Bulletin volume 2 number 1joan rodriquez, nancy clifton, anne graham, harriet and helena scott, ellen jose, susan stamp, davida allen

30 page bookletlyn pool, maggie mccormack, ewa narkiewicz, kate stones, deborah klein, lyn pool, dianne beevers, gabriella hegyes, olive cotton, bias binding, sally smart, susan morris, anne graham, brenda purtell, jan palethorpe, wendy rew, maggie mccormick, paula lindley, julie rosewarne foster, cowarr art space

Worn cover with clear tapenon-fictionA lengthy selection of essays on artists and art movements from a broad selection of historical and contemporary era including Baroque, Renaissance, 19th Century, Pre-Raphaelite, 20th Century, Modernism, Mid-Century, late 20th Century European and American art.lee krasner, louise bourgeois, elizabeth murray, susan rothenberg

All teachers named below photograph. Colour photograph with 3 rows of teachers. The sign in front reads Nott Street Primary School Staff, 1989.education - primary schools, nott street primary school, sandy bassoukos, erika anders, lucia okuliez, jane wilson, ruth burgess-smith, helen pruis, lyndall adams, carolyn elliot, jenny golding, effie assimakopoulos, susan pope, nancy johnstone, marilyn tulloch, caroline henry, jan snowdon, vin maskell

This is a destructive instrument which, when placed around the neck of the fetus and twisted, succeeded in severing the head. This type of instrument was used in emergency surgery when the fetus was already dead and the mother's condition was critical. This instrument might also have been used to remove tumors. Source: Yale University Library, 'Blunt hook and crochet', https://collections.library.yale.edu/catalog/17322011 This was included with other obstetric instruments, mostly destructive instruments, from Box Hill Hospital labour ward given to RANZCOG in February- March 1998. The maternity service at Box Hill hospital combined with St George's hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Obstetrical crotchet. Nickel plated stainless steel, with large blunt hook at one end and crotchet hook at the other, and fluting at the centre. "B.H.H.L. Ward"destructive instruments

Similar to Willett's placenta praevia forceps [see Down Bros Catalogue of Surgical Instruments and Appliances, c1930, p 940]. John Abernethy Willett (1872 -1932) modified an existing pair of surgical scalp forceps for use in bringing down the head of a foetus in the case of placenta praevia. As the safety of c-sections increased and fetal viability became a dominant consideration, these were used only for the dead/pre-viable foetus. (Source: Baskett, Thomas. 'On the Shoulders of Giants - Eponyms & Names in O&G'.) This was included with other obstetric instruments, mostly destructive instruments, from Box Hill Hospital labour ward given to RANZCOG in February- March 1998. The maternity service at Box Hill hospital combined with St Geroge's Hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Pair of long handled forceps, placenta praevia style. Inscribed "B.H.H.L Ward" inner handle."B.H.H.L Ward"destructive instruments

Carl Rudolph Braun (1823-1891) was the inventor of this instrument, as well as a type of decapitation hook. Braun was born and practiced in Austria, and followed Semmelweis as assistant to Klein at the Vienna Maternity Clinic in 1847, before becoming its head in 1856. Braud added a gynaecology section to the clinic in 1858, being convinced that obstetrics and gynaecology should be together. (Source: Baskett, Thomas. 'On the Shoulders of Giants: Eponyms and Names in Obstetrics and Gynaecology'). This device was included with a range of other obstetric instruments, mostly destructive instruments, given to RANZCOG from Box Hill Hospital labour ward in February- March 1998. The maternity service at Box Hill Hospital combined with St George's hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Craniotomy forceps, Braun's. Stainless steel forceps, with wingnut. Upper blade has open oval section and ridged grip section on the handle. Lower blade has serrated inner edge and ridged grip section on the handle. Wingnut is used for attaching the upper and lower blades of the forceps. Inscribed "B.H.H.L Ward" on forceps."B.H.H.L Ward"destructive instruments

Used for probing a woman's uterus through the cervix, to measure the length and direction of the cervical canal and uterus. Dilators are primarily used to open and dilate the cervix to gain access to the uterine cavity but can also be used as sounds. This device was included with other obstetric instruments, mostly destructive instruments, given to RANZCOG from Box Hill Hospital labour ward in February- March 1998. The maternity service at Box Hill Hospital combined with St George's Hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Three bladed Sims uterine dilator, consisting of upper blade, lower blade, bridge, and wingnut. Blades are polished stainless steel with matte steel handles. Upper surface inscribed, (trademark) MADE IN GERMANY INOXIDABLE", "21"."21"box hill hospital

Embryotomy is a destructive procedure whereby a fetus is dismembered to facilitate removal from the uterus when delivery is obstructed or impossible. It carries a risk of trauma (such as uterine rupture or vaginal/cervical injury) but aims to reduce the risks of mortality and impaired function to the patient. (Source: Medecins Sans Frontieres, 'MSF medical guidelines - Essential obstetric and newborn care - 9.7 Embryotomy'') This instrument was included with other obstetric instruments, mostly destructive instruments, given to RANZCOG from Box Hill Hospital labour ward in February- March 1998. The maternity service at Box Hill Hospital combined with St George's Hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Embriotomy scissors. Curved-on-flat scissors with take-off point.destructive instruments

A pelvimeter is used in obstetrics for measurement of the female pelvis, with the aim of attempting to determine whether there will be any potential issues with a vaginal birth. The style of this pelvimeter is similar to Collyer's pelvimeter as depicted in Aesculapius Surgical Instruments p. 2195. This instrument was included with other obstetric instruments, mostly destructive instruments, given to RANZCOG from Box Hill Hospital labour ward in February- March 1998. The maternity service at Box Hill Hospital combined with St George's Hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Pelvimeter. Similar in style to Collyer's pelvimeter. Has adjustable arms hinged with a wingnut, and a scale graduated in inches and centimetres.obstetrics

A pelvimeter is used in obstetrics for measurement of the female pelvis, with the aim of attempting to determine whether there will be any potential issues with a vaginal birth. This pelvimeter is similar in style to Martin's pelvimeter (see Aesculapius). This instrument was included with other obstetric instruments, mostly destructive instruments, given to RANZCOG from Box Hill Hospital labour ward in February- March 1998. The maternity service at Box Hill Hospital combined with St Geroge's Hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Pelvimeter, manufactured by Ramsay. Metal device with calibrator graduated to 18 inches/ 45 cms. Inscribed " Ramsay" upper arm."Ramsay"obstetrics

Victor Bonney (1872- 1953) was a gifted and innovative surgeon. One of Bonney’s most notable achievements was his development of a successful procedure for myomectomy. After his wife developed fibroids and had her uterus removed early in their marriage, Bonney took a great interest in the practice of conservatism in surgery. Prior to Bonney, myomectomy “had fallen into disuse because of excessive blood loss during the operating and the infections that commonly followed” (Chamberlain, 'The master of myomectomy') , but Bonney saw an opportunity to revolutionise this practice. In his words: “I set myself to make myomectomy so feasible, successful and safe as to render it a fair alternative to hysterectomy in every case… Excepting only in a very few instances… I have succeeded, and now enter the operating theatre free of the trammels which at one time too often compelled my hand against my heart.” (Bonney, 'The fruits of conversatism') Bonney’s crucial innovation was the development of a new surgical clamp, an instrument which is now referred to as Bonney’s myomectomy clamp. The clamp was ingeniously designed to cut off blood supply to the uterus by compressing the uterine arteries, immediately reducing the excessive blood loss which had previously been associated with the procedure. Although technological advances mean that these are now seldom used, Bonney’s success with this procedure was such that his clamps were regularly used for myomectomy procedures for decades after his death. This instrument was included with other obstetric instruments, mostly destructive instruments, given to RANZCOG from Box Hill Hospital labour ward in February- March 1998. The maternity service at Box Hill Hospital combined with St George's Hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett. Stainless steel clamp. Scissor type instrument with two sets of finger grips and a locking ratchet mechanism. The blades close to form two apertures which can be selectively decreased in size."DOWN BROS LONDON STAINLESS" upper surface of RH handle; "B.H.H.L. WARD" inner surface of LH handle.surgery, obstetrics

ill (b/w), p.168.non-fictionA compilation of memories and reminiscences by those involved with the production and operations of the Mirage fighter raaf - mirage fighter, fighter planes - australia

Cast iron mercury bucket, used to hold mercury, potentially in the process of recovering minute pieces of gold mixed in soil and sediments. See research page for description of one process of using mercury to extract gold.gold mines, mining equipment, mercury bucket, miners used mercury in a number of ways to amalgamate gold, with each mill or battery operator having their preferred method depending on the nature of the ore. by the late 1850s the most common way of crushing goldbearing quartz ores or consolidated alluvial cements was in a stamp battery. the battery featured heavy iron stamp heads held in a frame, with each head often weighing up to 500 pounds (226 kg) or more (see msv 1880, page 45) (birrell 2005). stamp heads were lifted and dropped by a rotating overhead cam shaft driven by a steam engine or water wheel. ore was fed into a large cast-iron battery box, mixed with a steady stream of water, and pulverised by the stamp heads. in some batteries, mercury was placed in the base of the boxes to amalgamate with freed gold. the violent agitation of the mercury in the mortar box, however, could cause the mercury to break into myriad tiny globules that were carried away by the water with the tailings, thus losing a certain amount of gold in the process (thompson 1867; ritchie & hooker 1997). the water and sand slurry was splashed by the falling stamps from the box through fine mesh screens and onto inclined wooden tables below the mortar box (figure 2). the tables were covered with copper sheets or plates coated with mercury, which caught and amalgamated with a portion of the gold. the grey putty-like amalgam was periodically scraped off the sheets and retorted in a furnace to collect the gold and recover the mercury for reuse. mercury was inevitably lost from the plates, while poor maintenance resulted in further losses of gold and mercury in the tailings. mercury use and loss from gold mining in 19th century victoria. peter davies1, susan lawrence, and jodi turnbull, department of archaeology and history, la trobe university.

Book titled Footprints on the Sands of Time: Bendigo's Citizens, the 1909 Bendigonian Annual and Community History with a grey tone cover with images of Sir John Quick, Amy Castles, Amy and Eileen Castles and Anthony Palamountain on the front and back covers. La Trobe University, Bendigo The Ninth Sir John Quick Bendigo Lecture 2 October 2002. Lecture by Professor Jeff Brownrigg, Head of Research and Outreach ScreenSound Australia, Canberra. Mentioned in the book is Sir John Quick, Some women of the early 20th Century, Bendigo's singers and opera singers and why communities all over Australia must face up to the challenges of global media by first recognizing the value of their own stories. Mentioned at the back of the book is a brief mention of Professor Jeff Brownrigg's career, John Quick's career and a list of The Sir John Quick Bendigo Lecture Series from 1994 to 2001.bendigo, history, long gully history group, the long gully history group - footprints on the sands of time, professor jeff brownrigg, research and outreach screensound australia, la trobe university bendigo, sir john quick, bendigonian annual, bendigo school of mines, british empire, alfred deakin, sir william lyne, king o'malley's commonwealth bank, telstra, sir frederick holder, robert garran, john mckay, the mirror, henry gyles turner, fischer, state library of victoria, bishop reville, bendigo evening news, bendigo independent, bendigo advertiser, melbourne university, melbourne age, richard twopenny, mr donald clarke esq, bendigo's butter factory, madame carandini, amy sherwin, nellie melba, oscar commetant, shamrock hotel, constitutional convention adelaide, frederick holder, edmund barton, catherine helen spence, elizabeth nicholls, women's christian temperance union, mary lee, rose scott, susan margery, maybanke anderson, vida goldstein, bendigonian annual, amy castles, alice crawford, edward allan bindley, joseph castles, mercy conent, freeman's journal, catholic press, therese radic melba, state library of victoria, cardinal moran, de quiros, bulletin, john norton, d headon, j brownrigg, lili sharp, eileen castles, mike sutcliffe, melbourne argus, frank cusack, david horsfall, alvin tracey, melbourne's advocate press, amy sherwin, frances saville, lalla miranda, hugo gorlitz, samuels family, louis august samuels, kate (catherina) samuels, madame benda, mathilde marchesi, emily dyason, erna (lovie) mueller, the german chapter, german heritage society bendigo, bertha rossow, hamilton hill, beatrice english, anthony palamountain, alfred bottoms, a c bartlemann, dorothy penfold, dr penfold, penfold gallery, pauline bindley, e a bindley, willie murdoch, sister mary tarcisia, sisters of mercy, peter dawson, bendigo's chinese populatin, masonic hall, ashman's dry-cleaners, walter murdoch, lily baxter, walter savage landor, robert garran, ada colley, australian journal of communication, michelle matthews

This is a destructive instrument. Perforators were used to pierce and empty the skull in a craniotomy (which is a form of embryotomy). A craniotomy is a procedure whereby "a perforation is made in the foetal skull to reduce the volume of the foetal head which prevents delivery." (Source: Medecins Sans Frontieres, 'MSF medical guidelines - Essential obstetric and newborn care - 9.7 Embryotomy'') This instrument was included with other obstetric instruments, mostly destructive instruments, given to RANZCOG from Box Hill Hospital labour ward in February- March 1998. The maternity service at Box Hill Hospital combined with St George's Hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Simpson's perforator. Stainless steel perforator with fluted handles. Various inscriptions: "ALLEN & HANBURYS LTD/ENGLAND S.S.ut" on shaft, "12" on inner surface of hinged brace, "B.H.H.L. Ward" on inner shaft of blade."B.H.H.L. Ward"destructive instruments

Wing Commander Martin Susans joined the FAAF as a trainee pilot in 1964. His flying experience has been mainly on fighter and strike aircraft including Sabre, Mirage, F4E and F111Caustralia - royal australian airforce, mirage (fighter planes)

The 4 women are wardens at Camp 4 Tatura, all ready for a game of tennis. Taken 1945. The wardens are: Nell Collins; "Bunnie"; Frances Sproat; and Pat Tongs in front.Black and white photograph of 3 women standing and 1 women squatting in front of the others. Back ground is the side of a hut. Flowers in front of the women. There are 3 tennis rackets being held by 3 of the women.camp 4 tatura, camp 4 army female wardens, nell collins, bunnie, frances sproat, pat tongs, peter liddelow, susan liddelow

Ep record in cardboard cover. Recording of Mystic Rose - A side: Wish and whisper, B side: December 31st,.See jpg's abovewilliamstown high school, music, 1990, mystic rose, sam bird, brendan cassar, vic posterino, travis williams, kieran tobin, susan turner, marcus waller, ben waller, jennifer mckervey, chhristine mckervey

Hard Copiessusan, kellett, 82a, finals, study, block, 1982, 1985, graduation, dinner

The Grovedale Cemetery was formerly known as the Germantown Cemetery, and is administered by Geelong Cemeteries Trust.Colour photographs of each headstones in Germantown Cemetery (or Grovedale Cemetery).gravedale cemetery, germantown cemetery, geelong cemeteries trust, george heyer, clara elizabeth heyer, george hever, alfred theodor hever, auguste lemke, henry lemke, ann lemke, wilhelmina lemke, ennes lemke, german pioneers, bieske, baensch, winter, kerger, adresson, rossack, kosseck, hartwich, pacholke, renzow, heyer, schultz, baum, momm, jasper, lorke, schneider, hermann, klemke, german-australians, heinrich renzow, anna rostna, ernestine winter, ernest albert paech, heinrich wilhelm winter, johannes paech, adelena paech, john pacholke, h. pacholke, henry pacholke, adolph pohl, emielie pohl, theo pohl, cottlor walter, luise walter, plier, g.o. pacholke, grace dorothy pacholke, karl josef stotz, donald hartwick, albert spain, carl voss, ludwig averland, susan elizabeth haverland, phillip alfred jasper, rudolph jasper, ernestine jasper, emma emilie rossack, carl gotlierb rossack, anna louisa schneider, frederick schneider, agnes winter, martha winter, paul wilhelm winter, max george grossman, emma matilda grossman, emma matilda bieske, emma emilie andressen, leo bieske, albert bieske, john frederick rossack, louisa emma rossack, margaret hartwick, dora baum, u. joseph baum, johanna cready, johanna hartwich, wilhelm heinrich winter, heinrick r. winter, a. dora m. sectig, gustav julius kosseck, ernest c. rosser, leslie charles rossack, frank charles rossack, george rossack, leonard julius kosseck, anna amanda kosseck, anna amanda wolter, james kennedy paton, florence may paton, ivy victoria baensch, margaret baensch, godfrey baensch, friederich albert lehmann, elsie emma lehmann, elsie emma grossmann, j.j. kerger, alice mary kerger, charles edward klemke, marian joyce klemke, lulu rossack, ellen victoria rossack, william harry rossack, may elizabeth rossack, clara rossack, a.s. maude momm

Four pages of the History of the Firm of W. D. Mason Pty. Ltd. 1894 - 1998. Also four blank pages. Dated 16/12/98. A lot the same as Part a, but more information about the business, including the different locations of the business in Bendigo. Contained in a light yellow Viper File.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - history of the firm of w d mason pty ltd 1894 - 1998, owen walter williams, evening mail newspaper, henry brooks & co, shaw savill & albion company, arawa (5026 tons), brooks robinson & co, walter williams, gallipoli, samuel thomas williams, susan rebecca lawson, owen mostyn williams, ann (annie) mckenzie, wavertree ellen williams, walter davids mason, alan walter mason, melva joan mason, wavertree ellen mason (nee williams), j b young, taylor family, reed smart & tappin, bendigo cathedral (sacred heart), a w & m h mason, new zealand ins building, thelma annie taylor (nee mason), garnet james taylor, walter david mason, australian window glass company

Five page History of the Firm of W. D. Mason Pty. Ltd. 1894 - 1998 & some personal Memoirs. History starts when Owen Walter Williams came from England to work in the glass industry. He came to Bendigo when he was given notice during the depression. Williams/Mason Family History is included and also the history of W. /d. Mason Pty. Ltd.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - history of the firm of w. d. mason pty ltd 1894 - 1998, owen walter williams, ellen williams, john jughes, brooks robinson & co, henry brooks & co, shaw savill & albion company limited line, akawa (5026 tons), susan barbara lawson, walter williams, samuel thomas williams, owen mostyn williams, w daley, grandview estate, homebest, olwyn, philip harris & co limited, ann mckenzie, wavertree ellen williams, reed smart & tappin, bendigo cathedral - sacred heart, capt'n snooze, watkin williams, mr holmes, j r daley, coles supermarket, walter david mason, thompson & harvey, wavertree ellen mason, ivo james byron steel, albert g rowley, frank g o'brien, roy leonard mason, ellen mason senior - nee jamieson, alan mason, melva mason, thelma annie mason, g d garvin & g eathorne, thomas lancel hosking, alan walter mason, aif, docks operating company, ann (annie) williams, a j & a m & c x taylor

Six copies of the History of the firm of W D Mason Pty Ltd Glass Merchants of Bendigo 1894 - 1998. Note paper clipped to one copy and written in red ink: Original Revised Version 29/2/99. this version mentions machinery used, glass handling, making of mirrors, sandblasting and shopfronts.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - history of the firm of w d mason pty ltd 1894 - 1998, owen walter williams, evening mail newspaper, henry brooks & company of england, brooks robinson & co pty ltd of melbourne, shaw savill & albion company limited line, arawa (5026 tons), capt'n snooze, coles new world supermarket, susan rebecca lawson, walter williams, samuel thomas williams, owen mostyn williams, ann (annie) mckenzie, wavertree ellen williams, reed smart & tappin, bendigo cathedral (sacred heart), alan walter mason, walter david mason, melva joan mason, wavertree ellen mason (nee williams), j b young, taylor family, australian window glass company

Doris Mercy Willmott was born in May 1896 in Stamford Hill, London, the eldest of three daughters of Albert and Minnie Willmott. The family lived in various parts of north London until the beginning of the First World War, when they moved to Redhill in Surrey. It was in Redhill that Doris met her future husband, Frederick John (Jack) Bennett. Although Jack Bennett returned to Melbourne in March 1919, he and Doris continued to correspond and they were engaged in March 1923. She came to Melbourne on her own, and was married in the Congregational Church in Canterbury on 23 December 1923. In 1937, the Bennett family moved back to the United Kingdom, spending the war years in Uxbridge and Torquay. The family returned to Melbourne in October 1946, after the deaths of Doris’ parents. The family lived at 12 Stanhope Grove, Camberwell and 51 The Ridge, Canterbury before Jack died in February 1952. After this Doris moved to 12 Stanley Grove, Canterbury, her home until c. 1970 when she moved to 25 Corhampton Road, North Balwyn. She died in May 1980 in Princeton Nursing Home, 3 Bellett Street, Camberwell. (Adapted from notes provided by Sue Barnett, the donor).The collection of evening clothes owned and worn by Doris Mercy Bennett, of which this item is one, date from the 1930s and may have been purchased in Australia or in the United Kingdom. Each of the items, apart from the evening dress, which has a few minor tears in the lace, is of fine quality and evidences Doris Bennett’s love of glamour and style. While the evening dress and the mantilla are of the same fabric, the two capes might have been worn with the dress as alternative fashion accessories. None of the items has a maker’s mark, however each displays evidence of fine dressmaking skills. It is however probable that the two fitted capes were commercially made.Black silk chiffon or georgette loose-fitted evening capelet, decorated with a wide border of silvred sequins. Sequins are also used in the body of the cape, either individually or in circles. The capelet was owned and worn by Doris Mercy Bennett (nee Willmott) [1896-1980], and donated to the Society by her granddaughter. women's clothing, evening wear, evening dresses, capes, susan barnett, doris bennett (nee wilmott)

433, artspace exhibitors downstairs eddie dix & sharon chang & jan bottcher & ann martin & sue norris & jaclyn wong, artspace exhibitor upstairs susan garrett, artspace curator - teresa schipano, madame pernelle played by catherine christensen, monsieur orgon played by jim thomson, elmire played by veneita macken, damis played by broderisck mcdonald, mariane played by emma warner collins, valere plated by alexander dimitrovski, cleante played by sam howard, tartuffe played by chris mclean, dorine played by maree barnett, officer played by david ruunnalls, monsieur loyal/laurent played by laurie jezard, flipote played by rebecca bassett, ass director liam gillespie, production coordinator tim scott, stage manager rebecca bassett, ass stage manager tamsin mackie, lightning designer craig pearcey, set designers marie mackerell & owen evans, sound design rob wanless, costumes wendy drowley, costumes assistant catherine christensen, props karen wakeham & melanie belcher, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, set painters marie mackrell & gaye billing & mal cother, sound/lighting operators john rowe & margaret hassall, technical assistant tom agar, rehearsal prompt bobby parish, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review by ken barnes