Showing 143 items
matching water colour painting
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Ringwood and District Historical Society
Painting, G. Coutts, "Light Lines Goods Loco 1886" - Water colour and ink on paper by G. Coutts, (undated)
Unframed painting with cardboard border.Handwritten notations behind painting - "Light Lines Goods Loco - 1886 - "X" Class. Mr. J. Archbold on footplate of first train he drove in V.R. -
Ringwood and District Historical Society
Painting, Winifred Miles, "Mullum Road" (Ringwood) - Water colour on paper by Winifred Miles (1884-1944), Undated, later than 1910
... ) - Water colour on paper by Winifred Miles (1884-1944) Painting ..."Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. One of two undated paintings by Winifred Miles' viewed from the same vantage point on Mullum Mullum Road in Ringwood. (See Registration Number 4848)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930" -
Ringwood and District Historical Society
Painting, Winifred Miles, "Mullum Road" (Ringwood) - Water colour on paper by Winifred Miles (1884-1944), Undated, later than 1910
... ) - Water colour on paper by Winifred Miles (1884-1944) Painting ..."Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. One of two undated paintings by Winifred Miles' viewed from the same vantage point on Mullum Mullum Road in Ringwood. (See Registration Number 4847)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930" -
Ringwood and District Historical Society
Painting, Winifred Miles, "First Post Office 1883" (Ringwood) - Water colour on paper by Winifred Miles (1884-1944), Undated, later than 1910
"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. Painted from an original black & white photograph, Catalogue Reg No. 1347 recorded as "Ringwood's first Post Office showing first Postmistress, Miss M. Thompson and her mother. 1890". (South side of Main Street (Maroondah Highway), approximately 300 meters west of Ringwood Railway Station). Writing on back of original photograph reads, "Grandma and Auntie Martha Thomson 1890". (Difference in painting date and photograph date indicates years as shown are approximate only). Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930" -
Ringwood and District Historical Society
Painting, Margaret Robbie, Bush scene near East Ringwood sports oval, 1952 - Water colour on paper by Margaret Robbie, 1952
"Margaret Robbie was another of the local painters who came late to art or combined it with a quite different occupation. Her grandparents, John Shaw and Margaret (Byers), went to Hobart in 1855 but then crossed the Strait and settled in Kyenton where they remained until 1918. Margaret was the issue of the marriage of Mary Shaw and Robbie. She spent a considerable time overseas for the YWCA, including a period as its General Secretary in Toronto, Canada, and worked in the Middle East during World War 2. Margaret Robbie made her garage in Ringwood Street into a flat-cum-studio-cum-gallery for her painting activities when she was not caring for her sister and an elderly aunt." - Hugh Anderson - Ringwood, Place of Many Eagles [p.218].Painting with cardboard border in glass-fronted frame.Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930" -
Ringwood and District Historical Society
Painting, Winifred Miles, "Wantirna" - Water colour on paper by Winifred Miles (1884-1944), Undated, later than 1910
... Road Ringwood North melbourne Painting "Wantirna" - Water ..."Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].One of two undated paintings by Winifred Miles' viewed from the same vantage point in Wantirna. (See Registration Number 4836)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930" -
Ringwood and District Historical Society
Painting, Winifred Miles, "Orchards" - Water colour on paper by Winifred Miles (1884-1944), Undated, later than 1910
... Road Ringwood North melbourne Painting "Orchards" - Water ..."Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame.Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930" -
Ringwood and District Historical Society
Painting, Margaret Robbie, "Dandenongs From Wantirna" - Water colour on paper by Margaret Robbie, circa 1950s
... Wantirna" - Water colour on paper by Margaret Robbie Painting ..."Margaret Robbie was another of the local painters who came late to art or combined it with a quite different occupation. Her grandparents, John Shaw and Margaret (Byers), went to Hobart in 1855 but then crossed the Strait and settled in Kyenton where they remained until 1918. Margaret was the issue of the marriage of Mary Shaw and Robbie. She spent a considerable time overseas for the YWCA, including a period as its General Secretary in Toronto, Canada, and worked in the Middle East during World War 2. Margaret Robbie made her garage in Ringwood Street into a flat-cum-studio-cum-gallery for her painting activities when she was not caring for her sister and an elderly aunt." - Hugh Anderson - Ringwood, Place of Many Eagles [p.218].Painting in glass-fronted frame. -
Ringwood and District Historical Society
Painting, Margaret Robbie, "View from Loughnan's Hill" (Ringwood) - Water colour on paper by Margaret Robbie, circa 1950s
"Margaret Robbie was another of the local painters who came late to art or combined it with a quite different occupation. Her grandparents, John Shaw and Margaret (Byers), went to Hobart in 1855 but then crossed the Strait and settled in Kyenton where they remained until 1918. Margaret was the issue of the marriage of Mary Shaw and Robbie. She spent a considerable time overseas for the YWCA, including a period as its General Secretary in Toronto, Canada, and worked in the Middle East during World War 2. Margaret Robbie made her garage in Ringwood Street into a flat-cum-studio-cum-gallery for her painting activities when she was not caring for her sister and an elderly aunt." - Hugh Anderson - Ringwood, Place of Many Eagles [p.218].Painting with cardboard border in glass-fronted frame.Inscription along lower edge of painting - "Margaret Robbie, copied from a postcard", and sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930" -
Eltham District Historical Society Inc
Document - Folder, Mackenzie, Andrew
Andrew Mackenzie OAM (1952-), librarian, expert on the life and paintings of Walter Withers and Frederick McCubbin; compiler of "The Etchings, Lecture Notes and Writings of Victor Cobb" and "Walter Withers: The Forgotten Manuscripts", author (for the Famous Australian Art Series) of "Hans Heysen", "Albert Namatjira" and "Walter Withers"; author of "Holesch 1910-1983: Horse Paintings" and of "Frederick McCubbin 1855-1917:"The Proff' and his art"; curator of exhibition "A Tribute to Victor Cobb" and exhibition of artworks of City of Box Hill; co-curator of exhibition "Snugglepot and Cuddlepie and other Fairy Folk of the Australian Bush"; member of the Victorian Artists' Society, Old Water Colour Society's Club and Pastel Society of Victoria. Contents Letter from Andrew Mackenzie to Russell Yeoman, 19 December 1987, regarding planned exhibition of Walter Withers material and lecture to Eltham Historical Society. Nomination from Sue Law, President Eltham Historical Society, 23 January 1990, for Andrew Mackenzie to receive an Australian Heritage Award. Newspaper article: "Eltham honors artist", Diamond Valley News, 16 October 1990, re unveiling of commemorative plaque to Walter Withers in Eltham, designed by John Ebell. CV for Andrew Mackenzie undated but post 1990. Newspaper article: "Artist's mystery pioneer revealed", The Australian, 6 July 1991, Andrew Mackenzie identified the bushman, wife and child in the second panel of Frederick McCubbin's triptych "On the Wallaby Track"; the bushman model was James Edward; McCubbin's daughter Kathleen Mangan said her mother Annie McCubbin was the woman in the second panel; the baby was Jimmy Watson, nephew of Patrick Watson. Newspaper article: "McCubbin talk of immense interest", The Courier Ballarat, 9 January 1992, report of lecture at Ballarat Fine Art Gallery by Andrew Mackenzie on Frederick McCubbin. Magazine article: "Art on show", The Australian Women's Weekly, January 1993, photographs of people attending exhibition of works of Frederick McCubbin, Queensland Art Gallery, including Andrew Mackenzie author of a new limited edition book on McCubbin. Newspaper article: "Meet Andrew Mackenzie", The Heidelberger 23 February 1994, his background and interests, his next project to research Hayward Veal. Letter from John Withers to Sue Law (Eltham Historical Society), 4 August 1994, notifying that he had nominated Andrew Mackenzie for a future Australia Day Award (attaching his documentation). Newspaper article: "Artist's portrait of tragic child is a special find", no publication details, details of forthcoming Sotheby sale which included Frederick McCubbin's portrait of daughter Mary who died in 1894 following an accident, with comment by Andrew Mackenzie. Notice of General Meeting of Eltham District Historical Society, 10 September 2014, speaker Andrew Mackenzie on Walter Withers. Newspaper clippings, A4 photocopies, etcwalter withers, frederick mccubbin, annie mccubbin, mary mccubbin, john withers, john ebell, kathleen mangan, james edward, on the wallaby track, fontainbleau eltham, william mcgregor of mount macedon, patrick watson, ballarat fine art gallery, margaret rich, sotheby's, justin miller, russell drysdale's "the outrider", hugh ramsay's "portrait of a young girl", benjamin duterrau's "portrait of matilda stanfield", eugene von guerard's western district landscape, jimmy watson, queensland art gallery, shirley florence, bettina macaulay, graham drummong, valerie drummond, susan anderson, jane henderson, maria poulos, hayward veal, andrew mackenzie -
RMIT GSBL Justice Smith Collection
Painting 16 - Bottom
16 Bottom Right whiteboard panel 'La fin de l'audience', H Daumier, from a water colour by H. Daumier in the Durand-Ruel Collection, print -
Federation University Art Collection
Painting - Artwork - Painting, [Boats] by Wes Walters
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed water colour showing boats along a pier.wes walters, watercolour, boats, vessels, sailing, available, alumni, ballarat technical art school -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, R. Priester, Pte. Albert Stiles, 1945
Portrait of Private Albert John Stiles, internment camp 1.Khaki and brown pencil and water colour sketch of man in Army uniform with dagger like weapon and part of a rifle. Bullet belt over one shoulder.R. Priester 1945 private albert john stiles, r. priester, internment camp artists -
Tatura Irrigation & Wartime Camps Museum
Painting - Oil Painting, Flowers, 1942
The flowers in this painting were grown and tended to with love by Hans Beck in Tatura Camp 3.A glass vase containing orange, white and yellow flowers. The vase half filled with water and is sitting on a wooden table. The background is a mustard colour. The painting has a gold frame and with linen matt.C Rippertstill life, oil painting, flowers -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Clarice Beckett, Cliff path, c.1929
Painted from Beaumaris Cliffs looking over to Mentone this work is a characteristic example of Beckett's ability to create a sense of place with an economy of means. The bands of floated colour create a flattened 'modern' space while still rendering a truthful impression of the location. oil on boardbeach, coast, cliff, path, tree, clarice beckett, beaumaris, beaumaris bay, bay, bayside, water, meldrum school, painting, mentone -
Nillumbik Shire Council
Painting: Walter MAGILTON, Walter Magilton, Sunlight and Shadows, Warrandyte, 2011
Walter Magilton's professional painting career is highlighted by numerous solo exhibitions, five of which have been in Great Britain. He has also won countless prizes, which include many 'Best in Show' awards. Walter is represented in a great number of private and corporate national and international collections, including ART Bank, in approximately twelve countries.This painting is a one of a series of approximately eight works of the river at Warrandyte and the local creeks, with particular emphasis on the reflections in the water and of the wattle growing along the banks. I was particularly inspired by Penleigh Boyde who did similar work while living in Warrandyte in the early 1920s.'Sunlight and Shadows, Warrandyte' is an oil on canvas painting depicting the Warrandyte landscape, featuring a winding creek with beautiful reflections cast upon it. The colour palate comprises muted green and earth tones, with a vivid aqua for reflective water.walter magilton, nillumbik, warrandyte -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Musicians' Practice Room, c.1943
... ' Practice Room. Water colour mounted and sealed with glass front ...Painted in Camp 1 by one of the German internees, Hans Zenker, and acquired by fellow internee Wilhelm Eckles.Water colour mounted and sealed with glass front in light brown stained wooden frame. Hut with gable roofed adjunct in front, trees and grass. Man standing of to the left of the window.Hans Zenkercamp 1 internment camp, tatura, music room, camp 1 orchestra, illustrations, watercolours -
Stawell Historical Society Inc
Painting, Will Rees, Water colour of property at Dadswells Bridge
... grampians Painting Water colour of property at Dadswells Bridge ...Property painted was Bill & Jean (Cumming) Howards. They were beekeepers & farmers at Dadswells Bridge. Jeans father was a friend of Will Rees. Audrey's (donor) husband Bob Cummings was raised by the Howards from age of 9.Watercolour Painting by Will Rees Stawell artist. Landscape trees two buildings & sheep. Property at Dadswells Brudge. In brown Frame, reflective glassSigned by Will Reespainting, artwork -
Stawell Historical Society Inc
Painting, Water colour of cottage
... grampians Painting Water colour of cottage Water colour of Cottage ...Donated with B/W photo of Isobel Drefke and children daughter and grandchildren of Will ReesWaterWater colour of Cottage by Will Rees 1910W L Reeswill rees, painting, watercolour -
Stawell Historical Society Inc
Painting, J Bosher, Stawell Court House c1985
Framed Water Colour of Stawell Court House in Patrick Street StawellJ Bosher Stawell Court House -
Stawell Historical Society Inc
Photograph, "To Know Him Was To Love Him." --- Colour Photo of the Watercolour painting by Mr Will J Rees
Photo of Will Rees Watercolour (1905) Looking East from Stoney CreekColour photo of reduced water colour. Halls Gap, Grampians Mountains, Victoria; looking east from Stoney Creek. Painted 1905. From the estate of Mrs Jean Hughes.stawell -
Ambulance Victoria Museum
Painting, Ambulance Station, North Eastern Victoria District Ambulance Service, Wangaratta, Grant and Associates Architects and Engineers, Circa 1950s
Created by architects Grant and Associates to show their concept for a new ambulance district headquarters and station in Wangaratta. This building was subsequently built and as of 2015 is still in use.Timber framed water colour showing ambulance station seen from the road. Two cars present and several women and men are walking near the building. Ambulance Service logo has been adhered to the building.north eastern victoria district ambulance service, wangaratta -
Vision Australia
Painting - Artwork, Lin Ditchfield, Sydney Industrial Blind Institution in William Street, 1971
Watercolour by Lin Ditchfield of the Royal Blind Society of New South Wales (formerly the Sydney Industrial Blind Institution) in William Street, Sydney. Built in 1880, the Edmund Blacket designed building was eventually sold in 1971. Located on the corner of William Street and Boomerang Place, the site was keenly sought by developers as the city landscape transformed into high rise office builidings, as evidenced in the background of this painting.Painted by Lin Ditchfield1 water colour in beige frameLin Ditchfield 1971royal blind society of new south wales, lin ditchfield -
8th/13th Victorian Mounted Rifles Regimental Collection
Print - Framed gift from 8QRIH, Visiting the Outposts
The 8 Kings/Queens Royal Irish Hussars was affiliated with 8th Light Horse and later 8/13 Victorian Mounted Rifles. Gifts and visits were exchanged between the regiments. The artist, Henry Martens (b. 1790, London; d. 1868, London) was an English military illustrator and artist. He created works for the firm of Rudolf Ackermann who ran the Eclipse Sporting Gallery at 191 Regent Street. The majority of these depicted military uniforms and battle scenes, particularly images of the Sikh Wars and the Kaffir Wars. He worked mainly in water-colour although a few oil paintings do exist.Framed print of "Visiting the Outposts" by Henry Martens. This was a gift to 8/13 Victorian Mounted Rifles from its affiliated regiment 8 Queens Royal Irish Hussars in 1980.Presented by Queens Royal Irish Hussars 1980military, light horse, hussars, irish, martens, girt, affiliation -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: Banyule, Darebin, Manningham, Nillumbik, Whittlesea & Yarra; Vol. 7, No. 4, Sep-Oct 2002, 2002
Vol. 7, No. 4, Sep-Oct 2002 CONTENTS Comment 2 War Heroes: the blood and the glory 3 Geoff Todd tells it all in paint John Patrick on trees and environmental survival 8 Pam Dougherty Short Story: Treading water 10 David Fettling Rivers of Life: Paintings by Kerry Kaskamanidis 13 Jill Orr: performance artist 14 John Jenkins Making Art with Liz Nettleton 16 Book review: Contemporary Aboriginal Art 18 Susan McCulloch Poetry News and Reviews 20 John Jenkins CD Reviews 22 Geoff Achison, Mirth, King Kadu On Various Bards 24 John di Mase Artin'about 27 Wining and Dining 30 Poetry by Ian McBryde 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, aboriginal reconciliation, bundoora homestead, jacqueline healy, willy wonka's ice cream gourmet food, melbourne rudolf steiner school, eltham fullife pharmacy, montsalvat, trees, landscape degeneration, urban development, david fettling, dynamic vegies, nillumbik artists' open studios, kerry kaskamanidis, jill orr, john jenkins, thompson's pharmacy, liz nettleton, st andrews hotel, hurstbridge nursery, chris pittard, mary-lou pittard, eltham wiregrass gallery, john di mase, eltham warrandyte pottery open studio, ian mcbryde, bulleen art & garden centre -
Women's Art Register
Book, Janine Burke, Australian Women Artists 1840 - 1940, 17/04/22
... . painting water colour portraiture print making A history ...A history of Australian women artists, the lives and practice of 24 women are covered to redress their absence in critical and art historical records.non-fictionA history of Australian women artists, the lives and practice of 24 women are covered to redress their absence in critical and art historical records. painting, water colour, portraiture, print making -
Pyrenees Shire Council
Painting, Marion Chapple, Pyrenees Landscape by Marien Chapple
Saunders Waterford - water coloursigned: M Chapple (lower left) -
South Gippsland Shire Council
Print, Boats at Wicklow Harbour
Colour print of a watercolour painting titled "Boats in Wicklow Harbour". Set in cream card window mount. Features boats, water, buildings and low hills in the distance. Colours of red, greys, creams, blues and browns. Title printed lower left corner and artists signature lower right corner. Produced by Wicklow Scenic Prints. Made in Ireland. -
Glenelg Shire Council Cultural Collection
Painting, Alan Wilson, Crumpets, 1991
Exhibition, CEMA 1991.View of beach with crumpets in foreground and hills and cliffs in background. Scene sweeps up to the right of image. Sea is breaking over several boulders along shoreline. Far out to sea the water's colour is dark green and indigo, arond a rocky island. Sky is pale blue with violet clouds near horizon line and white wispy clouds above. Mounted in a double matt (white on violet) and framed under glass in decorative wooden frame with gold decoration and paint.Front: (no inscriptions) Back: Alan Wilson. "Crumpets". Hollands framing sticker (lower centre). Oils-on canvas on ply. 1991. (lower right) (pen) 1991 (lower centre) (pencil). -
Tatura Irrigation & Wartime Camps Museum
Painting, Memories of home, 1940's
Painted by Gerda Kazenwadel. Possibly done from memory of home in Palestine whilst a student at Camp .Dark brown framed and glazed water colour of interior of a room. Features stove, lead light window, whip on wall beams, wood paneling, pot plant, plates, blue hull yacht painted on wall, etc.camp 3, tatura, ww2 camp 3, gerda kazenwadel, internment camp artwork