This Item is one of four bedroom items hand made in circa 1900 by Amalihe Pierin. Her Son brought the item when he emigrated to Australia and members of the family still reside in the Kiewa Valley. Historically this item represents the requirement by families to manufacture a whole range of bedroom coverings due to the lack of professionally manufactured goods. Isolation from big towns or cities required local seamstress activities and therefore closer social bonding was a necessity. Although this item was transported from Italy to Australia by the son of Amalihine Pierin the significance still remains the samelinen white cut work and embroidered central oval shape with matching floral design at either end with leaf leaf shapes above 2cm border with triangular stitching tattine embroidery, handcrafts, bedroom linen, trimmings, cut work

This Item is one of four bedroom items hand made in circa 1900 by Amalihe Pierin. Her Son brought the item when he emigrated to Australia and members of the family still reside in the Kiewa Valley. Historically this item represents the requirement by families to manufacture a whole range of bedroom coverings due to the lack of professionally manufactured goods. Isolation from big towns or cities required local seamstress activities and therefore closer social bonding was a necessity. Although this item was transported from Italy to Australia by the son of Amalihine Pierin the significance still remains the sameLinen (white) cut work and embroidered central design tatting diamond shape with embroidered scrolls either side cut work leaves top and bottom L shaped tatting inner border with triangular tatting 2cm outer bordered hole patternembroidery, handcrafts, bedroom linen, trimmings, cut work

This woolen sampler was of the type created by learners practicing their stitches, in this case Phoebe Lowell, a schoolgirl who made this in 1918 at St Michael's, St Kilda where she won the Form V Needlework Prize in that year. It was purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc - all of which have been donated to the Museum. The donor was advised at the time of her purchase that the garments were over 100 years old although that would not have been the case for this sampler.This sampler is a reminder of the tuition which schoolgirls routinely received in sewing and embroidery as these were considered essential skills for a future housewife.Piece of cream-colored woolen fabric hemmed with herringbone stitching. A circle and a square have been cut out and a larger circle and square have been sewn with herringbone stitches as a backing.On small cardboard piece sewn to sampler: 'Phoebe Lewell / Form 5 R / Age 16'female, lynne findlay collection, sampler, phoebe lowell, 1918, st michael's

This hand-made doll's apron was created using machine and hand stitching, by Phoebe Lowell, a 10-year-old schoolgirl in 1913. It was purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc - all of which have been donated to the Museum. The donor was advised at the time of her purchase that the garments were over 100 years old although this would not have been the case for this doll's apron.This doll's apron is a reminder of the tuition which schoolgirls routinely received in sewing and embroidery as these were considered essential skills for a future housewife.Very small cream-colored doll's apron with waistband and buttonhole but no button. Pleat running along the width of the apron above the hemline. Decorative herringbone stitching.On small label accompanying piece, handwritten: 'Phoebe Lowell / Age 10 / Form II'female, lynne findlay collection, phoebe lowell, doll's apron, 1913

This baby bodice was created using machine and hand stitching, by Phoebe Lowell, a 13-year-old schoolgirl at St Michael's, St Kilda in 1916. It was purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc - all of which have been donated to the Museum. The donor was advised at the time of her purchase that the garments were over 100 years old although this baby bodice was made in the early 20th century.This doll's apron is a reminder of the tuition which schoolgirls routinely received in sewing and embroidery as these were considered essential skills for a future housewife.White sleeveless cotton bodice with a one-button opening at the neck. Neckline and front opening are finished with double rows of top stitching. Arm openings finished with single lines of top stitching.On small label accompanying piece, handwritten: 'Phoebe Lowell / Form IV A / Age 13 years'female, lynne findlay collection, phoebe lowell, baby bodice, 1916

This embroidery was sent home to Irena Mede Baulch who was the younger sister of William John Baulch. William (born Nerranda Vic, enlisted Melbourne) No 2566 on 2.8.1915 age 36 years 2 months in the 6th Reinforcements 23rd Bn AIF, embarked for Eygpt 27.10.1915, transferred to the 58th Bn 23.2 1916, embarked for France 17.6.1916, Reported KIA 30.11.1916 then listed as wounded and admitted to the 1st Anzac Main Dressing Station GSW to the head on 1.12.1916, DOW's 1.12.1916. The embroidery has "1918" in the centre. The item was handed down through the family to Irena’s Grandson Noel Ridge. It is unclear how the item came to Irena as there is no other Military connection in the family.CENTRAL white silk square surrounding a small panel of embroidery featuring flags of various nations in the shape of 1918. Cotton lace inserts between 4 silk panels embroidered with pale pink & white flowers & trailing green foliage. Pale pink ribbon bows at each corner < the whole silk panel edged with wide, scalloped edge lace with mitered corners."1918 Souvenir de France"military history-souvenirs, flags - national, manchester - fabric

Hand embroaded on silk memento by Bill Handcock to his mother from Pelestine 1940. Main feature is the Rising Sun Bagde.silk hand embroaded memento Mrs P G Handcock from Bill Palistine 1941 Australian Commonwealth Military Forces Rising Sun Badge in centre Crown is centered on top of Garlands with flowers embossed in corners Blue fringed on all edges"Palestine" Lower L/H Side, "1940" Lower R/H side, "Mrs P G Handcock /From Bill" centre bottom, "Australian Commonwealth /Military Forces, on Rising-Sun-Badge centre world war two, embroidery, memento, rising sun badge, palestine, 1940, handcock

Sister Augustine from the Baria Orphanage South Vietnam hand sewed these items for Geoff Murray for his help with the Orphanage on his 2nd tour of Vietnam with Survey Corp 15.10.69 to 15.10.70. Refer 594.2, 610.2, 1866.3 re Geoff and the Orphanage. His first tour was with 3 Cav Regt 27.11.67 to 22.10.68. Refer 638P..1), .2) Embroidered pillowcases, hand sewn with 2 Vietnamese women. .3) Handkerchief embroidered with green edge and figure of Vietnamese woman. .4) Handkerchief, white with pulled through design in one corner. .5), .6), .7), .8) Handkerchief, white on white with small design in one corner. All items are hand sewn.embroidery, vietnam, baria, sister augustine

This item reflects the needlework skills of women in the first half of the 20th century.A white rectangular shaped linen tray cloth. It has rounded corners and crocheted edging. it is hand embroidered with brown-trunked trees, green leaves and oranges.linen tablecloth embroidery needlework handcraft

This appears to be unused as it is starched.This item is an example of a handcrafted item and reflects the needlework skills of women in the early 20th century when women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homesA hand embroidered cushion cover. It is cream coloured with blue edging. In the centre is an orange diamond shape with an oval in the centre. There is a vase with flowers branching out. They are yellow and pink. The cover closes with 3 press studs.handcraft embroidery cushion-cover

This item is an example of a handcrafted item and reflects the needlework skills of women in the early to mid 20th century. Embroidery was an affordable way to personalise and add aesthetic value to domestic linen and examples of embroidered and crocheted pieces could be found in most Australian homes, A hand made rectangular shaped white table cloth made of fine linen. it has lace insertions which are flower shaped. The flower stems and leaves are embroidered.table-linen handcraft needlework

This item is an example of a handcrafted item and reflects the needlework skills of women in the early to mid 20th century. Embroidery was an affordable way to personalise and add aesthetic value to domestic linen and examples of embroidered and crocheted pieces could be found in most Australian homes, A cream linen circular doily with scalloped edges. It is hand embroidered with a kookaburra and wattle design. It has some lace edging. doily needlework handcraft table-linen

this item was made to commemorate the coronation of Queen Elizabeth !! in 1953. In June 1953 , Elizabeth II was crowned Queen of the United Kingdom, Canada, Australia, New Zealand, South Africa, Ceylon (now Sri Lanka), and Pakistan, and became the Head of the Commonwealth. Many souvenirs were made to mark this occasion. Some were unique and hand-made. The main sources for crochet and other needlework designs available to women were in journals, magazines and pattern books.This milk jug cover reflects an important pastime for Australian women of the late 19th to mid 20th century. Women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homes, decorating or protecting furniture, floors and walls, and keeping flies and insects away from food. It is also a tangible souvenir of the coronation of Queen Elizabeth 11.A rectangular jug cover hand crocheted in white thread. It has blue and red beads sewn into the edges. the design is "JUNE" above a crown with "E 11 R 1953" below the crown.

These doilies reflect the needlework skills of women in the first half of the 20th century.Two hand made doilies with crocheted edgings. Both are cream linen with embroidery. 1592.1 has brown stems with green leaves and orange/pink flowers, 1592.2 has a green vase with an orange lily and buds with green leaves.doilies needlework embroidery table-linen handcraft

These items are typical examples showing the skill and craftsmanship of the women in the families of early settlers.Two hand sewn silk and lace collars. They are coffee-coloured with darker brown embroidery. They have ecru silk insets.collars women's-accessories silk hand-made

This handmade item represents an important pastime of Australian women of the late 19th to mid 20th century. Women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homes, decorating or protecting furniture, floors and walls, and keeping off flies and insects from food.Small square cream coloured hand crocheted sugar bowl cover. Word "sugar" is patterned into it. The beaded fringing is blue and white.food-cover handcrafts crochet

A handmade fine cotton undergarment of fine white cotton. A handmade white or cream fine cotton camisole with lace insertions and embroidery. Has a pink ribbon threaded through the lace around the neck. A square neck line, short sleeves with lace cuffs. Midrif length camisole which opens at the front with four white buttons.camisole hand-made lace

Handkerchiefs have been used by men and women for centuries. They could be made of any bit of cloth, but eventually they became a symbol of social status and wealth. As they became a status symbol, they also became more than just scraps of cloth, and were decorated with lace and embroidery. This item is an example of a handcrafted item and reflects the needlework skills of women in the families of the early settlers.Hand-embroidered silk dress handkerchief. Flowers embroidered on front. Fabric colour is beige.handcraft silk-handkerchief embroidery

This item is an example of a handcrafted item and reflects the needlework skills of women in the early to mid 20th century. Embroidery was an affordable way to personalise and add aesthetic value to domestic linen and examples of embroidered and crocheted pieces could be found in most Australian homes, One pair of hand embroidered white linen pillow shams. Crocheted edge. Decorated with embroidered flowers in assorted colours.pillow shams bedding manchester handcrafts needlework embroidery

This item is an example of a handcrafted item and reflects the needlework skills of women in the early 20th century.Small hand-crafted linen doily with embroidered lace-like edging. Flower embroidery and the word "scones" sewn along bottom.Front - "scones"doily handcrafts needlework linen embroidery

This item is an example of a hand crafted item showing the needlework skills of women in the early 20th century.Two small square handmade doilies. Tattered centres and crochet edging of bells. On white linen.doily handcrafts needlework linen embroidery

Made by Marion Ralston and donated by husband , Mark.This item is an example of a handcrafted item and reflects the needlework skills of women in the first half of the 20th century.Hand-embroidered doily. Round with scalloped edge. Embroidered with blue, yellow, green and red flowers.doily handcrafts needlework linen embroidery

This item is an example of a hand crafted item showing the needlework skills of women in the early 20th century.Hand embroidered linen doily. Round. Blue, yellow, green and red flowers.doily handcrafts needlework linen embroidery

Doily was hand made by Riuth Woodward who was the daughter of Alan Richardson, a sawmiller at Tabbara. He held ticket for the paddlesteamer Curlip.This item represents an important pastime of Australian women of the late 19th to mid 20th century. Women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homes, decorating or protecting furniture, floors and walls, and keeping off flies and insects from food.Small square needlepoint doily with kangaroo pattern and beaded triangular fringe. Centre is white with pink clear beading.doily handcrafts needlework beading richardson-alan

Crochet covers for milk jugs, teacups and bowls were produced to repel the dreaded Australian blow fly. They were typically decorated with Australian flora and fauna and commemorative motifs and sometimes edged with beads, shells and other three dimensional forms, not only for appearance, but also to weigh down the crochet so it would stay safely in place on the jug. The three dimensional parts were stiffened with sugar syrup, or sometimes starch, paraffin or gelatine. The main sources for crochet cover and other needlework designs available to women were in journals, magazines and pattern books. In the first half of the 20th century women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homes, decorating or protecting furniture, floors and walls, and keeping off flies and insects from food. Small square milk jug cover that has been hand crocheted with crown, flag and date patterned into centre. It has a red, white and blue beaded fringe.cover milk-jug-cover handcraft tableware

Marjorie McKeown (nee Ford) was an excellent needlewoman and has made this cushion cover.This item is an example of a handcrafted item and reflects the needlework skills of women in the early 20th century when women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homes.A cushion cover made of black fabric, embroidered with large roses on stems and hand painted over the roses. cushion-cover womens-needlecraft handcrafts

Hand made by Marjorie McKeown for her home.A long rectangular table cloth or runner made from a bright yellow fabric and with smallish embroideries of small cream flowers and dark green leaves. The cloth has a scalloped edge and a small dark yellow crochet border. tablecloth table-runner hand-embrodery table-linen

Alice Watson attended the Ballarat Technical Art School, and taught at Murtoa for most of her life. Hand embroidered doily with hand crocheted edge by Alice Watson.doily, doiley, crochet, edith alice watson, alice watson, embroidery

Edith Alice Watson attended the Ballarat Technical Art School. Her mother was Edith Emma Watson (Nee Yung) was her mother, and Clara Emma Yung (nee Smith) was her grandmother.Seven hand crocheted doilies either by Clara Emma Yüng nee Smith or her daughter Edith Emma Watson nee Yüng.doily, doiley, crochet, edith alice watson, alice watson, embroidery, edith emma watson, edith emma yung, clara emma yung, clara emma smith

This signature table cloth was anonymously donated to the Bacchus Marsh Blacksmith Cottage and Forge group in 2013. On the cloth are the hand embroidered names of men who served in WW1 as well as the names of family members, place names and dates of significance. In one corner of the cloth is the outline of a tennis ball, in which 6 names are listed. Research has shown that these names probably belonged to the Rose Park Methodist Tennis Club in Adelaide. Many of the other names listed seem to relate to servicemen and their families who came from South Australia. Also on this cloth are 3 beautifully embroidered butterflies, the profile of a man, a crest containing the letters B and H and the following place names and dates :- Sydney 21.10.12, Melbourne Jan 13, Goolwa, Genolan Caves NSW, Katoomba, Luna Park St Kilda and Granite Island. The name of the steamship SS Warilda also appears on this cloth. this ship belonged to the Adelaide Steamship Company. It was used to transport soldiers to WW1 and was then converted into a hospital ship, ferrying the wounded from France to England. It was hit and sank on the 3rd of August 1918.World War 1 signature table cloth. A square, white, linen table cloth with hand embroidered signatures of people and names of places, dates and objects relating to WW1.The embroidery is all done in white thread.There are also 3 embroidered butterflies, a crest and a man's profile.