This is a high-quality item and would have been used in a household in affluent circumstances. The firm of James Dixon and Sons of Sheffield, England, was established in 1806 and ceased to operate in 1992. Candles were widely used for household lighting until the advent and availability of electric lighting from the 1920s onwards. This item has no known local provenance but is retained because it is fine example of a household item of the past.This is an electro-plated silver candlestick holder. The base is roughly circular (more hexagonal) with an embossed edge and a handle attached by welding. The candlestick holder is vase-shaped with a circular open top for inserting the candle. The circular top also has an embossed edge. Attached to the handle by a clip is a cone-shaped snuffer. The candle holder and snuffer have been used. On the bottom of the base are the name and symbol of the maker and five hallmarks. ‘Jas Dixon & Sons Sheffield’ ‘866 P W/B’ household lighting, history of warrnambool, silver candlestick, candlestick with snuffer

Historically this item was before electricity lighting was available. There is no protection around the candle to prevent wind or air movement from extinguishing the candle flame therefore this means of night illumination was used within a house environment. It could be easily moved from room to room but would have insignificant "candle power" to lighten more than a few metres around it. This item was before kerosene lamps, gas lighting and electric/battery lamps This candle holder would have been used within the homes of Kiewa residences to illuminate the way from room to room where there were no other forms of lighting available. As it is relatively light in weight and with a finger/s grip it is highly portable and was in time replaced by battery powered torches. It was used in a period where home, or local made candles were a necessity of living. This Item was used before battery powered torches were invented. Although candles are still used in the late 20th and after, their fundamental use has changed and they function more as a mood enhancement item or as a back up for an electrical power failure and the alternative battery powered torch also runs out of power.1. This small basin shaped candle holder is formed of metal and sealed with a pale grey enamel skin. It has a black painted edge and finger holder. It has a raised vertical spout for the securing of the candle. The bottom of the basin is contoured from the candle base to the outer edge to allow for melted candle wax to be safely held within the basin. 2. As above. The handle is rusty but otherwise in good condition. candle-holder, portable light enamel household goods

Candle stick holder ceramic white glaze moulded in form of an elephant sitting on a leaf with a container on its head. Basket section broken, as are the front legs of the elephant and the handle is missing.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Speckled enamel Candlestick holder plus candle & box of matches.stawell

This candle holder has a sharpened point to push or hammer into soft rock and a hook to hang on a ledge or piece of rock. It is intended to be used in a mine and many residents of Warrnambool and district went to the gold mining districts in the 19th century. But it could have been used in the Warrnambool district if a small night light was required in one of the many local quarries or even in the search for coal deposits in the region. It could also have been used in a household.This miner’s candle holder has no known local provenance but it is retained as an interesting example of a candle holder used in the past.This is a thin piece of metal tapering to a point at one end and curving around in a loop at the other end to make a handle. Along the straight metal piece is attached a curved metal hook. At the end of the loop is an open-ended circular piece with a serrated top. The circular piece has a rectangular-shaped end piece which enables the hole in the curved piece to be pushed out or pulled in to make the hole smaller or bigger. The metal is much rusted. 19th century mining, history of warrnambool

Carols by Candlelight is a Christmas concert held at the Sidney Myer Music bowl. Programs and candle holders were sold, and collections made during the event to raise money for the Austin Hospital and the Red Cross. 3KZ also recorded the concert, which was played on radio on Christmas Day with a phone number to ring to donate. Prior to the Carols program at 10pm, the Red Cross organised an International Peace Pageant of various cultural groups as a prelude to the event.1 volume with photographs and illustrationscarols by candlelight, austin hospital, red cross, margot sheridan, melbourne aboriginal choir, max balderson, ann boulton, robert simmons, robert payne, mary miller, joan arnold, rex barber, university string orchestra, lawrence warner, coburg girls choir

Probably converted on property.FOUR CANDLES lamp holder. Recycled 4 Gallon square drum converted to a lamp holder. Has three glass sides and a handle on top - wooden reinforcement on base. Glass is missing and broken.

Silver plated inkstand with two handles and four decorative legs, candle holder supported in middle by two swan figures presented to Joseph Bosisto but found in a houjse in Richmond next door to engineering shop owned by Melville Lobers (buried in Macclesfield) who is a relative of Mirren Alenson. Joseph Bosisto was a pharmaceutical chemist from Yorkshire, who set up eucalyptus distilleries at Emerald, Menzies Creek and Macclesfield in 1882. Joseph Bosisto was a Commissioner of the Melbourne International Exhibition 1880-1881 Presented to Joseph Bosisto Esq. M.L.A. by the employees of the Public Parks and Gardens 1882

Carols by Candlelight is a Christmas concert held at the Sidney Myer Music bowl. Programs and candle holders were sold, and collections made during the event to raise money for the Austin Hospital and the Royal Victorian Institute for the Blind. 3KZ also recorded the concert, which was played on radio on Christmas Day with a phone number to ring to donate. Prior to the Carols program at 9pm, the performance was opened by the Melbourne Lord Mayer and the process of torchbearers (100 girls dressed in white flowing dresses walk slowly in time with the music to the stage) as a prelude to the event.1 volume with photographs and illustrationscarols by candlelight, austin hospital, margot sheridan, lawrence warner, royal victorian institute for the blind, gwen bowdler, johnny o'keefe, norman swain, bernard evans, philip gibbs, norman k mcleod, syd morgan, dr charles bennett, harold stokes

Brass candle stick holder. Decorative patterns on the base and stem. Base has three legs/supports. On top of the base is a circular cut-out pattern, then on top of the that is the cylindrical shape where you would insert the candle. candlestick holder, candles, light

Carols by Candlelight is a Christmas concert held at the Sidney Myer Music bowl. Programs and candle holders were sold, and collections made during the event to raise money for the Austin Hospital and the Royal Victorian Institute for the Blind. 3KZ also recorded the concert, which was played on radio on Christmas Day with a phone number to ring to donate. Prior to the Carols program at 9pm, the performance was opened by the Melbourne Lord Mayer and the process of torchbearers (100 girls dressed in white flowing dresses walk slowly in time with the music to the stage, trained by Vera Hopton) as a prelude to the event.1 volume with photographs and illustrationscarols by candlelight, austin hospital, margot sheridan, lawrence warner, royal victorian institute for the blind, gwen bowdler, norman swain, philip gibbs, sir maurice nathan, syd morgan, vera hopton, norman k mcleod, cherbourg mission, dorothy baker

Carols by Candlelight is a Christmas concert held at the Sidney Myer Music bowl. Programs and candle holders were sold, and collections made during the event to raise money for the Austin Hospital and the Royal Victorian Institute for the Blind. 3KZ also recorded the concert, which was played on radio on Christmas Day with a phone number to ring to donate. Prior to the Carols program at 9pm, the performance was opened by the Melbourne Lord Mayer and the process of torchbearers (100 girls dressed in white flowing dresses walk slowly in time with the music to the stage, trained by Vera Hopton) as a prelude to the event.1 volume with photographs and illustrationscarols by candlelight, austin hospital, margot sheridan, lawrence warner, royal victorian institute for the blind, gwen bowdler, norman swain, philip gibbs, syd morgan, vera hopton, e. leo curtis, judy jacques, mrs curtis, charles scott, salvation army staff band

A silver plated cup with five leaf clover and small flower in in the middle, as well as handles with engraved leaves. Inscribed on the mug is: 2nd World Blind Bowls Tournament. G. Hoppitt. Leicester 1981. A plastic cup rests in the middle of the trophy, possibly a candle holder. When Clarrie Hoppitt attended a demonstration of blind bowling, he immediately offered his services to teach blind people how to play. His wife Grace was just as impressed and also began teaching, leading to her attendance at the 2nd World Blind Bowls Tournament and this cup as a souvenir of her participation in the event.1 silver plated cup with plastic insert2nd World Blind Bowls Tournament G. Hoppitt Leicester 1981nameplates, royal blind society of new south wales, grace hoppitt

Carols by Candlelight is a Christmas concert held at the Sidney Myer Music bowl. Programs and candle holders were sold, and collections made during the event to raise money for the Austin Hospital and the Royal Victorian Institute for the Blind. 3KZ also recorded the concert, which was played on radio on Christmas Day with a phone number to ring to donate. Prior to the Carols program at 9pm, the performance was opened by the Melbourne Lord Mayer and the process of torchbearers (100 girls dressed in white flowing dresses walk slowly in time with the music to the stage, trained by Vera Hopton) as a prelude to the event. This was the first year donations would belong solely to the RVIB, rather than shared with the Austin Hospital.1 volume with photographs and illustrationscarols by candlelight, lawrence warner, royal victorian institute for the blind, gwen bowdler, e. leo curtis, mrs curtis, charles scott, jim hilcke, jim archer, margot sheridan, vera hopton, alan ball, william valentine morgan

This candlestick holder is one of the artefacts salvaged from the wreck of the Fiji. The three-masted iron barque Fiji had been built in Belfast, Ireland, in 1875 by Harland and Wolfe for a Liverpool based shipping company. The ship departed Hamburg on 22nd May 1891 bound for Melbourne, under the command of Captain William Vickers with a crew of 25. The ship’s manifest shows that she was loaded with a cargo of 260 cases of dynamite, pig iron, steel goods, spirits (whisky, schnapps, gin, brandy), sailcloth, tobacco, coiled fencing wire, concrete, 400 German pianos (Sweet Hapsburg), concertinas and other musical instruments, artists supplies including brushes, porcelain, furniture, china, and general cargo including candles. There were also toys in anticipation for Christmas, including wooden rocking horses, miniature ships, dolls with china limbs and rubber balls. On September 5th, one hundred days out from Hamburg in squally and boisterous south west winds the Cape Otway light was sighted on a bearing differing from Captain Vickers’ calculation of his position. At about 2:30am, Sunday 6th September 1891 land was reported 4-5 miles off the port bow. The captain tried to put the ship on the other tack, but she would not respond. He then tried to turn her the other way but just as the manoeuvre was being completed the Fiji struck rock only 300 yards (274 metres) from shore. The place is known as Wreck Bay, Moonlight Head. Blue lights were burned and rockets fired whilst an effort was made to lower boats but all capsized or swamped and smashed to pieces. Two of the younger crewmen volunteered to swim for the shore, taking a line. One, a Russian named Daniel Carkland, drowned after he was swept away when the line broke. The other, 17 year old able seaman Julius Gebauhr, a German, reached shore safely on his second attempt but without the line, which he had cut lose with his sheath-knife when it become tangled in kelp. He rested on the beach a while then climbed the steep cliffs in search of help. At about 10am on the Sunday morning a party of land selectors - including F. J. Stansmore, Leslie Dickson (or Dixon) and Mott - found Gebauhr. They were near Ryans Den, on their travels on horseback from Princetown towards Moonlight Head, and about 5km from the wreck. Gebauhr was lying in the scrub in a poor state, bleeding and dressed only in singlet, socks and a belt with his sheath-knife, ready for all emergencies. At first they were concerned about his wild and shaggy looking state and what seemed to be gibberish speech, taking him to be an escaped lunatic. They were reassured after he threw his knife away and realised that he was speaking half-English, half-German. They gave him food and brandy and some clothing and were then able to gain information about the wreck. Some of the men took him to Rivernook, a nearby guest house owned by John Evans, where he was cared for. Stansmore and Dickson rode off to try and summon help. Others went down to the site of the wreck. Messages for rescuing the rest of the crew were sent both to Port Campbell for the rocket rescue crew and to Warrnambool for the lifeboat. The S.S. Casino sailed from Portland towards the scene. After travelling the 25 miles to the scene, half of the Port Campbell rocket crew and equipment arrived and set up the rocket tripod on the beach below the cliffs. By this time the crew of the Fiji had been clinging to the jib-boom for almost 15 hours, calling frantically for help. Mr Tregear from the Rocket Crew fired the line. The light line broke and the rocket was carried away. A second line was successfully fired across the ship and made fast. The anxious sailors then attempted to come ashore along the line but, with as many as five at a time, the line sagged considerably and some were washed off. Others, nearly exhausted, had to then make their way through masses of seaweed and were often smothered by waves. Only 14 of the 24 who had remained on the ship made it to shore. Many onlookers on the beach took it in turns to go into the surf and drag half-drowned seamen to safety. These rescuers included Bill (William James) Robe, Edwin Vinge, Hugh Cameron, Fenelon Mott, Arthur Wilkinson and Peter Carmody. (Peter Carmody was also involved in the rescue of men from the Newfield.) Arthur Wilkinson, a 29 year old land selector, swam out to the aid of one of the ship’s crewmen, a carpenter named John Plunken. Plunken was attempting to swim from the Fiji to the shore. Two or three times both men almost reached the shore but were washed back to the wreck. A line was thrown to them and they were both hauled aboard. It was thought that Wilkinson struck his head on the anchor before s they were brought up. He remained unconscious. The carpenter survived this ordeal but Wilkinson later died and his body was washed up the next day. It was 26 year old Bill Robe who hauled out the last man, the captain, who had become tangled in the kelp. The wreck of the Fiji was smashed apart within 20 minutes of the last man being brought ashore, and it settled in about 6m of water. Of the 26 men on the Fiji, 11 in total lost their lives. The remains of 7 bodies were washed onto the beach and their coffins were made from timbers from the wrecked Fiji. They were buried on the cliff top above the wreck. The survivors were warmed by fires on the beach then taken to Rivernook and cared for over the next few days. Funds were raised by local communities soon after the wreck in aid of the sufferers of the Fiji disaster. Captain Vickers was severely reprimanded for his mishandling of the ship. His Masters Certificate was suspended for 12 months. At the time there was also a great deal of public criticism at the slow and disorganised rescue attempt to save those on board. The important canvas ‘breech buoy’ or ‘bucket chair’ and the heavy line from the Rocket Rescue was in the half of the rocket outfit that didn’t make it in time for the rescue: they had been delayed at the Gellibrand River ferry. Communications to Warrnambool were down so the call for help didn’t get through on time and the two or three boats that had been notified of the wreck failed to reach it in time. Much looting occurred of the cargo that washed up on the shore, with nearly every visitor leaving the beach with bulky pockets. One looter was caught with a small load of red and white rubber balls, which were duly confiscated and he was ‘detained’ for 14 days. Essence of peppermint mysteriously turned up in many settlers homes. Sailcloth was salvaged and used for horse rugs and tent flies. Soon after the wreck “Fiji tobacco” was being advertised around Victoria. A Customs officer, trying to prevent some of the looting, was assaulted by looters and thrown over a steep cliff. He managed to cling to a bush lower down until rescued. In 1894 some coiled fencing wire was salvaged from the wreck. Hundreds of coils are still strewn over the site of the wreck, encrusted and solidified. The hull is broken but the vessel’s iron ribs can be seen along with some of the cargo of concrete and pig iron. Captain Vickers presented Bill Robe with his silver-cased pocket watch, the only possession that he still had, as a token for having saved his life and the lives of some of the crew. (The pocket watch came with 2 winding keys, one to wind it and one to change the hands.) Years later Bill passed the watch to his brother-in-law Gib (Gilbert) Hulands as payment of a debt and it has been passed down the family to Gilbert Hulands’ grandson, John Hulands. Seaman Julius Gebauhr later gave his knife, in its hand crafted leather sheath, to F. J. Stansmore for caring for him when he came ashore. The knife handle had a personal inscription on it. A marble headstone on the 200m high cliffs overlooking Wreck Beach, west of Moonlight Head, paying tribute to the men who lost their lives when Fiji ran aground. The scene of the wreck is marked by the anchor from the Fiji, erected by Warrnambool skin divers in 1967. Amongst the artefacts salvaged from the Fiji are china miniature animals, limbs from small china dolls, rubber balls, a glass bottle and a sample of rope from the distress rocket. These items are now part of the Fiji collection at Flagstaff Hill Maritime Museum, along with Captain Vickers’ pocket watch and Julius Gebauhr’s sheath knife.This candlestick holder is Artefact Reg No Fiji/2, part of the Fiji collection. Flagstaff Hill’s Fiji collection is of historical significance at a State level because of its association with the wreck Fiji, which is on the Victorian Heritage Register VHR S259. The Fiji is archaeologically significant as the wreck of a typical 19th century international sailing ship with cargo. It is educationally and recreationally significant as one of Victoria's most spectacular historic shipwreck dive sites with structural features and remains of the cargo evident. It also represents aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The Fiji collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Candlestick holder or Chamber Candle. Made of china, off white in colour with crazed glazing. The round concave dish has the base of a round candle holder in centre (remainder of holder has been broken off). The base of a circular china finger ring is attached to both the rim and the dish, about ¾ of the way towards the centre - the top 2/3rds of the finger ring is broken off. A conical thimble-like spike, placed about a quarter of the way around from the finger ring, is intact. This spike was probably used to hold a candle snuffer of similar but larger size and shape. The candlestick holder was recovered from the wreck of the Fiji.1891, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwrecked artefact, flagstaff hill maritime village, shipwreck coast, warrnambool, fiji, pocket watch, moonlight head, candlestick holder, candle holder, chamber candle

http://en.wikipedia.org/wiki/Horse-drawn_vehicle http://www.coyaltix.com/lamps.htmlThe candle light needed to be protected from the wind. This removeable light or lantern has 4 sides with 2 oblong bevelled glass panals, 3rd panel is plain with a heat vent and the 4th opens to light the lamp and has a 4.5 cm round red glass which would act as a reflector. The candle holder screws out to allow for a narrow candle to be inserted. It has a black ventilated cover on top and has slide fixture to attached the lamp on to the carriage. . Powerhouse Museum Collection Thesaurus Protected lamps or lanterns, fixed or removable, used on coaches or carriages. Commonly made of brass, they often were fitted with reflectors as well as red lenses to serve as tail lights (Art and Architecture Thesaurus).red and clear glass lenses light candle reflector bevelled glass horse buggy tail light

This pair of brass candlesticks feature a internal candle stubb pusher that is pressed from underneath the base of the candlestick to push up the used candle stubb from inside the hollow candlestick. It once belonged to David and Alice Ellis, a young couple married in Dublin in 1855, possibly a wedding present. It has been handed down in the Ellis family until it was donated, together with other personal effects, in 2004 by David and Alice’s granddaughter, daughter of David Ellis Junior. On 6th October 1855 newlyweds David and Alice Ellis set sail for Australia in the brand new Schomberg, considered the most perfect clipper ship. She was built as an emigrant ship in Aberdeen and set sail from Liverpool on her maiden voyage, bound for Melbourne, Australia. She was loaded with 430 passengers plus cargo that included iron rails and equipment intended for building the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. On 27th December 1855, only one day from her Melbourne destination, the Schomberg was grounded on a sand-spit on the Victorian coast near Peterborough. The passengers and crew were all safely rescued by a passing small steamer, the SS Queen, which traded between Melbourne and Warrnambool, and taken to Melbourne. The passengers had been told, when leaving the sinking Schomberg, that all they could take with them was a small basket or handbag. A newspaper article later mentioned that one of the things Alice made space for in her basket was her Bible. (It is unclear whether Alice took any possessions with her onto the SS Queen, but a note accompanying the donation of the Bible and basket states that the items were “left on deck and salvaged as Schomberg went down”.) Another steamer was despatched from Melbourne to retrieve the passengers’ luggage from the Schomberg and Alice was reunited with all of her boxes of belongings. Other steamers helped unload the cargo until the change in weather made it too difficult. Although the Schomberg was wrecked there were no lives lost. At that time David was 23 years old (born in Wales, 1832) and his new bride Alice was 26 (born in Dublin, 1829). They had been given letters of introduction to people in Tasmania so they travelled there from Melbourne. However the couple only stayed on that island for about a year before they returned to the Western District of Victoria. David worked for Mr Neil Black as a gardener for a while then, when the land in the area was made available by the Victorian government, David and Alice claimed a selection of land on Noorat Road in the Terang district. They settled there for the remainder of their lives, expanding their property “Allambah” as opportunities arose. A document accompanying the donation lists the names of six children; William, Grace (c. 1859-1946), Thomas (c. 1866 – 1939), David (c. 1962 – 1953), James and Victor. David died on 13th April 1911, aged 79, at their property. Alice passed away the following year, November 1912, aged 83. Alice’s obituary described her as “a very homely, kindly-natured woman, who was highly esteemed by a large circle of friends; and she was also a firm adherent of the Presbyterian Church”. At the time of Alice’s death she left behind three sons and one daughter. Her daughter Grace Ellis was also a very active member of the Terang Presbyterian Church and a member of the PWMU (Presbyterian Women’s Missionary Union). She was also involved in the Red Cross and other charities. Grace passed away in 1946, aged 87. David and Alice Ellis were amongst the very earlies pioneers of the Terang district of Western Victoria. Their donated possessions are a sample of the personal effects of emigrants to Australia. The donated items are a sample of the personal goods carried aboard a significant migrant ship in 1855. They are also significant for their association with the Schomberg. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck, The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Candlestick holders, brass; pair of two candlestick holders each incorporating a candle pusher inside the stem (used to push up and eject the candle stump). Candlestick holders were amongst the possessions of David and Alice Ellis, passengers on the Schomberg when wrecked in 1855.schomberg, flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, candlestick, candlestick with stubb pusher, 1855 shipwreck, peterborough shipwreck, ss queen, david ellis, alice ellis, allambah terang, dublin emigrants, terang presbyterian church, western district victoria, lighting, candlestick holders

This candle bracket was recovered from the wreck of the sailing ship Loch Ard after the to the disaster in 1878. The bracket has been hand forged into a pleasing shape and design. The candle holder on the arm of the bracket cn swivel from side to side allowing the light to be adjusted. LOCH ARD 1873-1878 – The Scottish-built clipper ship Loch Ard was bound for Melbourne in 1878 with 54 people on board. The mixed cargo it carried included items for the 1880 International Exhibition in Melbourne, one of which was the now famous Majorca ware Minton ‘Peacock’ statue. The Loch Ard was wrecked on June 1st when the ship crashed into Mutton Bird Island, east of Port Campbell. The only survivors were Tom Pearce, a crew member, and Eva Carmichael, a young passenger who was rescued by Pearce. The Gibsons, owners of nearby Glenample Homestead, cared for Tom, and for Eva who stayed longer before returning to Ireland. The wreck of the Loch Ard was discovered in 1967, before the introduction of the Victorian historic shipwreck legislation. In 1969 it was decided that all recovered material should be lodged with the Receiver of Wrecks. In 1980 Flagstaff Hill Maritime Museum Divers received a permit to recover artefacts from the wreck to safeguard them from looters. In 1982 the site was listed as a Historic Shipwreck, and the Maritime Archaeology Unit recovered loose artefact material. The candle bracket is an example of light fittings from the ship ‘Loch Ard’ or from part of the ship’s cargo, imported for use in Colonial Victoria in the 19th to early 20th century. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Candle bracket, bronze with fancy floral design. Bracket has been hand wrought with varying widths of flat iron. Bracket’s arm swivels on a pin front of bracket. Bracket was recovered from the wreck of the Loch Ard. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, victoria, eva carmichael, tom pearce, antique, candle holder, candle bracket, candlestick holder, lighting, ship lighting, ship hardware

This menorah has 7 candle holders joined in a horizontal row, on thin rod stands. The circular holders sit on two flat silver strips that are attached to silver rectangles on either side of the holders, creating a shield-like form on either side of the holder. The stand on which this construction is propped up, is made up of rods that stand vertically on either side of the holders and behind the shields. The rods are intersected by other rod 'lines' that visually weave horizontally across the top half of the stand. Each point of intersection of lines and rod stands is marked by a circular shape. Artist's statement: In terms of the Jewish diaspora, the variety and flexibility of approaches within Judaism has enabled the culture to endure and nurture ever stronger connections despite physical distance. This notion of an enriched connectedness was one of the two central ideas which contributed to the development of this piece. The second was the idea of light and its cultural significance. Light is about both practical illumination and spiritual expression. While revealing and manipulating material and form, light has also come to stand for the triumph of goodness over evil for many cultures, Of utmost importance in Jewish ritual, light and its media are also recognised symbols of connection and interaction for Jewish people throughout the world. (1999, Blessed Be the Work, Australian Contemporary Design in Jewish Ceremony II)

This light hanging mechanism could have been used for an adjustable chandelier with candle holders. It would likely be attached to the ceiling by its long stem to suspend the light fitting. A chain would have been threaded around each pulley, with one end joined to the top of the light fitting and the other end joined to a counter weight. The four counter weights would allow the light fitting to be raised or lowered to the desired height with little effort, to allow for lighting the candles or change the intensity of the light. This light fitting was once installed on the famous sailing ship, the Loch Ard, which was built in 1873 and tragically wrecked in 1878.The fitting was recovered from the wreck almost 100 years later, at the time it was discovered. LOCH ARD 1873-1878 – The Scottish-built clipper ship Loch Ard was bound for Melbourne in 1878 with 54 people on board. The mixed cargo it carried included items for the 1880 International Exhibition in Melbourne, one of which was the now famous Majorca ware Minton ‘Peacock’ statue. The Loch Ard was wrecked on June 1st when the ship crashed into Mutton Bird Island, east of Port Campbell. The only survivors were Tom Pearce, a crew member, and Eva Carmichael, a young passenger who was rescued by Pearce. The Gibsons, owners of nearby Glenample Homestead, cared for Tom, and for Eva who stayed longer before returning to Ireland. The wreck of the Loch Ard was discovered in 1967, before the introduction of the Victorian historic shipwreck legislation. In 1969 it was decided that all recovered material should be lodged with the Receiver of Wrecks. In 1980 Flagstaff Hill Maritime Museum Divers received a permit to recover artefacts from the wreck to safeguard them from looters. In 1982 the site was listed as a Historic Shipwreck, and the Maritime Archaeology Unit recovered loose artefact material. The light fitting is recognised as being historically significant as an example of lighting either as part of the ship ‘Loch Ard’ or part of the ship’s cargo, imported for use in Colonial Victoria in the 19th to early 20th century. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Light fitting; hanging mechanism with simple pulley wheels for pendant light. Metal pipe, closed and hooked at one end, stem has three decorative rings, and open end has a short narrower metal pipe inserted. Narrow pipe has a three tiered, scallop-edged dome attached to the end. The dome encloses remnants of broken chain length and is attached to a set of four pulley wheels arrayed in a circle with their edge sat right angles to each other. The light fitting was recovered from the wreck of the Loch Ard.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, victoria, eva carmichael, tom pearce, lighting, lidht fitting, pendant light, chandelier, pulley light, adjustable height light

Portable candleholders were commonly in use in Australian homes in the 1800s. Candles were very expensive in Australia and often were not available in stores. However, after 1850 the price of candles was reduced and they became readily available throughout Australia. Candleholders were popular as they protected furniture from hot wax. The dish around the candle stem collected the hot wax that could be reused later. When carrying the candleholder, the dish also protected the hand from the hot wax. This candle-holder is an example of an item commonly used before electricity was connected to the area.The candleholder is a hollowed round,saucer-shape with a ring finger-grip on the side. It has been enamelled but the original blue paint has worn off and it is very chipped and rusted.candlestick-holder lighting

This object was used to light gas burners, lamps, lights etc. The tapers were used to light a burner that was hard to reach. It may also have been used in a church to light candles. This taper and matches holder has no known local significance but is an attractive object and will be useful for display.This is a brass object made in two parts – a rectangular container holding six wax tapers and a squat jar-shaped container for holding matches. The match holder is welded to the taper holder. The tapers are bent or broken in several places. The taper holder has a hinged lid with a brass top. The match holder has an embedded shell-shaped emblem. social history, warrnambool history, metal candle taper

This particular lamp was made for the dinner table or "parlour". This was the most effective indoor lighting before electrical lighting was introduced in the 1940's. These table lights would have still been used after this time as emergency lighting during electrical power shortages (outages). These emergency lighting lamps, including candles, were eventually replaced by battery power. The Kiewa Valley was supplied by electricity well before many other rural regions due to the State Electricity Commission constructing the Kiewa Hydro Electricity power turbines (late 1930's to mid 1950's). Petrol and diesel generators were used in other rural regions before state wide electricity was available.The significance of this kerosene lamp to the Kiewa Valley is that it provides the proof that before the Hydro electricity scheme was established in the valley, householder and commerce relied on candle/kerosene power. Although at certain times before battery and solar energy became the night time lighters the sole source of lighting was candle power and kerosene power. The supply of both however was still required by most of the population by supply from city and larger country town suppliers. This nearly fully glass made table lamp(kerosene) has a large glass bowl/basin like kerosene storage unit with a glass circular finger handle (similar to a ordinary cup). Formed single star like patterns (50mm apart) encircle the centre of the bowl. On top of the bowl sits the metal (brass) wick holder with a small wheel protruding out one side for adjusting the wick length(increasing or decreasing the strength(regulating) of the amount of light projected. Four prongs rise from the circular base light fixture holding the windproof and refractive glass "pot belly" shield. lamp table, kerosene lamp, household lighting (non electrical)

Richard Liebreich of Germany invented his design of ophthalmoscope in 1855. This example is complete in its case with Coccius lenses and condensing lenses. Early ophthalmoscopes required an external source of illumination, eg lamp or candle, and light was reflected into the eye to be examined by the mirror on the ophthalmoscope. The earliest versions of the Liebreich ophthalmoscope used a polished metal surface to reflect light; glass mirrors were introduced in 1870. A condensing lens was held in front of the patient to view the image. A Coccius lens could be clipped into the holder to counter ametropia of user or subject.This Liebreich ophthalmoscope is significant for the collection as it is the only complete example of the three held in the collection.Cased Liebreich ophthalmoscope with 5 small coccius glass lenses and 2 glass condensing lenses. Non-illuminated ophthalmoscope has concave mirror in round head with central sight hole.Hinged coccius clip attached to hold lenses. Black metal head, silver coloured mount and black turned timber handle. Case has black leather outer lining and purple velvet and satin inner linings. Case hinged with snap closure. On front of case:"LIEBREICH'S OPHTHALMOSCOPE" 4 of 5 Coccius lenses engraved with powers: "8-", "12-", "-01", "+01"ophthalmoscope, optometry, ophthalmology, liebreich, coccius, lenses, eye examination, fundus, funduscopy, non illuminated, instrument, eye doctor, liebreich ophthalmoscope

The Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. The projector is part of a collection of toys given into the care of Cheese World Museum.Tin toy projector mounted on a wooden base. A box shape with a lens on the front has a removable lid with a fluted edge. In front of this is the film holder which has a carrier for the film, a winding mechanism, and a protruding lens at the front. This projector was lit by a candle inserted in the body. A baseplate with the manufacturer's name is on the front of the wooden mount.Fairymark/Made in Japantin toys, projectors, film, allansford, uebergang, fairymark, audio visual appliances, photography

A candlestick holder is a device used to hold a candle in place. Candlesticks have a cup or a spike ("pricket") or both to keep the candle in place. Before the proliferation of electricity, candles were carried between rooms using a chamber stick, a short candlestick with a pan to catch dripping wax. Although electric lighting has phased out candles in much of the world, candlesticks and candelabras are still used in homes as decorative elements or to add atmosphere on special occasions. An item used in every home that did not have electricity from the late 19th to early 20th centuries as a lighting aid.Candlestick is round, hollowed scalloped edge to base. Coated with white enamel it features a large ring handle. Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, candle stick holder, candle holder, enameled candle stick holder

This fine white glazed porcelain figurine is one of six donated together. The bisque material was easy to carve and allowed fine detail. Figurine ornaments were popular for table decorations between the mid-18th to early 19th centuries. This ornament was likely made in Germany, and German manufacturers began to use bisque material to make realistic faces for dolls in the 1850s.The set of six bisque figurines is representative of popular table decorations during the 19th and early 20th centuries.Fine glazed white porcelain ornament, carved to represent three children sitting on three brick fence pillars. There are gold highlights on the surface. The hats on the children are vases. An inscription is on the base of the centre pillar."6946"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, bisque, china ornament, white china ornament, german, germany, porcelain, unglazed porcelain, 19th century, 18th century, european ornament, pottery, unglazed pottery, domestic ornament, decoration, table decoration, children on a fence, vase, candle holder

Spills and tapers were used by early settlers in Moorabbin Shire to light fires, candles and gas lamps. . Late 19 century. A light-wieght black enamelled tin for holding spills and wax tapers. Spills and tapers were used to light fires and gas lamps. The tin is decorated with gold scrolls, and green and blue flowers. The paint work is damaged. No makers mark.kitchen equipment, lights, candles, fireplaces, early settlers, pioneers, moorabbin, bentleigh, cheltenham, market gardeners

Candles were the only source of light for pioneers after sunset and this enamel candlestick holder appears well used.A white enamelled, candlestick holder, with dark blue enamelled handle. A candle is in situ.No makers markbrighton, moorabbin, lights, pioneers, market gardeners, furnishings, candles, earlysettlers, metalwork