Photograph of a group fo four women outside Foard's Store Greensborough [site of present Woolworths Supermarket]. Ladies were a golf group. Digital copy of black and white photograph.foards store, greensborough golf

This photograph shows rows of horses from the Light Horse in desert camp.Digital copy of black and white photograph. No caption on this photo.charles marshall, world war 1

This photograph is a "snap shot" in time circa 1950s detailing the rural environmental change and the progressive effects of the Kiewa Valley Hydro Scheme on the basic rural setting of the valley (note the sparsity of rural infrastructure). This photograph shows the beginning of the accommodation and administration buildings for use by the construction workers and auxiliary administration employees of the Victorian State Electricity Commission. It also provides a view of the landscape before extensive development of Pondage and other non rural buildings.This photograph details a dramatic period in time which saw an enormous change to the exclusively rural area of the Kiewa Valley region in the mid 1900s (see sparse rural buildings/houses). This change presented both physical and mental challenges to the existing quiet rural inhabitants of the valley. The State of Victoria had to make adjustments to the changing demands imposed by population and industrial expansions. The development of cleaner energy supplies to a growing population has its downside ,which ever way the intrusion into the "natural" landscape is made. The construction of the large Pondage at the centre of the photograph is a good example.This black and white photograph of a panoramic view of the Kiewa Valley (Mount Beauty SEC construction workers village) shows the newly completed transmission line towers delivering electrical power(66KVA) from the Clover Power Station. The photo is on 200gms paper and not on special photographic paper.mount beauty 1940 to 1950s, development of sec kiewa hydro scheme, sec victoria

Chris Masters is Australia’s foremost investigative journalist. His descriptions of battle are some of the most powerful reporting from that war. No Front Line takes this story even further, to the heart of Special Forces and its war in Afghanistan, a war the Australian public know very little about. Implicitly trusted by Special Forces, Chris gives voice to these soldiers. He takes us right into the centre of some of the fiercest combat, opens up the story of the relationship between the Australians and their US partners and provides the most intimate examination of what it is like to be a member of this country’s elite fighting forces. australian special forces, afghanistan, commandos

The item was a donation to Ballarat School of Mines sometime in the early forties. It was handed in to Geoff Biddington thinking it may have nostalgic relevance to the Museum Collection. He handed it on to Bill Ryan who was the collector - Museum Exhibit. The type of solid brass ruler may have been used in Drawing Offices of Consultants - Engineers, Architects, Surveyors. Brass rule with straight edges. Mounted on grooved roller mounts. Lifting knobs at each end. Polished wooden box (blackwood) with brass hinges and clips.brass, ruler, engineers, architects, surveyors, museum collection, geoff biddington, bill ryan, exhibits

Blue coated brass rule with straight edges. Mounted on grooved roller mounts. brass, ruler, engineers, architects, surveyors

The timetable included fare prices.Grey covered slimline 80 page booklet containing the various for timetables of passenger trains on the Victorian regional railway network. Includes indexes of stations and fares, and other information relating to traveling on the train, such as luggage transport. The cover features a picture of a train on the fronttime table, country lines, victoria, railways, train, timetable, transport, railway

non-fictionThe Brighton General Cemetery from 1930 to 1959brighton general cemetery, brighton, cemetery

non-fictionThe Brighton General Cemetery from 1910 to 1929brighton general cemetery, brighton, cemetery

non-fictionThe Brighton General Cemetery from 1960 to 2015brighton general cemetery, brighton, cemetery

non-fictionThe Brighton General Cemeterybrighton general cemetery, brighton, cemetery

Booknon-fictionCharts the intersection of the women's art movement with women's art, and the increased visibility of women artists from the 1960s into the 1970s in Australia.portraiture, feminist art practice, performance art, political art, art and craft, thancoupie, jill orr, vivienne binns, collective art, erica mcgilchrist, mickey allan, ann newmarch

Index, ill, map, p.311.non-fictionThe letters of Caroline Ethel Cooper who was born in Adelaide but was living in Germany when World War I broke out. She chose to remain and wrote weekly letters to her sister (many of which had to be kept hidden for years), which provide a perceptive and compassionate account of life in Germany during the conflict.world war 1914-1918 - personal recollections - gemany, carolyn ethel cooper 1871-1961

Ill, maps, p.194.non-fictionAccount of a journalists experience behind the lines in the Russian Afghanistan conflictafghanistan - soviet occupation 1979-1889, journalists - britain - biography

Ill, bib, p.55.non-fictionA tribute to ANZAC day by Australia Post and special stamp issue.anzac day, postage stamps - australia

Index, ill, maps, p.407.non-fictionIntelligence operations in France in the First World warworld war 1914-1918 - secret service, world war 1914-1918 - espionage

Index, bib,ill, p.239.A thrilling true-life WWII adventure story of Jewish soldiers who volunteer to undertake a dangerous undercover spy mission within the Third Reichworld war 1939-1945 - espionage, anti nazi movement - germany

"The work gestures towards Utopian, modernist public art, like that of Miro, Matisse and Sainte-Phalle, but I was also inspired by Yarra's own Keith Haring murals, in the way that he repeats his personal iconography to fill a chosen space. I wanted to make an expansive, open and inclusive artwork. I drew legs from women playing footy, cricket and soccer, but tried to draw them in the least heroic, least literal way possible." Commissioned as part of an upgrade project at the Malcolm Graham Pavilion, Kevin Bartlett Reserve, Burnley, 2020. The existing facilities were upgraded to include female change rooms and amenities. The project funding comes from Yarra City Council and the State Government through its Female Friendly Facilities Fund. The commission is a result of Yarra's Public Art Policy 2015 - 2020 which ensures Council commits a percentage of the capital works budget for new community infrastructure projects. Matisse and Sainte-Phalle, Keith Herring, Miro, ModernistCopyright the artistA series of abstracted legs in various shapes that jump, kick and run across the wall, activating and animating the space with bold, bright colours.accompanying plaquesport, women, installation, modernism

Photo of NVA/VC bodies en-masse with text. Writing on other side.pamphlet, psycological warfare, propaganda, nva/vc

SOG played an important role furing our operations against the communist enemy in Vietnam.vietnam war, 1961-1975 - commando operations - united states, sog, ho chi, ho chi minh trail, commandos, communist

You hope your art will stop them for a second, anyway, and the say, 'Well, that's what is was like there at that time"war in art, war artists