"The British Colour Council Dictionary of Colour Standards: a list of colour names referring to the colours shown in the companion volume" - The British Colour Council, London, 1934. Originally contained in a matching box with the companion volume."The British Colour Council Dictionary of Colour Standards: a list of colour names referring to the colours shown in the companion volume" - The British Colour Council, London, 1934. Case for two volumes: 614.1 and 4849.british colour council, dyeing

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Brigtly coloured pinfaore using a representative 1950s fabric with a design of kitchen items in different coloursprotective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1950s, fashion 1950s

Peter CLARKE (1969- ) Gunditjamara (Lake Condah) Born Heywood, Victoria At two months old Peter Clarke was removed from his parents and placed in a Catholic boy's orphanage in Ballarat. The orphanage was closed and Peter was moved to a public orphanage where he discovered 'manners were not a necessity and you often had to take before you were ever given in this orphanage. ... This new orphanage was not a home for me but a prison of sadness and despair.' Disconnected from his country and lore Peter Clarke chose "my own path to land, county and water". Although his childhood memories are dark and bleak, he uses vibrant colours. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Mallee Wood didgeridoo with vibrant colours. A natural wood imperfections have been used to emphasise what is recognisable as a frog. This work was purchased from the "My Art, My Life, My Colours' exhibition at the Federation University Post Office Gallery, May 2008.art, artwork, aboriginal, peter clarke, didgeridoo, stolen generation, st joseph's orphanage, sebastopol, my art, my life, my colours' exhibition, federation university post office gallery

In 2015 due to All Saints Cathedral being sold, the Bendigo Soldiers Memorial Institute Military Museum expressed interest in having the 38th Battalion Colours relocated to the museum. Under the direction of RSM Ceremonial, the colours were ceremonially placed by 8/7 RVR members and dedicated by Bishop Peter Curnow on 31st July 2015. Custodians of the colours were representatives of the Bendigo and District RSL, the 38th Battalion Association and the Passchendaele Barracks Military Historical Society. Refer Cat No 7512 for the plaque that was with the Colours in the Church..1) Rectangular banner representing the battalion colours with battle honours of the 38th Battalion on a green background. The battalion's battle honours are featured on eleven yellow ribbons with green embroidered lettering. Each ribbon is individually sewn onto the banner. In the centre are two concentric embroidered yellow circles. Inside the inner circle is the colour patch of the 38th Battalion. Between the inner and outer circles “THIRTY EIGHTH INFANTRY” has been embroidered. The centre piece is surrounded by a wreath featuring the flowers and leaves of the Golden Wattle. An embroidered King's crown is above the wreath. Red and Gold fringes feature on three edges of the banner. A sewn sleeve for a pike is on the right hand side. .2) Union flag in King's colours configuration. Red and gold fringes feature on three sides. A sewn sleeve for a pike is on the left hand side. In the centre are two embroidered circles. The inner circle contains an embroidered '38'. Between the inner and outer circles the words 'THIRTY EIGHTH INFANTRY' are embroidered. An embroidered King's crown appears above the circles.battalion colours, 38th battalion, colour patches

38 Bn was raised in Bendigo in 1916. Post War it was the CMF Unit until 1967. The Mollison St Drill Hall was built by Contractor Mr. Midgley. First used Jan 1916. Shut down Circa 2002. The 38 Bn Colours are held within the RSL Military Museum, Bendigo.1. Photo of 4 Senior NCO's in battle dress in front of the Mollison Street Drill Hall. 38 Bn Northern Victorian Regiment. The four soldiers have .303 rifles. WO Burrell has the red sash of a Colour Sgt. His MM can be seen. 2. Photo of Regiment Colours 38 Northern Vic Regiment in front of Mollison St Drill Hall. Two Officers, Capt. Emonde holding Queens Colours - 4 Snr NCO's have rifles at the slope with ceremonial tips on their bayonets.1. On rear is written - Cenotaph party/ Warrant Officer 3 sets Guards. 2. On rear is written - '" ANZAC DAY" .38 bn, mollison st, drill hall, photographs

Found at camp 1Blue metal shaker for balls for team selection. Round tin top, handle/bottom, 2 channels for ballsnumbers, colours, sports Paradise, shake wellsports shakers, camp 1 team selection balls

Souvenired flag as used by Viet Cong; unknown how it came into hands of the donor.A significant reminder of what enemy the Australian Defence Forces were up against.Viet Cong flag, made of cloth, looks 'hand made'. Dimensions are xxmm long and xxmm wide. Colours are equally red on top half with blue on bottom half; yellow text at top of the flag is Quyet Thang; a yellow star straddles the halfway line of the flag and has yellow 1969 below the star.Colours are equally red on top half with blue on bottom half; yellow text at top of the flag is Quyet Thang; a yellow star straddles the halfway line of the flag and has yellow 1969 below the star.vietnam, vietnam war, diamond valley vietnam veterans sub branch, viet cong

Digital scans of photographic slide transparencies. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.Plastic container containing series of 20, 35mm mounted slides of two-dimensional student works. White/grey slide mounts. Possibly TAFE diploma or advanced diploma works. Digital scans of photographic transparencies. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.Slide 29218.17 is printed with "JAN 99"university of ballarat, federation university australia, graphic design, tafe, diploma

American 1897 - 1977Lithograph in coloursSigned l.r in image and under image in pencil

Regimental stable belts were worn with Howard Green jumper and with summer polyester uniform. They were introduced as uniform in late 1970s and withdrawn from use in 1995. Each regiment had a belt of distinctive colours.Fine example of item of apparel worn by Australian soldiers in 1980s, one of few colourful items of uniform in modern times.Five coloured 8th/13th Victorian Mounted Rifles stable belt with two leather fastening straps and metal buckles. Belt contains the colours of the 8th Light Horse Regiment, blue and yellow, 13th Light Horse Regiment, red and white, and 20th Light Horse Regiment, purple and yellow. uniform, belt, 8/13 vmr, military

The King's Banners were presented to the 8th Light Horse Regiment in 1904 and 1927 respectively recognizsing service in the South African War (1899-1902) and the Great War (1914-1918).Good photograph marking an important event in the life of the regiment.Black and white photograph of two 8th/13th Victorian Mounted Rifles Officers standing with two flags in a frame at Anglican Church Benalla." Captain Mclean and Lt. Trapnell. Finding of King's Colours. "banner, flag, soldiers, military, heraldry, light horse, mclean, trapnell, benalla

Paper, basic coloursLegend shows troop movements during the Campaignww2 aitape-wewak

Paper, Basic coloursLegend shows troop movements during the Campaign

Paper. Basic coloursLegend shows troop movements during the Campaign

This is one of four surf oars now on display at Flagstaff Hill Maritime Museum and Village. The oars were once owned by the Warrnambool surf Live Saving Club. They are painted in the original club colours of brown and white. The Warrnambool Surf Life Saving Club was formed in 1930, and the elected President was Mr Fletcher Jones (later Sir Fletcher Jones). It is one of the oldest lifesaving clubs on the Victorian Coast. The donor was a member of the surf boat crew that won the 1952 Victorian Surf Boat Championships; the crew comprised Geoff Scott, Ron Blackney, Wes McLaren, Jim Tibb, and Stan Stephens. This oar is significant for its connection with the Warrnambool Surf Life Saving Club and as an example of equipment used for saving lives at sea in the local Warrnambool community. Oar, one of four oars. Timber handles with flat blades painted in the original club colours of brown and white. The oars originated from the Warrnambool Surf Life Saving Club.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, surf boat oar, original oar, warrnambool surf life saving club, wslc, oar, brown and white, wslc colours, rowing oar, lifesaving

This is one of four surf oars now on display at Flagstaff Hill Maritime Museum and Village. The oars were once owned by the Warrnambool surf Live Saving Club. They are painted in the original club colours of brown and white. The Warrnambool Surf Life Saving Club was formed in 1930, and the elected President was Mr Fletcher Jones (later Sir Fletcher Jones). It is one of the oldest lifesaving clubs on the Victorian Coast. The donor was a member of the surf boat crew that won the 1952 Victorian Surf Boat Championships; the crew comprised Geoff Scott, Ron Blackney, Wes McLaren, Jim Tibb, and Stan Stephens. This oar is significant for its connection with the Warrnambool Surf Life Saving Club and as an example of equipment used for saving lives at sea in the local Warrnambool community. Oar, one of four oars. Timber handles with flat blades painted in the original club colours of brown and white. The oars originated from the Warrnambool Surf Life Saving Club, .flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, surf boat oar, original oar, warrnambool surf life saving club, wslc, oar, brown and white, wslc colours, rowing oar, lifesaving

This is one of four surf oars now on display at Flagstaff Hill Maritime Museum and Village. The oars were once owned by the Warrnambool surf Live Saving Club. They are painted in the original club colours of brown and white. The Warrnambool Surf Life Saving Club was formed in 1930, and the elected President was Mr Fletcher Jones (later Sir Fletcher Jones). It is one of the oldest lifesaving clubs on the Victorian Coast. The donor was a member of the surf boat crew that won the 1952 Victorian Surf Boat Championships; the crew comprised Geoff Scott, Ron Blackney, Wes McLaren, Jim Tibb, and Stan Stephens. This oar is significant for its connection with the Warrnambool Surf Life Saving Club and as an example of equipment used for saving lives at sea in the local Warrnambool community. Oar, one of four oars. Timber handles with flat blades painted in the original club colours of brown and white. The oars originated from the Warrnambool Surf Life Saving Club.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, surf boat oar, original oar, warrnambool surf life saving club, wslc, oar, brown and white, wslc colours, rowing oar, lifesaving

This is one of four surf oars now on display at Flagstaff Hill Maritime Museum and Village. The oars were once owned by the Warrnambool surf Live Saving Club. They are painted in the original club colours of brown and white. The Warrnambool Surf Life Saving Club was formed in 1930, and the elected President was Mr Fletcher Jones (later Sir Fletcher Jones). It is one of the oldest lifesaving clubs on the Victorian Coast. The donor was a member of the surf boat crew that won the 1952 Victorian Surf Boat Championships; the crew comprised Geoff Scott, Ron Blackney, Wes McLaren, Jim Tibb, and Stan Stephens. This oar is significant for its connection with the Warrnambool Surf Life Saving Club and as an example of equipment used for saving lives at sea in the local Warrnambool community. Oar, one of four oars. Timber handles with flat blades painted in the original club colours of brown and white. The oars originated from the Warrnambool Surf Life Saving Club.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, surf boat oar, original oar, warrnambool surf life saving club, wslc, oar, brown and white, wslc colours, rowing oar, lifesaving

Seventy seven pages book published February 1977. National Trust of Australia (Victoria) Technical Advisory Committee, Technical Bulletin 1.1 - Exterior Paint Colours. Table of Contents: 1) Introduction 2) Exterior Colours and Finishes 3) Specification Appendices: 1) A Note on the Munsell System 2) Available Colours (by Trust Category) 3) Available Colours (by Brand) 4) Superseded Colours.national trust, properties, technical bulletin

The King's Banners 1904 and 1920 were presented to the 8th Light Horse Regiment for Service in the Boer War and World War One. They were placed in Benalla Holy Trinity Church on unknown date. They were found in a cupboard during renovations in 1976, placed in a specially constructed case and mounted on the wall of the foyer of the Church. Displaced by further re-modelling they were transferred to the 8th/13th Victorian Mounted Rifles Regimental Collection.Photograph of a salient time in the conservation by the regiment of a rare object of historical interest to North-East Victoria.Black and white photograph of two 8th/13th Victorian Mounted Rifles Officers standing with two flags in a frame. Capt. McLean and Lt. Trapnell . Finding of King's and Queen's Colours.

Linocut in colours 11/15Signed, titled and edition

Linocut in colours 11/12Signed and edition

Linocut in colours 11/12Signed and edition

The Wycheproof Craft Group emblem made by Mrs Elaine Storey depicts a large ram and showcases beautifully, wool colours and versatility of creator and medium used. The wool industry, since Wycheproof's settlement days, has greatly supported the town, families and farming in general.The wool picture is the emblem of a local group that met between 1977 and 2010.This item is aesthetically significant as a visually pleasing craft piece that demonstrates the adaptability of skills to raw materials.It is representative of the lifeblood of the town of Wycheproof for 145 years.A framed wool picture constructed entirely from natural fleece, showing a merino ram in a paddock with natural looking vegetation growth. The subject aptly lends itself to a subtle display of various shades of wool colours. It is framed in oak wood.The word WYCHEPROOF is worked in fleece in an arc formation.Wycheproof Craft Group 1977-2010storey, wycheproof craft, wycheproof wool, spinners weavers, elaine

The Axminster Carpet Loom has been set up as a focal point in the centre of the National Wool Museum. The loom was originally built by Brintons in England around 1910 and was initially operating in Geelong in 1960. Brintons designed and built most of their own looms and ancillary equipment. When superseded in 1975 the loom was donated to the Melbourne College of Textiles for weaving training. The College has now donated the loom to the National Wool Museum and Brintons engineering staff has restored it to full working condition. This loom is known as an Axminster gripper loom. The gripper system was invented by Brintons in 1890 and operates using a gripper shaped like a birds beak. This grips the yarn, the yarn is then cut and the gripper swings down to place the tuft into the woven backing. This particular loom also uses a jacquard system for weaving colours. In jacquard weaving, punched cards are used to instruct the loom as to which colour to use. The system was invented by Joseph Jacquard, a silk weaver from Lyon, and was introduced in 1804. It revolutionised pattern weaving as it had the capacity to create intricate patterns through the use of the cards. By 1833 there were approximately 100,000 power-looms used in Great Britain that had been influenced by Jacquards invention. Joseph Jacquard died in 1834. Charles Babbage was later to adapt Jacquards punch-card system to produce a calculator that was the forerunner of todays methods of computer programmingAxminster carpet loom featuring over 1000 Jacquard punch cards and over 100 bobbins of different colours of wool.loom carpet wool, geelong woolbrokers' association, geelong, auction

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. The business / advertising cards are for Lewis Zilles, founder of the printing company. All show the address for Mackenzie Street Ballarat. Two of the cards have a calendar for 1934. Cards give businesses information on how Zilles through design can help promote their products -Seven cards various sizes and coloursZilles name and addresszilles printers, lewis zilles, mackenzie street, ballarat, business cards, maker of quality printing

Carols by Candlelight is a Melbourne institution, and these pins were sold to concert goers as a way of raising funds. The pin consists of a silver candle and candlestick with a red flame, surrounded by green holly leaves and red berries. Beneath the candlestick are the words 'Carols by Candlelight' in silver against a blue background.1 metal pin with painted colourscarols by candlelight, badges