A photocopy of the programme of The Tour under the Direction J. & N. Tait. On the front page of the programme are the words, ' The Tour under the Direction of J. & N. Tait.. Artists Miss Amy Castles soprano, Mr. Anderson Nicol tenor, Mr. Peter Dawson Basso, Mr. Victor Busst solo pianoforte. On the inside and the back is the programme. Date unknown.program, music, singing, lydia chancellor, collection, ephemera, music, singing, event, concert, amy castles, anderson nicol, peter dawson, victor busst

Item is part of the BCOF Association Collection, refer Cat No 7625This is a large black and white photo. In the background are mountains. On right side of the photo, are some factories with tall chimneys. The middle ground is flat. It shows housing alongside roads. The foreground shows 10 major double storey buildings and three rows of single storey buildings The foreground, left bottom of the picture shows darkened devastated area. A solo tall chimney is on the right side.On rear - “81 fighter..... Occupation Forces. RAAF Camp (Barracks) Bofu, Japan 1946. This was previously a camp for Kamakazi pilots”ww2, bcof, japan

Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized checked blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong

Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurrence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen sized blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong

These goggles belonged to RAAF Pilot Francis Robertson who crash landed his trainee solo flight tiger moth into Nurse Carters home at Chiltern in 1943. Pilot Officer Robertson then went on to serve in New Guinea whilst flying Tiger Moths and Wirraways. WW2 significance with Francis Robertson having served in the New Guinea Campaign, flying Tiger Moths and Wirraways. Francis Robertson was also the trainee pilot who crashed his plane into Nurse Carter's residence at Chiltern in 1943. Leather and perspex flying goggles belonging to RAAF Pilot Francis Robertson WW1. The goggles are made of leather, reinforced rubber and protective vision perspex. pilot, world world 2, raaf, frank robertson, goggles

Book. ALEC H CHISHOLM COLLECTION. Small soft cover book of 1200 Sacred Songs and Solos, revised and enlarged with standard hymns. Compiled under the direction of Ira D. Sankey. Date unknown, perhaps early 1900s. Published by Morgan, Marshall & Scott Ltd., London and Edinburgh. Printed by R W. Simpson Co. Ltd., London. Catalogue sticker ''2207 SAN''.Ira D Sankeybooks, collections, songs, alec h chisholm collection, ira d sankey, sacred songs, hymns

Single sheet pamphlet/flyer re Complimentary Concert and Presentation to Mr H G A Winkelmann, Payne's Theatre Royal, Bairnsdale Wednesday March 30 1898. Programme (songs and piano solo) including song ''Gondola Dreams'' sung by Mr Bush. Presentation to Mr Winkelmann by Dr Duncan. Tickets - One shilling. Printer: Vogt, Bairnsdale. (Two copies in similar condition).person, individual, bush collection - personal

A green paper souvenir programme with black print. 'Celebrity Concert Souvenir Programme E. Valentine presents Hubert Evans Wales Premier Baritone Associate Artiste Pat Siedle Solo Pianist and Accompanist supported by Australian Artistes Eleanor June Mezzo Soprano Eric Mitchelson Tenor. On the inside is the programme and short histories of the artists. Also included are some newspaper cuttings related to the concert.Bendigo Town Hall. Thurs. Sep 18th 1947program, music, singing, lydia chancellor, collection, music, ephemera, concert, event, entertainment, individual, person, programme, program, hubert evens, pat siedle

Bendigo Competitions Society in conjunction with Bendigo Bands Group under V.B.L. patronage and rules. Bendigo City Hall, Saturday 16th June 1990, solo and parties sections. Adjudicator: Mr. S. Sokolowski. Strathdale Community Centre, Sunday 17th June, brass band contest. Adjudicators: Mr. D, Trottman, Mr. K. Morgan, Mr. W. Dyason, Mr. S. Sokolowski. Four pages.entertainment, music, bendigo competitions

The Music Advancement Society of Bendigo presents the third Concert 1962 Series The Melbourne Chamber Music Ensemble Leader 1st Violin: Leon La Gruta (Solo Violin), 2nd Violin: Agnes Wall, Viola: Stanley Gabrie, Cello: Valerie Awburn, Horns: Alex Grieve, Jack Raines. City Hall, Bendigo on Thursday, 5th July, 1962 at 8.15 pm. Programme One Shilling. Boltons Print, Bendigo.event, entertainment, music, the melbourne chamber music ensemble, the music advancement society of bendigo, leon la gruta, agnes wall, stanley gabrie, valerie awburn, alex grieve, jack raines, boltons print

This is a programme of a concert given by the pupils of the Frances Sinclair Dancing Academy in Warrnambool. The programme included orchestra and other musical items, dances, short skits or plays and solo singing. Most of the pupils of the dancing academy were young girls. The title of the concert, ‘Lyndoch Revue’, may indicate that the proceeds of the concert were given to the Lyndoch Aged Care Centre in Warrnambool. This programme is of interest because it is a good example of the type of concert given by pupils of a Warrnambool dancing academy in the mid 20th century. The donor of this item, Lynette Wright, nee Bristol, was a performer in the concert, one of the ‘petite ballerinas’. This is a buff-coloured sheet of paper folded in two to make four pages. The edges of the first and third pages have red decorative scroll work and the front cover has an image of a 19th century lady doing needlework. The lettering is in brown type. The edges of the first and third pages are torn. ‘Lyndoch Revue, Produced and Directed by Frances Sinclair’ frances sinclair, history of warrnambool

Walter Magilton's professional painting career is highlighted by numerous solo exhibitions, five of which have been in Great Britain. He has also won countless prizes, which include many 'Best in Show' awards. Walter is represented in a great number of private and corporate national and international collections, including ART Bank, in approximately twelve countries.This painting is a one of a series of approximately eight works of the river at Warrandyte and the local creeks, with particular emphasis on the reflections in the water and of the wattle growing along the banks. I was particularly inspired by Penleigh Boyde who did similar work while living in Warrandyte in the early 1920s.'Sunlight and Shadows, Warrandyte' is an oil on canvas painting depicting the Warrandyte landscape, featuring a winding creek with beautiful reflections cast upon it. The colour palate comprises muted green and earth tones, with a vivid aqua for reflective water.walter magilton, nillumbik, warrandyte

Silk programs, at that time, were only produced for a very prestigious night at the theatre. Historical note: The town of Gisborne was named after one of the members of the first committee of the Mechanics’ Institution (renamed in 1872 to Melbourne Athenaeum), formed in November 1839. His full name was Henry Fyshe Gisborne 1813-1841. The program, crafted of printed silk with a silk fringe all around the four edges is unique in the program collection. The program reveals an interesting fund-raising entertainment held at the Melbourne Athenaeum theatre in 1884. As the theatre was available for hire by everyone in the Melbourne community, over the course of its history it was hired by a large variety of theatrical performers, political groups, sporting and arts groups, in addition to fundraising groups, as found here. Proceeds of this concert were donated to the Melbourne-based Sick Children’s Hospital and the Upper Macedon Episcopalian Church – an unusual combination of charities. The Mount Macedon area became a popular place for holiday- makers from Melbourne in the 1870s and many professional people built holiday retreats with beautiful gardens in the area. The development of the area created a further need for places of worship. The names of the people taking part numbered over 70, several having the same family names as those listed as members of the Melbourne Athenaeum at that time but there is no proof that the people involved with the performance were subscribers to the Melbourne Athenaeum. At the time the Athenaeum hall consisted of a large flat space requiring chairs to be placed in lines, with hand-written alphabetical signs to indicate the rows and individually numbered chairs. The hall seated 900 patrons. When the hall was used for balls, banquets and exhibitions all the chairs were removed and stored under the stage and in a room at the side of the hall. The layout of the hall can be seen in this photograph from the archives, taken in the early 1900s. This fringed, silk program was produced for a concert held on 9-10 October 1884 under the patronage of the Governor Sir H Brougham Loch at the Athenaeum Hall in aid of the Convalescent Fund of the [Melbourne] Sick Children’s Hospital and the Episcopalian Church of Upper Macedon. The evening of light entertainment comprised eleven solo musical performances and thirteen tableaux, some humorous, referencing biblical and classical themes from plays, paintings and operasm enhanced with painted scenery and a multitude of costumes.melbourne athenauem hall, the sick children's hostipal, episcopalian church

Brass band instrumental music competitions were enthusiastically followed in Australia in the early twentieth century. Ballarat was a leading centre for these musical competitions and Michael Taffe played cornet and flugelhorn with several local brass bands. He was Australian Junior Cornet solo Champion in 1920 and won the open section of the instrumentals at the VRI competitions held in the ballroom at Flinders Street Station in 1924. michael taffe, victorian railways institute, cornet solo, flinders street station ballroom

A white programme with red and black print on the front cover. It is titled, 'Jean Gerardy The World's Greatest Violoncellist George Stewart McManus solo pianist Miss Essie Ackland contralto Annotated programme, price 6d.Direction E. J. Gravestock. Beatty, Richardson & Co., Printers, Equitable Bldg., 350 George St.., Sydney. On the inside cover is a black and white photo of Jean Gerardy. 4 pgs. On the back cover is an advertisement for 'Sevcik's New School of Intonation for the Violin.'program, music, jean gerardy, lydia chancellor, collection, music, event, concert, entertainment, programme, program, violin

Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1906. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for Second Prize was awarded for Piano Solo Under 16 and was won by Miss Kathleen Foster. Certificate is signed by President E J Vigau? and General Secretary Thomas Byrne.Austral Literary and Debating Societydocument, certificate, music

A thick brown hardcover book titled - Sacred Songs & Solos revised and Enlarged with Standard Hymns 1200 pieces compiled under the direction of Ira D. Sankey written on the front cover in black text and script. The spine has the title at the top and the publisher Morgan & Scott Ltd at the bottom as well as decorative plain lines across it. The spine is broken and the covers are loose. There is a Metrical Index and Index at the back. Four hymns and their page numbers are written on the back endpaper in grey pencil.non-fictionA collection of 1200 pieces of Sacred Songs and solos compiled by Ira D. Sankey who sang most of the old favourites in the great Revival Meetings together with a number of new recently popular pieces published for the first time. The book was used at Conventions, Evangelistic and Fellowship Meetings, in Places of worship, Sabbath schools, and Mission halls.hymns, religious books

In 1920 Michael Taffe was awarded Junior Cornet Solo Champion at Ballarat's South St competitions, The Grand National Eisteddfod of Australasia. This competition was the premier band contest in Australia with musicians from every state and New Zealand taking part. This Boosey & Co cornet was on display in the window of Allan's Music store Melbourne when the building was severely damaged by fire but these items were saved. Part of a large family collection of local & family history items at Hymettus Cottage, home to the same Ballarat family for the past 125. This cornet has a well documented provenance and a known owner and has been at Hymettus for over a century. Boosey & Co joined with Hawkes in 1930 to become Boosey & Hawkes. This cornet forms part of a significant and representative historical collection that reflects Ballarat's local history from a family perspective. It contributes to our understanding of social and family life in Ballarat from the 19th to the 21st century and provides interpretative capacity for family, local, and social history themes.Heavily decorated and inscribed.cornet, music, michael taffe, south street competitions, ballarat, boosey & co

Grant FINCK Grant Finck graduated from the Victorian College of the Arts in 1991. He started a professional career as a sculptor and ceramicist in the late 1970s, From 1993 Finck coordinated and was a design participant in a regionally based urban design program. From 1996 he has completed a substantial number of public sculpture commissions. In 1987 Grant Finck has a solo exhibition at the Switchback Gallery, Churchill.Earthernware dry glaze orb pot.ceramics, jan feder memorial ceramics collection, gippsland campus, grant finck, churchill

Melton Choral Society. Edna Barrie was the Director and Conductor in the 1970s performing at many community events such as Carols by Candle Light, Church Services, Easter and Palm Sunday services, Mothers Union and the 1976 Community Services Week Combined Church Service. The October – November 1978 Program covered the following: songs from the Musicals, Choral and Solo with Narratives, Guest Instrumental Item, Recitation Negro Spirituals and Australian Songs.Service held at the Senior Citizens clubroomschurches

A red soft cloth covered book - Songs of Victory - hymns and solos for evangelistio meetings, conferences, and the home circle. With additional hymns 801 pieces in all. Large type edition. The front red cover is ornately decorated and the back cover has a black decorated square in the middle. There is a list of choruses at the back of the book on p.193 following the additional hymns and an additional Ccoruses list on p.202. There is an Index to first lines, choruses, additional hymns, additional choruses and subjects. Six extra pages are for advertising religious reading.non-fictionA collection of hymns and solos for religious gatheringsreligious books, hymns, churches, choirs

In 1920 Michael Taffe was awarded Junior Cornet Solo Champion at Ballarat's South St competitions, The Grand National Eisteddfod of Australasia. This competition was the premier band contest in Australia with musicians from every state and New Zealand taking part. The large framed studio portrait of Michael together with his cornet and medals was on display in the window of Allan's Music store Melbourne when the building was severely damaged by fire but these items were saved. Part of a large family collection of local & family history items at Hymettus Cottage, home to the same Ballarat family for the past 125. This portrait has a well documented provenance and a known owner and has hung in this historic house for the past 102 years. It forms part of a significant and representative historical collection that reflects Ballarat's local history from a family perspective. It contributes to our understanding of social and family life in Ballarat from the 19th to the 21st century and provides interpretative capacity for family, local, and social history themes.cornet, music, michael taffe, south street competitions, ballarat

Ballarat Soldiers Memorial Band, Frank Wright Conductor. Winners of B. Grade South Street Championship and quickstep. 2nd A grade quickBlack and white photograph of the Ballarat Soldiers' Memorial Band, posing in uniform and with instruments outside the Ranger barracks (Later used as Dan Murphy's Ballarat)Richards & Co Ballarat in lower right corner .2) Verso in pencil "Ballarat Soldiers Memorial Band. Frank Wright Conductor. Winners B Grade South St Championship and quickstep 2nd A grade quickstep and 2nd a grade aggregate. October 1932. Absent solo euphonium Bert Harding, cornet Vernon Hallfrank wright, south street competitions, ballarat soldiers memorial band, bert harding, vernon hall

This collection of works, “songs without words” was written in the 1830’s by Mendellson. He was of the opinion that the music should stand alone and hence no need for words. This collection of his work for piano solos is still on the music syllabus today. The stamp on the front cover J.B. Shepherd and Son relates the Shepherd family music store in Liebig Street, which operated around the turn of the 20th century . They sold pianos and other musical instruments as well as doing repairs and tuning and lessons.This collection of music scores by Mendelssohn is significant firstly because it is still used by music students 160 years after it was written and secondly this copy has local significance as it was owned by Grace Rome who was born in 1902 and was the daughter of one of Warrnambool’s most successful and longest living business people Thomas Rome, who incidently made one of the earliest sound recordings in Australia.Cream coloured card cover with dark green cloth binding with the title Mendelssohn in red text with black flourish. Other text on cover is black. Edition Peters at the top of cover in black text. Pages contain music scores .132 pages. Kullak printed on front cover. Light blue stamp, “J. E. Shepherd & Son, Piano, organ & music Warehouse. Tuners & repairers Warrnambool. Written in Black ink but scrubbed out with blue ink on inside fly is Grace Rome P.L.C. 1921. 1. Similarly un unknown name is scrubbed on front top right corner of cover. warrnambool, mendelssohn, lieder ohne worte, edition peters, grace rome

Mary-Lou began exhibiting in the mid 1980s and over the years has been involved in producing unique pieces as well as developing a large range of domestic ware. In 1984, six months after graduating from a Bachelor of Fine Arts at Phillip Institute of Technology, Mary-Lou was invited to present a solo exhibition at Devise Gallery in South Melbourne. This objective, she says, compelled her to find a studio and was an incentive to focus on developing her ceramic practice independently.Mary-Lou Pittard holds close ties to the Shire of Nillumbik - living and working within Eltham. Her Eltham North Mudbrick Studio employed 5 assistants until recently when Mary-Lou and partner Chris Pittard have scaled down operations. They now produce everything themselves and find that this enables them to focus on producing unique, sculptural ceramic works. Mary-Lou is currently exploring the fine qualities of porcelain and combining these with her ongoing passion for decorative colour and form. 'Decorative Bowl' is a wheel-thrown/moulded bowl, oblong in shape and has been manipulated by hand. Narrow sections have been incised from the main body, perhaps a practical design feature for air circulation, and the rim has been altered to form a jagged edge. Bold colourful shapes decorate the interior of the bowl. They have been applied directly to the bisque surface and subsequently covered with a transparent glaze which protects them and enhances their permanency.mary-lou pittard, ceramic, chris pittard, eltham, nillumbik

This is a very old photograph of the Broken Hill City Band. it was most likely taken on their visit to Ballarat where they competed in the 1906 South Street Eisteddfod. One of the other bands that competed in their section was the 'Kalgoorlie and Goldfields Infantry and Regimental Band'. The speculation being that this photo was presented to, or was supposed to be presented to the Kalgoorlie Band. The Broken Hill City Band won many prizes at South Street in the band sections and the solo sections over the years. Their modern iteration is the Barrier Industrial Unions (BIU) Brass Band.This photo shows the Broken Hill City Band when it was still relatively young. It is unknown just how many photos exist of the Broken Hill City Band from this era, however, it is very special to the banding movement. It is even more significant because of the handwritten message to the Kalgoorlie Band as it signifies a link between these two ensembles, and the similarities in the towns - both very remote and based on mining.Rectangular black and white photograph mounted on card.Top: Broken Hill City Band 1906 Bottom: with Compliments to Kalgoorlie Bandbroken hill city band, kalgoorlie and goldfields infantry and regimental band, broken hill, kalgoorlie, victoria, victorian bands' association, ballarat, royal south street society