This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" Goteborg in 1950. This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of Nilsson and Peter Stone on the M/S "Mongabarra" Goteborg from the U.S. to Australia in December 1950. The two men are undertaking ships duties pulling ropes on the deck of the ship.On the back of the photograph is the text "Nilsson & Peter 4/12/49" in blue pen and what looks like "K 9 B" in pencil upside-down.1950, ship, pulley, deck, rope, mongabarra, allan quinn collection, allan quinn, nillson stone, peter stone, railing

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" Goteborg in 1950.This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of the M/S "Mongabarra" Goteborg tied up at Port Lincoln in April 1950. The ship is situated on the left-hand side of the photograph with ropes dug into the sand on the right-hand side of the photograph with Port Lincoln in the background.m.s. mongabarra, port lincoln, goteborg

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" Goteborg in 1950.This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of the ship "Moonta" from Port Adelaide docked at Port Lincoln. On the jetty stand approximately ten people facing the ship looking at the ship or into the water.ships, port adelaide, m.s. mongabarra, goteborg, moonta, children

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" Goteborg in 1950.This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of the "Moonta" from Port Adelaide sailing at Port Lincoln. The ship is sailing in the middle of the frame surrounded by several seagulls, situated towards the bottom left of the frame. Port Lincoln is in the background.1950, ship, rope, sea, masts, mongabarra, allan quinn collection, allan quinn, port lincoln, moonta, port adelaide, seagulls, sailing, rigging

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" Goteborg in 1950.This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of "Mosnes" departing Port Lincoln on 5/4/50. This photograph captures the side of the ship and two men standing by some railing.1950, deck, rope, mongabarra, allan quinn collection, allan quinn, railing, port lincoln, mosnes

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" Goteborg in 1950.This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of ten men sunbathing on the No. 5 Hatch on the ship "City of Bristol" on 22/5/1950. Two additional men sit in the background next to the railing.1950, men, deck, rope, mongabarra, allan quinn collection, allan quinn, railing, city of bristol, sunbathing, no 5 hatch

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" Goteborg in 1950.This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of the Elbe River in Germany. In the foreground is a lounge area with chairs and railing. Behind this are masts, rigging and rope near what appears to be a jetty with partial roofing. In the middle ground is the Elbe River running from the bottom right to middle left of the photograph. In the background is a passing ship and a mountain.germany, 1950, ship, deck, mast, chairs, mongabarra, allan quinn collection, allan quinn, tailing, elbe river, mointain

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" Goteborg in 1950.This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of a fishing harbour in Gothenburg, Sweden, 1950. In the bottom left corner of the photograph are roofs of buildings. In the bottom right corner of the photograph is a ships dock area with a warehouse, crates, and several ships docked. This section extends towards the middle of the photograph. The background is very industrial with large ships and machinery. This section of the photograph is very dark.On the back of the photograph is the date 9/7/50 in blue ink.1950, ships, river, industrial, masts, sweden, mongabarra, allan quinn collection, allan quinn, gothenburg, warehouse, dock, houses

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" in 1950. This photograph was reproduced and exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of the M/S "Mongabarra" Goteborg in Eriksbergs dockyard, Gothenburg, Sweden. The ship is directly in the middle of the photograph taking from the very front of the ship in the dry-dock. There are several ladders lined up along the left-hand side of the ship beginning from the ships front. There are several wooden planks lying on the ground in front of the ship and walls either side of the ship.ship, sweden, mongabarra, allan quinn collection, allan quinn, gothenburg, drydock, shipyard, dockyard, eriksbergs, letters-from-abroad

The letter was written by Allen Quinn to his mother. Allen started working as a seafarer when he was 16 years old, and frequently wrote to his mother during his travels. He also created an extensive photograph collection, which corresponds with the letters.The letter is part of an ongoing correspondence between Allan and his mother. This letter mentions the M.T. Joonawarra, the ship Allan was working on at the time, as well as its sister ship, the "Kookaburra".Letter addressed to Mrs S. Quinn, "Sanlorenzo", 63 Ocean Beach, Manly, N.S.W, in five parts. Part 0151.1 Envelope Part 0151.2 Letter Page, 0151.3 Letter Page, 0151.4 Letter Page, 0151.5 Letter Page . Both the envelope and letter were white paper, which is now a yellow-white. The letter begins "My Dear Mum, This is just a short note..." and concludes with "P.S. I have a photo of myself...". In the top right hand corner of the letter is "M.T. Joonawarra / San Francisco / U.S.A / 15.7.1945Front of envelope: MRS. S. QUINN, / "SANLORENZO", / 63 OCEAN BEACH, / MANLY / N.S.W. AUSTRALIA handwritten in blue ink. In the top right hand corner is a red Australian stamp. In the middle of the top of the envelope is postmark: SP (indecipherable) / O'LAND / 1 AM / 2 9 AUG 2 / 1945 / POSTED IN / PILLARS.photograph, allan-quinn, mt-joonawara, 1945

The letter was written by Allen Quinn to his mother. Allen started working as a seafarer when he was 16 years old, and frequently wrote to his mother during his travels. He also created an extensive photograph collection, which corresponds with the letters.The letter is part of an ongoing correspondence between Allan and his mother. This letter mentions the S.S 'Morgenster', the South African ship Allan was working on at the time, and also which he was signed off from because of South African law.Letter addressed to Mrs S. Quinn, "Sanlorenzo", 63 Ocean Beach, Manly, N.S.W, Australia, in three parts. Part 0152.1 Envelope Part 0152.2 Letter Page, 0152.3 Letter Page. Both the envelope and letter were white paper, which is now a yellow-white. The letter begins "My darling Mum, I hope that you have not worried..." and concludes with "Your loving son, Allan...". Printed across the top of 0152.2: SOUTH AFRICAN MARINE CORPORATION, and handwritten beneath: S.S 'Morgenster', 23rd April, Baltimore.Front of envelope: SENATOR HOTEL / 136 WEST SECOND STREET / RENO, NEVADA (printed) / MRS. S. QUINN, / "SANLORENZO", / 63 OCEAN BEACH, / MANLY, N.S.W., AUSTRALIA (handwritten in blue ink). In the top right hand corner are three U.S.A stamps, for the value of 5, 20 amd 50 cents.. In the middle of the top of the envelope is a stamped postmark: JUL 18 / 12 M / 1945 / NEV. Back of envelope: A. QUINN / MV. JOONAWARRA / 61 (indecipherable) STEAMSHIP SO. / SAN FRANCISCO, CAL. U.S.A (handwritten in blue ink).allan-quinn, letter, handwriting, south-africa

The letter was written by Allen Quinn to his mother. Allen started working as a seafarer when he was 16 years old, and frequently wrote to his mother during his travels. He also created an extensive photograph collection, which corresponds with the letters.The letter is part of an ongoing correspondence between Allan and his mother. The first letter talks about the trip from Australia to San Francisco, and the second is about returning to Melbourne.Two letters addressed to Mrs S. Quinn, "Sanlorenzo", 63 Ocean Beach, Manly, N.S.W, Australia, in six parts. Part 0153 Envelope, Part 0153.1-5 Letter Pages. The first letter begins "My dear Mum, Arived here safely..." and concludes with "P.S. The model is slowly coming along...", and is dated 27.6.45. The second letter begins "My Dear Mum, Well, I am now in Melb. ... " and concludes with ""P.S. We were very late in leaving...", and is dated 12.9.45. All the pages have "Air Mail" printed in the top right hand corner.Front of enevlope: MRS. S. QUINN, / "SANLORENZO"/ 63 OCEAN BEACH, / MANLY. N.S.W / AUSTRALIA, handwritten in blue ink. In the top right hand corner and middle are two U.S.A stamps, valued at 10 and 30 cents, and between them is part of a stamped postmark: S1945.allan-quinn, letter, handwriting, san-francisco

The letter was written by Allen Quinn to his mother. Allen started working as a seafarer when he was 16 years old, and frequently wrote to his mother during his travels. He also created an extensive photograph collection, which corresponds with the letters.The letter is part of an ongoing correspondence between Allan and his mother. This letter mentions a trip to Sweden, which Allan enjoyed a great deal and a girl named "Britt" he met there. There is a photograph of Britt in the collection.Letter addressed to Mrs S. Quinn, "Sanlorenzo", 63 Ocean Beach, Manly, N.S.W, Australia, in three parts. Part 0154 Envelope Part 0154.1-2 Letter Pages. Both the envelope and the letter are tissue-like air mail paper. The letter begins "My Dear Mum, I received your most welcome letter...." and concludes with "Your ever loving son, Allan...". On the top right hand corner of the first page is "'Grant Hotel', GOteborg, Sweden"and is dated 25-4-46. Printed on both pages in the top left hand corner is an SkyMail logo.On the envelope: VIA AIR MAIL, handwritten in black ink in the top left hand corner, CORREO AEREO, printed on the envelope, MRS. S QUINN, / "SAN LORENZO", / 63 OCEAN oCEACH, / MANLY, N.S.W / AUSTRALIA, handwritten in black ink. there are teo Argentinian stamps, valued at thirty-five cents and one peso, and a indecipherable postmark. allan-quinn, letter, handwriting, photograph, sweden, britt

The letter was written by Allen Quinn to his mother. Allen started working as a seafarer when he was 16 years old, and frequently wrote to his mother during his travels. He also created an extensive photograph collection, which corresponds with the letters.The letter is part of an ongoing correspondence between Allan and his mother. In this letter, Allan talks about his 18th birthday, a trip to Stockholm and the ship he was on.Letter addressed to Mrs S. Quinn, "Sanlorenzo", 63 Ocean Beach, Manly, N.S.W, Australia, in three parts. Part 0155 Envelope Part 0155.1-2 Letter Pages. The letter pages are tissue-like air mail paper. The letter begins "My Dear Mum, Well I am now eighteen..." and concludes with "P.S Fancy Norm (indecipherable) shall write him." In the top right hand corner is "M/I Ariston, At Sea" and id dated 5/7/46. In the top left hand corner of both pages is the SkyMail logo.Front of envelope: MRS. S. QUINN / "SAN LORENZO"/ 63 OCEAN BEACH / MANLY N.S.W / AUSTRALIA handwritten in black ink. in the top right hand corner are three Swedish stamps, with two stamped postmarks: GOTEBORG 1 / 30. 4 / 46 / *.allan-quinn, letter, handwriting, stockholm, birthday

The letter was written by Allen Quinn to his mother. Allen started working as a seafarer when he was 16 years old, and frequently wrote to his mother during his travels. He also created an extensive photograph collection, which corresponds with the letters.The letter is part of an ongoing correspondence between Allan and his mother. In this letter, Allan talks about attending a carnival while in South America.Letter addressed to Mrs S. Quinn, "Sanlorenzo", 63 Ocean Beach, Manly, N.S.W, Australia, in three parts. Part 0156 Envelope Part 0155.1-2 Letter Pages. The envelope and letter pages are tissue-like air mail paper. The letter begins "My Dear Mum, This trip I enjoyed myself..." and concludes with "Your ever loving son, Allan..."In the top right hand corner of the first page is "M.I Ariston, At Sea" and is dated 19/3/47.Front of envelope: BY AIR M[AIL] handwritten in black ink in the top right hand corner, CORREO AEREO printed, MRS S QUINN / SAN LORENZO / 63 OCEAN BEACH / MANLY NSW / AUSTRALIA / AUSTRALIA handwritten in black ink. There are three international stamps, all valued at 10 cents.allan-quinn, letter, handwriting, south-america

The letter was written by Allan Quinn to his mother. Allen started working as a seafarer when he was 16 years old, and frequently wrote to his mother during his travels. He also created an extensive photograph collection, which corresponds with the letters.The letter is part of an ongoing correspondence between Allan and his mother. In this letter, Allan talks about travelling from South America to Canada, and the ship being fumigated.Letter addressed to Mrs S. Quinn, "Sanlorenzo", 63 Ocean Beach, Manly, N.S.W, Australia, in four parts. Part 0157 Envelope Part 0157.1-3 Letter Pages. The letter pages are tissue-like air mail paper. The letter begins "My Dear Mum, This letter is very late..." and concludes with "Your ever loving son, Allan..." In the top right hand corner of the first page is "M/I Ariston, At Sea" and is dated 10/8/47.On front of envelope: MRS S QUINN / SAN LORENZO / 63 OCEAN BEACH / MANLY NSW / AUSTRALIA handwritten in black ink. VIA AIR MAIL is printed on the right hand side, and there are two Canadian stamps, both valued at 5 cents. There are three stamped postmarks, the first is round: MONTRAL / AUG 14 / 2 PM / 1947 / P.Q., the second is rectangle: -S / -OS / EPAR/ UTILISEZ LA POSTE AERIENNE, the third is also round: T / 60 / CENTIMES. On the back of the envelope: (indecipherable) / 7A6714 / OR 7AA6603 handwritten in pencil.allan-quinn, letter, handwriting, south-america, canada

This photograph is part of series of four, the only colour photographs taken by Allan Quinn while docked in Rio De Janeiro on-board the M/S Fenris. The photographs are mentioned in one of Allan Quinn's leters to his mother (Object 0150).This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Colour photograph of Copacabana Beach in Rio De Janeiro. The photograph has been mounted on a 7.4x9.8 white card.Date on verso: 25-12-48allan-quinn, colour-photograph, fenris, rio-de-janeiro, copacabana

This photograph is part of series of four, the only colour photographs taken by Allan Quinn while docked in Brazil on-board the M/S Fenris. The photographs are mentioned in a letter Allan Quinn wrote to his mother (Object 0150).This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A colour photograph of the M/S Fenris , docked in Paranague , Brazil, and being loaded with coffee. The photograph is mounted in a 7.5x9.7 white card.Date on verso: 29-12-48allan-quinn, colour-photograph, fenris, paranaque, brazil, coffee

This photograph is part of series of four, the only colour photographs taken by Allan Quinn while docked in Brazil on-board the M/S Fenris. The photographs are mentioned in one of Allan Quinn's letter to his mother (Object 0150).This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Colour photograph of the ocean and deck of the M/S Fenris, looking forward to the sea. The photograph is mounted on a 7.4x9.8 white card.Date on verso: 30-12-48allan-quinn, colour-photograph, fenris, coffee

This photograph is part of series of four, the only colour photographs taken by Allan Quinn while docked in Paranague, Brazil on-board the M/S Fenris. The photographs are mentioned in a letter Allan Quinn wrote to his mother (Object 0150).This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A colour photograph of the M/S Fenris , docked in Paranague , Brazil. The photograph is mounted in a 7.4x9.8 white card.Date on verso: 29-12-48allan-quinn, colour-photograph, fenris, paranaque, brazil, coffee

The photograph is part of a series of six, depicting the Fenris in dry docks in at Finn Boda ship yards, in Stockholm, Sweden, between the 4th and the 27th of May, 1948. This photograph shows the front and side of the ship while in the dry dock.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the M/S Fenris in dry dock, in Stockholm.On reverse: STOCKHOLM / 18-5-49 handwritten in blue ink. There is also an indecipherable mark handwritten in pencil below this.allan-quinn, photograph, fenris, dry-dock, sweden, stockholm, 1949

The photograph is part of a series of six, depicting the Fenris in dry docks in at Finn Boda ship yards, in Stockholm, Sweden, between the 4th and the 27th of May, 1948. This photograph shows the stern of the ship.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of work being donw on the stern of the M/S Fenris while in dry dock, in Stockholm.Reverse: STOCKHOLM / 18-5-49 handwritten in blue ink. Below this is an indecipherable mark in pencil.allan-quinn, photograph, fenris, dry-dock, sweden, stockholm, 1949

The photograph is part of a series of six, depicting the Fenris in dry docks in at Finn Boda ship yards, in Stockholm, Sweden, between the 4th and the 27th of May, 1948. This photograph showsa new plate being fitted to the Fenris.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of a new plate being fitted on the M/S Fenris while in dry dock, in Stockholm.Reverse: STOCKHOLM / 18-5-49 handwritten in blue ink. Below this is an indecipherable mark in pencil.allan-quinn, photograph, fenris, dry-dock, sweden, stockholm, 1949

The photograph is part of a series of six, depicting the Fenris in dry docks in at Finn Boda ship yards, in Stockholm, Sweden, between the 4th and the 27th of May, 1948. This photograph shows the front of the ship.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the front of the M/S Fenris in dry dock, in Stockholm.Reverse: STOCKHOLM / 18-5-49 handwritten in blue ink. There is an indecipherable mark in pencil below this.allan-quinn, photograph, fenris, dry-dock, sweden, stockholm, 1949

The photograph is part of a series of six, depicting the Fenris in dry docks in at Finn Boda ship yards, in Stockholm, Sweden, between the 4th and the 27th of May, 1948. This photograph shows refinishing being done on one of the ship's propellers.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of one of the propellers from the M/S Fenris in dry dock, in Stockholm.Reverse: STOCKHOLM / 18-5-49 handwritten in blue ink. Below this is an indecipherable mark in pencil.allan-quinn, photograph, fenris, dry-dock, sweden, stockholm, 1949

246 p. : ill. (some col.)Agony down under: Australian artists addressing AIDS /​ Ted Gott Allan from Sadness: a monologue with slides /​ William Yang Art from the Pit: some reflections on monuments, memory and AIDS /​ Simon Watney America: where angels don't fear to tread /​ Thomas Sokolowski The war on culture /​ Carole S. Vance Read my lips /​ Jimmy Somerville For a friend /​ Jimmy Somerville, Richard Coles Self-documentation, self-imaging,: Australian people living with HIV/​AIDS /​ Kathy Triffitt, co-ordinator Aesthetics and loss /​ Edmund White Psycho-cultural responses to AIDS /​ Dennis Altman Faces of AIDS /​ Lynn Sloan Lovers and friends /​ Richard Coles Where the streets have new aims: the poster in the age of AIDS /​ Ted Gott OI: opportunistic identification, open identification in PWA portraiture /​ Jan Zita Grover Don't leave me this way: art in the age of AIDS : catalogue of works.

The Warrnambool Cemetery was gazetted 1853 and remains functional with eight Trustees.Historic, as original document as revised 1902 Rules and Regulations, Part of the Goodall family collection accompanied by original documents related to buying grave site, payment, undertakers account and monumental mason.A rectangular booklet, very pale, faded yellow paper cover with black ink print. Black thick ribbon border.Rules and Regulations / and / Scale of Fees / of the / Warrnambool General Cemetery. / Gazetted 19th November, 1902. / Warrnambool / Thompson & O'Farrell, Printers, Koroit St./1902.warrnambool, warrnambool cemetery, william ardlie, s nettleton, jh allan, rules and regulations, goodall

The Victorian Railways began in 1854 and in the first 14 years up to 1868 had managed to complete about 250 miles of track. The next 60 years saw the system expand to nearly 3000 miles. By 1931 every town with a population over 500 had its own railway station. Early Victorian railway maps indicate that the extension from Colac to Warrnambool and then onwards to Koroit, occurred in the period of the 1880’s when the act known as the Octopus act saw a rapid expansion of lines. At the time there was much debate over where the expansion of the lines should take place, with one of the prime considerations for Warrnambool was the impact it would have on its port.The building of the railway to Warrnambool and onward to Koroit was a significant event for the town. Green cloth cover with tan suede corner points and spine. Title printed in gold on front cover. Title printed in gold on red on spine. 92 pages. The contract is printed and includes handwritten entries with specifications.Handwritten on front cover and inside front cover ” Copy for Engr in Chief” .On Page 2 transferred to Allan Reid * 24/1/88 Co Briscoe & Co Little Collins Street, Melbourne.warrnambool, railways, warrnambool to koroit railway, victorian railways contract no 2937

Contains correspondence pertaining to matters of infrastructure in the period of the 1860’s. The period contained within this ledger is very early in the establishment of the district. It shows the co-operation and initiative between councils, government departments and individuals in matters relating drainage, bridges , roads all vital to the development of the region.Fawn cloth on card cover with tan corner and spine binding. Contains alphabetical index at the front. Letters are written on very fine paper.: On the spine is a paper label, “January1861-April 1865.Label inside front cover “Sands &Kenny. Account Book Manufacturers, Stationers &Printers, Collins St Melbourne. The index contains the following names :W G Allan, Bostock, Biggs, Bench of Magistrates Caramut, Niel Black, Commissioner of the Crown Lands Warrnambool, Commissioner of Roads and Bridges, Cross, Carr, Duffy, Davies, Duffus, Fitzmaurice, Horace Flower warrnambool, warrnambool shire, tenders, district roads board, a davies, 1861-1865