John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

Silver coin depicting the Australian coat of arms on one side, and profile of George V Crowned bust left.front: GEORGIVS V D.G.BRITT: OMN: REX F.D.IND: IMP: back: ONE FLORIN - TWO SHILLINGS / 1921george v, coin, currency, money, commonwealth of australia, silver, florin, shillings, 1921, one florin two shillings

War Savings Cards were a popularist and accessible means of encouraging the ordinary citizens and children to contribute to the war effort by buying stamps to adhere to cards such as this. The stamps were valued at 6d and were of a blue and white image of a WW2 Spitfire plane. In addition there were war savings certificates, a type of promissory note, which were sold to hundreds of thousands of Australians during World War I and World War II.A beige card (unfolded and unused) printed in navy blue. The front is illustrated with the Australian coat-of-arms, space for the owner's personal details, information about the collection of war saving stamps, and the words "Sixpence a day keeps invaders away". On the back is "Don't be an onlooker - be in the fight". There are 32 spaces in which to adhere a war savings stamp and 3 illustrations - a plane in battle, search lights and a soldier in profile wearing a tin hat. The spaces each contain a letter - SPEED / VICTORY / BUY WAR / SAVINGS / STAMPS. Nilww2, mrs kate brennan, mrs kathleen brennan, war savings cards, l f johnson, commonwealth government printer, war savings stamps

Hugh Jeffrey attended the Melbourne Conservatorium of Music at Melbourne University, graduating in 1940. This examination pin was given to him in September 1934. It is a copper badge with its frame shaped like a shield. Inset into the shield is an Australian coat-of-arms granted by King George V, with a white and blue torse supported by a kangaroo and emu on a grassy field. It features the Commonwealth Star on top, and the motto "Advance Australia" underneath. It is engraved with "Hugh Jeffrey" acoss the top, with "University Exam" on the left of the outlying shield, and "Sept. 1934" on the right. It features a loop on the top with a short fine chain and safety pin. Shield with Australian coat of arms and engraved writingAdvance Australia Hugh Jeffrey University Exam Sept. 1934hugh jeffrey, badges

Hugh Jeffrey attended the Melbourne Conservatorium of Music at Melbourne University, graduating in 1940. This examination pin was given to him in September 1933. It is a round copper badge with gold coloured filigree running around the outer edge. Inset into the shield is an Australian coat-of-arms granted by King George V, with a white and blue torse supported by a kangaroo and emu on a grassy field. It features the Commonwealth Star on top, and the motto "Advance Australia" underneath. It is engraved with "University Examination" acoss the top, with "won by Hugh Jeffries sic Sept. 1933" acoss the bottom. It features a loop on the top with a short fine chain and safety pin. Australia coat of arms inside circle with engraving around edgeAdvance Australia University Exam won by Hugh Jeffries (sic) Sept. 1933hugh jeffrey, badges

Private James Andrew Sutherland - VX59088 ,POW - Thailand (Burma Railway) and Changi.Paper certificate with "City of Prahran" as heading with Australian Coat of Arms. Blue and red border.To Private James A Sutherland. We have the honour on behalf of the Mayor, Councilors and Citizens of the City of Prahran to convey to you their highest appreciation and thanks for the action you have taken by voluntarily enlisting in the Australian Imperial Force for active service overseas in the war between Great Britain and her Allies against Germany. The honour and good name of the Commonwealth is in your hands, and we have every confidence that you will preserve the noble traditions already laid down by the men who constituted the Army of the first A.I.F. who served our country and distinguished themselves so worthily in the last Great War. We wish you God speed and a safe return to your Native land. Signed Wm M McIlwrick Mayor, J M Ellis Councilor and J Romaiu Town Clerk.

A grey coloured cardboard cover with black information on the front. Top right hand corner reads 7610-068-5636. Under the Australian Coat of Arms are the details of the manual. The manual is has two metal staples down the left hand side.provisional drill, 7.62mm self loading rifle

In early January 1945, Australian warships took part in their next big naval action of the campaign when American forces were landed at Lingayen Gulf for the invasion of Luzon Island. Their objective was the capital, Manila. The frigates Gascoyne and Warrego carried out survey tasks and escort duties, coming under artillery fire and also attacks from aircraft. The Kanimbla, Manoora and Westralia again transported American troops for the landings and once again the escorts included the cruisers Shropshire and Australia – the latter had undergone repair – and the destroyers Arunta and Warramunga. Whist not confirmed, this large cane woven oval tray with The Philippines Coat of Arms in the centre above list of Royal Australian Navy ships that were involved in the liberation of the Philippines, is believed to have belonged to Robert Hamilton Hutchieson PM 4802 who served on HMAS Westralia as a landing craft coxswain in the Southwest Pacific Campaign 1942 to 1945. Large oval shaped cane woven basket tray The Invasion of the Philippines Image of Coat of Arms Commonwealth of the Philippines Kanimbla, Westralia, Manoura, Australia, Shropshire, Arunta, Warramunga, Gascoyne January 1945ww2, invasion of the philippines, 1945, hmas westralia, hmas kanimbla

1. & 2. Relate to letter sent by Alva Bennetts which can be found in Cat No. 9872.3. Part of the Bennetts Collection. See Cat No. 9726P for details of service for "Alva Marie Bennetts".1. Two page booklet with black and white illustrated front cover. Title and publishers logo in black. Text on pages in black type. Cover and pages fastened with a staple on top LH Corner. 2. A4 sized single page letter with text in black type. Australian Coat of Arms on top LH corner. Text below Coat of Arms in orange type.2. Handwritten signature in blue ink at bottom of letter.bennetts collection, alva bennetts, returned servicewomen, ww2