Hakata doll was given to RACS as a gift from the Japanese College of Surgeons. Made by Tomi Kono for Kyugetsu,Toyko. Kyugetsu is a famous doll store in the Asakusabashi district of Tokyo. This was founded in the Edo period and has been making dolls for 150 years.This elaborately costumed ceramic doll has its origins in simple clay figurines first produced in the Hakata district of the Japanese city of Fukuoka in the 17th century. They made their appearance in the West at the Exposition Universelie in Paris in 1900 by which time they had been transformed from toys into an artform. Most dolls are inspired by figures from the theatre: Noh, Kabuki and Ukiyo-e. These figures are sometimes connected with Geisha dolls although this is not necessarily a correct description. The robes and hairstyle are traditional but not confined to geisha.Hakata Doll dressed in elaborate kimono, in glass display case. Wooden plaque in cabinet with Japanese characters/script - presumably describes the doll. Doll has porcelain face, hands and feet, and a cloth body. This doll depicts a young unmarried woman dancing and holding an elaborate drum (tsuzumi).On plaque in cabinet: "Japanese College of Surgeons. Founded in 1974"hakata, diplomatic gift, japanese college of surgeons

Eighteen Russian made surgical instruments in a timber and acrylic framed display case (left out the item on the far right)surgical instruments, display case

Colour Photograph of a display of dolls in a two tier glass cabinet, the lower level the dools appear to be various Barbis Dolls. There is a chair to the left of the cabinetdolls

Fire Brigade Memorabilia Display. There are 8 coloured photos in Album 9B of the display all taken 03.09 2003. On display are photos, trophies, equipment and uniforms of the Fire Brigade Members.Coloured photograph of Fire Brigade memorabilia display showing, Various items in lighted cabinetstawell

Fire Brigade Memorabilia Display. There are 8 coloured photos in Album 9B of the display all taken 03.09 2003. On display are photos, trophies, equipment and uniforms of the Fire Brigade Members.Coloured photograph of Fire Brigade memorabilia display showing, Various items in a cabinet inc. Photos and Trophiesstawell

The Ferranti Sirius is an electronic second-generation transistor computer and is one of three remaining examples of this machine left in the world. It was an important addition to the computing facilities at Monash University in the early 1960s and provided access for computer programming and research for many early computer professionals, academics and teachers. The Ferranti Sirius computer was built in a period of rapid growth in computing technology. The first stored program computers appeared in the late 1940s and used individual designs with valve technology. By the mid-1950s valve technology was replaced by transistors and the first mass produced commercial computers became available. The Ferranti Sirius was announced in 1959 and offered a “small” academic computer. It was designed and built by the English company Ferranti Ltd and sold through a local office of the company in Melbourne. The Sirius was manufactured at the Ferranti Ltd.’s West Gorton, England factory from 1959 to 1963 and, in all, the company produced probably 22 installations although only 16 were actually recorded as sold; this included one at Ferranti’s Bureau in London and one at Ferranti’s Melbourne Bureau. Only 7 were exported and 4 of these 7 were located in Melbourne, Australia. All four were associated with computing at Monash University – the Sirius in the MMoCH collection was purchased by Monash University in 1962, a smaller Ferranti Sirius was used on the Caulfield campus (prior to amalgamation with Monash University) from 1963, the Ferranti company had its own Ferranti Sirius initially temporarily installed at Clayton campus in 1962 and then placed in their office in Queens Road, Melbourne. A fourth computer was purchased by ICIANZ (now Orica) in 1962 and was transferred to Clayton campus in 1967. Only two of these Melbourne examples have survived; one in the MMoCH collection and one at Museums Victoria. There is an example of the Ferranti Sirius in the Science Museum Group collection in the UK as well. The Ferranti Sirius in the MMoCH collection was the first computer purchased by Monash University and it was shipped to Australia to be installed by November 1962. The University had a similar model computer on loan from Ferranti Ltd during the first part of the year and it was returned to the office of the company in Queens Road, Melbourne once the University’s own machine was installed. The computer was placed on site at Clayton campus, Monash University. The computer operated from 1962 until 1972 when it was officially decommissioned. The Ferranti Sirius was sold to Mr Paul Stewart in late 1974 and removed from Monash University. Mr Stewart later donated the computer back to the University in 1988 and it was transferred to the collection of the Monash Museum of Computing History after 2001. The Ferranti Sirius is an electronic second-generation transistor computer and is one of three remaining examples of this machine left in the world. It was an important addition to the computing facilities at Monash University in the early 1960s and provided access for computer programming and research for many early computer professionals, academics and teachers. The Ferranti Sirius is of scientific (technological) significance as one of the early transistor digital computers that transitioned computing from first-generation valve computers to second generation commercial installations. This example of the Sirius is of historical significance in its role as a part of the Computer Centre, Clayton campus, Monash University which provided computing facilities in Melbourne in the early 1960s when there were few installations available for academic, administrative and commercial users. Staff and students were able to undertake investigative research and learn programming techniques. The Computer Centre encouraged the use of the computer across all disciplines and this provided the base to establish computer science as a subject offering and, later, a new department in the University. This growth in computer education eventually culminated in the establishment of the Faculty of Information Technology, Monash University. The Ferranti Sirius in the collection at Monash Museum of Computing History has a main unit with a CPU and memory combined with input/output equipment and one extra cabinet of memory. The Central Processing Unit is a floor-standing unit which contains the computer circuits, power supplies and has a decimal digit display panel and a normal clock. A moveable control panel is placed in front of the Unit (Currently set on a recreated desk/filing cabinet support in the display). The Sirius base unit uses acoustic delay line memory with 1000 word store. An additional 3000 word memory cabinet is set adjacent to the CPU and can be connected to increase the memory. The computer is supported by a range of input/output devices. There is a Ferranti Paper tape reader, located on desk in front of CPU. Red label on front “Ferranti tape reader. Type TR 5. Serial No. 477”. Adjacent to the CPU is a set of Simplified tape editing equipment in three pieces which includes a (1) Table unit with switches on front face. Metal tag on reverse reads “Creed & Co. Model No. S4060. Serial No. 1457. Original Customers Marking GRP7 V706”. The table has a numbered internal tag “Table Serial No. 198579. (2)Creed teletype set on table unit. Metal tag on reverse “Creed & Co. Model No. 75RPR K4M4. Serial No. 5897 Made in England”. (3)Creed paper tape reader set on table unit. This set of equipment could read paper tape and print it, or copy paper tape while allowing it to be edited, or allow a programmer or data preparation person to type and punch a new program or data. It has no electrical connection to the computer. Paper tapes were usually torn off and carried across to the computer. There is also another table unit with switches on front face and changeable setting switch on front right side which holds a Ferranti Westrex paper tape punch set. Label on reverse “Teletype Code BRPE11” This was the Computer’s only output device. BRPE-11 is a teletype model number.

Vic WOOD (1939 - 02 October 2020) Born Melbourne, Victoria Vic Wood was an internationally renowned artist, craftsman and teacher from the 1970s. He studied gold and silversmithing, woodturning and cabinet making at Melbourne Teachers' College and Royal Melbourne Institute of Technology. He was a skilled woodturner who, as a lecturer at Melbourne College of Advanced Education, taught a generation of woodworkers. Best known as a master wood-turner, Vic Wood retired from lecturing in 1983 to become a full-time woodturner. He was a sought after demonstrator and presenter for all kinds of local and international events. His teaching philosophy was simple: ‘share everything, have nothing to hide, and have no secrets; for ultimately it is in giving that you receive’. Vic Wood was a foundation member and inaugural president of the Victorian Woodworkers Association (VWA). In 1923 the Victorian Woodworkers Association announced the establishment of an annual Vic Wood Scholarship. he intent of the award is to promote excellence in woodwork and to engender inclusive and supportive woodworking networks. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Large lathe-turned sculptural relief. art, artwork, vic wood, wood, woodwork, sculptural relief

One of a series of four boards of mounted replica medals of the Australian Defence Forces. This board shows medals pertaining to World War 1. Replicas include the 1914 Star, 1914-1915 Star, British War Medal, Victory Medal, Mercantile Marine War Medal, 80th Anniversary of Armistice Remembrance Medal. Also a WW1 Memorial Plaque and Anzac Commemorative Medal. There is a cloth patch embroidered 'H.M.A.S.' and one with embroidered Air Force wings from the Australian Flying Corps. The text reproduced at the base accompanied the WW1 memorial plaques. The boards were on display in the Melbourne Legacy Foyer cabinets until June 2017.A record that Legacy holds some war memorabilia as Legatees were once solely returned servicemen.Replica medals from World War 1 mounted on silk inserts into green boards plus additional badges and medallions.Title inscribed in brass plaques say World War 1, 1914 Star, 1914-1915 Star, British War Medal, Victory Medal, Mercantile Marine War Medal, 80th Anniversary of Armistice Remembrance Medal, WW1 Memorial Plaque and Anzac Commemorative Medal. Cloth badge embroidered 'H.M.A.S.' and one 'AFC'.world war one, medals

One of a series of four boards of mounted replica medals of the Australian Defence Forces. This board shows medals pertaining to World War 2. Replicas include different campaign stars and the Defence Medal and Active Service Medal. There is a cloth patch embroidered 'H.M.A.S.' and cap band from HMAS Sydney. The Rising Sun badge and badges for Return from Active Service and a RAAF emblem. The text reproduced at the base accompanied the WW1 memorial plaques. The boards were on display in the Melbourne Legacy Foyer cabinets until June 2017.A record that Legacy holds some war memorabilia as Legatees were once solely returned servicemen.Replica medals from World War 2 mounted on silk inserts into green boards plus additional badges and cap band.Title inscribed in brass plaques say World War 2, 1939-1945 Star, Atlantic Star, Air Crew Europe Star, Africa Star, Pacific Star, Burma Star, Italy Star, France and Germany Star, Defence Medal, War Medal 1939-1945, and Australia Service Medal 1939-1945. Cloth badge embroidered 'H.M.A.S.' and a black cap band embossed 'H.M.A.S. Sydney'.medals, world war two

One of a series of four boards of mounted replica medals of the Australian Defence Forces. This board shows medals pertaining to conflicts including Korea and Vietnam. The boards were on display in the Melbourne Legacy Foyer cabinets until June 2017.A record that Legacy holds some war memorabilia as Legatees were once solely returned servicemen.Replica medals from several conflicts mounted on silk inserts into green boards plus additional ribbons and bars.Title inscribed in brass plaques say: Korea, Australian Active Service Medal 1945-1975, United Nations Service Medal for Korea, Korea Medal South East Asia, Australian Active Service Medal 1945-1975, Naval General Service Medal 1915-1962, General Service Medal 1918-1962, General Service Medal 1962. Vietnam, Australian Active Service Medal 1945-1975, Vietnam Medal, Vietnam Logistic and Support Medal. Australian Service Medal 1945-1975 Australian Service Medal 1945-1975. Australian Defence Medal, Pingat Jasa Malaysia. Anniversary of National Service 1951-1975 Medal, South Vietnam Campaign Medal.medals, vietnam war, korean war, national service

One of a series of four boards of mounted replica medals of the Australian Defence Forces. This board shows medals pertaining to conflicts and operations post 1975 including those supporting the United Nations in several countries. The boards were on display in the Melbourne Legacy Foyer cabinets until June 2017.A record that Legacy holds some war memorabilia as Legatees were once solely returned servicemen.Replica medals, ribbons and bars from several conflicts and operations post 1975 mounted on silk inserts into green boards plus additional ribbons and bars.Title inscribed in brass plaques say: Australian Active Service Medal 1975, Australian Active Service Medal 1975, International Force East Timor Medal, Afghanistan Medal, Iraq Medal, Australian Service Medal 1975, Australian Service Medal 1975, Australian Service Medal 1975, Rhodesia Medal, Humanitarian Overseas Service Medal, NATO Medal. UN Headquarters Medal, UN Transitional Authority in Namibia, UN Mission for the referendum in Western Sahara, UN Advance Mission in Cambodia. UN Transitional Authority in Cambodia, UN Operation in Somalia, UN operation in Mozambique, UN Assistance in Rwanda, UN Assistance in East Timor, UN Mission in Ethiopia and Eritrea, UN Medal for Special Service and Multinational Force and Observers Medal.medals, united nations

From home of Mervyn Sebire, 2nd son of Thomas and Linda Sebire.A dark brown cedar wood chest of drawers, with four legs. It has four small drawers, one square one in the middle and three larger drawers at the bottom and all have a keyhole. All have a large round turned knob to hold to open them.chest of drawers, cabinets, storage and display furniture

This cabinet is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Hilda Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable. it was a wedding gift to Mr Franz Streizel's daughter Frieda Streizel approximately 1910. A heavily inlaid veneer two door cabinet with carved Egyptian style heads in the middle of each door set in a triangular pattern. There are two small drawers and one long drawer at the bottom of the cabinet. Keys are kept nearby in a wooden box in the same collection.cabinets, furniture, storage and display furnirure

The cabinet has a curved back and would have been custom‐built to fit the dimensions of the lantern room interior. It is likely to date from when the lighthouse was built in 1884 and may have been among the items delivered by the government steamer dispatch early in March which included ‘the lantern and other fittings for the Cape Nelson Lighthouse’. The Public Works Department provided a range of lightstation furnishings including office desks and cabinets, and domestic settings for keepers’ quarters, with nineteenth century items often stamped with a crown motif and the PWD monogram however the curved cupboards installed in Victoria’s lighthouse lantern rooms do not appear to display this small feature. Further research may reveal more about their manufacture and it is tempting to think that they were perhaps even supplied by Chance Bros as part of the entire lantern room installation. The company usually provided the timber battens for the lantern room paneling, and a cabinet may have been included in the assemblage. Another possibility is that the specially designed cabinet was made on site by carpenters along with other fittings. It is not known whether it is attached to the wall or movable; if attached it is considered to be a fixture and included in the Victorian Heritage Register listing for the lightstation (VHR H1773). Its location, when identified in the CMP of April 1995, was on the ‘lower lantern level’, where there was also a ‘timber step ladder’ (Argus, 6 March 1884, p6. nineteenth or early twentieth century), ‘timber framed lighthouse specification’, ‘timber framed chart’ and telephone .Residue on the furnishing indicates that it was formerly painted green, the colour of some of the other fixtures in the room, such as the original cast iron ladder. It is now partially varnished and the corner to the top’s edging on the right side has been cut off. The lighthouse also has a large curved back, two‐door cupboard. Other similar cabinets with curved backs survive at Cape Schanck, varnished wood cabinet with brass door knob, no drawers; Point Hicks, painted green with silver doors, no drawers and Gabo Island, bench top, 2‐door, no drawers, green paint removed to reveal cedar timber). Cape Nelson’s curved cabinet is unique among these examples for having drawers. The cabinet is a unique, original feature of the lantern room and has first level contributory significance for its historic values and provenance.The bench top cupboard has two drawers, each above a door, and each door is framed and beveled around a central panel. The cabinet has a curved back.

The two-door nineteenth century cabinet was purpose built with a curved back to fit the proportions of the lantern room interior and is likely to date from 1888-89 when the new lighthouse was fitted out and provided with furnishings and fixtures. The Public Works Department provided a range of lightstation furnishings including office desks and cabinets, and domestic settings for keepers’ quarters, with nineteenth century items often stamped with a crown motif and the PWD monogram. The curved cabinets installed in lantern rooms however do not appear to display this small feature. The cabinet needed to be custom made to fit the proportions of the room, and for this reason it was possibly made on site or perhaps even supplied by Chance Bros as part of the entire lantern room installation. The company usually provided timber panelling for their lantern room interiors (since removed from Point Hicks), and a cabinet may have been included in the assemblage. It may not have originally been painted; today doors area grey/silver colour and the rest of the cabinet is emerald green. It is not known whether it is freestanding or fixed to the wall. A similar cabinet with panelled doors remains in the Gabo Island lighthouse and evidence of green paint on the wood indicates that the cabinet frame was also formerly painted green but later stripped to reveal the wood finish. The Cape Nelson lantern room has a curved cabinet with the same door type but has a drawer above each door. It too was formerly painted emerald green before it was stripped back to its present wood finish. Cape Schanck’s lantern room cabinet is unique for its curved front as well as curved back, and it stands on a skirting. The two doors are in the same style, although they open with a brass knob. Further research into these distinctive cabinets may resolve the interesting question of their construction. The Point Hicks cabinet is a unique, original feature of the lighthouse lantern room and has first level contributory significance for its historic values and provenance. The Point Hicks cabinet has two doors, each framed and beaded around a central panel, and there is a simple door knob. The back is curved and the front is straight and the doors are painted a grey/silver colour and the rest of the cabinet is emerald green.

Stonleigh is one of Wodonga’s earliest buildings and stands on land granted to Daniel Rhodes in 1854, in one of the first land sales conducted in Wodonga. The building commenced soon after with the stone walls being 18 inches (46cm) thick. It was a four-room granite rubble stone building with central door and a window on either side, with a separate kitchen, as was typical of the worker's cottage of the day. The original roof would have been shingles but it was replaced with corrugated iron. It passed through several owners including Paul Huon in 1858. Peter Tenner, a farmer and vigneron took over in 1866 when it was described as “built of stone and having a cellar and a detached kitchen plus outside toilet, and a shed or two.” In the late 1880’s it was owned by William Smith who had come to Wodonga as a missionary for the Presbyterian Church and who, together with John Whan, storekeeper, was instrumental in building the Presbyterian Church nearby. Between 1890 and 1910 further buildings were added, consisting of double brick walls, two bedrooms, kitchen, laundry with brick and copper, bathroom and side verandah. William Smith established Wodonga Cordage Works in the Stonleigh buildings. The front room of the house was the display room for the business which manufactured and sold fishing lines, various types of cordage and water bags, the latter being of hand-sewn canvas. After 1954 Stonleigh became a bottle depot and bottle museum under ownership of Ramon Porta. At one stage he had over 50,000 bottles on display. In 1991 it was purchased by Mark Fraser, a cabinet maker, who made extensive renovations at the rear of the premises and internally, but left the façade untouched. Over recent times, Stonleigh was the home of several business including a florist, a patchwork maker and a café. Stonleigh was sold in 2021 and is now a private residence.These images capture one of Wodonga's oldest buildings.A series of photos, both colour and black and white, showing the building "Stonleigh' at different periodsstonleigh wodonga, old buildings wodonga, wodonga businesses, wodonga pioneers

A photo of 8 stretcher bearers carrying a wounded man at Gallipoli. Was with 11 other photos of World War One that had been mounted on board for display at Legacy House at some stage. When they were taken off display they were put in the archive cabinets. The founding legatees all served in World War One so these photos would have been of significant places for them. (see 01888 to 01899)Photos from World War One that would have been significant to the founding legatees.Black and white photo of stretcher bearers at Gallipoli.gallipoli, world war one, soldiers, stretcher bearers, tents

A photo of Anzac Cove taken from a high vantage point. The white tents in the foreground appear to be medical aid tents. A small tent is labelled YMCA in black texta. Was with 11 other photos of World War One that had been mounted on board for display at Legacy House at some stage. When they were taken off display they were put in the archive cabinets. The founding legatees all served in World War One so these photos would have been of significant places for them. (see 01888 to 01899)Photos from World War One that would have been significant to the founding legatees.Black and white photo of medical tents, YMCA and landing pier at Anzac Cove.gallipoli, world war one, tents, tent hospital, ymca

A photo of the foreshore at Anzac Cove at Gallipoli in 1915. Was with 11 other photos of World War One that had been mounted on board for display at Legacy House at some stage. When they were taken off display they were put in the archive cabinets. The founding legatees all served in World War One so these photos would have been of significant places for them. (see 01888 to 01899)Photos from World War One that would have been significant to the founding legatees.Black and white photo of Anzac Cove beach at Gallipoli.gallipoli, world war one, soldiers

A photo of a boat called River Clyde unloading supplies at a beach presumed to be at the Gallipoli Peninsula. The book 'The Dardanelles' at 01886 has a photo of this boat at Seddul Bahr on page 8. Was with 11 other photos of World War One that had been mounted on board for display at Legacy House at some stage. When they were taken off display they were put in the archive cabinets. The founding legatees all served in World War One so these photos would have been of significant places for them. (see 01888 to 01899)Photos from World War One that would have been significant to the founding legatees.Black and white photo of a boat unloading at Gallipoli.gallipoli, world war one, ship

A photo of soldiers having a break or meal in France in World War One. Was with 11 other photos of World War One that had been mounted on board for display at Legacy House at some stage. When they were taken off display they were put in the archive cabinets. The founding legatees all served in World War One so these photos would have been of significant places for them. (see 01888 to 01899)Photos from World War One that would have been significant to the founding legatees.Black and white photo of soldiers in France during World War One.world war one, france, soldiers

A photo of two soldiers working on tins and barbed wire at Gallipoli. One man is working with a strip of barbed wire on an anvil. They are surrounded by discarded cans. It was with 11 other photos of World War One that had been mounted on board for display at Legacy House at some stage. When they were taken off display they were put in the archive cabinets. The founding legatees all served in World War One so these photos would have been of significant places for them. (see 01888 to 01899)Photos from World War One that would have been significant to the founding legatees.Black and white photo of two soldiers working at Gallipoli.gallipoli, world war one, soldiers

A photo in France during World War One, it may have been taken from a train or truck. It shows took on the trenches and embankments. Was with 11 other photos of World War One that had been mounted on board for display at Legacy House at some stage. When they were taken off display they were put in the archive cabinets. The founding legatees all served in World War One so these photos would have been of significant places for them. (see 01888 to 01899)Photos from World War One that would have been significant to the founding legatees.Black and white photo of soldiers and trenches in France during World War One.world war one, france, soldiers

A photo a ruined tank in France during World War One. Was with 11 other photos of World War One that had been mounted on board for display at Legacy House at some stage. When they were taken off display they were put in the archive cabinets. The founding legatees all served in World War One so these photos would have been of significant places for them. (see 01888 to 01899)Photos from World War One that would have been significant to the founding legatees.Black and white photo of a ruined tank in France during World War One.world war one, france, tank

An aerial photo of the Somme Swamp in France during World War One. There are coordinates or numbers in some areas. Also labelled are the railway line and Canal du Nor and Limberlost Wood. Was with 11 other photos of World War One that had been mounted on board for display at Legacy House at some stage. When they were taken off display they were put in the archive cabinets. The founding legatees all served in World War One so these photos would have been of significant places for them. (see 01888 to 01899)Photos from World War One that would have been significant to the founding legatees.Sepia photo of the Somme battlefield in France during World War One.world war one, france, somme