Son of Lil & Ray JULIER Brad played football for Port Melbourne Football Club.Colour photograph of Brad JULIER sport - australian rules football, port melbourne football club, brad julier

Robyn CLINCH on violin at the launch of the Women of Port Melbourne Exhibition & book, October 2005.Robyn CLINCH & her group playing at the launch of the Women of Port Melbourne exhibition18/10/2005 Robyn Clinch & her groupwomen of port melbourne, robyn clinch

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.Black and white photograph of a group of three people playing around the jetty on Churchill Island looking towards the Boys' HomeCatalogue number written in pencil on reverse. Written in pen on reverse '1940 Another shop of the old jetty in bay towards the Boys' Home'churchill island

Index, ill, maps, p.332.non-fictionThis is the first time that those in direct command of Delta Company have shared their memories of the most significant battle fought by Australians in Vietnam, the Battle of Long Tan. Each of the commanders shares the experiences that brought them to Vietnam, and describes how the company commander, Harry Smith, drove Delta Company to become one of the most outstanding units in the Australian forces. Delta's superb military discipline, and its commanders' ability to think outside the square were decisive in holding a vastly superior number of enemies at bay. Each platoon played a crucial role in Delta Company's survival. The artillery's commitment in providing an unbroken wall of metal through which the enemy had to advance is told from the perspectives of both the forward controller and the gun positions. We fly with the RAAF helicopter pilots whose ammunition resupply was the turning point of the battle, and experience the carnage of the battlefield through the eyes of those in the relieving APCs. Delta Company's trauma on returning to the battlefield to claim their fallen was lightened only by the miraculous survival of two of their wounded. The trauma of the battle did not end with the action, however, as politics began to play their part in the drama. The valour of those directly involved in the battle has never been duly recognised - in some cases it has been belittled, in others denied. The ongoing efforts of the Long Tan commanders to right the many wrongs perpetrated in the wake of the battle, and their own journeys from the events of August 1966 draw the reader into a compelling dialogue on the aftermath of Vietnam. Collapse summary vietnam war 1961-1975 – australian involvement, vietnam war 1961-1975 – battles – long tan

Informal 12 hole golf event, played on Grand Final weekend. This event was started by a group of friends when there were few official golf tournaments played at Peterborough. The event was a stroke event with "mystery handicaps" ie you didn't know your handicap until you finished playing. The event was played on the Sunday of Grand Final weekend (except initially); Friday night traditionally was tea at Boggy Creek Pub and a Fishing Comp on Saturday. The name came about because three of the regular players, Ivan Voss, Bob Loader and R. McKendrick had a hut at the top of the dunes near Crofts Bay. They had a clinker boat on the beach as well. They subsequently built a house in Childers St. It ceased when the original participants were no longer able to play. The date of the first winner is 1980, last recorded winner is 1995. No longer played. further information required. Winners: 2nd August 1980 F. Virgona, 8th March 1981, R Case 25th September 1982, E Brierly 24th September 1983, R Mckendrick, 28th September 1984 D Stead, 28th September 1985 I Turnbull, 27th September 1986 J Charles, 26th September 1987 I Voss, 1988 no winner, 1989 F Carlin, 1990 B Turner, 1991 R Pollock, 1992 S McGuire 25th September 1993 B haskett 1st of october 1994 R pollock 30th of september 1995.Shortened golf driver and cracked ball mounted upon a wooden base with names engraved on metal surround.Engraved names, listed below, on metal plate affixed to the base.golf, peterborough golf club, golf tournment

1966, 102, city of heidelberg repertory group, heidelberg theatre company inc, director michael walker, brighton bay festival of one art plays

The Armstrong Cannons were originally placed at Fort Gellibrand, located at the southernmost tip of the Williamstown peninsula. The Fort was developed during the 1850s as part of a defensive system for the city and port of Melbourne. The importance of the Fort batteries declined from the 1890s, when they were effectively replaced by new facilities at Queenscliff and Point Nepean, but they were still used for gunnery practice. Local residents, through the Williamstown Town Council, complained to the Acting Minister for Defence that the concussion from the guns damaged windows, walls and foundations of buildings. The Armstrong Cannons were moved from Fort Gellibrand to the Gardens in 1906. A primary source of evidence of the cannons being in the Gardens. The cannons are remembered fondly as play equipment for the local children. Many tales have been told of climbing over them and pretending to be shot out of them A collection of seven black and white photographs documenting the removal of the cannons from the Gardens Photo 1 (a) Black and white landscape image. View is looking through the main gates looking at the front of the truck, which has the name Walter Wright across the front bumper, the crane and canon. The gates and fence are painted a light colour, probably white. Photo 2 (b) Black and white landscape image. Back of loader with cannon on it. Man standing on top of the cannon bending over either tying or untying ropes. Trunk of a palm tree is on the left side of the photo with a top of a palm tree in the background. Photo 3 (c) Black and portrait white image. A cannon being loaded by the crane on to trailer. Palm tree is in the background and fronds from a palm tree can be seen in the right top corner. Photo 4 (d) Black and white landscape image. Side on view of a cannon on the truck parked outside the grounds of the Gardens. The logo of the name of the trucking company is on the door of the truck above the words ‘WALTER H WRIGHT / TRANSPORT PTY LTD / S SCHULZ ST WEST MELB’. A second cannon can be seen in the background. A bus is in the background on the middle right side of the image. Photo 5 (e) Black and white landscape image. Truck with cannon on the back leaving the ground of the Gardens. Tree on the right side of the image and power pole is behind the truck. The logo of the name of the trucking company is on the door of the truck above the words ‘WALTER H WRIGHT / TRANSPORT PTY LTD / S SCHULZ ST WEST MELB’. ‘WALTER WRIGHT’ is on the front bumper Photo 6 (f) Black and white landscape image. Cannon tied down on the back of the truck as it is being driven across the street. Three houses in the background and two cars, one is a Volkswagen Photo 7 (g) Black and white landscape image. Cannon on the back of the truck which is parked over the street from the Gardens. Three houses are in the background. Two trees bare of leaves. The front of a car in in the foreground – it has a sun visor and the steering wheel is a light colour.armstrong cannons, williamstown botanic gardens, hobsons bay city council, 1970, walter h wright / transport pty ltd

The Gardens were a popular venue for Sunday School picnics for many years. She was aged approximately when the photo was taken and her head can just be seen in the middle of the photo. Alice Weatherhead (Cochran) lived firstly in Newport and then Railway Cres Williamstown. She attended the Newport Baptist Church and the Domestic Arts School. At the time of writing the letter she was 91 years of age. She worked at the aircraft factory in Champion Road, Newport making the rear fuselage for Beaufort Bombers. Her father, Tom Cochran, belonged to the Williamstown Horticultural Society.Alice’s photos and written memories encapsulate the intangible heritage of the Williamstown Botanic Gardens. She recalls: playing in the Gardens; using them as her as a place for solace and thinking; while riding to the beach from Newport; walking in crocodile file past the Gardens from her school to the swimming baths, the ‘air of mystery as you walked through those wonderful wrought iron gates’; a place of courtship with the boy she later married. She wrote about seeing a purple flowering plant in a circular bed that was ‘spectacular and inspired me to grow it in my garden’. Black and white image of people sitting and standing together for the group photo. There are large trees in the background; a young boy standing with his hands behind his back at the back row to the left. There are two crosses (in pen) above the heads of two women in the back row on the left side.On the reverse of the image: Mother and G. M. L. / marked x x / Newport Baptist S.S. / Picnic Williamstown Gardens / Grace Logan / [address is written but not to be published] / No29williamstown botanic gardens, hobsons bay city council, 1930, newport baptist sunday school picnic, alice cochran

Images collected by donor for Williamstown High School archives and scanned by Lindy Wallace for Botanic Gardens archiveThe images demonstrate the social value of the Gardens to the local community and how they used as a place for meeting, playing and celebrating with friends and family. Image 2014.007a is evidence of presence of cannons in the Gardens during the 1950s Black and white image of cannon with five children playing on and around it - two children sitting on the barrel, two on the carriage and one at the front of the cannon. Except for the girl at the front of the barrel who is wearing a dress, the children are all wearing shorts The cannon is on a hard pad with the wheels of the carriage facing to the side. Names from left to right starting at top: Robyn McComish, Tom Webb (brother of donor), Iris Webb (donor), Pam McComish, unknown. williamstown botanic gardens, hobsons bay city council, iris whitehurst, williamstown high school, cannon, 1959

Images collected by donor for Williamstown High School archives and scanned by Lindy Wallace for Botanic Gardens archiveThe images demonstrate the social value of the Gardens to the local community and how they used as a place for meeting, playing and celebrating with friends and family.Black and white image of two teenage girls sitting in the grounds of the Gardens. There is a hedge, a hanging branch of a palm tree and a striped towel in the background. The girls are sitting the sun with the background in shade and are wearing skirts and blouses. Names: Iris Webb, Susan Andrew williamstown botanic gardens, hobsons bay city council, iris whitehurst, susan andrew, 1959

Images collected by donor for Williamstown High School archives and scanned by Lindy Wallace for Botanic Gardens archiveThe images demonstrate the social value of the Gardens to the local community and how they used as a place for meeting, playing and celebrating with friends and family. Image 2014.007c also demonstrates the changes over time to the Gardens structures: for example when the gates and fence was painted white. Colour image of approximately 18 children sitting in front of and drawing dates of the Gardens. Most have blue jumpers on over the top of their light blue school uniforms. The gates, posts and picket fence are painted white. They are students of Williamstown High School Art Class. The name of the teacher is unknown. williamstown botanic gardens, hobsons bay city council, williamstown high school

Images collected by donor for Williamstown High School archives and scanned by Lindy Wallace for Botanic Gardens archiveThe images demonstrate the social value of the Gardens to the local community and how they used as a place for meeting, playing and celebrating with friends and family.Black and white image of Williamstown High School students end of year picnic. Girls and one boy are sitting on the grass, boys standing in the background and teacher is standing to the right of the image. williamstown botanic gardens, hobsons bay city council, williamstown high school, 1952

Images collected by donor for Williamstown High School archives and scanned by Lindy Wallace for Botanic Gardens archiveThe images demonstrate the social value of the Gardens to the local community and how they used as a place for meeting, playing and celebrating with friends and family.Black and white image of Williamstown High School students at the Gardens. 7 girls sitting on grass in front row; 7 girls kneeling in second row; approximate 17 students standing in two rows at rear; teacher standing to the right of the image. They are on the lawn with paths and trees in the background.

Images collected by donor for Williamstown High School archives and scanned by Lindy Wallace for Botanic Gardens archiveThe images demonstrate the social value of the Gardens to the local community and how they used as a place for meeting, playing and celebrating with friends and family.Black and white image of Williamstown High School students at the Gardens. 12 boys sitting and kneeling on the grass. Flag pole, trees and another group of students are in the background. The group includes James Morton, Ian Porter, Tom Radford, Douglas Henderson. williamstown botanic gardens, hobsons bay city council, williamstown high school, 1952

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic Gardens. Interviewer is Lindy WallaceA primary source of information on memories of the Gardens. Iris was born in Williamstown in 1943, has lived in Williamstown all her life and has been witness to changes in the Gardens over those years. CD and transcript of interview with Iris Whitehurst and her memories of the Gardens from her childhood through to adulthood. Iris was born in Williamstown and has memories of the Gardens from an early age. In the interview she talks of playing on the cannons, memories of the Gardens appearance over the years and the contribution of the Friends of the Gardens.iris whitehurst, fish pond, ornamental lake, gates, curator, horse, cannons, williamstown botanic gardens, hobsons bay city council

The photos provide a snapshot into the way the Gardens have been used over the years for play by children. They are evidence that the cannons were in the Gardens in the early 1960s. Black and white images of small boy playing in the Gardens. He is wearing a knitted jumper with three light coloured buttons on the front. He is kneeling on the base of a cannon, looking at the camera. The image is taken from the front of the cannon and there appears to be a large artillery shell in the barrel. A wire and barbed wire fence that at one time divided the formal part of the Gardens from the Pinetum can be seen in the background. On reverse: Aidrian White / (formerly The Esplanade) / (1961/2?) / Photo donated by / Mrs White Sept 2012 / Williamstown Botanic Gardenswilliamstown botanic gardens, hobsons bay city council, 1961, aidrian white, cannons, fence, pinetum

The photos provide a snapshot into the way the Gardens have been used over the years for play by children. They are evidence that the cannons were in the Gardens in the early 1960s. Black and white images of small boy playing in the Gardens. He is wearing a knitted jumper with three light coloured buttons on the front. The boy is on the grass border of the main palm avenue looking into the camera. His hand is blurred by movement. Aidrian White / (formerly The Esplanade) / (1961/2?) / Photo donated by / Mrs White Sept 2012 / Williamstown Botanic Gardenswilliamstown botanic gardens, hobsons bay city council, 1961, aidrian white, cannons, fence, pinetum

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic Gardens, surrounding areas and Fearon ReserveA primary source of information on memories of the Gardens and witness to changes in the Gardens over those years. CD and transcript of interview with Ken Speakman. Also present was his daughter, Nola Wilson. His son visited part of the way through the interview. Ken’s family moved to Williamstown in 1918 when he was a baby and he has lived in Williamstown, close to the Gardens since that time. He was a keen lacrosse player, playing on Fearon Reserve. Ken was interviewed for his memories of the Gardens and its relationship to Fearon Reserve. ken speakman, nola wilson, fearon reserve, lacrosse, 1918, bill crowe, william crowe, bird cage, bandstand, ramsay’s café, horses, harry stitt, cannons, aci glassworks, woollen mills, oil refinery, sims cooper, abattoir, mobil, palms, williamstown botanic gardens, hobsons bay city council

Fern gullies around Jehosaphat Gully Covered under National Estate. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p125 The magnificent Kinglake National Park, fringing Nillumbik’s north, is the largest national park close to Melbourne. Thanks to the vision and hard work of a band of local people, the park was created from what was rapidly becoming degraded land. Seeing a threat to Kinglake’s indigenous flora and fauna, several prominent local people campaigned for a national park, which was established in 1928.1 Since then, the park has grown through donations and acquisitions of land, from around 13,800 acres of land (5585ha) to 22,360 hectares. The Sugarloaf and Everard Blocks – of almost 8000 hectares – stand in Nillumbik and the park extends into Mitchell and Murrundindi Shires and the City of Whittlesea. Mt Everard commemorates William Hugh Everard, State member for Evelyn when the park was established. Before 1928, European settlers had degraded the Kinglake area, which was named after the celebrated English author and lawyer, Alexander William Kinglake. Remains of gold shafts and diggings in the park are reminders of Kinglake’s first settlers, who hoped to strike it rich at the gold diggings. But like other gold fields in this shire, they proved not very lucrative and soon timber cutting replaced mining in importance. However, before long, the accessible timber supply ran out, so in the 1920s agriculture took over – particularly potatoes and berry fruits – which involved large-scale clearing.2 The park’s instigator was retired Melbourne University Professor of Music, William Laver.3 As chair of the Kinglake Progress Association he began negotiations to have crown lands on the southern scarp of the Great Dividing Range reserved as a national park. Even before the park was proclaimed, from 1927, KPA members cut tracks to the major scenic points. Professor Laver was one of several people who gave land for the park, donating around 50 acres (20ha), including the Jehosaphat Gully.4 Laver chaired the park’s first Committee of Management, which raised money to employ a ranger and provide facilities, including tracks and roads for fire protection vehicles, toilets and shelters. The committee charged fees for firewood collection, some grazing of livestock, and visitor entrance, and obtained small State Government and Eltham Shire grants. In 1957 the State Government provided revenue for national parks. Then, in 1975, the State Government took over the management and the Committee of Management became an advisory committee, which disbanded in 1978. Originally, the park covered crown land in the Shires of Eltham and Whittlesea; then Wombelano Falls in Yea and other areas were added. In 1970 the park extended into the Shires of Eltham, Healesville, Whittlesea and Yea.5 Bush fires have been an ongoing problem. In 1939 hundreds of eucalypts and acacias had to be sown around the Jehosaphat Gully to rejuvenate the forest. To manage bushfires, the Committee of Management, then the State Government, worked closely with the Forestry Commission, shire councils and local fire brigades. Early national parks focussed on recreation. But by the 1980s, conservation, education and scientific research became more important, playing a vital role in preserving representative samples of the natural environment. Each year many thousands of people use the park’s extensive network of walking tracks amongst the protected plant and animal life as well as camping, cycling and horse riding. The park, along the slopes of the Great Dividing Range, has lookouts revealing magnificent views of the Melbourne skyline, Port Phillip Bay, the Yarra Valley and the You Yangs. Vegetation in the Masons Falls area includes messmate forest, Austral grass-trees, ferns and Hazel Pomaderris. In spring, orchids, lilies, everlasting daisies, correas, grevillea and heath appear. Around Jehosaphat Gully are wet and dry forest, fern gullies and banksia. Animal life includes wallabies, kangaroos, koalas, echidnas, possums, gliders and bandicoots. Male lyrebirds can be heard mimicking in the Jehosaphat Gully, particularly in the Everard Block in winter.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, kinglake national park, jehosaphat gully

This ship model of the Wilhelmsburg was made by Johann Landmann during his journey on the very vessel, the sailing ship Wilhelmsburg. It was donated to Flagstaff Hill by the wife of Landmann's great-grandson. Landmann (or Landman, also known as August Landmann) was born in 1826 in Ganhor, Silesia, Prussia. At the age of 20, he travelled through Europe, working from town to town as a cabinet maker. At 26 years old he returned to Germany, married Anna Rosina in Wahlstatt, Prussia, and on the same day sailed for Australia on the Wilhelmsburg in 1853, the year the ship was registered. The Wilhelmsburg was a three-masted, square-rigged sailing ship built at Reiherstieg, Hamburg, and registered in Hamburg on 27th April 1853. On her maiden voyage in 1853, the ship sailed from Hamburg, Germany, to Australia with 510 passengers on board, including emigrants under the Bounty Scheme. Johan Landmann was one of the passengers. The Wilhelmsburg arrived in Hobson’s Bay, Melbourne after sailing for 100 days. Johann spent a week in Melbourne then travelled to Warrnambool aboard the Merry Kitty, arriving fourteen days later. Johann had landed in Melbourne with only 16 shillings in his pocket and by the time he arrived in Warrnambool, he only had one shilling and sixpence left. He also had very limited ability to speak English. He settled in the Allansford area, near Warrnambool, together with other families from Germany and went on to play a significant role in the history of Warrnambool. Johann worked as a cabinet maker in Warrnambool, making the first coffin in the Warrnambool cemetery. He also worked as a general merchant. He built many of the earliest shops in Warrnambool, and the first paddle boat used on the local Hopkins River. He made models of Warrnambool’s Ozone Hotel and Presbyterian Church; the model of the Hotel is now in the Warrnambool Art Gallery, and the model of the Presbyterian Church has been in the care of the Warrnambool & District Historical Society since around 2017. One of Landmann's residences was a two-storey building in Henna Street Warrnambool where he, lived upstairs and operated his business downstairs. After he retired Landmann built a ‘handsome stone residence’ at 30 Mickle Street, Warrnambool, where he lived until his death in June 1920; he was aged ninety-five. “Landmann Street” in Warrnambool has been named after Johann and appears on a map in 1872. He has also been honoured on Warrnambool’s Pioneer Memorial Board which is displayed at the Warrnambool and District Historical Society. Landmann's son Adolph Fritz Landmann (Fritz Landmann) born in 1861, was a Councillor from 1905 to 1915, and Mayor of Warrnambool from 1912 to 1915. The Wilhelmsburg sailed from Hamburg in 1863 heading for Queensland, Australia, but in December the vessel was wrecked off the coast of Holland during storms, with the loss of 247 lives.The ship model of the Wilhelmsburg is significant historically, having a connection to the maiden voyage of a ship that holds the record for the number of passengers carried in one journey on such a small vessel. It is also significant as it is believed to be the only existing model or representation of the ship. Johann Landmann, the maker of the model, was one of the earliest residents in Warrnambool and is a significant historical figure in colonial Warrnambool. He has the honour of appearing on the Memorial Pioneers’ Board. Landmann used his craftsmanship skills to make several early Warrnambool buildings, the first coffin in the cemetery, the first paddle boat on the Hopkins River as well as models of significant local buildings. Model of the sailing ship Wilhelmsburg, carved in wood by Johann Carl Augustus Landmann in 1853. The three-masted model barque is painted black. It has a long bow spit. flagstaff hill, flagstaff hill maritime museum, maritime museum, warrnambool, barque, wilhelmsburg, landmann, johann landmann, augustus landmann, landman, ozone hotel warrnambool, presbyterian church warrnambool, 30mickle street warrnambool, ship model, shipwreck coast, 1853, fritz landmann, warrnambool councillor, warrnambool mayor, anna rosina, maiden voyage, bounty scheme, hobson's bay, hamburg, merry kitty, coffin maker, cabinet maker, paddle boat, henna street, landmann street, pioneer memorial board

From - theladynelson.org.au T The original Lady Nelson was built at Deptford, in England, in 1799, for service to the Transport Office on the River Thames. She was designed with sliding keels (centre boards), a device invented by Captain John Schank of the Royal Navy to allow surveying in rivers and shallow water ways. On completion she was selected for exploration services in the Colony of New South Wales and sailed for Port Jackson on 18 March 1800 under the command of Lieutenant James Grant. A brig of 60 tons, she carried a crew comprising the commander, two mates and twelve seaman. As she left the River Thames sailors on nearby ships ridiculed her because of her size and shape, calling her, as she sailed past, 'His Majesty's Tinderbox'. At Portsmouth on the 9th February 1800 she was fitted with four brass carriage guns, three to four pounders, in addition to the two guns already on board. Because of the heavy load she was carrying she was very low in the water, having only two feet nine inches freeboard amidships. The ship finally left Portsmouth on 17th March 1800 as part of an East Indian Convoy. From 1800 to 1825 the Lady Nelson operated around the Australian Coast and fulfilled a variety of roles including exploration, surveying, forming settlements, shifting goods and people around the colonies and capturing pirates. She played pivotal roles in the European settlement of Hobart, Northern Tasmania, Melbourne, Newcastle, Port Macquarie and Northern Territory. Those onboard charted much of Bass Strait, Port Philip, Newcastle, Port Macquarie and (with the Investigator) the coasts of northern New South Wales and southern Queensland. She also has links to other locations around the East Coast such as Trial Bay in NSW and the Mt Gambier area of SA. After 25 years of service while trading on the island of Baba the Lady Nelson was overrun by the islanders, the crew was killed and the ship stripped and later burnt and sunk. A replica of the Lady Nelson was built in the 1980s.Image of a tall ship in sail. The ship is flying both the Aboriginal flag and the Australian Flag. It sails on a calm sea. There are figures on the deck - four in total. The image is mounted on cream board and framed in dark timber. Etching, hand coloured,.Front: 'Lady Nelson A/P BT' - hand written, pencil in between etching and mount Back: Artist's business card glued to back of etching, lower left hand corner:ady nelson, femal artists, female artist, women

'The Antipodes' a comedy by Richard Brome. He was an English dramatist, born c1590 and died September24 1652 in London, generally deemed the "most considerable of minor Jacobean playwrights". 'The Antipodes' was an "ingenious satirical comedy" considered Brome's masterpiece - folly, jealousy, melancholy, madness and discord. This play directed by Kim Durban is a play within a play travels with Peregrine to Botany Bay in 1789 where there is an imagined "upside-down paradise of masterless men." The main ingredient is Ballarat's magnificent Mining Exchange, haunted as it is by ghosts of earlier travellers. There are five Acts performed by Third Year Graduate Actors of The Arts Academy of the University of Ballarat Design by John Bennett; costumes by Melanie Liertz; Choreography by Jessica Nichols / Lisa Minett; Lighting by Bronwyn Pringle; Sound by David Franzke. Cast: Dylan Lincoln, Blaze; Luke Western, Joyless; Anthony Dynon, Doctor; Alison Etheridge, Barbara; Tamara Gourley, Martha; Scott Middleton, Letoy; Sarah Ranken, Quailpipe; Rick Haseman, Peregrine; Robyn Nethercote, Diana; Scott Jackson, Byplay; Alexander May, Truelock. Letoy's Players,Sailors, Gentlemen, Maids, Citizens Courtiers and more: Vanessa Crouch' Stephanie Osztrecher, Kristy Phelan, Rea Walker, Emily Frewer, Beth Liston, John Desengano, Adam Smith, Jessica Nichols, Andrew Rostenburg, AshleyClarke, Kara, Tischler, Phillipa Shea, Sarah Brennan and Matt Young . Opening night: Saturday April 26th followed by Sunday 27th, Wednesday 30th through to Saturday May 3rd, 2007. Tickets: Adults $22, Concession $15.50, Student $12.50, UB Student $7.50, Arts Academy Student $5. The play was performed at Ballarat Mining Exchange, Lydiard Street North, Ballarat. Original poster the antipodes, the university of ballarat arts academy, kim durban, john bennett, melanie liertz, lisa minett, jessica nichols, bronwyn pringle, david franzke, dylan lincoln, luke western, anthony dynon, alison etheridge, tamara gourley, scott middleton, sarah ranken, rick haseman, robyn nethercote, scott jackson, alexander may