This stencil was used as a ship identifier stamp for the transportation of wool bales. Euripides was a transport ship summoned by the Australian government in 1914 to carry soldiers of the Australian Imperial Force and reinforcements to battalions serving in Gallipoli, Egypt, and on the Western Front. The ship continued to carry troops until 1919. During the Second World War Euripides was again summoned by the Australian Government under its new name ‘Akaroa’. The ship retired and broken up in 1954. Wool bales marked EURIPIDES would have been transported on the Euripides ship.Wool bale stencil - EURIPIDESEURIPIDESwool sales, wool transportation, wwi, wwii

Book

Book

Index, ill, maps, p.328.non-fictionAn account of the Gallipoli campaignworld war 1914-1918 -campaigns - gallipoli, world war 1914-1918 - personal recollections

Ill, maps, p.227.non-fictionA regimental history of the 27th Battalion 1st AIFworld war 1914-1918 - regimental histories - australia, world war 1914-1918 - campaigns - france, world war 1914-1918 -campaigns - gallipoli

Ill, p.160.non-fictionRecollections of a chaplain on the western front in WorldWar Twoworld war 1914-1918 - personal recollections, australian imperial force - chaplains

Ill, p.190.non-fictionThe work of the Salvation Army in connection with the Australian 1st AIFworld war 1914-1918 - salvation army, salvation army - australia - history

Ill, maps, p.508.non-fictionThe story of the 12th battalion in the Great Warworld war 1914-1918 - regimental histories - australia, australian imperial force - 12th battalion

Index, Ill, maps, p.967.non-fictionVolume two of the official history of Australia in the war of 1914-1918world war 1914-1918 - australia - history, australia - history - 20th century

Index, Ill, maps, p.967.non-fictionVolume one of the official history of Australia in the war of 1914-1918world war 1914-1918 - australia - history, australia - history - 20th century

Index, Ill, maps, p.764.non-fictionVolume one of the official history of Australia in the war of 1914-1918world war 1914-1918 - australia - history, australia - history - 20th century

Index, Ill, maps, p.764.non-fictionVolume one of the official history of Australia in the war of 1914-1918world war 1914-1918 - australia - history, australia - history - 20th century

Index, Ill, maps, p.792.non-fictionVolume one of the official history of Australia in the war of 1914-1918world war 1914-1918 - australia - history, australia - history - 20th century

Index, Ill, maps, p.452.non-fictionVolume one of the official history of Australia in the war of 1914-1918world war 1914-1918 - australia - history, australia - history - 20th century

A display folder for a set of 20 cent coins issued in 2015 to commemorate 100 years of Anzac and the First World War. Based on photos chosen from the Australian War Memorial archive, the ANZAC Official Coin Collection includes fourteen coins that have been designed and produced by the Royal Australian Mint to mark significant aspects that occurred in the First World War. Our set contains 13 coins. The First World War themes featured in this collection include the war years, mateship, Light Horsemen, the home front, the Royal Australian Navy, Remembrance Day, Nurses, wartime animals, The Last Post, War Correspondents, Australian Flying Corps, Australian Imperial Force, the Unknown Soldier, and the Gallipoli Landing. Project was issed by the Royal Mint and supported by the Australian War Memorial, Newscorp, Westpac and Legacy. The set, including coins was used as a prize in the JPESA speaking contest that Melbourne Legacy ran for many years until 2022.A type of prize given at a Legacy speaking competition that commemorates World War 1.Cardboard folder for a coin collection to be inserted in. Folds out into 6 sections. Red cord to tie the folder closed.coins, world war one

A set of thirteen 20 cent coins issued in 2015 to commemorate 100 years of Anzac and the First World War. Based on photos chosen from the Australian War Memorial archive, the ANZAC Official Coin Collection includes fourteen coins that have been designed and produced by the Royal Australian Mint to mark significant aspects that occurred in the First World War. Our set contains 13 coins - missing the Australian Flying Corps. There is also a folder to store the set in. The First World War themes featured in this collection include the war years, mateship, Light Horsemen, the home front, the Royal Australian Navy, Remembrance Day, Nurses, wartime animals, The Last Post, War Correspondents, Australian Flying Corps, Australian Imperial Force, the Unknown Soldier, and the Gallipoli Landing. Project was issed by the Royal Mint and supported by the Australian War Memorial, Newscorp, Westpac and Legacy. The set, including coins was used as a prize in the JPESA speaking contest that Melbourne Legacy ran for many years until 2022.A type of prize given at a Legacy speaking competition that commemorates World War 1.Thirteen uncirculated 20 cent coins in cardboard mount, each commemorating an aspect of World War 1. coins, world war one

Ill, maps, p.371.non-fictionThe history of the 39th Battalion, Australian Imperial Force during the First World Warworld war 1914-1918 - regimental histories - australia, world war 1914-1918 - campaigns - france

Note printed at lower edge of poster - "These colour patches identified units and formations of the Australian Army which fought during World War 1. They are reproduced for ANZAC Day 1981 as a tribute to the soldiers who wore them".Poster - paper, colour ink print of 250 colour patches of the Australian Army, Worl War One. Reproduced from the "Supplement to 'The Weekly Times' April 5, 1919" Heading to poster "THE GREAT WAR/1914 - 1918" beside Rising Sun badge framed by crossed flags (Red, White and Blue) with laurel leaves and lettering "COLOUR PATCHES". Frame - black colour paint on timber frame with glass front and cardboard backing. Mount - white colour cardboard.Information on poster in purple colour print "THE GREAT WAR/ 1914-1918". "With the Compliments of The Herald and Weekly Times Ltd". "DISTINGUISHING BADGES OF THE AUSTRALIAN IMPERIAL FORCE".framed accessories, poster, ww1, colour patches

Built by noted artist Theodore Penleigh Boyd, father of architect Robin Boyd. Covered under National Estate, National Trust of Australia (Victoria) Local Significance and Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p111 The Robins at Warrandyte,* was once home to a member of a famous family and is also one of the first reinforced concrete houses in Victoria. The builder, Theodore Penleigh Boyd, born in 1890, was a talented painter1 noted for his works of the Warrandyte bush. He was the father of architect Robin Boyd, author of the Australian Ugliness and the uncle of painter, Arthur Boyd. Penleigh Boyd’s great grandfather was Sir William A’Beckett, Victoria’s first Chief Justice. Penleigh Boyd is considered by some to be an ‘unsung hero’ overshadowed by more famous members of his family. Mornington Gallery Director Andrea May said many believed Boyd ‘had never received the national acclaim that he deserved’.2 Classified by the National Trust3 and part of the Australian National Heritage,4 The Robins is set well back near the end of Kangaroo Ground – Warrandyte Road, unobserved by passers-by. Built in 1913, The Robins has some Art Nouveau influences and is a descendant of the Queen Anne style. It is covered in stucco and has a prominent attic, which Boyd used as a studio. Some parts of the house are up to 33 centimetres thick and built in part with pisé (rammed earth) and in part with reinforced concrete. Amazingly, Boyd built The Robins without an accessible driveway, and only a narrow track along which he had to cart building materials. The journey was uphill and Boyd terraced the land with Warrandyte rock5 without the aid of machinery. At only 33 years, Boyd was killed in a car accident in 1923. He was buried in Brighton near the home of his parents. Several people have since owned the house, including political journalist, Owen Webster. Boyd was born at Penleigh House, Wiltshire, and studied at Haileybury College, Melbourne and The Hutchins School, Hobart. He attended the Melbourne National Gallery School and in his final year exhibited at the Victorian Artists’ Society. He arrived in London in 1911 and his painting Springtime was hung at the Royal Academy. He painted in several studios in England and then worked in Paris.6 There he met painter Phillips Fox through whom he met artists of the French modern school and also his wife-to-be, Edith Anderson, whom he married in Paris in 1912. After touring France and Italy, the couple returned to Melbourne. In 1913 Boyd held an exhibition and won second prize in the Federal Capital site competition, then the Wynne Prize for landscape in 1914. In 1915 Boyd joined the Australian Imperial Force, and became a sergeant in the Electrical and Mechanical Mining Company. However he was severely gassed at Ypres and invalided to England. In 1918 in London Boyd published Salvage, writing the text and illustrating it with 20 black-and-white ink-sketches of army scenes. Later that year he returned to Melbourne, and, despite suffering from the effects of gas, he held several successful one-man shows, quickly selling his water-colour and oil paintings. In his short career Penleigh Boyd was recognized as one of Australia’s finest landscape painters. He loved colour, having been influenced early by Turner and McCubbin. His works are in all Australian state galleries, the National Collection in Canberra as well as in regional galleries.7 His wife Edith was also an artist having studied at the Slade School, London, and in Paris with Phillips Fox. After her marriage she continued to paint and excelled in drawing. In later years she wrote several dramas, staged by repertory companies, and radio plays for the Australian Broadcasting Commission, in which she took part. She was the model for the beautiful red-haired woman in several of Phillips Fox’s paintings and the family hold three of his portraits of her. *Possibly named after the Aboriginal words warran, meaning ‘object’ and dyte, meaning ‘thrown at’.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, kangaroo ground-warrandyte road, north warrandyte, the robins