1973 American Institute of Architects Convention in San Francisco program announcement and registration document. Patricia Boyd travelled to this conventian to accept the AIA's Architecture Critics Medal on behalf of her late husband Robin Boyd. She gave an acceptance speech at this event.walsh st library

1973 American Institute of Architects Convention in San Francisco program for May 7-10, 1973. Patricia Boyd travelled to this conventian to accept the AIA's Architecture Critics Medal on behalf of her late husband Robin Boyd. She gave an acceptance speech at this event.50 page bookletwalsh st library

The article celebrates Walter Burley Griffin and the impact he has had on Australian architects. Boyd calls Griffin 'America's greatest ever export to Australia after the T-model Ford'.Original manuscript for an article published in "Australia" (Los Angeles), Vol.2, August – October 1964, pp.13-15.Typewritten (c copy), quarto, 6 pages. (Four copies)american influence, walter burley griffin, capitol theatre, canberra, robin boyd, manuscript

Photographer: American and Australian Photographic Company, 57 Bourke St East, Melbourne According to Sands & McDougall Melbourne Directory, the American and Australian Photographic Company was active at 57 Bourke St East, Melbourne from 1871-1876 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 19911875, american & australian photographic company 57 bourke st east melbourne, jean shillinglaw (nee blemner 1819-1906), marg ball collection, shillinglaw family photo album 1, 1871-1876

American field jacket owned by Peter Raymond Young 240217, Australian Intelligence Corp (temporary) Major. Khaki lined jacket, long sleeved, four pockets in front, has plastic zipper down middle, also snap fastners and buttons. 1st Special Forces Command (Airborne) shoulder sleeve insignia. Two jump wings insignia on rithe breast over the name young. Zippered pocket on back of collar240217 Capt young, Aust Int corps written in black texta on right bottom of lined jacketclothing, young, peter raymond, australian intelligence corp

American Printing House pocket brailler consisting of a rectangle shaped structure made out of a brown coloured plastic with 7 keys and 3 buttons and a mustard coloured vinyl cover with attached handle and a power cord. Braille letters are achieved by punching the various keys. Serial number: Louisville 1354.Brown coloured plastic rectangular Brailler with covering vinyl bag with handle.braille equipment, assistive devices

The American Institute of Architects Critic's Medal to Robin Boyd. In 1973 Patricia Boyd went to the AIA Conference in San Francisco to receive this award on behalf of Robin Royd who died in October 1971. The Walsh Street Archive also holds the certificate (item D496) and the event programs (items P1390.1-P1390.3).awards, honours, robin boyd, walsh st

Order of presentation of honours and medals at War Memorial Opera House, San Francisco Monday May 7, 1973 at 3pm at the 1973 American Institute of Architects Convention. Patricia Boyd travelled to this conventian to accept the AIA's Architecture Critics Medal on behalf of her late husband Robin Boyd. She gave an acceptance speech at this event. The certificate accompanying the medal is item C07.Two copieswalsh st library

American - Australian Officer Exchange - Mid Tour Report ASR 1994, Major A Cordova US Army Corps of Engineers. A two-year exchange program existed between the Australian Survey Corps and the US Army Corps of Engineers. This is a report by the US Exchange Officer in 1994 half way through the exchange tour.A4 paper pages not fastened in any way. Pages numbered 1-17. Title page, Covering Letter, Contents Page. Back Page is Annex B - Married Quarter Floor Planroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Safety razors were fist produced in the late 1800s by the Star Razor Company in U.S.A. and it was a former employee of this company that produced the Gem Safety Razor in 1898. The Gem razor, to be produced in later years by the American Safety Razor Company, became one of the world’s most popular razors and in the 20th century it was the major competitor to the Gillette razor produced in the U.S.A. The safety razor has been largely superseded by the disposable razor blade and the electric razor. This safety razor has no known local provenance but it is retained as an example of the type of safety razor used in households for the most part of the 20th century.This is a silver-coloured Gem safety razor in a rectangular green Bakelite box. The box lid has metal pins acting as hinges and inside the box there are moulded sections to ensure the razor fits snugly into the box. The razor handle has an etched decorative pattern and the top part opens so that a blade can be inserted. There is a blade in this section. On box: ‘Gem’ Blade: ‘Gem Double Life, Gem Blade, British Made’ Inside the razor: ‘Gem Brooklyn New York Made in U.S.A.’ gem safety razor, history of warrnambool

This book contains many late 19th century designs from the office of the American architects Palliser, Palliser and Co. The book was owned by John Crawley. He was the Shire of Warrnambool Engineer from 1895 to his death in 1935. He succeeded his father, also John, beginning work at his father's office in 1885. This book is of antiquarian interest because it has many examples of the designs of the private and public buildings in U.S.A. in the late 19th Century. It is also important because it belonged to John Crawley, a member of the Crawley family, prominent in administrative and technical positions in the Shire of Warrnambool in the 19th and 20th centuries.This is a hard cover book of 104 pages. The cover is green with gold borders and gold lettering. The book has come apart from its binding and the lower part of the spine covering is missing. The book has many black and white illustrations, plans and diagrams and a list of the prices for the designs in the book. The inscription is hand written in black ink. There is some evidence of silverfish damage.J Wm Crawley Junior 12.12. 98crawley family, shire of warrnambool, john william crawley junior

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a child, attached to a card. little gem, child, hat

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a child's head and torso, attached to a card. The boy is wearing a suit and the cheeks have been hand coloured.little gem

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .5) A tintype portrait of a child, attached to a card. little gem, photography, child, portrait

“Yarram Park” Willaura Visited by American Seamen. Gentleman is Mr William Jennings Kinsella. The Great White Fleet was the popular nickname for the group of United States Navy battleships which completed a journey around the globe from December 16, 1907 to February 22, 1909 by order of President Theodore Roosevelt. Its mission was to make friendly courtesy visits to numerous countries while displaying new U.S. naval power to the world. One goal was to deter a threatened war with Japan since tensions were high in 1907. It familiarized the 14,500 officers and men with the logistical and planning needs for extended fleet action far from home. Hulls were painted a stark white, giving the armada its nickname. It consisted of 16 battleships divided into two squadrons, along with various small escorts.[1][2] Roosevelt sought to demonstrate growing American military power and blue-water navy capability.willaura simmons

“Yarram Park” Willaura Hunting Trip with American Seamen. Gentleman at top center back is William Jennings Kinsella. The Great White Fleet was the popular nickname for the group of United States Navy battleships which completed a journey around the globe from December 16, 1907 to February 22, 1909 by order of President Theodore Roosevelt. Its mission was to make friendly courtesy visits to numerous countries while displaying new U.S. naval power to the world. One goal was to deter a threatened war with Japan since tensions were high in 1907. It familiarized the 14,500 officers and men with the logistical and planning needs for extended fleet action far from home. Hulls were painted a stark white, giving the armada its nickname. It consisted of 16 battleships divided into two squadrons, along with various small escorts.[1][2] Roosevelt sought to demonstrate growing American military power and blue-water navy capability.willaura simmons

The A47-24 was a B-25D MITCHELL,a twin-engined medium bomber built by NORTH AMERICAN AVIATION COMPANY in Kansas City U.S.A. Initially issued for use by the Netherlands East Indies Air Force as N5-216, The Aircraft was taken on charge by the RAAF in 1944. On the 01/12/44, A47-24 was undergoing flight trials over the Torquay Bombing Range off Pt. Addis,when it appeared to catch fire and subsequently crashed into the sea. Of it's crew of 5,3 were killed. This Propeller was recovered after becoming entangled in fishing nets. A47-24 PropellerNone. Sea erosion of the Aluminium is very evident.propeller, b25 bomber, crash, torquay, pt addis

Part of Holtermann Collection Ref FL1253748.Pleasant Creek Longfield Street Scene looking South. Hotels on left Camp Hotel, Constitution Hotel and Shamrock Hotel on other side of Seaby Street. Pleasant Creek Court House, Shire Hall and Literary Institute on Right. Smith's Store in distance on right, on other side of Seaby Street. Note two wire telegraph poles in distance along side of road beyond Smiths Store. One of the two gentlemen talking is Merlin's photographic assistant Charles Bayliss who toured the Victorian Gold towns producing photographs for American Australasian Photographic Company. From State Library NSW records, Holtermann's Collection. stawell, pleasant creek, hotels

The American Truck History Association is an international organization, with over 21,000 members in the United States, Australia, Canada, and 20 other countries worldwide. A.H. McMullen & Co P/L, established by Arthur McMillan in February, 1951, had a long history as transport operators in Orbost and Gippsland districts. The company became Gippsland's largest transport company. It carted timber from the Orbost/ Cann River district district sawmills to the railway station. Two trains a day left the sloaded with timber. Beans were carted from Fisher's Bean Factory to Melbourne and Sydney. Cream from the farms was transported to the butter factory and for almost twenty years Fuel was carted from Melbourne to the RAAF base at Sale by McMullens. In 1970 the company was sold to F.J. Stephens and then to Mayne Nickless Transport. (ref.Deborah Hall "In Times Gone By') A.H. McMullen was a significant business in the mid 20th century in Orbost. This book is a useful reference source.A 40pp book with a dark blue cover titled "The Gearchange". It is a "Classic Edition Issue No. 2" and features A.H. McMullan & C0 P/L. It has a cost of $20.00. It contains illustrations, photographs and text.transport mcmullen-transport-orbost trucking

The Tellatouch was developed in the American Foundation research laboratory and resulted from one of the first AFB research projects, a major effort in the mid-1940s to help deaf-blind people. The device helped end social isolation for hundreds of deaf-blind children and adults. The Tellatouch provides a means of communication between a sighted (or blind) person and a deaf-blind person who can read braille. The keyboard has three rows of ten keys each and a standard braille keyboard on the fourth row. At the rear of the machine is a round metal plate with the braille cell in the center. The deaf-blind person rests a finger on the braille cell. Pins rise to form the equivalent of the letter key that is struck. The body of the device covered in beige vinyl, with a hinged lid at the front which lifts up to reveal the keyboard. The lid is secured with a metal latch at the front.Beige vinyl machine with leather carry strapbraille equipment, assistive devices

Bushfire perimeter rather than bushfire area is the main control problem for firefighters on the ground. A conundrum rapidly compounded by spot fires. A small 5 ha fire can be nearly 1 km around the perimeter. That's a long way to build a control line by hand in rough bush. Dry firefighting techniques by hand were mostly confined to “knocking down” or “beating out” the flames, as well as "digging out". Digging or raking a “mineral earth” trail down to bare dirt proved most effective in forest fuels which, unlike grass, tend to retain heat and smoulder. Early tools were whatever happened to be close at hand. They were simple and primitive and included shovels, slashers, axes, hoes, beaters and rakes. A cut branch to beat the flames was often the only thing available. Farming and logging tools, developed over centuries of manual labour, and readily available at local hardware stores came into use, but little thought was given to size, weight, and balance. For years foresters experimented with combination tools. In about 1952 fire beaters and other implements were being replaced with Rakuts. However, its believed the now common Rakehoe is an Australian variation of the American McLeod Tool which was developed in 1905 by forest ranger Malcolm McLeod of the Sierra National Forest. The late Athol Hodgson advised that predecessors, Reg Torbet who had been the Chief Fire Officer for the Forests Commission from 1948-1956, along with his QLD counterpart Clive Price, went in late 1951 as Australian delegates on a 10 week fire study tour of Nth America organised by the United Nations. They came back with a couple of McLeod tools from Canada. Cam MacLeod (different spelling) had been the Head of Fire Research for the Canadian Forest Service at the time and had supplied them. The tools were ideal for deciduous forests in the eastern provinces and Clive arranged to have them manufactured in QLD. The Rakho, as it was then spelled, was first issued to FCV crews 65 years ago in 1955-56. The American Pulaski had been trialled, but never found favour with Australian firefighters.First used in 1955Rakehoe Combination of a heavy-duty six-toothed (each 9cm long) rake with a large, sturdy (25cm) hoe.bushfire, forests commission victoria (fcv)

Created to supply training and recognition of friendly/enemy aircraftExpanded the skills of recognition for aircrew and ground crew and defence activitiesSmall bakelite North American "0-47A"North American "0-47A" E9-2327 D^D D/LtdC

White mug with handle and blue print of a soldier, aircraft and Desert Storm ‘91 printed on one side and the American flag printed on one sideDesert Storm ‘91 and American Flagamerica, flag, soldier, desert, storm, 1991