Proudly worn by soldiers of the 1st and 2nd Australian Imperial Force in both World Wars, the 'Rising Sun' badge has become an integral part of the digger tradition. The distinctive shape of the badge, worn on the upturned side of a slouch hat, is commonly identified with the spirit of Anzac.The Third Pattern - May 1904 The third pattern Rising Sun badge carried a scroll inscribed with the words ‘Australian Commonwealth Military Forces’ and was worn throughout both World Wars. There were, however, a number of variations of the badge; a special version was struck for the coronation of King Edward VII in 1902 and there were badges of the Commonwealth Horse and the Australian Instructional Corps, each with its respective title on the scrolls. This pattern badge formed the template for all subsequent General Service badges.Rising sun collar badge circa 1940s with words in scroll across bottom of badge 'Australian Commonwealth Military Forces'Australian Commonwealth Military Forces embossed on scroll at bottom of the badgebadge, rsing sun badge, third pattern rising sun badge, badge hat

Photos taken on a trip or trips to Phillip Island in the 1940s by Jim Nilsson and friends. . There were other people called ? Taylor and Neil mentioned on rear of photos. A negative of the bridge was also donated.Historical4 small black & white photos . First shows a jeep parked at the San Remo side of the bridge, second is taken driving across the bridge towards the island. Third is the Continental guesthouse with 4 cars parked at the front and women walking along footpath.The last photo is a group of 4 young men, arms around their shoulders, standing in front of the Continental- one is Jim Nilsson.first phillip island bridge to san remo, continental guest house,, jim nilsson, bridges

This tea spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This teaspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The following descriptions of maker’s marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. 1. A recessed Crown containing a raised Diamond outline and the initials “W” and “P” (the recognised trademark of William Page & Co) 2. An impressed Ellipse containing a raised, pivoted, Triangle in its lower part and bearing a Resurrection Cross on its upper section (a possible dissenting church symbol reflecting religious affiliation); OR a rounded Square impression containing a raised, ‘lazy’, letter “B” (possibly mimicking sterling silver hallmark signifying city of manufacture i.e. Birmingham) 3. An impressed rounded Square filled with a raised Maltese Cross (the base metal composite of nickel silver was also known as ‘German silver’ after its Berlin inventors in 1823) 4. A recessed Circle containing a Crab or Scarab Beetle image; OR a recessed Circle containing a rotated ‘fleur de lys’ or ‘fasces’ design 5. A depressed Diamond shape enclosing a large raised letter “R” and a small raised letter “D” (mimicking the U.K. Patent Office stamp which abbreviated the term ‘registered’ to “RD”, but also included date and class of patent) Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored teaspoons in a concreted group from the wreck of the Loch Ard. Approximately 20% of surface area bearing some verdigris and 10% of original plate remaining. There are 2 spoons in the group. Evidence of a third spoon can be seen. Thin layer of copper alloy (brass) electroplated onto nickel-silver base metal. Fiddle-back handle, narrow stem, flared collar, and elongated bowl.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, nickel silver, william page & co, birmingham brass plating, makers marks, teaspoons, william page & co

Warrnambool has never done justice to the women who shared their menfolk the hardships of the pioneering days. Silent Lives fills a void in the history of Warrnambool and surrounding districts, during the early decades 1840s to 1910, providing a narrative about some of the people, in particular women, missing so far in our documented history. Elizabeth O'Callaghan has meticulously researched the period, drawing on early newspapers, diaries, letters, unpublished family histories, honour board listings as well as public documents such as hotel licensing and teacher records held in the Public Record Office of Victoria and State Library of Victoria. By their unremitting labours and self-sacrifice the pioneering women of Warrnambool and district helped to lay the foundations of our communities today.This publication is of significance as it documents the lives of 19th century women in Warrnambool and district between 1840 and 1910 covering Aboriginal women, schools and teachers, specialist teachers of art, writing and cookery, sporting activities, political and charitable activities, how the law treated women, medical treatment, and the everyday lives of women and their families. It contains images of art produced by some of these women.A4 size book with photograph of 7 women and 3 children in c1890sworking clothing and long white aprons, sitting and standing in front of a hedge with washing draped over the hedge. The two girls on the right are wearing wide-brimmed hats. The title is in white print on a band of dark blue across the middle. The bottom third features an early image of Warrnambool and the author's name in dark blue.Elizabeth O'Callaghan/November 2017warrnambool, history of warrnambool, 19th century women, women pioneers, silent lives, elizabeth o'callaghan, cover design james colquhoun

The Hype 'zine (magazine" accompanied a projection project of the same title, projected onto the Ballarat Town Hall, Sturt Street, every night between 1 and 11 October 2015. Student names: Callum Bennier, Renee Bevan, Maddie Durie, Ben Hall, Callum Jenkins, Shannon Johnstone, Mel Negri, Brad O'Loughlin, Jess Powell, Jake Richardson, Chenae Smith, James Stuart, Elaine Tso, Laura Wright. Acknowledgments on final page. Lecturers and supporters: Alistair Heighway, Ben Mangan, Chrissie Smith, Debbie Hill, Travis Price, Jennifer Jones-O'Neil, Jill Orr, Jimmy Pasakos, John McDonald, Justin Weyers, Luke Keys, Paul Mah, Peter Gaulke, Peter Pilven, Phillip Berry, Roberta Crisci-Richardson. "A further thank you to the guidance and contribution to our final year: Ben Mangan, Peter Gaulke, Phillip Berry." Sponsors listed on final page and inside back cover.Promotional catalogue created by Federation University, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2015. 36pp full colour text pages and 4pp saddle-stitched cover, Uncoated stock. Cover of this version includes three unprinted circular stickers, and two printed stickers (one silver featuring word "wow?" and a fluorescent orange saying "real fake").university of ballarat, federation university, graphic design, multimedia, bachelor, degree, camp street campus, arts academy, callum bennier, renee bevan, maddie durie, ben hall, callum jenkins, shannon johnstone, mel negri, brad o'loughlin, jess powell, jake richardson, chenae smith, james stuart, elaine tso, laura wright., alistair heighway, ben mangan, chrissie smith, debbie hill, travis price, jennifer jones-o'neil, jill orr, jimmy pasakos, john mcdonald, justin weyers, luke keys, paul mah, peter gaulke, peter pilven, phillip berry, roberta crisci-richardson.

The Kiewa Valley Rifle Club belonged to the Australian Rifle Clubs. They were in Military District No. 304 and operated as early as the 1920's. In 1876, an Australian Rifle Team, consisting of shooters from N.S.W. and Victoria, was the first team ever to officially represent Australia in any sport in international competition. In 1885, the first civilian Rifle Club was formed. After 1901 Rifle Clubs came under army control. In 1921, they were reconstituted as a purely civilian organisation where they have remained ever since.This letter is evidence that the Kiewa Valley Rifle Club existed in 1946 enabling its members to participate in a sport that had 12232 members and 313 Rifle Clubs in Victoria by 1939.Letter- Dated: May 9th 1946 from Acting Secretary, A. Jordan of Victorian Rifle Association re requirements of Rifle Clubs. Black type on yellowed paper. Folded horizontally in half and then into thirds. Envelope: Greenish yellow addressed to "The Captain or Secretary / Kiewa Valley Rifle Club / Kiewa / Vic. dated 13 May 1946 from Melbourne with a 1d and halfpenny Australian stamp. kiewa valley. rifle club. community.

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was appointed in 1934 as the Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and Conducting and was a Fellow of the Guildhall School of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. Frank was awarded an M.B.E. in 1967. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A printed programme of the Welsh Regional Qualifying Finals for the National Brass Band Championships of Great Britain. The front cover is blue, grey and white, whilst the rest is printed in black and white. On the page containing 'Third Section', there is a brief biography of Frank Wright's musical achievements as he is the adjudicator for this section. Inside the front cover is note from Vaughan Morris confirming a meeting at Brangwyn Hall in Swansea.Written in blue pen on a With Compliments slip - See you Brangwyn Hall at 12:15pm Saturday 17th Feb: Bring the Test Pieces with you!frank wright, national brass band championships of great britain, brass bands, adjudicator, vaughan morris, ballarat soldiers’ memorial band, percy code

Diploma of Honor to Frederick Schilling. The Empire Fair & Art Exhibition. Town Hall. Bendigo. October 1900. Diploma of Honor. Third Order of Merit. Awarded to - Frederick Schilling. Best Freehand Drawing. Class 1. President. AG.Dunlop Thomas Glass. Secretary. On back of photo.. Established 1871. D.G.Coope. Carver. Gilder & Picture Frame Manufacture. New Lead. Mitchell street. Bendigo.document, certificate, personal

Sheet with the four side labels for a packet of tea. Printed in red on a white background. The first refers to the tea and has the weight. The second has Carefully Selected Tea with a picture of a stork and a fan at the top and a man in traditional dress with a flower and two leaves beside it. The third refers to the tea and the fourth has Ceylon Tea at the top and below is a picture of a man shifting boxes of Ceylon Tea.business, printers, cambridge press, cambridge press collection, tea labels

Three invoices from State Electricity Commission issued to Miss L. Prout, 24 Quick Street, Bendigo. the first dated 02/02/1962 for 2 pounds, 6 shillings and 8 pence, the second dated 02/08/1962, the third dated 02/11/1962 both for 2 pounds, 11 shillings and 3 pence. Attached also 2 receipt for payments.organization, public utility, electricity company

Black and white photograph of a demonstration of a dental procedure on a patient who is receving anaesthesia. An anaesthetist standing on the right is supporting the patient's mandible and administering anaesthesia to the patient through an inhaler. A second person's hand is holding a mouth gag dental instrument in the patient's mouth. The background of the photo has been covered with black ink so that only the patient, anaesthetist and hand of the third person are visible.•Printed text in black ink on paper label glued under photo: Supporting the Mandible : the Anaesthetist's Stance. •Handwritten with blue ink on reverse: Photo. 7. / (Frame 22).dental procedure, anaesthesia, anaesthetist, patient

Newspaper clipping from The Courier, 18/12/1980 of Stephen Butler in overalls leaning out from one of the doorways of tramcar 27 with handles in right hand and looking at destination of "Bell St." Item has caption of "Next Stop Melbourne" with the item noting the tramcar 27 is going to Melbourne for the Transport Cavalcade on Jan. 26 and that it is the third year that the BTPS has participated in the event.In blue ink in bottom right hand corner of cutting. "Courier / Thurs 18/12/80"trams, tramways, btps, melbourne, transport cavalcade

Yellow, laminated card with three newspaper cuttings. The first is a photo of Tracey Saunders in the 11 years high jump at the sports. The second is a photo are three girls learning to use a computer. They are Megan Baxter, Johanna White and Candice Reid. The third is a photo of Jaclyn Curnow and John Rainbow who received rewards recognising attitudes to school and fellow students, community - - (cut off) and sporting achievement.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, tracey saunders, megan baxter, johanna white, candice reid, jaclyn curnow, john rainbow

A uniform code of signals for working winches in mines was established in 1887. Signs displaying the signals had to be placed in clear view of the engine driver and at each level of the mine. The signals were various numbers of bells.A metal sign with a black background and red and white printing. There three sections, the top one is white text, Signals for Winding, numbered 1 to 10 and 15 down the sign, with instructions next to each number. The next section is red text, Firing Signals, with two lines numbers and writing. The third section is white text, Interplat Signals with signals to raise or lower cage to various levels.code of signals, underground minning

B&W negative of tram 460 in Somerville Rd Footscray. Tram has destination Ballarat Rd. , B&W negative of trams 460 and 465 in Leeds St, Footscray at Irving St. Tram on left (460) has destination Ballarat Rd and tram on right (465) has destination Russell St. Female conductor talking to driver. Third unidentified tram behind 460.Paper folder that contained the negative had "NR45A" written in red ink, "F4" written in pencil, "35A" written in blue ink, and date stamped 23 Jul 1961. On rear, dates stamped 26 Sep 1962 and 6 Oct 1962., Paper folder that contained the negative had "NR49A" written in red ink, "F3" in pencil, "39A" in blue ink, and date stamped 28 Sep 1961. On rear, dates stamped 26 Sep 1962 and 6 Oct 1962.trams, tramways, x1 class, footscray, leeds st, somerville rd, tram 459, tram 460

Set of two Scholar's Concession Check tickets, off white paper printed with black ink. Has space for first, second or third cancellation. On sides has the section numbers for nipping along headed AM or PM. Tickets - Dt 742347 and Du 880063. On the rear has the conditions of use. Each ticket has section numbers on either side for AM or PM trips.trams, tramways, mmtb, tickets, schools, scholar's tickets

Photograph of western end of High Street, Charlton showing the Bank of Victoria, Malcolm's Flour Mill, Egan's, Golden Fleece Hotel, Johnson's Bridge Store, Dining Rooms and the Bank of New South Wales. c. 1883Early photo of High St, western end streetscapeSepia photograph of western end of High Street, Charlton showing the Bank of Victoria, Malcolm's Flour Mill, Egan's, Golden Fleece Hotel, Johnson's Bridge Store, Dining Rooms and the Bank of New South Wales. c. 1883. Man standing in front of the Bank, two ladies also standing on the footpath. Horse and cart in front of Johnson's store. Damage to the lower third of photo.bank of victoria, charlton, high st, malcolm's flour mill, egan's, golden fleece hotel, johnson's bridge store, dining rooms, bank of new south wales

Coloured photograph of floral arrangement photographTHIRD PRIZE Awarded to Mr R Yee ( Equal 3rd) Signed by: Mayor A G Lavis, President of Horticultural Society H James, Town Clerk F P Dwerryhouse. Date 26th March, 1960 Organised by the Ringwood Horticultural and Agricultural Society

David Miller (Dave) Mair's (1879-1938) extended family - Grannie would be his mother Isabel / Isabella Brown (1856-1944); Grandpa would be William Mair (1850-1924); Uncle Will Mair would be his brother William (1877-1948); Minnie Mair would be William Mair's wife Agnes Minnie Morice (1875-1910); Rita Mair is their daughter Rita Florence Mair (1908 - ?); Don Mair is their son Donald Douglas Mair (1910-1984); Auntie Elsie is Dave Mair's sister Elsie Brown Mair (1886-1954); Uncle Lloyd is Elsie's husband Lloyd Mortimer (1893-1950 TBC). Elsie married Lloyd Mortimer on 7 December 1917 at Rippon Lea. At the time her parents were living at 'Roslyn', 283 Hotham Street, Rippon Lea. This is also the address for Elsie and Lloyd in the electoral rolls 2 years later. The writing is identified as being that of Beryl Mair on the basis of her inscriptions in her and her daughter Laurie Young's autograph books. A sepia photo mounted on grey paper of a well-dressed family in and beside a car. The group is comprised of 3 men, 3 women and 3 children. The road is not sealed; in the background are 2 single storey terrace houses with bull-nose verandas which are set behind a picket fence. The paper mount is well-worn and discoloured around the edges.On rear: "Grannie Grandpa / Uncle Will Mair / Minnie Mair / Rita " / Don " / Auntie Elsie / Dave Mair's sister / Uncle Lloyd / Mortimer" On the basis of inscriptions in family autograph books, the first and third inscriptions look to have been written by Beryl Mair.isabel brown, isabella brown, isabel mair, isabella mair, william mair, minnie mair, agnes minnie morice, rita mair, rita florence mair, don mair, donald douglas mair, elsie brown mair, lloyd mortimer, elsie mortimer

This photograph shows the interior of St. Joseph's church about 1911. St Joseph's church was the third Catholic church in Warrnambool with the Foundation Stone of the present day church in Lava Street laid in 1869 and the second stage of the building completed in 1889, the architects being Jobbins and McLeod. No information is available on the writer of the postcard.This postcard is of interest as it features a rare interior of a major church in Warrnambool.This is a postcard featuring a glossy photograph of the interior of St. Joseph's church, Warrnambool in sepia tones. The photograph is of the nave and the main altar on a festive occasion. The back of the postcard has hand writing in black ink INTERIOR OF ST. JOSEPH'S CHURCH, WARRNAMBOOLst. joseph's church warrnambool, postcard warrnambool

Dillon Building built 1889. The third building operated as a cafe in the 1960s - 1980s. Heather's Choice Gift Shop sold out in early 1990s. The Old Globe Hotel established 1874, rebuilt c. 1903 and again in 1940 for licensee J. Credlin. Was the Soil Conservation Authority office , then flats and offices.Colour photograph of the café section of the Dillon Building and the Globe Hotel. LH side of the photo is the cafe section of the two storet, red brick Dillon building. Signage in LH café window reads CHARLTON BYO RESTAURANT and on the RH window MEALS, TAKE AWAYS, SNACKS, COFFEE, DRINKS. Sheer curtains in the cafe windows. The signage on the RH building reads SOIL CONSERVATION AUTHORITY. There are two men in a cherry picker in front of the Soil Conservation building trimming the tree. There are three witches hats on the road and a man in an orange hi-vis vest watching, A woman is walking past on the footpath.dillon, globe hotel, the old globe hotel, credlin, soil conservation authority

Cheltenham Tennis Club, Park Road, Cheltenham Back (left to right) Carrie Hayman, Clem Phillips, Anne Chandler, J Woods, Eugenie Fairlam, J Francis, W Foreman, Maggie Maxwell, Fanny Woff, Minnie Cullen, Third Row: Dr A Weigell, Edwards, C Scantlebury, WoBlack and white image of a group of men and women standing courtside with rackets in their handsRound red sticker:X2 [crossed out] Handwritten in blue ink enclosed in a circle:49 / written in pink ink 50%tennis, cheltenham, cheltenham tennis club, sport

February 2000 newsletter, second and third pages. Topics on these two pages include: Rabbit Control Committee meeting report for January 2000 Land management information Reedy Creek future health project Progress Association update Neighbourhood Watch update Map of rabbit spotlighting results (page 6)This is an important item for the WLG being one of two bound series of newsletters prepared for the group by Owen Gemmillwooragee landcare group, pest control, rabbits, reedy creek, community news, land management

The first photo shows the troop appear to practicing a fire drill. The photographer was F.H. Preston. The second photo shows the Scout Musical Band possibly in Learmonth. Most of the boys are holding instruments. The third studio photo shows the troops as winners of the Herald Cup in the South Street Competitions. The Band Leader is H. Leech.4th ballarat scout group, scouts, ballarat, bands, royal south street competitions., herald cup

It has been suggested that it is possibly part of the clockwork mechanism of the third order Fresnel lens, which was a component of the Chance Brothers lens system introduced to the lighthouse when the optics were upgraded in 1913, and subsequently removed in 1975. Further research may confirm its association with the lens and increase its heritage importance. The well-made brass fitting has second level significance as a possible former component of the clockwork mechanism manufactured by Chance Brothers in c.1912.Brass, round, knurled fitting.One end of the fitting has a cylindrical knob end with a smooth surface; the other has a broader cylindrical knob with a knurled surface to allow for gripping and turning.

The second School chapel was brought from Allendale in 1919 and the first School chapel was subsequently taken to Wallinduc. In 1975 Manifold Hall was reconstructed to become the School's third chapel. It was consecrated on 29 November 1975 by the Right Reverend John Hazlewood, Bishop of Ballarat. See Winds of Influence, pp. 31, 52-54White weatherboard chapel with high gable rood and cross with large trees in the backgroundverso: .1) 1953 in pencil and 1953 - School Chapel typed in black on cream paper glued to photograph .2) 1953 pencilled in handwritingballarat-grammar, ballarat, bishop-hazlewood, allendale, manifold-hall, education, religion, cegs, b&qags

This book is an 1810 third edition copy of Walter Scott’s poem, ‘The Lady of the Lake’. It is notable for its illustrations of the drawings of Richard Westall (1765-1836), an English painter and illustrator and Queen Victoria’s drawing master. Westall is best-known for his portraits of Lord Byron. There is no information available on the original owner, the Reverend Matthew West. Tis book is important because: 1. It is an 1810 edition and of antiquarian interest 2. It belonged to Louie Mack, the cousin of Sir Ronald Mack, an important Warrnambool Parliamentarian. Miss Mack was well-known in the Warrnambool area as the Secretary of the Warrnambool Technical School in the 1930s, 40s and 50s. The Macks were prominent early settlers in the Warrnambool area. This is a hard cover leather bound book of 433 pages (poem, ‘The Lady of the Lake’ by Walter Scott). The cover is brown leather with a gold ornamental border. The inside cover has a tan and blue mottled pattern. The book has illustrations with engravings from the designs of Richard Westall. The illustrations have a piece of tissue paper in front of them. The first page has a stamp of the Warrnambool & District Historical Society and there is a loose sheet indicating that the book was published in 1810 and that it belonged to Miss L.A. Mack.‘The Revd. Matthew West, Vicar’s Hall, Clane’. sir walter scott, richard westall, louie mack, history of warrnambool, rev. matthew west