Wayman & Kay Foundry Wimmera Street from P.C. News Supplement 1888. Wimmera StreetLarge wooden foundry with boiler Steam traction engine, water tanks road roller and machinery in foreground. stawell businesses

Very detailed drawings of scenes of the Grampians. Artist S. Calvert.Black and white detail drawings of series of mountain scenes. Holiday Rambles - The Grampians The Sierra Range - Grampians from the Big Hill Stawell. The Descent to the Gap Valley. The Anvil Rock. Barneys Chimney. The "Selection" in the Gap Valley. Only half way up. Reproduction Rights Reserved Copied by State Library of Victoria on the back stawell

DEPICTING HARDSHIP OF TRAVEL TO THE DIGGINGSFRAMED DRAWING OF VICTORIAN GOLD DIGGINGS 'TRAVELLING TO THE DIGGINGS'.THE ILLUSTRATED LONDON NEWS. FEBRUARY 26, 1853. P. 161mining, miners, families

Book with maroon cover, title, authors name and publisher's mark printed in gilt on spine. Dust jacket has a black and white photo of a children's hospital ward as background, with title and author's name printed in maroon on front and spine.A touching story of the Melbourne Hospital for Sick Children (now the Royal Children's Hospital) [ca.1990] one of the most poignant books of Melbourne's early social history.royal children's hospital (melbourne-vic)-anecdotes, paediatric nursing-victoria-history

In 1965 Janet Hubbard worked on a children’s holiday farm called Ponyland in Osbourne Road, Christmas Hills. On this property was an old timber building with timber shingled roof, which had been a Cobb and Co staging post. Janet made a sketch of this building and also took a photo at the time. The property was owned at the time by a person named McLeod who later demolished the old building. '6958' processing stamp on reverse of photo Texta line drawing of chook on reverse of sketchchristmas hills, cobb and co, osbourne road, ponyland, staging post

As one of Geelong's finest forwards, Lloyd Hagger was relatively tall and possessed the ability to take high-flying, spectacular finger-tip marks at chest height as he tumbled over packs. His accurate punt and drop kicks resulted in many goals for the team. He became well known for scoring many acute angle goals. A mobile performer who could kick effectively with either foot, he played with equal effectiveness at centre half-forward and full forward. His durability was remarkable. During his 12 seasons he only missed eight matches. He was never short of a word on the field. - Col Hutchinson GFC HistorianHand drawing on paper card. Drawing of a black cat with one paw holding on to it's bow. At the bottom of the sketch in blue pen states "SKETCH BY LLOYD HAGGER, 1925". Lloyd Hagger was the original artist behind the cats logo and a Geelong player."SKETCH BY LLYOD HAGGER, 1925"cats mascot, gfc black cat, lloyd hagger, geelong cats

The Underdown family were early settlers on the Island, possibly in the 1890s. They lived in Reid Street, Rhyll. Name of donor is Ossie or Oswald Underdown.HistoricalLarge, pale green sketch book with scale and freehand drawings of plants, flowers. Completed in 1912Australian Sketch Book. Oswald Underdown.drawing, oswald underdown, drawing book

The sketches, contents were by William Cecil Dunford who trained in Artistry in the U.K and was posted to the YMCA as an Officer War Artist, his subjects were YMCA Places and Australian Diggers. It is believed that the originals are held by the AWM. Refer AWM Collection “NR P05307.003 which is a portrait of DUNFORD and a short biography.Large red buckram covered album with ornate gold trim on front, rear and spine, there are 31 sketches and photographic copies by War artist W.C.Dunford, on first page is a photo of YMCA Officers on Salisbury Plain July 1917.Label on the spine, “Sketches by C Dunford of 1914 - 18 war, scenes in Flanders. On the last page in pencil, “Methuen”ymca, flanders, military history,

Sketch used for the advertising brochure for the gallery.A3 cream cardboard black & white sketch of FINDLAY Art Gallery and garden. also name, address and phone number.Findlay Art Gallery 10 FINDLAY Street Cowes Phillip Island Telephone Cowes 522431 Original. Rurric (Pop)shifted from French Island to this house, Cowes, Phillip Island in the early years (primary school) of Dad’s life. (Harry). Note! No front verandah. Enclosure during D L H ownership. Sketch Signed D. Folkes 74.findlay art gallery, de la haye family, houses - cowes

Photographed from an early sketchBlack and white photographic postcard showing work in progress on building of entrance piers. On partially built pier, workmen standing on decking, sand dunes and lake at back and Jemmys Point in background. Lakes Entrance VictoriaWork on the new entrance, from an early sketch waterways, public works, piers

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Charcoal still life sketch of wooden sculptureverso: Lynette Heenan sketch for the 2003 Pyrenees Art Award Knight 1996

.1 PAINTING OF ORIGINAL CRESWICK HOSPITAL SKETCHED ON CERAMIC PLATE, THEN VARNISHED .2 PAINTING OF MOUNTAINS, RIVER AND COTTAGE SKETCHED ON CERAMIC PLATE, THEN VARNISHED.1 CREAM COLOURED CERAMIC CIRCULAR PLATE, SKETCH OF ORIGINAL CRESWICK HOSPITAL. IMAGE SKETCHED INTO CANDLE SMOKE .2 CREAM COLOURED CIRCULAR PLATE, SKETCH OF MOUNTAIN AND RIVER SCENE. IMAGE SKETCHED INTO CANDLE SMOKER FORDrichard ford, local history

In the early 1900s, Mary Sweeney commissioned artist Charles Bertie to paint the main house at Culla Hill. He charged her 5 shillings for the picture and 18 pence for the frame She took this painting with her when she married Michael Carrucan in 1910 and it hung in the Dalton Street farmhouse for many years. At a later time (1960s), the Burstons (the then owners of Culla Hill) had a card printed from the painting. The original sketch was photographed in 1970 for reproduction in the Shire history publication Pioneers & Painters (1971). The very fragile original was kept in the Council strongroom and suffered significant damage to its edges over the years, no doubt it has also yellowed. A comparison of the original as digitised (2022) with the negative taken 50 years earlier also reveals that the left 20% of the sketch has been cut off, probably due to damage. In June 1842 Thomas Sweeney applied to the Superintendent, C.J. La Trobe, asking permission to purchase a portion of the recently surveyed ‘Parish of Nillumbik'. His request was allowed and handed to the sub-treasurer and Land Board. He paid £110 for 110 acres and called the land 'Culla Hill'. He first built a temporary house, a slab hut 12 feet by 10 feet, in which he lived with his wife, an Irish girl whom he had married in 1838. (His first wife had been drowned at Port Jackson.) Some time later he built a permanent residence on the model of a Tipperary farmhouse. It was a rectangular building of hand-made bricks and stone quarried from the Western Hill with a recessed verandah in front, and bore a slate roof. The out-buildings consisted of a detached kitchen, stable and a barn. It was in this house that succeeding generations of Sweeneys were reared. The original slab hut became a washhouse and survived till recent years. 'Culla Hill' became a social centre for the district, church services being held there on various occasions. The first wheat crop in the district was planted by Sweeney who also supplied the first grain for a mill that later was built at Eltham. He took an active interest in the development of the district. At this time travelling people--many of them runaway sailors or convicts--often passed the settlement, and some of them stayed and worked with Sweeney. A tribe of aborigines living on the river below 'Culla Hill' were apparently on good terms with Sweeney, for it is said that they helped him with the building of his house. Very little is known about the aborigines who originally lived in the Eltham district. There must have been many of them; their stone axes, grinding stones, and anvil stones have been found in the gullies around Research and canoe trees and artifacts were found on the Kangaroo Ground hills. Early settlers remembered a tribe that camped on the site of the present railway bridge at Eltham. They held corroborees there and visited settlers for hand-outs of 'flour and bacca’. There was an aboriginal reserve on the Yarra, upstream from Eltham, but most of those who had collected there later went to live on the Pound Reserve at Warrandyte, where the last aborigines in the area finally ended their days. The Pound Reserve, of 1,103 acres, was established at Pound Bend in 1841. The chief protector, George Robinson, and his four assistants, were given instructions to care for the aged and sick, to provide blankets and rations for all who lived there, to train the able-bodied men in agriculture and other trades and to find them jobs. The Yarra blacks, who later came under the protection of William Thomas, have been described as a 'fine race, well made and above the average height'. Thomas Sweeney died on 6 September 1867 and was buried in the Eltham Cemetery. To his wife Margaret and his son John, he left the entire property of 'Culla Hill'. To his other son Patrick, he left 150 acres, including a small two-roomed wooden cottage. He had five daughters: Kate and Margaret (twins) who were born in 1842, Ellen 1846, Annie 1848 and Johanna 1851. John Sweeney farmed 'Culla Hill' until his death in 1909. He had ten children; one of them, Mary, became Mrs M. Carrucan whose son, Mr John Carrucan, still lives at Eltham. 'Culla Hill' passed out of the Sweeneys possession in 1939 and was renamed by its new owners, 'Sweeneys', in memory of its pioneers. - Pioneers & Painters: One Hundred Years of Eltham and its Shire, Alan Marshall 1971, pp10-12 Original colour sketch artwork 4 x 5 inch black and white negative of original colour sketchculla hill, art, charles bertie, drawing, mary carrucan (nee sweeney), sketches, sweeney's cottage

Sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4180. Artist's paint sketch.Sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4180. Artist's paint sketch. Sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4180. Artist's paint sketch.4/4180 Genoese MS recolored lighter ground burgundy goldweaving, carpet

Black Ink. Sketch printed on beige paper depicting soldier of Asian decent standing with hands on hips in military clothing. Ammunition box at his feet.Black bootsSketch done by Andy C. Neilsonsketch

Black ink sketch printed on beige coloured paper depicting a soldier carrying a rifle in full Military uniform. Soldier is holding the leash of a large black dog.Sketch was done by Andy C Neilsondrawing, soldier

A Scrap book from newspaper articles of various females of interest to Jean Dunsmuir started in 1953Newspaper articles from 1953 onwards in the form of a scrap bookspiral bound, cardboard covered sketch bookOn cover; Spirax No 578 Sketch Book - Jean C. Dunsmuir Repatriation Hospital Heidelberg West jean dunsmuir, heidelberg repatriation hospital, joan hammond, juan jose castro, sister mavis hannah, sister wilma oram, lesley davis, sister jessie doyle, vivian statham, sister vivian bullwinkel, lynette kierce, jennifer laycock, kathleen ferrier, a. noy, m. holden, a. syer, b. jeffry, virginia paris, shirley strickland, maureen connolly, marjorie jackson, winsome cripps, jean sedgman, heather menzies, jean brooks, janine bishop, susanne ricketts

Pencil sketch by Davis, Jpencil sketch, unmountedOberwyl, Burnett Street, St Kilda. Davis, J.

The Kew Historical Society, founded in 1958, is one of the oldest continuing historical societies in the Greater Melbourne region. For over 60 years, the Society has worked with local government and other community organisations to stimulate interest in Kew’s history and heritage. The Society has regularly held local exhibitions, sometimes in shop windows, on other occasions in civic halls, and now at the Kew Court House and Kew Library. This and other photos taken in the same year are examples of an exhibition in the Kew City Hall.Photograph of sketches by Stuart Warmington displayed at a Festival of Kew exhibition in 1976.Reverse: "KH29. S. Warmington sketches on display during KHS exhibition, 1976."kew historical society - exhibitions, stuart warmington, kew civic hall, kew town hall

Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch.Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch.Genoese 4225weaving, carpet

Relates to Kingsley William Allen VX109839 2nd AIF. Refer 2192.4, 2195 for service history also 2193, 2196P.Sketch drawing, B & W showing a long shed with train bogies in front of, trees and scrub around. Hand written in black on rear. Front "HV 1898", rear " View from my tent fly flap, Kalgoorlie WA"artwork, sketches

Black ink sketch on beige coloured paper depicting three soldiers: Two soldiers holding up an injured comrade. One soldier with rifle over his right arm. All soldiers in full military uniform.Sketch by Andy C. Neilson.sketch

Sketch commissioned by Neville Emerson Real EstatePhotograph of ink sketchhouses, neville emerson real estate, art, shoestring

Sketch commissioned by Neville Emerson Real EstatePhotograph of ink sketchneville emerson real estate, lower plenty, riverhill, rosehill road, houses

Pencil drawing from a sketch book by Walter Withers. Photograph of pencil sketchwalter withers, walter withers sketch