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Whitehorse Historical Society Inc.
Article, Henry William Crouch, 11/12/1985 12:00:00 AM
Article in the Mirror by Joan Seppings Webster about Henry William Crouch.Article in the Mirror by Joan Seppings Webster about Henry William Crouch. Born in the U.K. and migrated to Australia aged 32. Married Sarah Lewis 6 years before leaving London. They lost their first 3 children and had 2 living sons. Henry, the eldest became a shire councillor. Henry William bought land in Church Road and started an orchard, prospered and later bought land in Williamson's Road on which 6 generations lived over 122 years. Sarah died and he married Harriet Tainton and they had 4 more children. Henry died by accident in 1913 aged 93.Article in the Mirror by Joan Seppings Webster about Henry William Crouch. crouch, henry william, lewis, sarah, crouch, henry, crouch, percival, church road, doncaster, williamson's road, doncaster, doncaster, doncaster church of christ, tainton, harriet lowan -
Wodonga & District Historical Society Inc
Tool - L-30 Chain saw, Lombard, 1962 - 1964
This chainsaw was one of the earliest models sold in Australia. It was manufactured by the Lombard company which was established in 1894 when Nathaniel Lombard developed the first practical water wheel governor in Roxbury, Massachusetts, USA. In 1904, the company moved to Ashland, Massachusetts. During the first World War, Lombard Governor produced hydraulic lathes for the manufacture of artillery shells At the conclusion of the war, Lombard expanded into the areas of chain saws and plastic molding injection machines. This model, the L-30 was only produced for 2 years from 1962 - 1964, primarily due to safety concerns and the fact that it did not have any way to sharpen or tighten the chain. This chainsaw was sold by Mann of Wodonga and donated to the Wodonga and District Historical society by David Mann, owner and manager of Mann Wodonga.This item is significant as it was produced for a limited time. It was also sold by a prominent Wodonga business.A single operator chain saw from Lombard, Ashland, Massachusetts, USA. The chainsaw was relatively lightweight but had no safety features such as a chain brake. It was made primarily of sand cast magnesium. The main cylinder was constructed of aluminium with a cast iron sleeve. It had a manual oil pump, the crankshaft operated on ball bearings and it had a maximum rpm of 4,500. See the Model profile in the accompanying Media item for details.On side of fuel tank: "ONE HALF PINT/SAE-30 OIL/ FOR EACH/ GALLON GASOLINE/ MIX WELL IN SEPARATE CONTAINER/BEFORE FILLING" On opposite side: "STARTING INSTRUCTIONS 1: FILL FUEL TANK WITH PROPER FUEL MIXTURE ( AS NOTED ON TANK) 2. FILL OIL RESERVOIR WITH #30 MOTOR OIL 3. CLOSE CHOKE, MOVE LEVER BACK TOWARDS AIR FILTER 4. HOLD THROTTLE WIDE OPEN 5. PULL STARTER HANDLE SLOWLY UNTIL STARTER ENGAGES, THEN GIVE IT A SHARP YANK 6. AS ENGINE WARMS UP, EASE CHOKE LEVER TO OPEN POSITION"hand tools, vintage chainsaws, david mann, mann wodonga -
Kew Historical Society Inc
Newspaper, W D Vaughan Pty Ltd, The Kew Advertiser, Vol.16 No.37, Thursday September 25 1941, 25/09/1941
"The Kew Advertiser , published by WD Vaughan Pty Ltd, commenced publication in January 1926 and, before the year's end, a modern printing plant had been established at 128 Denmark Street (demolished). This later became the nerve centre for publication of four other local newspapers: The Hawthorn Standard (1932), the Eastern Suburbs Advertiser (1934), the Coburg Courier (1935) and the Brunswick Sentinel (1936). The last two were later sold to another publisher, and the remaining three merged in 1959 to form the Eastern Suburbs Standard. This, in turn, continued under that name until 1974, when it merged with a counterpart from Doncaster, the Whitehorse Standard, and then carried on (under various names) until 1980." (Source: City of Boroondara : Thematic Environmental History, p. 75)Kew Newspaper produced in 1941 by W D Vaughamn Pty Ltd. The newspaper was printed at his offices in Denmark Street. The banner headline claims that it had a distribution of 6,000 copies.the kew advertiser, newspapers -- kew (vic), wd vaughan pty ltd -
Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: CORRESPONDENCE
Letter written by I. Hoffman, dated December 10th 1877. He had called on Dr. Wilson who had mislaid the letter acknowledging the money up to the 25th of September. He requests that another receipt be sent down up to that date.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, dr wilson, i hoffman, mrs hoffman, mrs rowe -
Surrey Hills Historical Society Collection
Book, The Shrine Surrey Gardens, Surrey Hills, Melbourne, Apr-96
This research project is on The Shrine in the Surrey Hills Gardens. It contains a list of those who had enlisted during World War 1, and how it came about to be the first monument of World War 1. Details of the man who carved the wood panels are included.This research project is on The Shrine in the Surrey Hills Gardens. It contains a list of those who had enlisted during World War 1, and how it came about to be the first monument of World War 1. Details of the man who carved the wood panels are included.monuments and memorials, (mr) john kendrick blogg, (mr) john gawler, community gardens, awards, armed forces, centenary methodist church, st.stephen's presbyterian church, "balmoral", house names, (mr) harry 'mafeking' garrett, (mr) arthur (empire) brooks, (mr) james ('rule britannia') sneddon, surrey hills, empire day, church furniture, t f crabb, (mr) walter drummond, surrey hills progress association, (mr) j f woodhead, (mrs) - steele, (mrs) robyn doble -
Wangaratta Art Gallery
Textile, Mohsen Meysami, Between the Devil and the Deep Blue Sea, 2017
“Between the devil and the deep blue sea!” is a special work to me for different reasons. It was my first experience ever working with textile, and it was my first major artwork that I made and exhibited in Australia. I moved to Australia in 2011 and lived in Perth for 5 years before I moved to Melbourne in 2016. I didn’t have a chance to make many artworks when I was living in Perth and it was mainly because I needed to work full time in order to afford the living costs. Melbourne was totally different though. I moved to Melbourne after I was awarded Australian Postgraduate Award (APA) to study my PhD at RMIT University. This was a fantastic opportunity for me, not only because it helped me financially, but also because it gave me the opportunity to develop my practice and research experience. Being new in Australia and Melbourne though, I needed to familiarise myself with the art community in Australia and find ways that I can introduce myself and present my art. I knew that exhibiting in Australia will be challenging and I thought I can start with looking for opportunities like group shows and awards. The Wangaratta Contemporary Textile Award was the very first one that I applied for and it was definitely a great starting point for me. It gave me the confidence to look for other opportunities and that my decision for working with the material and methods that I had no previous working experience with, was a right one. Between the devil and the deep blue sea! is about a dilemma. A dilemma where on one side there is all the memories of the past, home, family, and friends. Everything that was once a life and now is only a memory. There is the threat of death, terrorism and violence and there is no hope for a better future. On the other side, there is a better chance for staying alive, but there is nothing clear about the future. Where you go and what you will be called; A terrorist? Or someone that is there to take the jobs and money!? We are watching the news and seeing tragic accidents happening all over the world every day, but what makes us indifferent to the suffering of others was something that I became interested to learn more about it. From the beginning of my project, I was interested in discovering more about the notion of indifference and that came from my own position as an observer. I am an Iranian living in Australia. On the one hand, I am observing wars and conflicts in the Middle-East from a distance and on the other hand, from not much a distance! I am living in Australia with a great distance from the Middle-East in terms of the geographical distance and the differences in socio-political situations. On the other hand, and despite Iran’s current safe situation, there is no guarantee for a stable peace in the future. Being not here nor there, I am an observer who won’t be in peace in peaceful Australia, and can’t feel the depth of the pain for people living in war-torn countries such as Syria and Iraq. The indifference phenomena can be studied from different disciplines, however, there can not be a simple and unique explanation for its cause. Regardless of different explanations for the causes of the indifference, what I am most interested in is to explore the ways I can show the “indifference” itself. For this, I seek to focus on my simple interpretation of the phenomena, which in my mind is “seeing tragedy, not tragic.” In other words, whether the indifference is caused by information overload, or distance from the sufferer for example, people don’t feel the pain and can’t understand the conditions others in pain are experiencing. Based on this explanation, the focus of my artworks is to depict and highlight the contradiction between the pain and the indifference. In my art practice, I often use colourful and attractive materials in combination with a visual language that reference to the aftermath of tragic events of wars, to provide a symbolic representation of indifference in the form of an artwork. This is my artistic approach in explaining the notion of “indifference”, that can illustrate my ideas around “seeing tragedy, not tragic”. to give voice to my own concerns and position as an Iranian artist, I am interested in utilising visual elements from traditional arts of Persia and the Middle-East. In selecting rugs and fabrics that I use in my artworks, the weaving quality is not my concern. Moving beyond this, I am looking for features which express and underpin concepts such as antiquity, resistance, simplicity, and peace which sit in stark contrast to the terrorising and militant image of Middle Eastern people portrayed by the mainstream media. Nowruz (Persian New Year) 21 March marks the Persian New Year and the first day of spring in Iranian calendar. It’s the time of the year when all Iranians and many other Farsi speaking nationalities (Afghans, Tajiks, etc.) celebrate together. My wife and I are planning a trip to Iran for the new year holidays and it would be our first time to celebrate the new year with family and friends in Iran since 2011. It is believed that Nowruz has a long history of around 3,000 years and is rooted in Zoroastrianism, an ancient Persian religion that predates both Christianity and Islam. Every year Iranians celebrate this very special event at different times and it’s because the exact time of the new year depends on the exact calculation of when the length of the day and the night are equal. There are many things about the Persian new year to be excited about and sitting around the Haft-Seen table (7sin) with family is with no doubt the most exciting one. Haft-Seen is a set of seven symbolic elements beginning with ‘S’ in Farsi that Iranians arrange them together to decorate a table that family sit around and celebrate the beginning of the new year. The most common items found in Haft-seen decoration are: Sabzeh: Wheat, barley, mung bean or lentil sprouts growing in a dish, Samanu: Sweet pudding made from wheat germ, Senjed: Dried Persian olive. Seer: Garlic Seeb: Apple Somāq: Sumac Serkeh: Vinegar Sekkeh: Coin that symbolise health, wealth, abundance, etc.Wangaratta Art Gallery Collection, Acquired with the assistance of Robert Salzer Foundation.A used Persian Rug that has had a motif of two heads and an explosion hand-stitched onto it.mohsen meysami, textile, rug -
Flagstaff Hill Maritime Museum and Village
File
James S Steele tool boxFile flat second cut 6 inch had a handle at some time. 207mm longflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Churchill Island Heritage Farm
Functional object - Box spanner
Double ended (large/small) # 209 stamp. Has had welded repair on large end209 SHELDON AXLE COMPANYbox, spanner, tool, tools, double, welded, sheldon, axle, churchill island, farm -
Coal Creek Community Park & Museum
Cordial Bottle
Has a rusted Lid no label just inscriptions seems to have had a label at some stageEBERHARD & Co (Crown like symbol) This bottle is the property of EBERHARD & Co Glumes & Talbot -
Whitehorse Historical Society Inc.
Photograph, Education Department Certificate
Black and white photo of Education Department Certificate that Thomas McLelland had been 'sufficiently educated'.mclelland, thomas -
Whitehorse Historical Society Inc.
Photograph, Bruce Fisher, 1987
Bruce Fisher, Member of Local Pioneer Family, repaired the Crest when it was found forgotten and neglected in Council Garage, 1987.Black and white photo of Bruce Fisher with Crest of City of Nunawading which he had repaired.fisher, bruce, city of nunawading, coat of arms -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, Belinzona under construction, 2004, 28/06/2004
Formerly a guest house, Belinzona in Hepburn Springs has burnt down three times, and was rebuilt in 2004 with an increased footprint of around 1/3 of the previous. A series of photographs showing the third Bellinzona under construction. The previous two had burnt down.bellinzona, actea, hepburn springs, church avenue, seventh street, borsa crescent, wanda inn, fire -
Trafalgar Holden Museum
Vehicle - HK Holden Kingswood sedan, 1968
The HK range introduced in January 1968 was touted as the "The New Generation" Holden. The all new body had a longer and wider wheelbase, with much more room inside, and for the first time V8 power was on offer. The other big news for HK was the huge range of options on offer.HK Holden Kingswood sedan was the first vehicle to be given the "Kingswood" name. White four door sedan . A totally new car from the HR. Introduction of the 186 motor and the introduction of the model designation, Kingswood This model was the biggest car, that had been released by Holden in Australia. It was longer, wider, and with a larger motor, and the option of a V8 motor.Across the boot in single letters, the name Holden. On the grille is a badge with Holden name on it. Both front guards have badges designating the car as a KINGSWOOD and having the 186 motor in it. Club permit number plate 63465 Hvehicle, hk series, 1968 - 1969, car -
Falls Creek Historical Society
Photograph - Camp at Gap Saddle
MEYER COLLECTION - FALLS CREEK PHOTOS In 1947 a determined group of like-minded State Electricity Commission (SEC) staff including Ray Meyer, the chief surveyor of the Kiewa Hydro-Electric Scheme, had a common interest that revolved around the skiing potential of the snow-covered high plains which included what is now the resort of Falls Creek. The six SEC employees, Toni St Elmo, Ray Meyer, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson (together with their families) banded together to secretly build a 'hut' that was the first ski lodge at Falls Creek. Using a road built in 1930s to gain access to Falls Creek, their hut project was carried out in secret as efforts by other skiers were blocked by H.H.C. Williams – the engineer in charge of the Hydro Scheme. In 1946 Ray Meyer made a trip to the Lands Office in Melbourne. He came away with a 99-year lease on three acres that was ideally suited for a hut designed by Lloyd Dunn. Adrian Ruffenacht (Design Engineer for the KHS) had suggested where the group should build because of easy access to a spring for water. Much of the building material required was scavenged from derelict huts on the high plains. Due to the need for secrecy, the determined group worked on the hut in the evenings and weekends to avoid detection. During the building period the group had met at Echidna Rock (now known as Eagle Rock) where Skippy St Elmo announced, "This is my favourite ‘Skyline’.” And so the first lodge in the area at Falls Creek Ski Resort came into existence. With the development of the International Poma in the 1970s, the Skyline Lodge, which was sited between the ski-lift’s pole one and pole two, was demolished. However, the legacy of Ray Meyer, Toni St Elmo, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson and Skyline lives on in the vibrant atmosphere of Falls Creek Resort. The MEYER COLLECTION documents developments on the Kiewa Hydro Scheme and their life at Falls Creek from the mid 1930s to 1960s.These images are significant because they depict aspects of the life of a pioneering family of Falls Creek and the founders of "Skyline", the first lodge at Falls Creek.A black and white image of Rel Gibbs and Jack Meyer in camp. Rel spent some of her time embroidering Skyline badges. She had also made wool shirts to keep them warm.falls creek, building skyline, skyline founders, toni st elmo, adrian ruffenacht, jack minogue, ray meyer, lloyd dunn, david gibson -
Tatura Irrigation & Wartime Camps Museum
Photograph
The boiler made instant historyBlack and white photograph of the graphic explosion/demolition in the aftermath of the boiler explosion at the shower block. A mother had a broken leg and her small son, burns to back and chest. Both treated at Camp hospital. The family had come from Taiwan (Formosa).camp 4 incidents -
Whitehorse Historical Society Inc.
Photograph, Doris & Cecil Evans, 24/12/1938
Doris & Cecil Evans on their wedding day, arriving at 22 Cassella Street for afternoon tea. Doris's father had died 1 month before, and the wedding had been postponed. Christ Church, Church of England, Mitcham. Wedding Dress Ref. NA2040evans, doris, cecil -
Whitehorse Historical Society Inc.
Article, Piping up for a home, 1993
Nunawading Highland Pipe Band are hoping to lease the old pavilion at East Burwood Reserve.Nunawading Highland Pipe Band are hoping to lease the old pavilion at East Burwood Reserve. Band President, Ian Bell said they haven't had a base in 35 years. The band is the first civilian band from Victoria to enter the 1994 world championships. The council recommended a $5,000 grant.Nunawading Highland Pipe Band are hoping to lease the old pavilion at East Burwood Reserve. city of nunawading highland pipe band, bell, ian -
Warrnambool and District Historical Society Inc.
Container, China cherry toothpaste, c. 1898
This is the lid of a Cherry Tooth Paste container made by John Gosnell & Co. London. This company had its origins in the 17th century with John Gosnell joining the company in 1814. It made perfume, soap, brushes and combs and other personal household items. By 1898 the firm was based in London and known for its Cherry Tooth Paste. The practice of brushing the teeth for hygienic reasons began in the 18th century and became more popular in the 19th century. This item has no known local provenance but is interesting as an example of an early 20th century household product and is useful for display.This is a white china container lid, cracked and mended in places and chipped in other places. The container had Cherry Tooth Paste in it. The top of the lid is brown and yellow with brown and yellow printing. There is an image of the head of a young Grecian girl on the lid. ‘Cherry Tooth Paste, Patronized by the Queen, For beautifying and preserving the teeth & gums, prepared by John Gosnell & Co. Ltd., London’cherry tooth paste, john gosnell & co., warrnambool -
Phillip Island and District Historical Society Inc.
Testimonial, Capt John Barnard Lock, 01/07/1987
This copy belonged to the Lock family before being acquired by the MuseumCopy of testimonial from the people of Phillip Island to Captain John Barnard Lock, signed by W. McFee of Phillip Island, dated 1st July 1897. Capt. Lock had rescued the sole survivor of a boat which had been upset in heavy weather.local history, certificates, captain john barnard lock, cardboard mounted and in transparent folder, phillip island, w mcfee -
Ballarat Tramway Museum
Photograph - Colour Print/s, c1979
Yields information the issues that occasionally struck BTPS workers - facilities closed and a long walk.Colour print of a sign advising that the toilets (this is from Warren's memory) that BTPS workers used was closed and we had to go elsewhere. At the time, the BTPS had yet to install an internal toilet to the depot. Photo c1979. See dated through Reg item 4673.trams, tramways, wendouree parade, btps, tram 27 -
National Vietnam Veterans Museum (NVVM)
Photograph
Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of Lt Phil Hills and his team driving a landrover towing a mist generator to decontaminate the village of Long Dien, Phouc Tuy Province. A severe outbreak of Dengue Fever had occurred in the village and the Province Chief had requested assistance.photograph, lt phil hills, 1st australian field hygiene unit, long dien village, phuoc tuy province, dengue fever, gibbons collection catalogue, denis gibbons, photographer, vietnam war -
Wodonga & District Historical Society Inc
Photograph - Codling Collection 01 - High Street East - Lunn & Fordyce and Barclays Newsagency, 1980s
Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. These included the Horticultural Society, the Wodonga Arts Council, the Wodonga Camera Club and the Wodonga Lapidary Club. This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century.Eastern side of High Street, Wodonga - Lunn & Fordyce and Barclays Newsagency in the Mann building. Lunn & Fordyce had previously been the location of Wiltshire & Rattray. They opened about 1970 and operated for approximately 20 years. Lunn & Fordyce also had a shop in Shepparton. wodonga businesses, high st wodonga, lunn & fordyce -
St Kilda Historical Society
Photograph, St Kilda Rifle Club in the gardens of Ripponlea, 1914, c. 1914
Ripponlea (home of Ben Nathan 1914). The club began in 1903 and disbanded early World War 2 when members had to hand in theirrifles for use in the war.Original mounted photograph, fair condition. black and white photograph "Group of the St Kilda Rifle Club taken in the garden of "Ripponlea", the home of Ben Nathan in 1914. The club began in 1903 and disbanded early in World War II as members had to hand in their rifles for use in the war. " -
Melbourne Tram Museum
Negative - Set of 6, Travis Jeffrey, 10/06/1962 12:00:00 AM
Colour negative of tram 613 in Bridge Road, Richmond. Tram has destination Wattle Park - Elgar Rd. , Colour negative of tram 613 in Toorak Rd at Burwood terminus. Tram has destination City , Colour negative of tram 613 in Toorak Rd. Tram has destination Burwood , B&W negative of tram 613 in Camberwell Depot. Tram has destination City , Colour negative of tram 613 at Camberwell Rd at Bowen St. Tram has destination Bowen St , Colour negative of tram 613 at Camberwell Rd. Tram has destination Hartwell Tram has advertisement for Rivella wine, Champion Spark plugs and Stillwell's Holdens.Paper folder that contained the negative had "NR67B" and date written as 1 Jun 62 in red ink., Paper folder that contained the negative had "NR85B" and date written as 22 Jul 62 in red ink., Paper folder that contained the negative had "NR87B" and date written as 22 Jul 62 in red ink., Paper folder that contained the negative had "NR63A" written in red ink,, "M9" written in pencil and date stamped 23 Feb 62., Paper folder that contained the negative had "NR84B" and date written as 22 Jul 62 in red ink., Paper folder that contained the negative had "NR86B" and date written as 22 Jul 62 in red ink.trams, tramways, y1 class, wattle park, burwood, bridge rd, toorak rd, camberwell depot, camberwell rd, hartwell, bowen crescent, tram 613 -
Ringwood and District Historical Society
Photograph, Pitt St. Ringwood Police had office on veranda (undated)
Written on backing sheet, "Pitt St. Ringwood Police had office on veranda". -
Glenelg Shire Council Cultural Collection
Print, Joshua Black, n.d
Black and white laminated laser copy. Joshua Black is sitting in a cane chair-holding walking stick. Wearing a one button coat. Card on front - Joshua Black.Front: W.L. Blac, photo, Portland. No. Copies may be had by sending number.joshua black, portland -
Clunes Museum
Photograph, 1906
AN UNKNOWN LADY STANDING NEXT TO LAMP IN ALBERT STREETHAD A LETTER FROM ANNIE. MOTHER & ALL THE REST OF US WELL. 15.8.06local history, photography, photographs, shops and buildings -
Flagstaff Hill Maritime Museum and Village
Domestic object - Mug
Cylindrical, enamel coated metal mug. White in colour and has had blue enamel around lip.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Orbost & District Historical Society
bottles, first half 20th century
Australia was not self sufficient in glass making until the turn of the 20th century and many bottles were made overseas and shipped to Australia with their contents and when emptied were re-filled with other company’s products. These bottles have an aesthetic element in that the shapes are visually appealing. They reflect the type of glassware that was in circulation in the first half of the 20th century.Two very small clear glass vial bottles with flat rims. Possibly had cork stoppers.glass bottle vial -
University of Melbourne, Burnley Campus Archives
Photograph - Colour prints, Sunken Garden, 1984
2 photographs of students and staff constructing the Sunken Garden after the Principal's Residence had been removed.students, staff, construction, sunken garden, principal's residence