The Masons patent of Nov 30th, 1858 phrase was originally embossed on countless glass fruit jars and canning jars, most ranging in age from circa 1858 to the mid-1910s. John Landis Mason was awarded patent No 22186, issued on November 30, 1858, by the U.S. Patent & Trademark Office it was termed an "Improvement in screw-neck bottles", for his invention concerning the process of creating a threaded screw-type closure on bottles and jars. Similar screw-threading had been done before on some bottles, but the process of forming the upper lip area of the container so that it was smooth, even, and sturdy enough for a lid of standard size to be screwed thereon was difficult and expensive to do properly, often with unsatisfactory results. His improvement revolutionized home canning in the United States and many other countries. In any case, throughout the next 60-odd years, production of jars with the Nov. 30, 1858 embossing continued at a high rate, with untold tens of millions being produced. The phrase was soon considered an important marketing device, adding to the perception of quality and reliability of the container to the average consumer. This perception continued to at least 1879 21 years after the patent was issued, nearly every glass bottle factory was likely producing their version. The 1880s and 1890s likely saw the peak of popularity of these jars. A considerable percentage have a mold number or letter on the base, a means of identifying the particular mold in use at the factory.An early item used in most kitchens by women who preserved fruit and vegetables before the arrival of refrigeration giving a snapshot into the domestic lives of families during the late 19th to early 20th century's and how they preserved food for later use without refrigeration. Preserving jar, glass, with metal screw top lid. Glass has side seams, impurities and slightly concave base. It has been hand blown into a mould. Inscription is moulded into glass. Moulded into glass: MASON'S / PATENT / NOV 30TH / 1838"warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, food preserving, mason jar, john landis mason, domestic container, glass jar, fruit & vegetable jar, domestic jar, food preparation, handmade glass, blown glass

This jar was used in the Tawonga District General Hospital which was built in the 11950's specifically for the increase in population due to the Kiewa Hydro Scheme.Small wide white 'milk glass' jar with screw top. Used for ointment e.g.. zinc, magnesium sulphate. Embossed on base. Base is 'pushed inwards/upwards' forming a lip around the circumference.Base: Common Seal - A with G above and M below / 15 medical, hospital, ointment

This work pays homage to Solomon J. Solomon’s Ajax and Cassandra. Andrew Potter’s painting tells of the subsequent event. Cassandra is undoubtedly a Trojan War casualty, symbolizing the personal pain of widows and rape victims. The flow of the fabric is the allegory of bloodshed, while the empty jar suggests displacement of refugees. Cassandra’s body, as mother earth, is a metaphor for the peaceful landscape that is desecrated by acts of war. The artist uses these iconic figures to exemplify and demonstrate why peace is always better than war. This work was awarded second prize in the 2009 Lucato Peace Prize. During that year Andrew Potter was undertaking the first year of a Bachelor of Visual Arts (Fine Arts) at the University of Ballarat’s Arts Academy. This item was runner up in the Lucato Peace Prize, and is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painted canvas depicting a naked woman lying on the round beside a glass jar.art, artwork, andrew potter, potter, lucato peace prize, mythology, available

This is one of a collection of items received from the practice of Dr Lachlan Hardy-Wilson, FRCOG, Launceston, Tasmania.Two clear plastic specimen jars with yellow lids. There is a label stuck to the outside of each jar for recording the contents of any specimen placed in the jar.surgery

Stoneware Jarstawell

Kitchen - Date and Location Unknown Cups and Jars and shelves and Bread Jar near stoveFujicolorbuildings, commercial, gas and fuel

Fowlers Vacola jar, lid and clamp. Reg. No., 28195 / 3" [on lid]. Fowler's No. 20 imprinted in jar at side bottom. M107/M/7 imprinted in base of jar.(see above)preserving, fowler's vacola

Found in the above ground rubbish pile at Days Mill & Farm. Possibly contained 'Vicks Vapor Rub".Small blue jar with rusted on screw top lid. The round jar has straight sides. william day, ann day, joseph day, robert day

Domestic Stoneware Jarstawell

Lidded Ceramic Jarceramics, australian studio pottery

This is an example of an early 20th century ceramic container.Small stoneware dripping jar. Wide lip. Top half of jar is beige, bottom cream coloured.jar container ceramics stoneware domestic food-storage preservation

Used in the Tawonga District General Hospital which was built in the 1950's.Clear glass identical jars used for storage e.g.. bandages & swabs. One jar has a clear glass lid with glass knob in the centre. The jar narrows at the top for the lid to fit.medical, hospital, jar

In the early days of Orbost many Chinese were engaged in land clearing or had arrived when gold was discovered in East Gippsland in the 1840's. They lived in camps along the Marlo Road and houses were usually built on stilts. They left after the 1893 floods.This object has aesthetic appeal. It is an object which belonged to the very early settlement days of Orbost.Huge, ornate Chinese ginger jar. Four raised hand- painted pink roses on front. Jar itself is matt black. Looks more like a vase than a ginger jar. Ceramic.Some Chinese writing to left hand side of roses.ceramics, ginger jar, container - domestic, vase

In 1868, Walter Sheldrick, a Warrnambool butcher, established a company to operate the Warrnambool New Brewery (at the corner of Timor and Fairy Streets). The company was wound up but the brewery continued to operate as Sheldrick and Co., with Walter Sheldrick and Thomas Price as principal partners. Sheldrick died in 1893 but the brewery continued with various partners in the business. In 1894 the brewery was sold to James W. McGee and Co. and this firm operated the brewery until its demise in 1922 when it was bought out by the Ballarat, Melbourne Co-Operative and Carlton and United Breweries and closed. This demijohn is of interest as it came from the Warrnambool New Brewery (closed 1922). This brewery, known as Sheldrick’s was a prominent business in Warrnambool for over 50 years. This is a circular-shaped stone jar enclosed in a wicker case with handles. The jar has a circular yellow top with no stopper. ‘James W. McGee & Co Wmbool’warrnambool new brewery (sheldrick & co.), james w. mcgee & co, warrnambool

Silver top glass (crystal) jar engraved with angel faces. Cut glass jar probably used for creams.personal effects-toilet requisites, cosmetics

Four small glass pathology collection jars, with metal screw on lids. Three jars are plain and unlabelled. The fourth jar has a label on it which reads 'MELBOURNE PATHOLOGY CLINIC/33 COLLINS ST, MELBOURNE'. The back of the fourth jar is also painted with the initials 'E.D.T.A' in yellow paint. pathology

Mason’s Glass Jar with lidstawell

Stewart SCAMBLER Stewart Scrambler is also a woodfirer, making ceramic forms inspired by the Western Australian landscape from local clays and glazes and a mix of native timbers from his York property. He used an incised or impressed 'Stewart' for his mark on early works but later started incising his full name.Wheelthrown and woodfired lidded jar. stewart scrambler, ceramics, jan feder memorial ceramics collection, gippsland campus, woodfire 86, bohemian ceramics, australian studio pottery

Wheelthrown glazed lidded jarchristopher headley, ceramics, jan feder memorial ceramics collection, gippsland campus

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese stoneware ginger jar (00232.1) with lid (00232.2), Mainly green glaze, base of jar and inside of lid not glazed.chinese, ginger, jar, goldfields, gios, tableware, glaze, stoneware, harrietville

Glass vegemite jar with lid. The jar contains fifteen syringe needles of varying length. Aileen and John Ellison CollectionOn the lid in black Texta the number 29.medical, needles

Between 1867 and 1920, anaesthesia for dental operations was often maintained by blowing the vapour of ether or chloroform into the patients' oral or nasal pharynx. Junker's inhalers are a "blow over" device used with a hand-held bellows to bubble air through liquid chloroform and to the patient. It was initially intended for use with bichloride of methylene, a mixture of chloroform and methyl alcohol. Ferdinand Ethelbert Junker introduced his inhaler in 1867 as appointed physician to Samaritan Free Hospital for Women (although it didn't have that name until c.1904). Glass jar with liquid measure markers etched onto. The jar has a metal lid, with a metal tube descending into the jar. Two metal tubes are protuding out of the top of the lid, and each has a small section of rubber tubing attached. There is also a metal hook, used to attached the jar to the physicians (anaesthetist's) lapel.Stamped into frame of metal lid: LONDON MADEjunker, blow over, chloroform, samaritan free hospital for women

These samples were displayed at the Sugarbeet factory. A glass jar of seeds from the same series has also been catalogued.A set of 15 clear glass jars with samples from the sugar making process. They are labelled in order; Cossettes, Pulp, Diffusion Juice, First Carbonator Juice, Lime Scum, Second Carbonator Juice, Thin Juice, Thick Juice, Standard Syrup, Green Syrup, Raw Massceute, Raw Sugar and Molasses.sugarbeet

The name 'Sea Pen', which name comes from its resemblance to bird feathers, originates from its more formal title of 'Pennatula'. There are various species, one of which (Phosphorea)is not uncommon at depths of 50 metres or more. It consists of a stalk by which the Sea Pen is probably fixed upright in the mud or sand, and of a fan like upper part. When alive it is brightly phosphorescent. The stalk is really a tube and can be inflated. The strands or polyps of the upper part of the creature are fused together in sets of a dozen or so, to form leaves up each side, somewhat like the barbs of a feather. The whole axis is supported by a firmly calcified internal stem. The preserved item in our collection has been bleached naturally in the preserving fluid over time. However the Sea Pen in this photograph is alive and displays as golden. It is positioned vertically with its stalk at the bottom and its fronds or feathers beautifully displayed along the upper part. The preserved item in our collection has been bleached naturally in the preserving fluid over time. However the Sea Pen in this photograph is alive and displays as golden. It is positioned vertically with its stalk at the bottom and its fronds or feathers beautifully displayed along the upper part.The use of such preserved specimens is widespread in teaching students of all ages, and museums of the composition of certain animals, insects, birds and sea creatures. Any information about an animal — be it photographs, blood, feathers or fur samples — is better than no information at all. But specimens are vital to ground-truth.Closed jar with an all white sea creature preserved in clear fluid. The head is uppermost, and the sea pen is positioned vertically in the jar.Golden Sea Penflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sea pen

Light brown jar with four circular strips. Three stripes are around the body of the jar and one around the flanged rim of the opening.S.S written in black marker on base.domestic items, food storage and preservation, jar, terracotta, brown stripes, domestic.

Ceramic jar, cylindrical, stone colourSticker with 66 underlined on basewalsh st furnishings, robin boyd