Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. Black and white photograph with white border of a closed gate with a paddock in the foreground. A line of trees and the chimney of Amess House is visible behind the fenceline.Catalogue number written on reverse in pencilchurchill island

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. Black and white photograph with white border of a dining table filled with food and flowers for the 1981 VCT feast. Taken on the balcony at Amess House.Catalogue number written on reverse in pencil Written in pencil on reverse '1981 V.C.T Feast'churchill island

One of a collection of 15 sheets with copies of Postcards printed onto A3 sheets from the Shirley Jones Collection.Copies of postcards. Cowes Pier; Churchill Island; People waiting on the Cowes Pier for the Steamer; The Cowes Pier; View of Churchill Island; Coastal scene at Cowes; Postcard with 4 scenes at Churchill Island - Amess Cottage, Moonah Trees, Historic Cannon; Kilcunda General Store."Cowes from the Pier" - "Waiting for the steamer on the Pier at Cowes P.I." - "The Pier at Cowes" - "Churchill Island from Phillip Island" - "Churchill Island, Amess Cottage, Moonah Trees, Historic Cannon" - "The General Store Kilcunda Vic"cowes pier phillip island, churchill island, amess house churchill island, moonah trees, kilcunda general store, shirley jones collection, thelma astbury

Sea Chests were traditionally used for centuries by sailors as a portable locker, box or suitcase to securely store and transport their personal belongings from one ship to another. This particular trunk is believed to date from the late 1800’s. It was existing in the house when Gerald Buckley took over from the Amess family in 1929. Edith took the chest when they left the island in the 1930s. It was used by the Jeffery family to store linen.Large unpainted cedar chest with hinged lid. Lid has rounded edges. Board at base.amess house, cedar chest, samuel amess, churchill island

Large olive-type shell. Fawn colourchurchill island, amess house, shell

Aluminium bucket with turned wooden handlealuminium, churchill island, bucket, amess house

Clear glass measuring glass with raised gradations down side. Round. Used as salt cellar. "IDEAL" "TEASPOONS" "TABLESPOONS" Numbered 1 - 8; 4, 8, 16, 24, 32churchill island, amess house, kitchen utensils

Cast iron Husqvarna hand mincer with adjustable vice, and removable internal attachment. "HUSQVARNA"amess house

Set of nine mismatching liqueur stem glasses with French-embossed floral designsamess house, sherry glass, liqueur glass

This cream jug would have been used to hold cream for table use. This chintz transfer ware was made from 1930 until the 1980’s. The Rose time pattern was introduced in 1931. The Lord Nelson ware was made by Elijah Cotton, ceramic makers of Staffordshire, England.Ornate cream jug with large curved lip and generous handle with scrolling. Lord Nelson Ware, 'Rose time' series with purple and orange roses with green leaves on cream coloured background. Antique design. Matches milk pitcher 0288 china, lord nelson ware, amess house

This pitcher (jug) would have been used to hold milk and due to its elaborate design, it was placed on the table. This chintz transfer ware was made from 1930 until the 1980’s. The Rose time pattern was introduced in 1931. The Lord Nelson ware was made by Elijah Cotton, ceramic makers of Staffordshire, England.Ornate fluted milk pitcher with shaped top and lip and scrolled handle. Lord Nelson Ware, 'Rose time' series with purple and orange roses with green leaves on cream coloured background. Antique design. Matches cream jug 0287 On base 'Lord Nelson Ware'china, milk pitcher, lord nelson ware, amess house

This gravy boat would have been used to serve gravy or sauce, which could be poured over the meats by the diners, at the table. This gravy boat was produced by Pinnox and Unicorn, 'Wedgwood & Co Ltd', which was headed by Enoch Wedgwood, and was based in Tunstall, Stoke-on-Trent, England. This company is often confused with 'Wedgwood' which belonged to Josiah Wedgwood. The printed mark on the bottom of the boat indicates the boat is C1908+Small, rounded white ceramic gravy boat with black geometric, and gold floral pattern around rim. Gold gilt highlights on base and top rim and decorative handle. On base: Crown with 'Wedgwood & Co Ltd" Handpainted: 'v1'china, wedgwood, amess house

This knitted layette including a bonnet, cardigan, and two booties was created by Mrs Lavinia Brown, a champion knitter who loved Churchill Island. Mrs Brown was born on 16 June 1913 in Regent, and she entered all of her knitting into the Royal Melbourne Show. Her daughter recalls that her knitting never won anything less than first prize, and was most often Champion. She remembers that once Mrs. Brown's work was disqualified as being 'machine knitted', and after an appeal in which she was required to knit a pattern in front of them, she was awarded the champion. Mrs Brown chose to use bicycle spokes with wax ends as she could not find needles small enough for use to make babies' clothing.Lavinia Brown loved Churchill Island, and this was donated by her daughter, A. Cattell. It represents a superb example of non-conventional hand knitting as well as being of the era for Churchill Island.Cream fine wool knitting sample on bicycle spoke needles with wax ends made for knitter by her husband. Ball of wool still attached knitting, lavinia josephine brown, churchill island, amess house

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.This series of photographs were taken in the late 1890s and show scenes from around the island while it was owned by Samuel Amess and his family.Black and white reprint of a photograph from the late nineteenth century showing two boats resting on the river floor at low tide. A man sits in the rear of the second boat.Catalogue number written in pencil on reverse. amess house, samuel amess, churchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.This series of photographs were taken in the late 1890s and show scenes from around the island while it was owned by Samuel Amess and his family.Black and white reprint of a photograph from the late nineteenth century showing two men resting in a paddock with a line of trees dividing the field from the water. One man is reclining on the grass while another stands.Catalogue number written in pencil on reverse. amess house, samuel amess, churchill island, photograph, cannon

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.This series of photographs were taken in the late 1890s and show scenes from around the island while it was owned by Samuel Amess and his family.Black and white reprint of a photograph from the late nineteenth century showing two men resting in a paddock with a line of trees dividing the field from the water. One man is reclining on the grass while another stands. Copy of 0658.3Catalogue number written in pencil on reverse. 'VICTORIAN DEPT OF AGRICULTURE' written in pencil on reverse Stamp on reverse: 'Photograph by Information Branch Victorian Dept. of Agriculture Ref. No 1978(541-8)'amess house, churchill island, samuel amess, moonahs

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.This series of photographs were taken in the late 1890s and show scenes from around the island while it was owned by Samuel Amess and his family.Black and White photograph taken from the late nineteenth century showing three men reclining with a dog in a paddock on Churchill Island with the shoreline and mudflats in the background.Catalogue number written on reverse in pencil. Written on reverse in pencil 'Department of Agriculture' Stamp on reverse 'Photograph by Information Branch Victorian Dept. of Agriculture Ref. No 1978(541-28)churchill island, amess house

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.This series of photographs were taken in the late 1890s and show scenes from around the island while it was owned by Samuel Amess and his family.Black and white reprint of a photograph from the late nineteenth century showing two boats resting on the river floor at low tide. A man sits in the rear of the second boat.Catalogue number written on reverse in pencil. Written on reverse in pencil 'Department of Agriculture' Stamp on reverse 'Photograph by Information Branch Victorian Dept. of Agriculture Ref. No 1978(541-26)churchill island, amess house

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.This series of photographs were taken in the late 1890s and show scenes from around the island while it was owned by Samuel Amess and his family.Black and white reprint of a photograph from the late nineteenth century showing three men posing in an orchard. One man is on a ladder, and the other two are gesturing at the tree.Catalogue number written on reverse in pencil. Written on reverse in pencil 'Department of Agriculture' Stamp on reverse 'Photograph by Information Branch Victorian Dept. of Agriculture Ref. No 1978(541-27)churchill island, amess house

Three shelf bamboo whatnot stand with metal tips. Sinuous arabesque decoration at the top/back shelfchurchill island, furniture, amess house

This rug was woven at the Geelong Wool Museum in an elephant print pattern developed in the 1920s. Part of a working exhibit, it was created on a Jacquard loom manufactured in Kidderminster, UK in 1910s, and assembled in Australia. From the pamphlet: This rug was designed by Brinton's Carpets, a company that produced carpets in Geelong until 2008. The design was produced exclusively for the National Wool Museum, and came from an earlier design housed in Brinton's UK Persian Rug Archive and was recoloured for the Australian market. This Rug was produced on a 1910-built Axminster Jacquard Carpet Loom, donated to the Museum by Brintons. It forms the centrepiece of the National Wool Museum, where visitors daily experience this extraordinary machine in operation. Using Jacquard technology which is over 200 years old, individual coloured yarns of 80% wool and 20% nylon blend are used to produce high quality and long lasting durability.'Manor House' Hall runner. Elephant print pattern.amess house, churchill island, geelong wool museum, hall runner, joseph jacquard

Rectangular pine dining table. Four turned wood legs amess house, churchill island, table

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of a tractor shed with gum tree.Catalogue number written in pencil on reverse. On reverse in pen 'The tractor shed Note - Gum Tree'churchill island, tractor, shed, amess house

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of a horse, a foal, and a cart in front of a leaning tree with a barn on the right side.Catalogue number written in pencil on reverse. On reverse in pen '1939 Building on right is the old hay barn'churchill island, amess house, barn, horse

Churchill Island has a large photograph collection dating from the nineteenth century. This series consists of candid photographs of everyday life taken by previous residents of the island.Black and White photograph of Doug Finlayson and Valda Treadwell standing on the path in front of Amess House, with a wooden arbour visible on the left side of the photo.Catalogue number written on reverse in pencil. Handwritten in pen on reverse: '1940. DOUG FINLAYSON AND VALDA TREADWELL ON PATH IN FRONT OF HOUSE. NOTE - PINE TREES AND THE BIG DAM BEHIND THEM'churchill island, valda treadwell, doug finlayson

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of Billie Wilson carrying a bucket and walking from Amess House and Rogers' Cottage. An iron tank is on the left hand side of the frame.Catalogue number written in pencil on reverse. On reverse in pen '1940 Billie Wilson. Note the iron rivetted water tank'churchill island, billie wilson

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of a woman wearing a long white semi-sheet wrapper, in front of the writing desk in Amess House, with her right hand resting on a wooden chair.catalogue number on reverse in pencilchurchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present.Black and white photograph of three men gathered around the cannon out the front of Amess House. From left: Mal McCartney, Guy Evans, Gid Ashley.Catalogue number written in pencil on the reverse. Handwritten on reverse in pen '1940. The 'cannon' left to right Mal McCartney (amateur radio friend of TEDS) Guy Evans (MY BROTHER) SHOT DOWN OVER TIMOR IN A LIBERATOR BOMBER IN THE RAAF IN 1944 GID ASHLEY (ONE OF THE 'GANG' FRIENDS OF TED!) NOTE THE CANNON BALLS' In another hand 'Amateur radio friend of Teds'churchill island, cannon

Churchill Island has a large photographic collection dating from the nineteenth century. This series shows the extensive work and volunteering conducted on site by workers after it was turned into a heritage siteColour photograph of a group of people sitting in a long cart being driven by two horses passing by Amess House Potentially taken in 2001 at a Working Horses ExpoCatalogue number on reverse in pencil. churchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of a woman wearing a long white semi-sheet wrapper, standing to the left of the fireplace in the Amess House drawing room, with her right hand resting on the mantel.catalogue number on reverse in pencilchurchill island, photograph