Showing 16861 items matching "h-way"
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Melbourne Tram Museum
Legal record, Melbourne & Metropolitan Tramways Board (MMTB), "Rail Scrubbing", mid 1970's
Letters - set of 5 and one report titled "Rail Scrubbing" between the Victorian Railways Chief Engineer Way and Works and Mr. Strickland, Chief Engineer MMTB about the effectiveness of scrubbing with 40HP and 50 HP motors and the number of scrubbing blocks. Includes an extensive report on tests done in Miller St Preston with scrubber No. 4, Feb. 1933. Letters dated 8/2/1933 to 3/2/1933.trams, tramways, scrubber tram, vr, st kilda brighton, testing, tram 5 -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: PREMIERS
BHS CollectionBendigo Advertiser ''the way we were'' from Friday, March 28, 2003. Premiers: Spring Gully Cricket Club's under 15B team. Back: Matthew Graham, Tim Wastell, James MacArthur, Jayden Mannix, Sam Winzar, Jarrod Quirk, Angus Ayres, Rod Hamilton (coach). Front: Reece Gray, Basil Curtis, Josh Nauton, Jack Barnfield, David Tarrant, Toby Hamilton. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: THINKING OF YOU
BHS CollectionBendigo Advertiser ''The way we were'' from 2003. thinking of you: Eric White served with the 23rd battalion in the Australian infantry Forces and celebrated Christmas in Belgium in 1918. mr. White sent the Christmas dinner menu home to his wife to assure her he was enjoying the festive season abroad. The menu included Gilbert soup, joints of roast mutton and York ham, turkey and seasoning vegetables and a serve -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: ON TARGET
BHS CollectionBendigo Advertiser '' The way we were'' from 2002. On target: Violet street, the junior winners of the cadet matches at Williamstown Rifle Range in December, 1909. Back row: Mr. McKay, Mr Richardson and Mr T. Jones. Middle row: cadets W. McRobert, P. Fulton and A. Clark. Front row: cadets W. Aylett, W. Still, K. Roberts, F. Roberts and O. Whitelaw. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Flagstaff Hill Maritime Museum and Village
Equipment - Show Harness, R. Mitchell, Saddler, Early to mid-20th century
The early settlers of Victoria depended on horse drawn vehicles to farm, make roads and railways, deliver produce and transport people. Horse harnesses were an important requisite for all drivers and could be found wherever there were working horses. Horse Harnesses have played an essential role in different cultures throughout history. Simple, utilitarian horse harnesses made of leather straps and iron rings were being used in early China before AD 500 as well as ancient Greece and Rome, allowing horses to pull chariots and ploughs. The Greeks and Romans were the first to use a "horse collar" which distributed the weight of the harness evenly across the horse's chest rather than relying on a "throat harness" that could damage a horse's throat or choke them. During the medieval period, European horse harnesses became more elaborate and decorative. Variations of different horse harnesses were also found in Native American and Middle Eastern cultures. Horse Harnesses usually have four basic components which include - 1. Communication - the bridle, bit and reins allows the driver to communicate instructions and commands to the horse, guiding its movement and direction. 2. Draft - the collar, hame straps, hames, traces and chains enables the horse to draw and pull the load efficiently by distributing the weight and transferring the pulling force to the vehicle. 3. Stopping - the breeching band, pole straps and breast strap helps to control or stabilise the horse and vehicle when moving downhill or stopping. 4. Support - the back pad, backband, belly band and back saddle keep the harness in the correct position and proper alignment. This show harness was used by Mr. Andy Bourke when showing his Clydesdales at shows or demonstrations. Although a more modern example with decorative embellishments, it still has many essential components traditionally found in an everyday working horse harness. The original purpose of the "housen" for example, was to run rain or drizzle off the horse's neck when they had to work in wet conditions - it was laid flat for this purpose on the top of the collar. Nowadays it is purely for show and is often used to advertise a business or stud. Horse brasses and fly terrets were fastened to various parts of a horse's harness. In the early days they probably began as amulets to ward off evil and to bring good luck and continued to be used as a festive decoration. The heyday of horse brasses was between the years 1851 and 1900. Horse brasses are fastened to various parts of the harness with many of their designs being symbolic. The ornamentation on this harness (although not authentic horse brasses) are based on the horse brasses that were popular in the 19th century. This horse harness is a significant example of the equipment that was needed wherever heavy horses were being used - particularly in the early years of Victoria's settlement by white settlers. Harnesses such as this example were used with stage coaches, drays, farming equipment, delivery carts and personal transportation.A leather and metal horse harness used when showing a Clydesdale (or other breed of heavy horse). It is made up of a number of components. 1. Decorative leather cart saddle with two large cloth pads underneath (which have a scalloped leather and stud border), a raised leather pommel and a silver and red coloured metal back strap holder across the top. It has two symmetrical sets of ornamentation (silver hearts and circles) in the front and a wide strap or girth (with a maker's stamp reading "R. Mitchell Saddler") and buckle which attaches the saddle to the horse. 2. Pair of steel hames which are gently curved (to fit on a horse collar) and are topped with steel knobs. They have several steel rings and lugs (to hold straps and chains) and a "Made in England Warranted Steel" stamp. 3. Breeching harness which consists of a number of leather straps, chains and metal rings including a wide padded leather strap with a scalloped edge that sits on the back of the horse and a thick leather strap that goes around the hind quarters of a horse which is joined to the back strap with four shorter vertical straps and buckles. These straps feature silver and red patent leather trim and silver heart shaped ornamentation. The strap also features the maker's stamp of "R. Mitchell". 4. Decorative leather bridle with blinkers featuring the same silver and red patent leather trim on the cheek piece, brow band and throatlatch. It has a stainless steel "Liverpool Driving Bit" with a curb chain, a variety of decorative silver ornaments (rosettes, diamonds plus a heart and two circles) on each end of the forehead band, dropper and strap as well as a silver metal bell (sometimes known as a "fly terret" or "swinger") that sits on the headpiece of the bridle. 5. Leather "violin shaped" dropper (or hanger) with two silver rosette shaped ornaments and a stainless steel clip on the top 6. Stainless steel "Liverpool Driving Bit" with a straight mouthpiece which is ribbed on one side. It has three rein spots (spaces) and a curb chain. 7. Leather arch shaped "Housen" covered in black and red patent leather and decorated with silver studs (some spelling out F H) and bordered with a red fringe. It has a leather strap at the back and two leather loops on the front. 8. Leather padded backband (Australian style "Stallion Draught Roller") decorated with two groups of nine metal "horse brasses" or harness ornaments displaying horseshoe, starburst and horse head designs on blue, red and white striped webbing. The backband has three notched straps at each end, a buckle near the centre and the initial B stamped in two places underneath. 9. Bellyband made of leather and red, white and blue striped webbing. It has a set of three buckles at each end (which correspond with the notched straps of the backband). 10. Wide, thick leather strap which has a buckle and notches at each end. It also has the maker's stamp of "R. Mitchell Saddler". 11.One pair of long leather traces - each with a buckle and notched loop at one end, decorated with a small silver diamond shaped harness ornament. 12. Length of stainless steel heavy duty chain with two swivel connectors.Saddle - "R.MITCHELL / SADDLER" Hames - "MADE IN ENGLAND / WARRANTED / STEEL" "MADE IN ENGLAND / WARRANTED / unclear" Breeching Straps - "R. MITCHELL / MAKER / R. MITCHELL MAKER" Housen - "F H" Backband "B / B' Wide leather strap - "R. MITCHELL / SADDLER"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, harness, horse harness, show harness, clydesdale horses, andy bourke, horse drawn cart, housen, bridle, hames, breeching straps, dropper, bit, liverpool bit, backband, harness ornamentation, bellyband, back saddle, fly terret -
Ringwood and District Historical Society
Newspaper, Scrapbook Clipping, Library Collection, Ringwood, Victoria, `
``Newspaper clipping from "The Mail" 13-07-93 P15 NEWS Watch Retiring councillors slam councilRetiring Councillor Robin Gardini has hit out at Ringwood Council after announcing his retirement. After 15 years service, Cr Gardini complained that the calibre of persons coming in is highly political. Another retiring Councillor, Leo Dineen said the way meetings were conducted contributed to his retirement. "The disruptive conditions are not in the best interests of people", he said.` -
Wangaratta RSL Sub Branch
Army Field Ration
A field ration, combat ration or ration pack is a canned or pre-packaged meal, easily prepared and eaten, transported by military troops on the battlefield. They are distinguished from regular military rations by virtue of being designed for minimal preparation in the field, using canned, pre-cooked or freeze-dried foods, powdered beverage mixes and concentrated food bars, as well as for long shelf life.Most armies in the world today now field some form of pre-packaged combat ration, suitably tailored to meet national or ethnic tastes.AMF Emergency Ration Pack ContainerOn front: To open pull ring this way. Retain portion for handling contents when cooked. Gadden container On back: AMF Emergency Ration. To be consumed only when no other rations of any kind are procurable. Consumption of this ration must be reported at first opportunity. Instructions for use are printed under cover of container and also on paper slip within can. Gadden container.ration, container, food, ring pull, emergency -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Scene Near the Yarra Flats, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.21 / ‘Scene near the Yarra Flats’ / Albumen silver photograph mounted on board.Inscription on reverse: ‘The scenery in the vicinity of the Yarra Flats is of a very varied character. In some places the River winds its way through flat open country, with scarcely a shrub on its banks; and in others the scenery is of the wildest description. The stream being impeded in its course by fallen timber, is not so rapid here as at other places. The present illustration is a characteristic one of the above place.’nicholas caire, australia - landscape photography -
Kew Historical Society Inc
Photograph - Airing Court Shed, Kew Cottages
The Children's Cottages at Kew were first opened in 1887 as the "Idiot Ward" of Kew Asylum. Located on the asylum's grounds, the children's cottages were established to provide separate accommodation for child inmates who had previously been housed with adult patients. Although the Cottages only admitted children as patients, many of those children remained in residence at the Cottages as adults. The function of the institution was to provide accommodation and educational instruction for intellectually disabled children. Some Wards of the State and other various "difficult" children were also admitted.Shortly after opening, the Idiot Ward began functioning separately from the Kew Lunatic Asylum, and became known as the Kew Idiot Asylum from 1887 until c.1929. From 1929 they have been known as the "Children's Cottages, Kew" or alternatively "Kew Cottages Training Centre". The institution was finally closed in July 2008. [Source: Wikipedia, 2016]One of a series of framed historical photographs of the Kew Cottages that once formed part of the collection of the Kew Cottages Historical Society, founded by Dr. Cliff Judge and Fran Van Brummelen in the 1980s. The set contains both copies of originals in other collections such as the Public Record Office Victoria and photographs taken by Dr Judge for his books on intellectual disability in Victoria. The significance of the set of framed photographs is that they provide a curated collection of images of the development of the Cottages over a one hundred year period.Framed photograph, forming part of the Kew Cottages collection, donated by Kew Cottages Historical Society 1987-1993 in 1993. Dr. Judge was a consultant psychiatrist at the cottages for 14 years, as well as an author and vocal advocate for the intellectually disabled and their families." Kew Cottages - Airing Court Shed demolished 1976. The building in the foreground was a so-called 'airing-court-shed'. The other building is an old Court Pell hut (ex Royal Park) transported here after World War II. There were two other such huts behind this. All these buildings were demolished in 1976 to make way for the Graham Perkins Unit."kew cottages, dr cliff judge, kew cottages historical society 1987-1993 -
Wodonga & District Historical Society Inc
Photograph - Civic Leaders Wodonga 1876 - 1994
Wodonga Shire was created in 1876 when the colonial government agreed to ratepayers' petitions to have their part of the local government district severed from the Yackandandah Shire to form a new municipality. In March 1973 Wodonga was declared as the first Rural City in Australia. This was officially proclaimed by the Governor of Victoria, Sir Rohan Delacombe at an open-air ceremony in Hovell Street following a procession along High Street led by the Victorian Police Band. The first meeting of the held in the open air immediately after the proclamation. In 1994, the Jeff Kennett government restructured local government in Victoria. His reforms dissolved 210 councils and sacked 1600 elected councillors. Commissioners were appointed in their place. Wodonga’s Commissioners were Mel Reid, Des Kelly and Michael Hanson. Reforms introduced created 78 new councils through amalgamations. Democratically elected councillors returned to Wodonga in 1997, with Graham Crapp as Mayor.This item documents the leaders of local government in Wodonga since its inception in 1876 until Local Government reform in 1994.A photo collage representing Shire Presidents and Mayors of Wodonga, including a typed list of names and dates. All Shire Presidents and Mayors of Wodonga from 1876 – 1994 J. Woodland 1876-7, J. Bambrick 1877-78, G. Street 1878-79, W. L. Ferrier 1879-80, T. Reidy 1880-81, J. Bambrick 1881-82, A. Schlink 1882-83, T. Reidy 1883-84, N. P. Newnan 1884-86, J. Bambrick 1886-87, H. Harkin 1887-88, T. Johnston 1888-89, W.C. McFarlane 1889-91, P. Adams 1891-92, J. G. Shields 1892-93, H. Harkin 1893-94, W.C. McFarlane 1894-95, N. P. Newnan 1895-96, J. Bassett 1896-97, R. Morrison 1897-98, G. S. Manns 1898-99, H. Smith 1899-1900, H. Beardmore 1900-1901, G. Leighton 1901-02, J. H. McGeoch 1902-03, H. Beardmore 1903-1904, J. Whan 1904-05, A.E. Müller 1905-06, A. L. Wright 1906-07, J. H. McGeoch 1907-08, H. Beardmore 1908-1910, G. Leighton 1910-11, H. Beardmore 1911-1912, J. H. McGeoch 1912-13, G. Leighton 1913-14, H. Beardmore 1914-1917, S. T. Parker 1917-19, W. Twomey 1919-21, T. Ryan 1921-23, W. Twomey 1923-25, T. Ryan 1925-26, C. F. Pollard 1926-27, W. Twomey 1927-28, C. S. Street 1928-29, K. D. Watson 1929-30, M. Martin 1930-31, R, Richardson 1933-36, T. Ryan 1936-38, M. Martin 1938-39, R, Richardson 1939-41, J. S. Hore 1941-43, K. D. Watson 1943-45, C. F. Pollard 1945-47, C.C. Sheather 1947-48, T. E. Snowdon 1948-49, J. S. Hore 1949-50, G.A.W. Boyes 1950-52, D. J. Schubert 1952-54, V. R. Peard 1954-55, M. E. Morrison 1955-56, M. E. Morrison 1956-57, J. S. Hore 1957-60, D.J. Schubert 1960-61, A.B.S. Collins 1961-62, A. G. Richardson 1962-63, J. S. Hore 1963-65, J. A. Terrill 1965-67, H. W Draper 1967-68, J.A. Terrill 1968-71, *L.E. Stone 1971-74, K.T. Riley 1974-76, H. Draper 1976-77, Rex. Chamberlain 1977-80, H. W. Draper 1980-82, R. J. Macaulay 1982-84, L.O. Boyes 1984-85, **Pamela Stone 1985-86, M. McEachern 1986-87, R.J Macaulay 1987-88, I. Deegan 1988-89, Valentina Gillard 1989-90, R. J. Macaulay 1990-91, L. C. Boyes 1991-92, T. Corcoran 1992-94 *Last Shire President & first Mayor of the City ** First woman Mayor, Widow of L.B. Stonewodonga council, wodonga shire council, civic leaders -
Orbost & District Historical Society
signal lamps
Possibly used in the Orbost district. Railway lamps of this kind were hand signalling lamps used by train guards, shunters and sometimes signalmen and station staff. They could signal the locomotive crew at night to let them know what to do (move forward/move backward/right-of-way) when leaving a station, goods yard or siding. Railway lamps of this kind were significant railway items in their period of use as essential tools to the safe-working operations of the railway. Two railway signal lamps. These are kerosene burning lamps made of metal and painted red. Both lamps have carrying handles at the top. .1 has a green glass lens and .2 has a red glass lens. signals lamps communication railway transport kerosene-burning -
Warrnambool and District Historical Society Inc.
Book - educational encyclopaedia, Charles Beale & M. Gately, Gately's Universal Educator, 1886
An encyclopaedia and business guide (late 19th century)This book has a brown leather cover which is heavily embossed with brown and gold patterns and gold lettering, The spine is torn at the top and the cover is worn at the edges.The pages are gilt-edged and contain printed text and black and white sketches, illustrations, maps and diagrams. non-fictionAn encyclopaedia and business guide (late 19th century)19th century australia, 19th century encyclopaedia, 19th century business guide -
Warrnambool and District Historical Society Inc.
Artefact, Ink well
This ink well could have been used in a household or a business office. It would have been an attractive addition to a desk or office and served in a practical way to enclose the ink needed for writing purposes. Today the ink well has been replaced by firstly the use of fountain pens and later, after 1950, the widespread use of ballpoint pens. Although it has no known local provenance this item is retained as an interesting example of an ornamental ink well from100 years ago. This is a brown rectangular-shaped metal stand elevated from the floor by four jutting side pieces. There are two upright semi-circular side metal pieces acting as protective shields. The base of the metal stand has an open fretwork pattern with a circular hole in the middle. This contains a china ink well. It is enclosed by a hinged metal lid. The protective uprights and the metal stand also have ornamental fretwork with patterns of fronds and flowers. The ink well is a little chipped.‘Rd. No. 44197’writing aids 20th century, warrnambool, history of warrnambool -
Federation University Historical Collection
Audio, Kerrin Whiting, Multimedia Presentation by Andrew Broughton, 2005
I wanted to create spmething that showed both sides of peace and war, I wanted to do this in a way that doesn't shock the audience but makes them look at it in a light mannered nature. I used the classic symbol of a dove holding an olive leave to resenble peace and I used a modern fighter jet to represent the imdustrial age of war. The dove comes across as the weaker of the two because of its placid mild nature and the jet comes across as this strong powerfiul machine that is almost indestructable. But with peace always superior to war, it will always dominate in the end .Andrew Broughton won the 2005 Lucato peace prize with a multimedia presentation. Broughton explained: "I wanted to create something that showed both sides of peace and war, I wanted to do this in a way that doesn't shock the audience but makes them look at it in a light mannered nature. ... with peace more superior to war, it will always dominate in the end."Multimedia presentaton by Andrew Broughtonlucato peace prize, andrew broughton -
Bendigo Military Museum
Print - PHOTOGRAPH, est WWI
The original photo was in a collection that belonged to Charles Walter McLeod No 944, C Coy 38th Batt AIF. He served with Jack Grinton. Jack bought his first camera in Cape Town on the way to England. By wars end he had taken hundreds of photos. Refer Cat No 1280 for service details. Refer 1320P, 1319.3.Copy of original photo of Jack Grinton in uniform with possibly his first camera. Typed notes underneath. The original photo was taken in England in 1916. photography, military -
Greensborough Historical Society
Photograph - Digital image, Frank Solomon, Development of pig farm to residential blocks, 1, 02/08/2009
A view of the redevelopment of the pig farm in Weidlich Road Greensborough, owned by Werner Hanusch. The land was used as a pig farm and quarry from 1954 and this photo shows early stages of the land being subdivided into the Evelyn Way estate. This project of fifty, one double storey, dwellings was commenced on 2/8/2009 and completed on 6/2/2011.An example of the changing land use in Greensborough, from farming to residential.Digital copy of colour photographwerner otto fritz hanusch, pig farm st helena, weidlich road greensborough, one evelyn way greensborough -
Greensborough Historical Society
Photograph - Digital image, Frank Solomon, Development of pig farm to residential blocks, 2, 02/08/2009
A view of the redevelopment of the pig farm in Weidlich Road Greensborough, owned by Werner Hanusch. The land was used as a pig farm and quarry from 1954 and this photo shows early stages of the land being subdivided into the Evelyn Way estate. This project of fifty, one double storey, dwellings was commenced on 2/8/2009 and completed on 6/2/2011.An example of the changing land use in Greensborough, from farming to residential.Digital copy of colour photographwerner otto fritz hanusch, pig farm st helena, weidlich road greensborough, one evelyn way greensborough -
Greensborough Historical Society
Photograph - Digital image, Frank Solomon, Development of pig farm to residential blocks, 3, 02/08/2009
A view of the redevelopment of the pig farm in Weidlich Road Greensborough, owned by Werner Hanusch. The land was used as a pig farm and quarry from 1954 and this photo shows early stages of the land being subdivided into the Evelyn Way estate. This project of fifty, one double storey, dwellings was commenced on 2/8/2009 and completed on 6/2/2011.An example of the changing land use in Greensborough, from farming to residential.Digital copy of colour photographwerner otto fritz hanusch, pig farm st helena, weidlich road greensborough, one evelyn way greensborough -
Greensborough Historical Society
Photograph - Digital image, Frank Solomon, Development of pig farm to residential blocks, 4, 02/08/2009
A view of the redevelopment of the pig farm in Weidlich Road Greensborough, owned by Werner Hanusch. The land was used as a pig farm and quarry from 1954 and this photo shows early stages of the land being subdivided into the Evelyn Way estate. This project of fifty, one double storey, dwellings was commenced on 2/8/2009 and completed on 6/2/2011.An example of the changing land use in Greensborough, from farming to residential.Digital copy of colour photographwerner otto fritz hanusch, pig farm st helena, weidlich road greensborough, one evelyn way greensborough -
Greensborough Historical Society
Photograph - Digital image, Frank Solomon, Development of pig farm to residential blocks, 5, 02/08/2009
A view of the redevelopment of the pig farm in Weidlich Road Greensborough, owned by Werner Hanusch. The land was used as a pig farm and quarry from 1954 and this photo shows early stages of the land being subdivided into the Evelyn Way estate. This project of fifty, one double storey, dwellings was commenced on 2/8/2009 and completed on 6/2/2011.An example of the changing land use in Greensborough, from farming to residential.Digital copy of colour photographwerner otto fritz hanusch, pig farm st helena, weidlich road greensborough, one evelyn way greensborough -
Eltham District Historical Society Inc
Photograph, Side view of Shillinglaw Cottage
Side view of 'Shillllinglaw Cottage' in its original location on Main Road Eltham, 1964. The cottage was built by George Stebbings about 1859 and is made from hand made bricks laid in a Flemish bond pattern. In the 1960s it was marked for demolition to make way for the construction of new council buildings but a community campaign saved the cottage and it was re-located.Shillinglaw Cottage is itself historically, aesthetically and socially significant to the Shire of Nillumbik and is registered on the Victorian Heritage Database. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, eltham, shillinglaw cottage -
Hume City Civic Collection
Photograph, 1990-1999
The photograph is one of a series of 6 which feature the Sunbury Railway Station complex. The complex includes photographs of the railway station with the wooden pedestrian bridge which has been demolished and two photographs of the water towers. The photographs were taken before the railway land on the west side of the line was developed to make way for a supermarket complex in 2000.A view of the brick and iron water tower which is sited on the Bendigo side of the Sunbury Railway Station. The brick structure at the base has 3 arched recesses across the front and two at the side. Two of the railway buildings are visible on either side of the tower.sunbury railway station, water towers, footbridges, bridges, railways, george evans collection -
Whitehorse Historical Society Inc.
Photograph, 459 Whitehorse Rd. Mitcham
The house used to be the residence of Mr. Arthur Peake, owner of Peake and Cox, timber merchants, Mitcham. The house was on one side of Whitehorse Road and the mill was directly opposite. The Catholic Church built a primary school on the timber mill site and the teaching sisters lived in the house, which has now been demolished to make way for flatsColoured photograph of a house at 459 Whitehorse Rd. Mitcham, that had been built for Mr. Arthur Peake, timber merchant of Mitcham. House has 2 adobe-style archeswhitehorse road mitcham, no. 459 peake, arthur.timber merchants -
Kew Historical Society Inc
Photograph - Former Congregational Church, Walpole Street, Stewart West, 1977
The site of the former Kew Congregational Church was the earliest 'built' place of religion in Kew. An earlier building by Charles Vickers was replaced by a new brick church designed by Albert Purchas. Following the creation of the Uniting Church, the church at 30 Walpole Street was declared redundant and demolished to make way for the Bodalla Nursing Home (itself later demolished).Colour print positive of the former Congregational Church in Walpole Street, Kew. A side on view of the red brick and concrete renders building showing the small steeple and the front entrance."Oldest church in Kew. Taken Oct 1977. Formerly Congregational church"churches -- kew (vic), congregational churches, walpole street -- kew (vic), albert purchas -
Kew Historical Society Inc
Photograph - Former Congregational Church, Walpole Street, Stewart West, 1977
The site of the former Kew Congregational Church was the earliest 'built' place of religion in Kew. An earlier building by Charles Vickers was replaced by a new brick church designed by Albert Purchas. Following the creation of the Uniting Church, the church at 30 Walpole Street was declared redundant and demolished to make way for the Bodalla Nursing Home (itself later demolished).Colour print positive of the former Congregational Church in Walpole Street, Kew. The front of the polychrome brick building showing the small steeple and the front entrance."Oldest church in Kew. Victoria. Taken Oct '77. Formerly Congregational Church"churches -- kew (vic), congregational churches, walpole street -- kew (vic), albert purchas -
Kew Historical Society Inc
Photograph - Congregational Church Sunday School
The site of the former Kew Congregational Church was the earliest 'built' place of religion in Kew. An earlier building by Charles Vickers was replaced by a new brick church designed by Albert Purchas. Following the creation of the Uniting Church, the church at 30 Walpole Street was declared redundant and demolished to make way for the Bodalla Nursing Home (itself later demolished).Posed photograph, mounted on card, of the congregation of the Congregational Church in Walpole Street, Kew (demolished). The undated photograph was taken at the side of the red brick churchMISS I MILLIST [sic] / CONGREGATIONAL CHURCH KEW / ? SUNDAY SCHOOLchurches -- kew (vic.), congregational churches -- victoria, walpole street -- kew (vic.) -
Kew Historical Society Inc
Functional object - Brass Sovereign Rocker Coin Scale, 1898-1914
The scales were made by Harrison (Birmingham), founded 1898, which went on to become Harrison Drape. Balance scales for full and half sovereigns also measured the circumference and the thickness. As gold is one of the heaviest metals one way to forge a sovereign in brass would be to make it slightly larger to make up the weight. This clever invention put a stop to that.An item from an outstanding and diverse collection of photographs, postcards and artefacts, assembled by members of the Christian and Washfold families of Kew. Harrison Brass Sovereign Rocker Coin Scale in original leather container. The balance scale for full and half sovereigns also measured the circumference and the thickness. It was made from the 1850s to the early 1900s. Scales in perfect condition.cairn scales, sovereign rocker scale, christian-washfold collection -
Kew Historical Society Inc
Photograph - Kew Congregational Church, Walpole Street, 1978
The site of the former Kew Congregational Church was the earliest 'built' place of religion in Kew. An earlier building by Charles Vickers was replaced by a new brick church designed by Albert Purchas. Following the creation of the Uniting Church, the church at 30 Walpole Street was declared redundant and demolished to make way for the Bodalla Nursing Home (itself later demolished).Faded colour photograph of the Kew Congregational Church in Walpole Street (Dem. 1978/9). "KH-137 / Former Congregational Church"kew congregational church, architects -- albert purchas, churches -- kew (vic.), walpole street -- kew (vic.), congregational churches -- melbourne (vic.) -
Vision Australia
Object, Reversi, 19
A strategy board game invented in England in the 1880's, it involves placing coloured discs in lines and capturing (or flipping) opponent discs that stand in the way. Sold these days under the name 'Othello' (which links the changing relationship between discs to the Shakespearian play), the red side of the disc is smooth and the white is ridged. RNIB Catalogue no. 9434. 1 wooden box with 64 red/white reversible pieces recreation equipment, games -
Melbourne Legacy
Book, Havoc. Book of War Cartoons by Armstrong of The Argus
These cartoons depict a crisp, witty and humuorus account of the lead up and beginning of World War 2. The cartoons were drawn by " "Mick" Harold Barry Armstrong , a leading world cartoonist of the day. The publication was made by popular public request and sold for two shillings a copy. It has been kept by a Legatee as a souvenir and found its way into the archives.In 1939 Legacy was discussing the future of Legacy due to ageing Legatees and declining numbers of widows and families to assist. Little did they realise what was about to unfold.Book of war cartoons published in the Argus newspaper compiled as Havoc.Caricature of Adolf Hitler in bottom left hand corner. Many pen and ink drawings, cartoons of Adolf Hitler, and other Axis leaders, politics, August- December 1939.world war two, souvenir