark, fitted long sleeved jacket with V-neck, over long sleeved white blouse with an oval brooch at neck. Her hair is long, brown, parted in middle and caught up in a roll either side of her head.portrait, portrait painting, oil on canvas -
Melbourne Legacy
Photograph - Portrait, President David Millie 1995, 1995
Photograph David Millie who was President of Melbourne Legacy in 1995. Appears to be a professional photo taken for use in publications during his term as president. The article in The Answer is his message as outgoing president as he hands over to Ray Ward.A record of the past presidents of Melbourne Legacy.Colour photo of President David Millie and an article from the Answer.Handwritten 'a) Legatee David Millie President of Melbourne Legacy' in black ink. Printed "past presidents, answer, portrait -
Melbourne Legacy
Photograph - Portrait, President Tom Butcher 1998, 1998
Photograph of Tom Butcher who was President of Melbourne Legacy in 1998. Appears to be a professional photo taken for use in publications during his term as president. A record of the past presidents of Melbourne Legacy.Colour photo of President Tom Butcher.Printed "past presidents, portrait, tom butcher -
Melbourne Legacy
Photograph - Portrait, President Ray Ward 1996, 1996
Photograph of Ray Ward who was President of Melbourne Legacy in 1996. Appears to be a professional photo taken for use in publications during his term as president. An article in The Answer in April 1996 has brief biographical details as he starts his term as President.A record of the past presidents of Melbourne Legacy.Colour photo of President Ray Ward and The Answer article introducing him as president.Handwritten 'Ray Ward President B)' in black pen.past presidents, answer, portrait -
Melbourne Legacy
Photograph - Portrait, President Geoffrey Swan 1992, 1991
Photograph of Geoffrey M. Swan who was President of Melbourne Legacy in 1992. It is a professional photo taken for use in publications during his term as president. Reference number 911030A-10 is believed to be 30 November 1991 - frame number 10 on roll A. Plus an article that President Swan wrote when he handed over to John Stevenson.A record of the past presidents of Melbourne Legacy.Black and white photo of President G. M. Swan and a proof sheet 911030A.Label on back from Keesing Photographic reference number: 911030A-10past presidents, portrait, answer -
Geoffrey Kaye Museum of Anaesthetic History
Photograph - Portrait, Lennard Travers, 1959
At the conclusion of their term of office, former deans of the Faculty of Anaesthetists at the Royal Australasian College of Surgeons would have their portrait taken.lennard travers -
Victorian Aboriginal Corporation for Languages
DVD, Michelle Mahrer, Urban clan : a portrait of the Page brothers and the Bangarra Dance Theatre, 1998
A documentary portrait of three brothers who together formed the creative core of the Bangarra Dance Theatre. The essence of the Page brothers' story captures an Aboriginal 'dreaming' of three spirits, a storyteller, a song man and a dancer, who through their collective art, build bridges within their own culture and between Aboriginal and non-Aboriginal people.DVDnunukul, munaldjali, yugambeh, south east queensland, stephen page, david page, russell page, bangarra dance theatre -
Stawell Historical Society Inc
Photograph, C Hewitt Manager, Henderson Family Album Photograph c1880-1890 -- Studio Portrait
From the Chapman family photograph albumPhoto on card backing. Studio portrait of couple, in front of photographers drape background. Gentleman has a moustache and is in a three piece suite with large tie, corsage. Woman is in white dress and collar with puff sleeves, waist with white tie. Woman is resting her hand on husband from behind. Her other arm is resting on table with fern. Uncle John and Auntie Clara Henderson. Stawell Photographic Co. Close Railway Station, C Herbert. -
Vision Australia
Painting - Artwork, Portrait of Pat Lightfoot, 1987
Framed portrait of Howard (Pat) M. Lightfoot (1904-1991), who was the President of the Association for the Blind in 1952-1954 and 1964-1972 respectively. It is part of a series of paintings commissioned by the AFB Board to commemorate the work of past presidents of the organisation. Mr Lightfoot is seated, with his hands clasped, and wears a gray jacket, grey collared shirt, green woolen vest and red tie. There is a name plate attached at the base of the painting with his name and dates of appointment. Signed by the artist in the lower, right-hand corner.1 art original in gold frameMr Howard (Pat) M. Lightfoot OBE President 1952-54, 1964-72 Association for the Blindassociation for the blind, h.m. lightfoot -
Duldig Studio museum + sculpture garden
Drawing, Slawa Horowitz-Duldig, Portrait of Rella by Slawa Horowitz-Duldig 1917, 1917
Slawa Horowitz-Duldig) was both an artist and a designer, and both aspects of her practice are represented in the collection. There is an archive of approximately 255 drawings by Slawa dating from 1917 until 1922. Slawa’s sketchbooks from this period provide an insight into her early training and demonstrate the artist’s early interest in portraiture. A number of the drawings have been framed, but the majority remains 'in situ'. Slawa was a student at the Viennese Kunstschule für Frauen und Mädchen (the Viennese Art School for Women and Girls) (KFM) from 1917 until 1921, and in 1922 she became a student of Anton Hanak. The KFM School had been established in 1897 as a private school, and it was highly regarded both for its teaching staff and academic curriculum. By 1918 it had introduced stringent admission policy similar to those of the Austrian Academy of Fine Arts, and obtained government funding for its academic program, and began to focus on students seeking to pursue careers as professional artists. In 1921 when Slawa applied to the Austrian Academy of Arts for a place in its program, her application was unsuccessful, as her work was considered advanced, and a place in the third or fourth year of the program was not available. In 1922 she became a private student of Anton Hanak. Many of the portrait images from this early period concentrate on capturing the physical appearance of the face of the model. A number of these studies, in which the subject is not identified, display an academic approach to the genre. Her technical skills in capturing precise facial features of the model, the expression of eyes and the texture of hair are evident. These drawings were perhaps completed in the studio of the KFM School. There are also portraits of friends and family members, including her sister Rella and others, perhaps parents and grandparents, who have yet to be identified conclusively. It is these images of family and friends that particularly demonstrate Slawa’s confidence with pen, charcoal and crayon on paper. Amongst the group are several portraits that indicate the artist’s interest in conveying the inner psyche of a subject, as well as capturing a likeness. Ann Carew 2016The drawings from this period give us an insight into the artist’s early training, and the teaching methods of Viennese Kunstschule für Frauen und Mädchen, one of the first professional art schools for women in Vienna. The drawings and sketchbooks have artistic, interpretative and research significance as records of the art education of women in Vienna in the early 20th century. Ann Carew 2016Charcoal over pencil sketch on paper of Slawa's sister Rella.Artist signature in the bottom left corner. -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A MAN
Small, full length portrait of a man standing beside a small table with a large cloth and some books on it. He is holding a book in his left hand. In his right hand, he is holding a glove. He is wearing a frockcoat, trousers, waistcoat and a high neck shirt. He also has a beard.G. Wherrett, Post Office Portrait Rooms, Barker St., Castlemainephotograph, portrait, male, portrait of a man, g wherett -
Vision Australia
Painting - Artwork, Portrait of Elsie Henderson, 1977
Framed portrait of Elsie Henderson who was a tireless worker for the Association for the Blind. From 1934 until the 1960s Elsie Henderson worked at the Association for the Blind as a home visitor for women who were blind or vision impaired. Blind herself, Ms Henderson had 300 women on her visitation list and would visit three to four women daily. She wears a mid-blue jacket with a floral shirt, pearl necklace and her MBE attached to her jacket. This painting hung in the former Kooyong Day Centre until it was demolished in 1999.1 art original in frameelsie henderson, association for the blind -
Glenelg Shire Council Cultural Collection
Painting, Untitled (Portrait of Edward Henty), c. 1860
Portrait of a man against a dark background (green-brown and black). He is wearing formal attire: a black suit, black waistcoat, a white shirt with small brass (?) buttons and a narrow black cravat. His hair is dark blond and parted on the left. His sideburns are of a more reddish shade and reach to his jawline. Only upper torso visible. Original frame: ornate gold-painted wooden frame.Front: (no inscriptions) Back: Framers label - (Isaac Whitehead Collins St Melbourne) Conservation Centre, Melbourne label. -
Melbourne Legacy
Photograph - Portrait, Brigadier Stanley Savige, circa 1939
Stanley Savige is seen as the founder of Legacy when it was founded in Melbourne in September 1923. He was born in Morwell Victoria on 26/6/1890. He served in the Australian Army between 1915 and 1946, including service in both World Wars. Stanley Savige was a awarded a KBE, CB, DSO, MC,EDThis is a photographic portrait of the founder of the First Legacy Club in Australia, Stanley Savige. Black and white photograph of Brigadier Stanley Savige. He is wearing a uniform and it is of note that he has 8 ribbons including an MID and wears the rank of Brigadier. Photo is placed behind discoloured white mounting board.Austin Murcott Melb (Front lower right) savige, portrait, stan savige, founding legatees -
Anglesea and District Historical Society
Portrait, James Foley, Col. John Purdue O.B.E
Oil portrait of Col. John Purdue O.B.E. in full army uniform with 5 campaign medals on left breast painted on canvas stretched over hardboard in ornate gilt wooden frame.Plaque affixed to bottom of frame reads: COL. JOHN PURDUE O.B.E. 24-5-1890/25-3-1980. / FIRED THE FIRST SHOT IN W.W. I FROM FORT NEPEAN ACROSS BOW OF / GERMAN STEAMER "PFALZ' MERCHANT RAIDER ON AUG 5 - 1914 AT 12.50 PM.purdue, j foley, ww1, "pfalz" -
Musculoskeletal Health Australia (now held by the Glen Eira Historical Society)
Photograph - Portrait, Peter Bruhn, 03/1978
Dr Leslie Koadlow AO (1920-2006), Rheumatologist, was the Medical Director of the Royal Talbot Rehabilitation Hospital. In 1968, he co-founded the Rheumatism and Arthritis Association of Victoria (RAAV) with his secretary, Alice Petty, and one of his patients, Mollie Riches (1896-1979). This photo of Dr Koadlow and Mollie Riches appears on page 11 of the Vol. 9, July 1978 edition of RAAV's quarterly newsletter, News Review. It is captioned, "Vision Becomes Reality. Co-founders, Dr Les Koadlow and Mrs Mollie Riches, together again at RAAV's new Action Centre in the grounds of Royal Talbot, where the idea for RAAV was born." The photo accompanies an article titled, "LINCOLN INSTITUTE HELPS OUT". The article states that RAAV approaced the Lincoln Centre's Department of Educational Resources to enlist the services of their photographers to take a photo of Dr Koadlow for a press release. A cropped version of the photo also appears (with other photos) on the front cover of the Vol 19 Issue 2, Winter 2006 edition of Update. The photos accompany an obituary for Dr Leslie Koadlow AM (1920-2006).B&W portrait of two people standing side by side. The man is wearing a suit and shirt, and a dark tie with polka dots. The woman is wearing a dress or shirt with a bold geometric pattern.[on photo, in pencil] Dr Leslie Koadlow Mollie Riches [on photo, in blue ink] Courtesy of Lincoln Institute 10/5/78dr leslie koadlow, rheumatologist, mollie riches, founders, co-founders, rheumatism and arthritis association of victoria, raav, royal talbot rehabilitation hospital, action house, action centre, news review, lincoln institute, lincoln institute of health sciences, update, 1978 -
Frankston RSL Sub Branch
Photograph, Portrait, c. 1914
Portrait of Thomas Richard Cook, 7465, who departed overseas 9/1/1915 and returned to Australia on 22/9/1919Studio portrait of World War 1 soldier, Thomas Richard Cook, seated on stool, with cane.Notation on obverse, "Thomas Richard Cook/TPI Pensioner Deceased 23/3/74/Presented to RSL/from Mrs V Cook/Phone 783 1193"ww1, portrait, soldier, thomas richard cook -
Vision Australia
Painting - Artwork, Portrait of John Moule, 2003
Framed portrait of John Moule who was President of the Vision Australia Foundation, from 1992-1999. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Moule is standing with his arm on a dresser, and holds a pair of glasses. He is dressed in a navy blue suit, with a blue kercheif in his breast pocket,, a white collared shirt and a blue, white and black striped tie. On his lapel is a small gold badge. The plaque at the base of the painting reads 'Mr John A. Moule AM / President 1992-1999 / Vision Australia Foundation'. 1 art original in old gold frameThe plaque at the base of the painting reads 'Mr John A. Moule AM / President 1992-1999 / Vision Australia Foundation'.vision australia, john moule -
Wycheproof & District Historical Society Inc.
Photograph, Richards & Co, Studio Portrait of Patrick Ryan and Elizabeth H Forrester's wedding, 1918
Patrick Ryan married 'Ellie' Forrester of Towaninnie in 1918 at Inglewood Vic. 'Ellie' daughter of Richard & Ellen Forrester (nee Dauber) of Towaninnie Vic. This photo depicts the more sombre dress worn for weddings during the war years.Studio portrait of Elizabeth Helena Forrester 'Ellie', bride is wearing a two piece ankle length suit, court shoes and carrying a large bouquet of flowers with trailing ribbons. Organdie lace trimmed blouse fastened with a brooch, a smart brimmed hat and necklace completed the elegant ensemble. Patrick Ryan groom, single breasted suit with waistcoat, white bow tie and gloves, button hole and lace up boots.Right hand corner - on embossed card mount "Richards & Co Ballarat". Reverse - "For Auntie Ellen with love Ellie & Pat" hat, studio portrait, forrester, wedding, 1918, bouquet, bride, groom, two piece tailored suit, single breasted suit waistcoat, towaninnie -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Portrait, Major General John Keatly Forsyth CMG, 1920 (estimated)
Major-General John K Forsyth CMG raised 1st Light Horse Brigade. The men of the 4th Light Horse Regiment regarded him as their first CO, although technically he was not, and always referred to him as 'Dad". He did not officially assume command of the 4th until it reached Egypt, effective from 13 December 1914.Framed portrait of Maj Gen John Keatly Forsyth CMG, Commanding Officer 4th Light Horse Regiment. Hanging in glass case with display including his riding crop and fly whisk.Brass plate inscribed: Major General J K Forsyth CMG DSO 1st CO 4th LH REGT 1st AIF Artist's signature not legible: E L P????world war 1, 4th light horse, general forsyth, portraits -
Stawell Historical Society Inc
Photograph - Portrait, Kate Martin, 31 st MQY 1903
Huttley & Martin familyB/W Studio Portrait: Young woman, in front of garden, back drop. Wearing floor length white pleated dress, wide sleeves, darker belt winter Jacket. on table prop. Herbet's Studi, Stawell. Katie Martin (My aunt) Madge uttley's Aunt. To Ernest and Chrissie with love from Katie May 31st 1903huttley, martin -
Merri-bek City Council
Work on paper - Aerosol painting, synthetic polymer, gouache and colour pencils on Magnani paper, Luke King, Portrait, 2023
Luke King’s mixed media artwork Portrait (2023) was shown in the group exhibition Fever’Dreams at the Counihan Gallery in 2023. The group exhibition explored the slippery boundaries between abstract and figurative artwork, showcasing local artists with a strong connection to Merri-bek’s arts community. King uses portraiture to highlight the importance of gesture and facial expression in personal storytelling. Exhibition curator of Fever’Dreams, Mitchel Brannan, writes of King’s work: ‘King explores the profound capacity of the human face to convey emotions within the context of constraint. Through his art, King invites viewers to reflect on the complexities of human expression and the underlying dynamics of restraint within society.’ -
Vision Australia
Painting - Artwork, Portrait of William Paterson, 2002
aFramed portrait of William Paterson who was President of the Association for the Advancement of the Blind, from 1948-1952. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Paterson is dressed in a 3 piece gray suit, white shirt and wearing a blue tie and black hat. He sits outside a house reading a red coloured book, whilst in the background an elderly man takes a step out on to the gravelled driveway. Two women, one with a white cane, rest on chairs under the verendah of the building. The plaque at the base of the painting reads 'Mr William H. Paterson / President 1948-1952 / Association for Advancement of the Blind'. 1 art original in gold frameThe plaque at the base of the painting reads 'Mr William H. Paterson / President 1948-1952 / Association for Advancement of the Blind'association for the advancement of the blind, william paterson -
Marysville & District Historical Society
Artwork, other (Item) - Colour portrait, Harold James Robert Coney, Unknown
A copy of a colour portrait of an unknown woman painted by Harold Coney, a former resident of Marysville.A copy of a colour portrait of an unknown woman painted by Harold Coney, a former resident of Marysville.marysville, victoria, australia, carlisle guesthouse, harold james robert coney, portrait -
Marysville & District Historical Society
Artwork, other (Item) - Colour portrait, Harold James Robert Coney, Unknown
A copy of a colour portrait of an unknown woman painted by Harold Coney, a former resident of Marysville.A copy of a colour portrait of an unknown woman painted by Harold Coney, a former resident of Marysville.marysville, victoria, australia, carlisle guesthouse, harold james robert coney, portrait -
Ballarat Heritage Services
Photograph - digital copy, Mayoral Portrait of John Hogan Gervasoni, Mayor of Kew 1979-80, 1979
Copy of a black and white photograph of City of Kew Mayor John H. Gervasoni. mayor, mayoral, portrait, kew, gervasoni, john, jack, coat of arms, cresco, city of kew, kew mayors