This scrapbook contains newspaper cuttings, mainly about football, and other written material from the late 19th century. It belonged to Martin Carter ((1870-1943), a Warrnambool saddler who worked for many years in the saddlery business established by his father, Samuel. Martin Carter was very active in community affairs - President of the Warrnambool Bowling Club, a member of the local Volunteer Militia, Secretary of the Progress Association, a football player and umpire and a local cricketer. He was the Secretary of the Warrnambool Town (later City) Band for fifty years and a memorial plaque in his honour was erected at the Band headquarters in Warrnambool. He was also a Warrnambool Councillor (1917-1925) and Warrnambool Mayor (1922-24). His interest in football can be seen from the great number of football newspaper cuttings in this notebook.This little notebook is most interesting as it provides us with details on football in the Warrnambool district in the late 19th century and gives us an indication of the popularity of the game at that time. It is a valuable research tool.This is a small notebook with a black cover. The pages contain ruled red lines over which have been pasted newspaper cuttings. Some pages have handwritten material and some pages are blank. There are also several loose cuttings. The notebook has been stapled but the staples have been removed.M.L.Carter Warrnambool June 13th 1887 S.Carter Saddler Warrnambool (stamp)warrnambool town band, martin carter warrnambool, football in the warrnambool district, sydney giddings warrnambool saddler

This is the 1854 fourth edition of a book on diseases of the eye by William MacKenzie (1791-1868) first published in 1830. William MacKenzie was surgeon oculist in Scotland to Her Majesty (Queen Victoria), lecturer in the University of Glasgow and a surgeon in the Glasgow Eye Infirmary. This fourth edition appeared just after Helmholtz's invention of the ophthalmoscope, but Mackenzie did not at this stage have much understanding of the internal diseases of the eye. Nor did he properly understand refractive errors which were soon to be elucidated by the work of Donders. MacKenzie did however recognise the hardness of the eye as being an essential sign of glaucoma.This book is significant historically as it shows contemporary understanding of eye disease in the early nineteenth century. It is not rare as copies still turn up at book markets and also are held in other Australian institutions.This book, bound in full calf leather (probably later 19th Century) with 1107 pages including an index and is followed by a publisher's catalogue. It is the 1854 fourth edition of William MacKenzie's 'A practical treatise on the diseases of the eye' first published in 1830. It has a long (32 pages) introductory section on the anatomy of the eye by Thomas Wharton Jones, FRS. There are 27 chapters on eye disease. Chapter 24 is on refractive errors and presbyopia.eye, ocular anatomy, ocular disease

This deck cannon is believed to be a replica Carronade as it has no foundry mark, year of manufacture, proof marks or weight of carronade on it. However, its design matches the design of Carronades used in the early to mid 19th century. History: The carronade was designed as a short-range naval weapon with a low muzzle velocity for merchant ships, but it also found a niche role on warships. It was produced by the Carron iron works and was at first sold as a complete system with the gun, mounting, and shot altogether. Carronades initially became popular on British merchant ships during the American Revolutionary War. A lightweight gun that needed only a small gun crew and was devastating at short range was well suited to defending merchant ships against French and American privateers.   Its invention is variously attributed to Lieutenant General Robert Melville in 1759, or to Charles Gascoigne, manager of the Carron Company from 1769 to 1779. In its early years, the weapon was sometimes called a "mellvinade" or a "gasconade". The carronade can be seen as the culmination of a development of naval guns reducing the barrel length and thereby the gunpowder charge. The Carron Company was already selling a "new light-constructed" gun, two-thirds of the weight of the standard naval gun and charged with one-sixth of the weight of the ball in powder before it introduced the carronade, which further halved the gunpowder charge. The theory of its design was to use less powder and had other advantages that were advertised in the company's sales pamphlet of the time, state. The smaller gunpowder charge reduced the barrel heating in action, also reduced the recoil. The mounting, attached to the side of the ship on a pivot, took the recoil on a slider, without altering the alignment of the gun. The pamphlet advocated the use of woolen cartridges, which eliminated the need for wadding and worming, although they were more expensive. Carronades also simplified gunnery for comparatively untrained merchant seamen in both aiming and reloading that was part of the rationale for adopting the gun. Other advantages promoted by the company were. The replacement of trunnions by a bolt underneath, to connect the gun to the mounting, reduced the width of the carriage that enhanced the wide angle of fire. A merchant ship would almost always be running away from an enemy, so a wide-angle of fire was much more important than on a warship. A carronade weighed a quarter as much as a standard cannon and used a quarter to a third of the gunpowder charge. This reduced charge allowed Carronades to have a shorter length and much lighter weight than long guns. Increasing the size of the bore and ball reduces the required length of the barrel. The force acting on the ball is proportional to the square of the diameter, while the mass of the ball rises by the cube, so acceleration is slower; thus, the barrel can be shorter and therefore lighter. Long guns were also much heavier than Carronades because they were over-specified to be capable of being double-shotted,(to load cannons with twice the shot, for increased damage at the expense of range). Whereas it was dangerous to do this in a carronade. A ship could carry more carronades, or carronades of a larger caliber, than long guns, and carronades could be mounted on the upper decks, where heavy long guns could cause the ship to be top-heavy and unstable. Carronades also required a smaller gun crew, which was very important for merchant ships, and they were faster to reload. Additional notes: Cannon cast in England, Wales and Scotland had their imperial weight chiselled or engraved in the format of 4-2-0 on the bottom of the cascabel, indicating the weight of the cannon as 4 hundredweight, 2 quarters and 0 pounds. Since a hundredweight equals 112 pounds and a quarter weight is 28 pounds the total weight is 504 pounds or about 228 kilograms. The small bore replica carronade and carriage is part of a collection of nineteenth Century Flagstaff Hill Guns and cannons, and is a representation of carronades used from the early 18th up to the 1850s on merchant and military ships particularly the British Royal Navy until 1850. This example is not significant in the historic sense but demonstrates the type of artillery used aboard vessels of the time for protection & offensive military actions. Cannon, cast iron, small smooth bore cannon on the stepped wooden carriage with wooden wheels. It appears to fire a 12-pound cannonball. The Cannon barrel can have its elevation adjusted via a sliding sloped block at the rear of the cannon. Gun carriage has loops for locating and holding the carriage in position with the use of ropes. It is believed this carronade is a replica of a mid-to-late 19th-century Carronade cannon.Cast into metal; [Royal emblem of Queen Victoria (VR "Victoria Regina")]warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, cannon, naval cannon, cannon on carriage, 19th century cannon, fortifications, smooth bore cannon, 12 pounder, carronade, artillery, replica, deck cannon, cannon in carriage, ship cannon

The book has back and front covers in brown leather which features heavily raised embossing . The raised sections contain Biblical and other religious images and intricate patterns. The spine has gold lettering. The front cover is slightly scuffed and is detached from the spine. It has been bound with string and paste. The pages, some of which are torn, contain text and black and white and colour plates. It is not only a Bible as it includes the history of other religions.non-fictionBible and History of religions family bible, family bible 1900, warrnambool

This book was given as a prize to William Giles in the late 19th century. It came from the Skiddaw Sunday (or Sabbath) School. Skiddaw was the home of the Batterbee family and was situated on the old Princes Highway in East Warrnambool near Simpson Street today. The corner here was known as ‘Batterbees Corner’ and there is a Skiddaw Street in the locality today. George Batterbee had a ham and bacon business in Warrnambool. For 36 years his wife, Mary, conducted a Sunday School at Skiddaw (from 1882 to 1918). This Sunday School was under the auspices of St. John’s Presbyterian Church in Warrnambool. Mrs Batterbee was assisted by her daughter Florinda and other teachers. Florinda and her brother Rex were both artists of note. William Giles and his family lived on the Allansford Road. The Logan family farm was in the vicinity of where Logans Beach is today. This book, though tattered and stained, is most important as the only item we have in our collection that is associated with the Skiddaw Sunday School. Situated in a family home, this Presbyterian-sponsored Sunday School operated for 36 years under the direction of Mary Batterbee. This is a book of 32 pages with the cover and perhaps some of the pages missing. It has been stapled but the staples have been removed. The book has large print and illustrations on all the pages. The illustrations have been coloured in by hand. The first page is loose and scribbled on. The pages are very stained and torn in places. The inscription is handwritten in black ink. ‘Skiddaw S. School, Second Prize, Awarded to William Giles for diligence in class, S. Logan, Teacher’. skiddaw, east warrnambool, batterbee family, giles family, logan family, history of warrnambool

This bottle contains the medicine mixture for diseases of the liver and kidney that was patented by Dr Law of Boston. In the late 19th century Dr Law was a prolific and popular producer of patent medicines. The Warrnambool manufacturing chemist, Richard Kennedy, had the sole rights in Warrnambool to prepare and distribute Dr Law’s medicines. Richard Frank Kennedy (1826-1903) was born in England. He came to Warrnambool in the early 1880s and set up a pharmacy business in Timor Street. He was a retail, wholesale and manufacturing chemist. In 1891 he erected a new building and at that time his shop was described and one of the most elegant and best-stocked chemist’s shops in Victoria. Kennedy was active in Warrnambool community affairs and he was a foundation member of the Warrnambool Bowls Club, being its first Vice-President and an early President. His business continued after his death, trading as R.F.Kennedy and Co. This item is of considerable significance as it is the only example we have of a Dr Law patent medicine produced and distributed by the Warrnambool manufacturing chemist, Richard Kennedy. Both Dr Law and Richard Kennedy used an image of a lighthouse as a business symbol though the images are not identical. This is a glass bottle with a cork containing a chemist’s mixture for diseases of the kidney and liver. The bottle is enclosed in a brown paper cover which is lined with what looks to be the instructions for the use of the medicine. (The bottle is unable to be removed from the covering without major damage to the cover). The covering is brown with images of Dr Law and his lighthouse logo and printed material in brown and white colouring with the name of the product and its benefits. The top of the covering is torn and mended with adhesive tape. ‘Great Blood Purifier’ ‘Dr Law’s Great Cure for Diseases of the Liver and Kidney and all Impurities of the Blood’ Dr Law’s Liver Stimulant and Invaluable Remedy for indigestion, dyspepsia, sick headaches, loss of appetite, spasms, jaundice, constipation, sour stomach, heartburn’ ‘Waterbrasch, Liver, Stomach and Kidneys’ ‘Manufactured at Kennedy’s Pharmaceutical Works, Warrnambool, W.D.’ r.f.kennedy,, warrnambool chemist, dr law of boston, patent medicine producer, chemists in warrnambool, history of warrnambool

Spoke shaves were used by woodmakers to shape curved surfaces (originally wheel spokes). These two spoke shaves belonged to Ernest Phillips of Warrnambool who would have used them to shape the surfaces of chair and table legs etc. Ernest Brighton Phillips (1875-1924) was the son of Henry Phillips (a hay and corn dealer in Warrnambool) and his wife, Emma. He learned cabinet making at the Box Works in Warrnambool and in the late 19th century established a furniture-making and selling business at the corner of Liebig and Koroit Streets. By the early 20th century he had the largest furniture warehouse and factory in Victoria outside Melbourne and sold his products all over Australia. He and his family lived at ‘Heatherlie’ in Koroit Street and after his death this Phillips house was acquired by the Methodist Church and the Heatherlie Homes for retired people were built on this site.These tools are of considerable significance as they were used by Ernest Phillips, a prominent businessman in Warrnambool during the late 19th and early 20th centuries. These are two spoke shaves - small planes, slightly curved, with wooden handles and a metal blade in the middle. The blade is attached to the handles via metal ends which go through holes in the wood. The blade area is strengthened with metal plates attached by metal screws. The metal parts are well-rusted and the handles are somewhat worn. ‘E. Phillips’ etched into wood on each spoke shave.ernest phillips, history of warrnambool

A colour lithograph issued by the Salon de la Mode, featuring two women wearing high fashion of the late 19th century, posing next to a tennis court net. The woman on the left is holding a racquet. Below is the image of a coat-of-arms, with the monogram 'HVP', which is that of the director of the Salon de la Mode, Henry Petit. One of the engravers is identified as 'Lefranco'. Materials: Paper, Ink, Cardboard, Metal, Paint, Wood, Glasstennis

An example of late 19th century childrens' book design.Hardback, 80 pages, col. frontispiece and title page. Embossed front cover, with col. illus."To dear Stuart, with all good wishes for a happy Christmas from R. Wedlich S. S. T. 1917"childrens books

It is a photograph of an official in the Police Force of the late 19th century.Sepia photograph of a uniformed gentleman sitting beside a round table. The police helmet is resting on the table. The photo is mounted onto black cardboard with gold writingOn front: Walter Shaw / opposite Staff College / CAMBERLEY Handwritten on back: Clive Clarkpolice, uniforms, clark, clive, shaw, walter, photographers, george evans collection

A hand lance with a long iron shaft and a small oval or leaf-shaped tip was also known as a killing iron. It was designed to dispatch a whale quickly and efficiently, once the mammal came to the water surface for the last time. The hand lance was stabbed repeatedly into a whale’s thick neck arteries. The sharp leaf-shaped tip allowed easy removal for another thrust. Cutting these arteries prevented the whale from deep dives and hastened its bleeding to death. Normally, multiple hand lances were carried aboard a whaleboat, so that if one was lost it could be easily replaced without returning to the mother ship for a spare one. By the late 19th century, guns had replaced most hand-thrown harpoons and lances. They were more efficient, more accurate, and safer, for a whaler could shoot a dart at a greater distance from the dangerous whale than a harpoon could be thrown.An item that gives an insight into 19th century whaling practices that were carried out all along the southern coasts of Australia.Hand Lance or Killing Iron Noneflagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, whaling equipment, whaling, killing lance, whaling lance, harpoon

Used in the late 18th or early 19th century.A small steel double curved pointy hooked bag hook with a turned wooden handle on the top. The handle is attached through a hole in the steel and riveted to the the hook. It was used to assist with lifting large bags of wheat, fertiliser and so on in the late 18th or early 19th century. agricultural equipment, farm equipment, bag hooks

Chicory Farm of Robert Anderson Snr. Late 19th Century.Chicory Kiln featured on farmlocal history, photography, photographs, slides, film, buildings, historic, chicory farm at phillip island, black & white photograph, mrs emma anderson jacobs

Believed to be built late 19th Century, home of Deery family.Colour photograph of a Victorian homestead with gable and hip roof. Protruding gables at front and east side linked by a bullnose veranda. Decorative timber fretwork and finials. Two chimneys visible. Timber cladding painted cream, roof green. Situated north side of Princes Highway, Johnsonville, Victoria.diaries, primary industry

Ornamental cast iron trivet from the late 19th Century.A decorative cast iron trivet for a vintage flat iron. It has raised edges around the sides to stop the iron from slipping off. The handle is quite decorative.laundry iron trivets, iron stands

Ornamental cast iron trivets from the late 19th Century.Two vintage decorative cast iron trivets for vintage flat irons. They have have three legs and raised edges around the sides to stop the iron from slipping off. The handle on one is quite decorative, but the other has a broken handle.'T Johnson' is stamped on the bottom of both trivets. One has illegible stamp.laundry iron trivets, iron stands

The hat brush is an example of a domestic object that would have been common to most households in the late 19th and early 20th century.The hat brush is significant in that the inscription connects the brush to a prominent hat maker in the Western district whose business can be dated to the late 19th century. The address of the business was 24 Bridge St Ballarat and was owned by Mr Charles Morris. Curved wooden hat brush constructed from light polished timber. The handle end has a small hole in it and the front end is pointed. The bristles are two tone in a circling pattern and cut to follow the curved shape of the wood. There is a chip out of the wood exposing the bristle holes. The brush is stamped with the suppliers name and address.C. MORRIS, HATTER, (?) BRIDGE STREET, BALLARAT.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, hat brush, wooden hat brush, natural bristles, c.morris hatter, hatter ballarat, c.morris ballarat

Pince-nez were a style of spectacles that held on to a person's nose by a spring mechanism and was popular in the late 19th and early 20th centuries in European cultures.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A pair of brass pince-nez styled spectacles with a loose brass chain earpieceA01156.2glasses, eyewear, fashion

Pince-nez were a style of spectacles that held on to a person's nose by a spring mechanism and was popular in the late 19th and early 20th centuries in European cultures.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A pair of brass pince-nez styled spectacles.glasses, eyewear, fashion

A sepia photograph of Muriel Stepto (nee Wood) taken in the late 19th century. This item is significent because it records an examople of early 19th century infant dress in caulfield.

Newcombe and Co traded as timber merchants And iron mongers in Koroit Street in the later part of the 19th century and early 20th century. It was destroyed by fire in March 1918.A commonly used office item which is well linked to a long established business in Warrnambool.Cast iron rectangular base with arch form leading to handle. Painted black and decorated with gold scroll work. Orange line around rectangular base. The seal is operated by pushing down the handle which stamps on paper which would be placed between the circular stamp and the base plate.warrnambool, company seal, embossing seal, newcombe timber company, koroit street

No information is available on this particular item but it was common practice in the late 19th and early 20th centuries to use bone as ornaments or jewellery. Tusks were used to make earrings or necklaces.This item is of interest as an example of the use of bone as ornaments or jewellery. It will be useful for display. This is a piece of curved bone (coloured black or polished) with a round metal piece at the top with a loop for attachment to a chain or fabric. It is probably a tusk from a boar or pig. The bone is somewhat blotched and the metal is a little rusted.bone jewellery, warrnambool

Hand-written letter to the President/Cecretary, Long Gully Historical Group, dated 7/10/2000 enquiring about the Wilson family from the late 19th Century. Hewas interested about his paternal Grandmother,Lillian Rubina Wilson and her brother James Maitland Wilson who was killed in France in 1917. Their parents were Elizabeth Wilson nee Jolly and James Wilson. He asks for any knowledge, photos or anecdotes. Signed John Reynolds.bendigo, history, long gully history group, the long gully history group - letter from john reynolds, long gully historical society, lillian rubina wilson, james maitland wilson, honour rolls memorial military museum, elizabeth wilson nee jolly, james wilson, long gully (female) choir or singing/choral group, john reynolds

Bendigo Art Gallery Mid to Late 19th Century exhibition on display June 3 to July 4 2001, celebrating the transformation of a town into a city. The Bendigo Advertiser is a proud sponsor of exhibition printing a souvenir poster for the occasion depicting a water colour of Kangaroo Flat Sandhurst in 1857 by George Rowe on the cover, a chromolithograph of Sandhurst in 1887 by Francis Niven overleaf and on the back a water colour of the Bendigo Goldfields C.A. Ross & Co. Derwent Store in 1852 by John Cater of Northcote.George Rowebendigo, history, 19th century bendigo

Imported and sold by Holden and Frost during the late 19th century and early 20th century for use on saddlery Retailed by Holden and Frost for military agriculture and civilian use c1910Nickel plated Bridle roller buckleequine, military, agriculture, civilian ca1910

imported and sold by Holden and Frost during the late 19th century and early 20th century for the purpose of equine accessorysold by Holden and Frost as a rider accessory brass fly terrets as used in riders accessoryequine, military, recreational, c1900, fly terret

imported and sold by Holden and Frost during late 19th century and early 20th century for military and agricultural useSold by Holden and Frost c1900nickel plated half buckle equine, military, agriculture, civilian, c1900, half buckle

Used in the late 19th and early 20th century.A vintage No 2 Class II Salters Improved Spring Balance weigh scale with a weight guage of 0 - 40 lbs. It is made of metal with four rivets holding the front measurement panel covering the spring with a ring at the top and a hook at the bottom to hold the item being weighed. It was manufactured in England by Salters and used in the late 19th and early 20th century.'No 2 Class II Salters Improved Spring Balance weight guage 0 - 40 lbs. Manufactured in England by Salters'''spring balances, scales, balances, weighing instruments