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The Ed Muirhead Physics Museum
Meldometer, Joly
The Joly meldometer was created to determine the melting point of minerals. W.E. Wilson, an astronomer and author, stated in 1900 that the Joly meldometer consisted of a ‘a strip of platinum on which minute fragments of any mineral can be placed, while any alteration in its length can be determined by means of a micrometer screw which touches a lever connected with one end of the strip. The strip can be heated by an electric current, and is calibrated by observing the micrometer readings corresponding to the temperatures at which some substances of known melting-points melt’i . One reason why the Joly meldometer was seen as a successful addition to science was the small amount of any substance that it required for testing. Only a minute sample was needed for the instrument to work and so a tiny part could be taken from a delicate item without destroying itii . The instrument was originally manufactured by the Irish company Yeates & Son of Dublin. The Yeates family business was established in the early 1790’s and is thought to have operated until approximately 1922iii . Their business slogan was recorded as ‘Instrument makers to the University’, a slogan which proudly exhibited their relationship with Trinity College, Dublin. The company was located directly opposite Trinity College, the place where the Joly meldometer was created. Working in such close proximity must have assisted this business relationship. The inventor of this meldometer was Irishman John Joly. Joly was born in 1857 at the Church of Ireland Rectory, Hollywood House. His education led him to Trinity College Dublin where, by 1891, he had obtained a Bachelor of Engineering degree as well as a Doctorate of Science. The entirety of his working life appears to have taken place at Trinity College although he is known to have travelled in order to consult with other scientists such as the world renowned Sir Ernest Rutherford. The Joly meldometer was used for a variety of different purposes, with scientists often adapting the instrument to suit their own needs. For instance, the previously mentioned astronomer W.E. Wilson adapted the meldometer to assist him in measuring the radiation of the suniv . Joly used his device in an attempt to ascertain the age of the earth. In 1913, along with Sir Rutherford, Joly came to the conclusion that the earth was approximately 400 million years old. They did this by analysing the decay of radioactivity in minerals. According to our present knowledge of the earth this was a much more accurate date than the dates Joly had previously derived. He had first thought that the earth was 97 million years old due to the volume of sodium in the oceans. Joly’s second analysis of the topic had resulted in the age of 80 million years. This figure was based on the accumulation of sediment. Apart from designing his meldometer, Joly is also remembered for his work with colour photography. In 1894 Joly discovered a method for creating colour photographs from a single platev . He also studied the use of radiation as a treatment for cancer and persuaded the Royal Dublin Society to establish the Radium Institute to assist hospitals. In 1933 Joly passed away at the age of seventy-six. -
Australian Nursing & Midwifery Federation
32-minute video documentary on 1986 Victorian nurses strike, Breaking point: the 1986 nurses strike, 10 years on, 1998
In October 1986, Victorian nurses began an historic strike action which was to last 50 days. Breaking Point (1998) is a retrospective work, reflecting on the 10 years following the 1986 Victorian strike. It was produced by Mark Bird and Nicholas Bird (of Waterbyrd Filmz, the production company that, as outlined above, also made Vivien Bullwinkel, Nurse TV and Australian Nurses). In this film, it is not primarily images of striking nurses and the words of striking nurses that tell the story, but the voice-over. The narrator (Patrick J. Bonello) positions the strike alongside other national and world events of 1986, ‘the year that changed the nursing profession in Australia forever’. In this film, the strike is framed as a pivotal one in the history of Australian nurses, and one that affected individual nurses deeply and transformed their profession irrevocably. There is a conscious discussion on the emotional effects of the 1986 strike – relationships broke up, people had no money, unionists could not feed their families, it was hard to keep going, families fought over the strike, picketing nurses recalled getting spat at, and there was even a death threat. [Description adapted from Milner & Brigden, 2014, pp. 116; 118]39 minute video file (.mp4 multimedia format), transferred from original videocassette. In colour, with sound. Original was released with a booklet explaining the broader context for the documentary.labor, labour history, nurses, royal australian nursing federation, strikes, industrial action, film, trade unions, 1986 victorian nurses strike, nursing, strike action, unionism, women, irene bolger, john cain, david white -
Melbourne Legacy
Photograph - Photo, Government House, 2003
Celebrations for the 80th Anniversary of Legacy were held in the grounds of Government House in 2003. Photos include the President David Ford speaking to the crowd and some of the junior Legatees with disabilities. The note with the photos says: "Legacy's 80th Anniversary Function Over 1200 people recently attended Legacy's 80th Anniversary Function. The sun streaming through the picturesque garden surroundings at Government House contributed to the success of the day. Many of the guests enjoyed catching to the success of the day. Many of the guests enjoyed catching up with friends and acquaintances that go back a long way. Some had not seen each other for decades and there was much excitement renewing old friendships. The guests were entertained by The Royal Australian Navy Jazz Ensemble and the MC was David Mann from Radio 3AW." See also 00989, 00990 and 00992. The President's report that is published with the Annual Report says: "President David Ford said in his address 'Let us all just recognise what a unique and enduring family we belong to. it is based on personal effort and dedication from everyone belonging to it. It has been giving that service for 80 years now and I am confident that it will continue to flourish for as long as support to dependents of departed veterans is required."The Anniversary celebrations were held at Government house due to the close relationship with the Governor of Victoria as patron of Legacy.Colour photo x 13 of 80th Anniversary celebration at Government House and an article in the President's report.Printed on the back -
Melbourne Legacy
Document - Thesis, Healy Research Project 1976
... is in the continuity of a Legatee with the one family i.e. the legatee ...This is a study of Melbourne Legacy by the author William Paul Healy, from April 1973 to March 1975. The author was interested because of the reputation gained by Legacy over the preceding 50 years, for successfully delivering welfare services by volunteers to widows and their dependant children. He titled it 'The Task-Focused Volunteer: An Evaluation of the Work of the Legacy Club of Melbourne'. The aim of the study was to describe, analyse, explain and evaluate the work of Legacy. This has been done at great length and in summary the great value of Legacy is in the continuity of a Legatee with the one family i.e. the legatee maintained contact with the family through school, beginning work/university and other milestones in the life of a dependant family. It was thought that families in receipt of Legacy services functioned at a higher level than those who do not receive such services.Significant in that Legacy was seen as providing a high quality service. Some of the effectiveness seems to derive from the ease at which the legatee is able to establish a relationship with the family.White A4 paper pages with black type x 186 pages held together by two foolscap cardboard leaves.objectives, goals, activities -
Wodonga & District Historical Society Inc
Photograph - Old Customs House, Wodonga, 1860s
Customs duties were a means of raising revenue between the 1850’s and Federation. They were first introduced by NSW in November 1854 after it was separated from the colony of Victoria three years earlier. J P Hanify was appointed as sub-collector at Belvoir, the official name present day Wodonga at that time. Wodonga Customs House was built near the end of Union Bridge over the Murray River in 1859 Tariffs or customs duties greatly angered residents and it was little wonder the customs officer of the day was always an unpopular man. Tariffs had to be paid on articles such as tobacco, many food items and new clothing that were carried across the Border. The range of items was extended over time, leading to some farmers even swimming their livestock across the river to avoid duties at the Customs house. The levying of duties ended with Federation in 1901. Francis Cobham depicted in this photograph, took up the position of Customs officer in 1867 and remained there until his retirement in 1890. The building was originally a 2 roomed custom house in 1856 but was extended to provide living quarters for the Cobham family while a nearby cottage became the Customs house. The building was moved to a position south of the lagoon in the mid 1980’s and is now a restaurant.This image represents an important stage in the development of colonial relationships and rivalries in Australia.Black and white photograph of Customs officer Francis Cobham in Wodonga c 1860customs house wodonga, albury wodonga border, colonial rivalry victoria /nsw, tariffs -
Melbourne Legacy
Document - Thesis, The Task-Focused Volunteer: An Evaluation of the Work of the Legacy Club of Melbourne
... is in the continuity of a Legatee with the one family i.e. the legatee ...This is a study of Melbourne Legacy by the author William Paul Healy, from April 1973 to March 1975. The author was interested because of the reputation gained by Legacy over the preceding 50 years, for successfully delivering welfare services by volunteers to widows and their dependant children. The aim of the study was to describe, analyse, explain and evaluate the work of Legacy. This has been done at great length and in summary the great value of Legacy is in the continuity of a Legatee with the one family i.e. the legatee maintained contact with the family through school, beginning work/university and other milestones in the life of a dependant family. It was thought that families in receipt of Legacy services functioned at a higher level than those who do not receive such services.Significant in that Legacy was seen as providing a high quality service. Some of the effectiveness seems to derive from the ease at which the legatee is able to establish a relationship with the family.White A4 paper pages with black type x 186 pages held together by two large bulldog clips. Some notations in pencil in the margins.objectives, goals, activities -
The Mrs Aeneas Gunn Memorial Library
Book, The Reprint Society, Royal Flush, 1948
Portrays the married life of Henrietta Stuart, known as Minette, who married into the French royal family in the mid-seventeenth century. In particular it focuses on her careful diplomatic relationship with her brother Charles II, climaxing in the Treaty of Doverp.429.fictionPortrays the married life of Henrietta Stuart, known as Minette, who married into the French royal family in the mid-seventeenth century. In particular it focuses on her careful diplomatic relationship with her brother Charles II, climaxing in the Treaty of Doverengland - fiction, historical fiction -
Mont De Lancey
Book, Edith C. Kenyon, Eveline's Key-Note or In Harmony with Life, late 1800's
Victorian fiction with a moral slant for young women about life, growing up and relationships in an English village.Brown fabric hardcover book - Eveline's Key-Note by Edith C. Kenyon has an illustration in black. pink and green of two young women sitting on a garden seat with a girl lying on the grass next to them reading. In the background a couple are chatting. The top of the edges of the pages are gold. The Endeavour Library is written at the top in black lettering with the title in yellow underneath. The spine has the title, series and publisher initials at the bottom for The Sunday School Union, The frontispiece has a black and white illustration the same as is on the front cover. and there are five full page black and white illustrations throughout. The chapter heads have an Illuminated style decoration called a vignette. 192p.fictionVictorian fiction with a moral slant for young women about life, growing up and relationships in an English village. family life fiction, religious stories -
Whitehorse Historical Society Inc.
Article, Horse- drawn Cab Service, 1976
Mrs Edith Green & her late husband ran the horse-drawn cab service that once operated from Vermont to Mitcham Station.Mrs Edith Green & her late husband ran the horse-drawn cab service that once operated from Vermont to Mitcham Station. 5 generations pictured of her family indicating information of their relationships.Mrs Edith Green & her late husband ran the horse-drawn cab service that once operated from Vermont to Mitcham Station. green, edith, horse drawn vehicles -
Friends of Ballarat Botanical Gardens History Group
Photograph - Digital image, Adam Lindsay Gordon's cottage, Unknown
... . Of historic significance if the relationship with the Gordon family ...Cottage thought to belong to family of Adam Lindsay Gordon. The cottage was moved to the Gardens from original place near Craig's Hotel in City centre. Now used as a Craft space and for the Botanikids events. Of historic significance if the relationship with the Gordon family can be proved.Dark digital image of historic cottage; tiff 4.73 MBadam lindsay gordon, cottage -
Greensborough Historical Society
Book, The Sentimentalists: a novel by Dale Collins, 1927_
Thai novel was given to Alan Partington by his grandfather, David Medhurst at Christmas 1929. A review of the novel appears in News (Adelaide) Wednesday 21 December 1927, page 5.The inscription shows the relationship between the Medhurst and Partington families.314 pages. Hardback. Black cover embossed with title. Inside cover: "Grandfather (1855-1939) David Medhurst to Alan" On fly leaf: "Alan Partington. From Grandfather. Christmas 1929."alan partington, david medhurst -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Argus newspaper, 24 February 1945
Photograph was taken at the Mission to Seafarers Melbourne. It is historically significant as it marks a royal visit made by the Duke and Duchess of Gloucester during the Duke of Gloucester's term as 11th Governor General of Australia (1945 - 1947). Princess Alice, Duchess of Gloucester, GCB, CI, GCVO, GCStJ, GBE (born Lady Alice Christabel Montagu Douglas Scott; 25 December 1901 – 29 October 2004) was the wife of Prince Henry, Duke of Gloucester, the third son of King George V and Queen Mary. Frank Oliver was MTS chaplain during this period. The Gloucesters did not return to Australia on any official visit until 1965. (see ADB entry for Duke of Gloucester) According to the list of engagements from the Argus, on Saturday the Duke and Duchess left Governor House to visit the Central Institute at 11am where they were received by the Governor and Lady Dugan, the chaplain (Padre Oliver) and members of the committee. They left at 11.15am : the legend of the picture "AS THE DUCHESS LEFT THE MISSION TO SEAMEN Central Institute on Saturday morning, Padre Frank Oliver, chaplain, called for three cheers, which were given heartily."This photograph reveals the contemporaneous relationship between Australians and the British Royal family and connection through the International organisation that is the Mission to Seafarers. Current President is HRH the Princess Royal.Black and white photograph of Princess Alice the Duchess of Gloucester. The Duchess at middle left with Chaplain Frank Oliver at middle right. The Chaplain is waving and possibly leading a cheer. He is wearing a naval uniform. The Duchess is wearing a black hat and white short-sleeved dress holding a bunch of flowers. In the left of the photograph is a man holding his right arm up hiding his face from view. In the background there is a crowd of onlookers behind a railing.Front: "Duchess of Gloucester 1969" in blue pen in the bottom right corner. (see also notes re this date) There is also what appears to be a watermark on the middle left side. Back: "H.R.H. Duchess of Gloucester visiting Missions to Seamen, Melbourne." in the top left corner on an angle. "Copyright The Argus, Melbourne. Photograph Neg. No. U-646 Ref. No." in purple ink in the middle. The Neg. No. is in pencil.uniform, flowers, chaplain, princess alice, mission to seafarers, mission to seamen, duke of gloucester, duchess of gloucester, governor general, frank leslie oliver, padre oliver, royal visit, flinders street, melbourne -
Mission to Seafarers Victoria
Photograph - Photograph, Sepia, 1940-1950
This photograph of Lillie and Olive Duncan is one of a number featuring the sisters. They were active members of the Ladies' Harbour Lights Guild during the 1920s and 1930s and the objects we have relating to the women highlight the relationships forged between seafarers and those who offered their time and energy to the Mission.The Ladies' Harbour Lights Guild was instrumental in raising the necessary funds for the construction of the current Mission to Seafarers building. They also worked to provide the tangible elements of seafarers' welfare, such as procuring donations of goods and money. However, their most important work, in many ways, was to provide company, conversation and support to seafarers. Lillie, Olive and their entire family were involved with the Mission over an extended period of time.Black and white photograph of Lillie Romana Duncan and Olive Harriet Duncan. Olive is on the left wearing a dark coloured dress with a 'V' neck, little coloured coat and gloves, carrying a clutch under her arm and wearing a dark hat. Olive (on the right) is wearing a ladies' suit and gloves, carrying a clutch under her arm, wearing a dark coloured hat and a brooch at her neck. The photograph has been turned into a postcard, complete with printed postcard division on reverse.In pencil on reverse: Lillie Morgan/Olive Hall/RHS/(DUNCAN) Printed: POST CARD/CORRESPONDENCE/ADDRESS -
Mission to Seafarers Victoria
Photograph - Photograph, Colour, 1988
The photograph taken in 1988 before it was demolished shows the Art Deco style building also known as the King George V memorial Building, commissioned by merchant and philanthropist, Alfred Michael Nicholas (1881-1937) and designed by prolific Melbourne-based architect Harry A. Norris (1888-1966) in 1937 best known for his commercial work in Melbourne city centre. Architect Harry A Norris, one of Melbourne's early designers in the Moderne style had a strong relationship with the wealthy Nicholas family who made their fortune on the production of Aspro, a replacement for the German Aspirin when it was made unavailable during WWI. After the Nicholas Building on Swanson Street (1926), the Nicholas Factory in South Melbourne, and the mansion 'Burnham Beeches' in the Dandenongs (1931), the former Missions to Seamen building in Port Melbourne (1937) was a gift from Alfred Nicholas to the Church of England. “The new Institute will be a modern two story building in brick, with a high clock-tower, a memorial chapel, a hall for talking pictures, lounges, and billiard-rooms. It will stand in about an acre of ground between the two piers at Port Melbourne. The building of the mission has been made possible by a bequest of about£15,000 by the late Mr. A. M. Nicholas.” – The Argus 19th May, 1937. The building had a cruciform floor plan which contains a chapel, a large hall, other recreation rooms, sleeping accommodation on the first floor and a sundeck and living quarters for the chaplain and the caretaker. After being left derelict for years, it was demolished in 1994 to Colour photograph of Port Melbourne Missions to Seamen demolished in 1995.harry a. norris, alfred m. nicholas, art deco, 1937, missions to seamen, brick, king george v memorial building, 1988, zeitgeist, arts centre -
Mission to Seafarers Victoria
Article - Newspaper clipping, Argus newspaper, 24 February 1945
It is historically significant as it marks a royal visit made by the Duke and Duchess of Gloucester during the Duke of Gloucester's term as 11th Governor General of Australia (1945 - 1947). Princess Alice, Duchess of Gloucester, GCB, CI, GCVO, GCStJ, GBE (born Lady Alice Christabel Montagu Douglas Scott; 25 December 1901 – 29 October 2004) was the wife of Prince Henry, Duke of Gloucester, the third son of King George V and Queen Mary. Frank Oliver was MTS chaplain during this period. The Gloucesters did not return to Australia on any official visit until 1965. (see ADB entry for Duke of Gloucester) According to the list of engagements from the Argus, on Saturday the Duke and Duchess left Governor House to visit the Central Institute at 11am where they were received by the Governor and Lady Dugan, the chaplain (Padre Oliver) and members of the committee. They left at 11.15am : the legend of the picture "AS THE DUCHESS LEFT THE MISSION TO SEAMEN Central Institute on Saturday morning, Padre Frank Oliver, chaplain, called for three cheers, which were given heartily."This photograph reveals the contemporaneous relationship between Australians and the British Royal family and connection through the International organisation that is the Mission to Seafarers. Current President is HRH the Princess Royal.Newspaper clipping depicting Alice Duchess of Gloucester at middle left with Chaplain Frank Oliver at middle right. The Chaplain is waving and possibly leading a cheer. He is wearing a naval uniform. The Duchess is wearing a black hat and white short-sleeved dress holding a bunch of flowers. In the left of the photograph is a man holding his right arm up hiding his face from view. In the background there is a crowd of onlookers behind a railing.Written in black ink: Feb 25 1945 / Duke's final visit as Governor Generalpadre frank leslie oliver, duchess of gloucester, flandres street, governor general, duke of gloucester, flinders street -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Jim Connor, Eltham Cemetery Trust's launch at Montsalvat of Our Eltham - Artistic Recollections, 21 September 2017
Our Eltham - Artistic Recollections by Jim Connor, EDHS newsletter No. 236 October 2017 The Eltham Cemetery Trust, established in 1858, selected the existing burial site at Mount Pleasant Road on high ground overlooking the village of Eltham. The first recorded burial took place in 1861 in the Church of England section. Headstones depict the names of many early and well known local families. In recent years the Trust has encouraged the use of creative artistic elements within the natural bushland environment in their landscaped grounds adjoining Montsalvat. Their ongoing vision has been to offer the local communty a fresh and unique relationship to the Cemetery. On Thursday 21st September 2017 their latest commissioned art project titled ‘Our Eltham - Artistic Recollections’ was unveiled. It is a collection of panels collaboratively created by artist Nerina Lascelles and ceramicist Linda Detoma. The project was designed and constructed by Leigh Wykes using Australian stone with ironwork by Neil Carter. All contributors to this installation, located adjacent to the car park near Metery Road, are residents of the Eltham area. Our Eltham - Artistic Recollections is described as a celebration of life in the Shire since the opening of the Eltham Cemetery more than 150 years ago. Depicting scenes of life in and around Eltham, the collection offers deeper connections to the Eltham area through a series of visual narratives of Eltham’s past, environment and community. The project involves the artistic interpretation by Nerina Lascelles of historic and current images symbolically intermixed with locally indigenous flowers and plants. These are displayed on thirty-one ceramic panels by Linda Detoma, mounted within an iron fence by Neil Carter, upon an attractive rock wall constructed by Leigh Wykes. The Eltham District Historical Society is pleased to have contributed to this project. Russell Yeoman and Jim Connor from our Society have collaborated with Liz Pidgeon, Local and Family History Librarian at Yarra Plenty Regional Library on a selection of photographs, many from the Shire of Eltham Pioneers Collection we hold in partnership, located at Eltham Library. We also provided information on the images chosen. The Eltham Cemetery Trust has produced a booklet about this artwork, which can be viewed on the Cemetery website at: http://www.elthamcemetery.com/oureltham/#1 Our Eltham - Artistic Recollections is a significant monumental installation, which will encourage visitors to come to view this outstanding combination of local creative skills, set within the attractive grounds of the Eltham Cemetery. jim connor collection, eltham cemetery trust, montsalvat, our eltham artistic recollections, 2017-09-21 -
Merri-bek City Council
Work on paper - Charcoal and pages from Aboriginal Words and Place Names, Jenna Lee, Without us, 2022
Jenna Lee dissects and reconstructs colonial 'Indigenous dictionaries' and embeds the works with new cultural meaning. Long obsessed with the duality of the destructive and healing properties that fire can yield, this element has been applied to the paper in the forms of burning and mark-making. In Without Us, Lee uses charcoal to conceal the text on the page, viewing this process as a ritualistic act of reclaiming and honouring Indigenous heritage while challenging the oppressive legacies of colonialism. Lee explains in Art Guide (2022), ‘These books in particular [used to create the proposed works] are Aboriginal language dictionaries—but there’s no such thing as “Aboriginal language”. There are hundreds of languages. The dictionary just presents words, with no reference to where they came from. It was specifically published by collating compendiums from the 1920s, 30s and 40s, with the purpose to give [non-Indigenous] people pleasant sounding Aboriginal words to name children, houses and boats. And yet the first things that were taken from us was our language, children, land and water. And the reason our words were so widely written down was because [white Australians] were trying to eradicate us. They thought we were going extinct. The deeper you get into it, the darker it gets. But the purpose of my work is to take those horrible things and cast them as something beautiful.’Framed artwork -
Glen Eira Historical Society
Article - Sargood Family
This file contains six articles on the Sargood family. Two photocopied pages from BURKE’S COLONIAL GENTRY vol. 1, 1891, on the Frederick Thomas Sargood family lineage, pages 129 and 130. Article on Frederick Thomas Sargood on education, business ventures, the volunteer forces, and his ministerial position and marital status, taken from VICTORIA AND ITS METROPOLIS vol. 2, 1888, page 501. Nine handwritten pages of Frederick James Sargood family tree, primarily taken from Sargood Family Bible, Melbourne University archives, undated. One typed and one carbon copy of written notes on Sargood family in Australia up to family member Edith Marian. Hand written notes taken from Caulfield Rate Books 1858 to 1892, on Frederick Thomas Sargood, also St Kilda rate books 1867 to 1874. Hand written details of unknown relationships to F. G. Sargood and listing of Sargoods from phone book, date unknown.sargood frederick thomas, sargood marian australia rolfe, sargood frederick george, sargood percy rolfe, sargood alfred herbert, sargood harry morton, sargood willie ernest, sargood clara wordsworth, sargood edith marian, sargood emma winnifred, sargood gulielma bertha, sargood charlotte rippon tomlin, sargood julia charlotte, sargood frederick james, warehouses, defence forces, parliamentary representatives, st mary’s church, allen william, hotham street, caulfield, glen eira road, sandham street, ripponlea, housenames, mansions, willow street, gardeners, coachmen, à beckett t. t., alma road -
Brighton Historical Society
Dress, late 1920s
Worn by Dame Marie Breen DBE OBE, Federal Senator for Victoria and Brighton resident. A passionate member (and founder) of many community organisations and charities, Marie Freda Breen (nee Chamberlin, 1902-1993) had her first experience of public life when her husband Robert became Mayor of Brighton in 1940. She became involved in the fledgeling Liberal Party, and Robert encouraged her to run for office. Marie because Victoria's first female Federal Senator in 1962. In Parliament, she was a vocal advocate for women and families and supported building a stronger relationship between Australia and Asia. In 1965 she became the first woman to chair a Senate committee. Marie retired from politics in 1968, after Robert was badly injured in a car accident. He died shortly after and she re-dedicated herself to community service, raising funds for UNICEF and serving on the Victorian Consultative Committee on Social Development and the Australian Advisory Council of Elders. In 1959 she was appointed an Officer of the British Empire for her work in the role of State President of the National Council of Women (Victoria) and in 1979 she was appointed Dame Commander of the Order of the British Empire. Marie and Robert had three daughters, one of whom, Jeannette Patrick, was the Liberal Member for Brighton (1976-1985) and Parliamentary Secretary of the Liberal Party, (1979-82).Sleeveless black cotton voile dress printed with large cream and apricot coloured roses. Dropped waist; bias-cut triangular draping applied to front neck; two horizontal bands of black voile inserted into skirt.dame marie breen, 1920s, liberal party of australia, australian senate, politics, robert breen -
Greensborough Historical Society
Article - Memoir, Life at Willis Vale, 2011
... family relationships within the Partington family. willis vale ...The Partington family farmed the property known as Willis Vale in the early 20th century. In this article Faye Fort (nee Partington) recalls life in Greensborough.Historical reference to the property 'Willis Vale' and its eventual destruction. Describes family relationships within the Partington family.3 page history of the Partington family's life at 'Willis Vale' homestead in Greensborough during the early 20th Century. Includes black &white photos. Includes Partington family photoswillis vale, faye fort, sarah price, plenty river, greensborough, partington family, whatmough family, william james partington, annie may partington, gary partington, cordner family, methodist church -
Greensborough Historical Society
Article, Faye Fort, Jessie May Partington, 2015
Notes on the life of Jessie May Partington and her relationships with other members of the Partington family.Brief family notes, typed text, includes handwritten notes.partington family, jessie may partington, jessie scholes, jessie may angus -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, State Electricity Commission of Victoria (SECV)
Yields information about the griding of wheels at the tram depot following the installation of a grinder by the SEC during the mid 1930's. Shows the nature of the work and set up.Black and White photograph, of the SEC Ballarat depot wheel grinder being used to grind the wheels of a single truck tramcar. Shows a pit man/machinist using the equipment with the drive belts and wheels moving. The machinist is dressed in heavy clothing. Shows the detail of the operation. Date unknown - possibly late 1930's after installation. See Reg Item 1352* and 1353* for photos of the construction of the pits and the installation of the equipment.\ Man identified as Mr Vin Dalton See btm3400doc.pdf for background to the donor and relationship to Reg Item 3806 - Vin Dalton. Record updated 24/6/2014 for information that appeared in the June 2014 issue of Fares Please! See btm3806doc1.pdf for letter from family dated 20/7/14 with a donation. Record updated 3/8/14. See Keith Kings, The Ballarat Tramways, page 36 and The Golden City and its tramways.tramways, trams, wendouree parade, sec depot, rehabilitation, service pits, wheel grinder -
Greensborough Historical Society
Memoir, Life at Willis Vale, 2011
... . Describes family relationships within the Partington family. willis ...The Partington family farmed the property known as Willis Vale from 1878 into the mid 20th century. In this article Faye Fort (nee Partington) recalls life in Greensborough.Historical reference to the property 'Willis Vale' and its eventual destruction. Describes family relationships within the Partington family.3 page history of the Partington Family's life at 'Willis Vale' homestead in Greensborough during the early 20th Century. Includes original hand written text from author. willis vale, faye fort, sarah price, plenty river, greensborough, partington family, whatmough family, william james partington, annie may partington, gary partington, cordner family, methodist church -
Flagstaff Hill Maritime Museum and Village
Book - Religious Book, Oxford University Press, The Holy Bible, 1859
Young Henry Pitts sailed from Liverpool, England, in about October 1860, on a ship called the 'British Trident'. About three months later, on January 7th 1861, he arrived in Sydney, Australia. While he travelled from one side of the world to the other, Henry attended lessons on the ship with his onboard teacher, Joseph Benton. On the day before the ship arrived at Sydney, Henry was given a Holy Bible by his teacher. The small black book had a hardcover and many printed pages of very thin paper. Henry must have felt special when he read his teacher’s beautifully written message that said the gift was a ‘mark of respect’ towards Henry. Maybe Mr Benton taught Henry to write with a pen and ink because Henry wrote his name several times inside the front of the book and again below his teacher’s message. Henry may have even learned to read from a Bible, which many passengers included in their luggage. The immigrants on board the British Trident were mostly new arrivals to Australia. Like Henry, they planned to make Australia their new home. Many also hoped to find work in this new country. Some passengers had family and friends waiting for them, people who deposited money towards their trip. Henry’s relative, Charles Pitts, had helped him pay for the ship’s passage, and William Oberthan paid money towards Joseph Benton’s fare. He may have planned for Joseph to work as a teacher in Australia. The Single Females were allowed to leave the ship the day after it docked at Sydney, but the Families and Single Men, including Henry and Joseph, had to stay onboard until Thursday. This Holy Bible is significant for its age, as it was published in 1859. The inscriptions within this small Bible are significant as they show that during a ship's voyage passengers had the opportunity to teach and to learn. They also show a relationship of encouragement had been built between the teacher and pupil. The Holy Bible containing the Old and New Testaments: Translated out of the original tongues: and with the former translations diligently compared and revised by His Majesty's Special Command. approved to be read in churches. Publisher and printed at the Oxford University Press, Sold by E. Gardner and Son, at the Oxford Bible Warehouse, Paternoster Row, London; and by J. and C. Mozley, Derby. Date: 1859 (in Roman Numerals) Handwritten black ink inscriptions are inside the front and back covers. The book once belonged to Henry Pitts and was presented to him by Joseph Benton in 1861.Front left side: " H Pitts H Pitts / - - - - - - of this Book / C - - - - - - - - -K " Front right side: "Given / to / Henry Pitts / As / A Mark of Respect / From / His Teacher on Board / the / British Trident / January 6th 1861 / Joseph Benton" "Henry" Back left: (indecipherable character)warrnambool, flagstaff hill maritime museum, holy bible, henry pitts, joseph benton, immigrant ship, 1861, single male, single female, charles pitts, william oberthan, british trident, hyde partk -
Mission to Seafarers Victoria
Ceremonial object - Alm's Dish, 1917
This platter is one of the objects in the St Peter chapel used for service. It appears to be an Alms' Dish and was recorded in the 1917 Annual Report as being donated to the Chapel by the Misses Godfrey: Ethel, Frederica and Winifred whose initials are engraved. Miss Godfrey is also listed as being a member of the Executive Committee as well as the Honorary Secretary (b.1871 d. 1938). The gift commemorates the Misses Godfrey's parents. Their father Frederick Race Godfrey was a squatter and significant 19thC settler and citizen of Victoria ( arr. 1847 ) esp Boort, Craigeburn and St Kilda besides serving in the Legislative Assembley see ADB, ANU and Ancestry links above. Misses Godfrey were instrumental in raising funds for the new Memorial Chapel to merchant seamen when it opened in 1917 and several gifts were presented by the Godfrey family.The Mission to Seafarers is now an Anglican based charity organisation with strong ties to the Anglican tradition. At one point services were held regularly for patronage by locals as well as seafarers. . The relationship between the organisation and the Anglican faith still exists, particularly through the establishment of the Chapel, the existence of many items used for worship, and representation on the board of the Mission. Circular brass platter hand beaten with four cabochon-set semi-precious stones (chrysoberyl or onyx) inserted in quarters around the edge. Also referred to by some as an offertory plate There is simple ornamental engraved scroll work in an Arts and crafts style, connecting the four semi-spherical stones. In the centre of the platter is a simple relief work cross and the quartered sections surrounding it have a dimpled effect. On the reverse the design is still evident as are the engraved inscriptions. The perimeter edge is probably hand rolled.Engraved around the edge, between the scroll work, on the reverse of the platter: "TO THE GREATER GLORY OF GOD/IN MEMORY OF OUR BELOVED PARENTS/MARGARET LILLIAS GODFREY/DIED SEPT. 23rd 1895/FREDERICK RACE GODFREY/DIED SEPT.11th 1910" Engraved in the centre of the reverse: "E.G./F.M.G./W.O.H.G." standing for "Ethel Godfrey/Frederica Mildred Godfrey/Whinifred Godfrey"art nouveau, alms, offertory, ethel augusta godfrey, winifred godfrey, frederic race godfrey, margaret lilias godfrey, frederica godfrey, rica godfrey, rita godfrey, gifts-1917, offertary plate -
Eltham District Historical Society Inc
Photograph - Photograph postcard, J.H. Clark, Eltham (from Bolton Street), c.1915
Original sepia photo postcard of early view of Eltham looking east from Bolton Street between Bridge Street and Brougham Street (Wellington). Fenced road reserve on right is Brougham Street. Originally dated as pre-1877 introduction of the Telegraph (the Telegraph was connected to the Post Office on Thursday, June 7, 1877) given the lack of poles and wires visible, a more recent higher resolution scan has revealed more detail highlighting the presence of several Telegraph poles: one about half way between Brougham Street and Dalton Street, one opposite the Police Residence, another opposite W.B Andrew’s Corn Store (Zen Den site), one possibly near the Fountain/Evelyn Hotel. Also, given the photo was originally marked “J. H. Clark Photo” it is safer to assume the image is dated circa 1915 until dates of further image details can be confirmed. Photographer: J.H. Clark John Henry Clark was the youngest of three boys born to William Henry Clark (1823-1877) and Maria White (1843-1914). He and his brothers, William Charles Clark (1872-1945), Clement Kent Clark (1874-1912) operated a photography business (Clark Bros.) from 25 Thomas Street, Windsor near Prahran during the period c.1894 to 1914. Following death of Clement in September 1912 and their mother in 1914, the Clark Bros business appears to have dissolved, the premises demolished, and a new house was under construction in 1915. John set up business independently in 1914 operating out of 29 Moor Street, Fitzroy where he is registered in the 1914 and 1915 Electoral Rolls. By 1916 John had relocated to Eltham where he continued his practice as a photographer and took many of the early images around the district of Little Eltham. Around 1930 John changed professions and opened a small cobbler's shop in 1931 near the pond opposite Dalton Street adjacent to the Jarrold family cottage. He never married and continued his profession as a bootmaker from this little shop, maintaining a close relationship with Mrs Jarrold for the rest of their lives. His bootmaker shop remains today beside the Whitecloud cottage and is one of only three remaining shops in the area from the early 20th century. There are a couple of images of Eltham taken by Clark Bros. in the Eltham District Historical Society collection, one such example being Hunniford’s Post Office with Miss Anne Hunniford out front (EDHS_00140 - marked on the back of the print, Clark Bros., 25 Thomas St. Windsor), which would date this image between c.1894 and 1914. Other early images of Eltham taken by John Henry Clark are marked on the face “J. H. Clark Photo” and it is assumed these are dated between 1914 and 1930. It is noted that the Grant of Probate for John H Clark of Eltham South dated 5 April 1957 (513/387) records his occupation as "X Photographer".1. Original sepia postcard - water damaged lower left corner over approximate 30mm diameter destroying image and photohgrapher's markings (same as EDHS_00533 and EDHS_00535 - all from same donor collection) 2. A second black and white print copy of the same image from a different unknown source (of lower resolution quality) is also held. 3. A digital enhanced version has been created using the lower quality black and white print as a donor source for the damaged section of the postcard.In pencil on back of postcard: A. Petrie Verandah on Andrews shop Pearsons house (Living and Learning Centre)bolton street, brougham street, cafe zen den, courthouse, eltham courthouse, eltham hotel, eltham living and learning centre, eltham living and learning, eltham, fountain hotel, j.h. clark photo, knapmans forge, main road, maria street, pitt street, police residence, police station, post office, st margaret’s church, w.b. andrew corn store, wellington street, early eltham, little eltham -
Kew Historical Society Inc
Photograph - Submerged houses in River Avenue, North Kew, 1934
North Kew, now divided between Kew and Kew East, bordered the Yarra River. As such, it was a region subject to flooding in the Yarra Valley. Development beyond this point (ie Kellett Grove) was limited by the City of Kew's planning regulations. Prior to urban development, the area since European settlement and the first land sales in the district in the 1840s, had been used for dairy farming. Vivid photograph contrasting domestic life and relationships with natural disasters such as the flood of 1934.Small sepia snapshot of two submerged houses belonging to local families in River Avenue, North Kew, during the 1934 floods. The view is presumably from near Kellett Grove looking north towards Fairfield.Verso: COES & HYATTS ROOF / RIVER AVENUE / Stamped: 6414yarra river -- north kew, floods -- yarra valley, floods -- north kew, floods -- 1934, natural disasters -- kew -
Kew Historical Society Inc
Photograph - Flooding of the Yarra River in North Kew, 1934
North Kew, now divided between Kew and Kew East, bordered the Yarra River. As such, it was a region subject to flooding in the Yarra Valley. Development beyond this point (ie Kellett Grove) was limited by the City of Kew's planning regulations. Prior to urban development, the area since European settlement and the first land sales in the district in the 1840s, had been used for dairy farming. Vivid photograph contrasting domestic life and relationships with natural disasters such as the flood of 1934.Small sepia snapshot of the donors grandfather rescuing the family dog's kennel from rising floodwaters at the rear of 8 Kellett Grove, North Kew, .Verso: DAD SECURING NIPPY'S DOG KENNEL / Stamped 6414yarra river -- north kew, floods -- yarra valley, floods -- north kew, floods -- 1934, natural disasters -- kew -
Flagstaff Hill Maritime Museum and Village
Domestic object - Fork
HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417 Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Silver plated copper alloy table fork from the wreck of the Loch Ard. William Pagewarrnambool, shipwrecked coast, flagstaff hill maritime museum, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, fork -
Bendigo Historical Society Inc.
Document - RANDALL COLLECTION: THE MOORE FAMILY TREE - WIFE OF 7782.92 BEAMENT
Document, The Moore Family Tree, marriage partner of 7782.92, which includes :- Noyes,Howard, Ashmore, Potter, Hockey. Asmore Family Tree:- Lord, Baradell, Provost, Wells, Baker, Bannister, Smith. Provost Family Tree:- Atkins, Bartlett, Elliot. Henry Ashmore of Chillwell, Geelong, Brother to William, Family Tree:- Lord, Marsh.Henry Ashmore of Jan Juc ( Relationship to William & Henry unknown). Noble, Duffield, Follet.genealogy, family, moore