Showing 107 items
matching pintucks
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Bendigo Historical Society Inc.
Clothing - ELAINE BISHOP COLLECTION: INFANT'S GOWN, 1890-1910
Clothing. Infant's white cotton gown with long sleeves. Round neck with casing for cotton tape ties. 2cm lace trim around neck. Back opening (18cm). Gathered at back from neckline. Front has pintucks from neckline to broiderie lace band at waist (15cm X 2.8cm). Gathered below band. Cotton fabric ties (66cm) attached to either side of waist band.Centre front of bodice has vertical lace insert (10cm X 2.8cm) from neck to waist. Ties and sleeves trimmed with 1cm lace. French seams. Machine stitched. Old box 230.costume, children's, infant's gown -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: TROUSSEAU NIGHT GOWN, 1914
Handmade ivory coloured cotton full length night gown. Front has yoke of diagonal pieces of lace with cut work and floral patterns, squares, embroidered flowers with horizontal lace pieces across shoulders. The top edge of the skirt has an edge of lace with square shapes and centre flowers of cut work across the front and back. The back has five 1cm tucks on either side of centre that extend 5cm below the lace edge. The high front neckline is square and the high back neckline is rounded. The neckline is edged with cotton broderie lace and insert lace with cream coloured satin ribbon threaded through. Below the decorative lace strip at the front is a section of fine pintucking 12cm on either side of centre and 9cm below lace strip. The night dress has a front opening extending 31cm from the throat. It has a placket with two button holes 10cm and 20cm from the throat. Two buttons on other side. No fastening at throat. French side seams. Long set-in sleeves with two rows of lace and three rows of pintucks extending from shoulder down top of sleeve to wrist. A piece of insert lace at wrist. A frilled cuff of broderie lace widening from 9cm at inside seam to 12cm at outside edge, machine stitched.costume, female underwear, nightgown -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CAMISOLE, 1880- 1890's
Clothing. White linen camisole with peplum 8.5 cm deep. Round lace yoke at the front, with a panel for a ribbon insertion. Some evidence exists on the right front, that once there was a pink ribbon - possibly silk, but now there are only a few threads left. The insertion panel continues around the back neck edge. Two panels of three .5 cm tucks run from the neckline to the waist of the centre back. Front opening, with two 1 cm pearl buttons still evident, and a cotton tape and casing at the waistline. ON each side of front opening, a group of five pintucks, 7 cm long run from the waistline toward the bustline.All items belonged to Margaret Ann McLean.costume, female, white linen camisole. -
Bendigo Historical Society Inc.
Clothing - CREAM SILK - SATIN LONG SLEEVED BODICE, 1850's
Cream silk satin bodice, with a high round neckline, finished with a seven cm deep, cream lace, boned, mandarin stand up collar - five bones-(one missing) to support the collar. Nine 16cm bones support the shaping of the tapered firmly fitted waist. A ten cm deep yoke at front and back shoulders. Below the yoke is a panel of eleven cm long pintucks right across the front, and on either side of the back. Centre front gathers into a cotton tape band at the waistline. Below the neckline of the centre front, is a panel ten cm deep of cotton lace, then a 13cm deep fine silk, gathered frill, edged with a reinforced silk ruffle. The centre back opening has a double placket, each fastening with alternate hook and eye,hook on either side of opening. Two large hooks facilitate a joining with a skirt.The three quarter length satin sleeves, are a bell shape, and gather into a cream net, eight cm deep band, which fastens with two metal hooks and hand made loops. Over the net is a double frill, 13 cm deep, and edged with a reinforced silk ruffle, as in the centre front panel. This bishop-type sleeve has five X 12cm long pintucks at the shoulderline. A ten cm long row of a feather stitch type of hand embroidery on either side of front bodice-one each side of the gathered centre front panel. Bodice is fully lined with polished cotton.costume, female, cream silk-satin long sleeved bodice -
Bendigo Historical Society Inc.
Clothing - MCGOWAN COLLECTION: INFANT'S CHRISTENING GOWN, Late 19 th Century
Clothing, white cotton christening gown. Low rounded neckline with casing and cotton tape ties. Bodice at back and sides. Casing and cotton ties on sides and back to centre back opening (25 cm). Full length centre front panel of embroidered lace fabric with two panels of horizontal pintucks. Lower edge of centre panel ends with two layers of broiderie lace ( 9cm and 17 cm). vertical edges of centre panel trimmed with 5 cm strip of lace. Centre lace panel widens from 8 cm at waist to 54 cm at hem. Hem of back and sides is trimmed with one layer of 9 cm broiderie lace below a 2.5 cm tuck. Double layer lace to form short cap sleeves. Old box 524.costume, children's, christening long gown -
Bendigo Historical Society Inc.
Clothing - VICTORIAN BLACK SILK BEADED BODICE, 1850's - 1900
High round neckline, edged with 1.5cm wide lace. Centre front panel is pintucked with a centre front opening, fastened with ten metal hook and eye fasteners. Five metal press-studs also fasten the overlap of pintucks, but these are possibly a later addition. A 3.5cm wide panel of fine watermark silk defines the waistline, in three 1.5cm pleats. Centre back seam has one .5cm flat pleat or tuck on either side. A 5.5cm panel of fabric is overlaid with a net based, beaded braid, of small black jet beads in a floral design-This braid extends around the neckline, and down each side of the front to below the bustline. This beading is also sewn of the eight cm wide sleeve cuffs. A cream crochet collar-most likely a later addition, is now stitched over the beading around the neckline. Garment is lined with black polished cotton.costume, female, victorian black silk beaded bodice. -
Bendigo Historical Society Inc.
Clothing - FRIEDA KAHLAND COLLECTION: BLACK SILK SATIN DRESS, 1920-30's
Black silk-satin machine stitched dress. Dropped waist with bans 3.5 cm wide across front. Pleat from neckline to dropped waist, 2.5 cm wide and fastened down by four groupings of two one cm diameter buttons, mauve in colour. Four rows of narrow pin tucks each side of centre front and one tuck one cm wide on outer side of pintucks. Six press stud fasteners concealed under left hand tuck. Fold down collar, with two silk embroidered flowers appliquéd at collar fronts. Three quarter length sleeves slit at lower edge, and trimmed with two mauve buttons and two silk flowers appliquéd at each lower edge. Four knife pleats at each side of front skirt/ Back straight through from shoulders.garments from the Executors of the late Frieda Kahland 11400.122,11400.364, 11400.365, 11400.366.. Donated by A.L.Lienhop of Harcourt.costume, female, black silk-satin dress -
Bendigo Historical Society Inc.
Clothing - DRESS
Cream coloured full length cotton and lace dress with elbow length sleeves, Unlined bodice with high round neckline. Two lace panels at front to form crossover with Vshape filled in with lace panel to neckline. Back centre opening extending from neckline to 30cm below waist. Lace panel at back angling diagonally to LHS across opening. Seven press stud fasteners on bodice, hook and eye at waist. Four press stud fasteners on skirt. Sleeves cut as part of bodice - no seams. Sleeves edged with fine gathered lace. Skirt made from three panels. Two sections are of fine emblems, edged with a wide band of lace with scalloped edges. Third panel is of fine cotton on the LHS. This panel has fine vertical pintucks from the waist to below hips. A band of folded satin ribbon circles the waist with two large ribbon flowers - one LHS of back and one LHS of front(10cm diameter). Possibly a wedding dress.costume, female, dress -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CAMISOLE, Late 1870-80's
Clothing. Fine white linen fabric. A .8 cm 'tuck' edged at top and bottom with a spoke-stitched border, marks the waistline. Below the waistline is a peplum, split at the centre front with 8 cm deep peaks. These peaks are repeated at the centre back. The peplum tapers to 7 cm deep at side seams. The camisole is trimmed at the top edge with a 4 cm deep band of cotton lace. The top edge of the linen fabric has a double row (off set) of cotton embroidered 'spots' 2 mm in diameter, and three rows of drawn thread work - one cm in width, 3.5 cm wide lace form the shoulder straps. The back opening fastens with six tiny 7cm pearl buttons, and hand-stitched button holes. The lower button fastens with a loop at the waistline 1880-90's. A 'fan' of pintucks, arched from 4 cm long at the ends, to 6 cm long at the centre, fans the midriff at the centre front, above the waistline - 28 tucks in total.costume, female, camisole. -
Bendigo Historical Society Inc.
Clothing - HELEN MUSK COLLECTION: CREAM SILK BODICE AND SKIRT
Ivory coloured silk bodice. Part of wedding ensemble with matching skirt with train. (11400.513B). The silk fabric has an all over pattern of scattered leaves. The bodice has long sleeves and is fully lined with cotton fabric with a front opening. The cotton lining at the front forms a separate bodice with a front opening fastened with fifteen hooks and eyes from throat to waist. The lining is edged at centre front on both sides with a border of the silk fabric. The border narrows from 7 cm at the throat to 3 cm at the waist. In the lining of the bodice are two casings on either side of the front opening containing boned segments. Across the lining of the back are seven casings containing boned segments. The front LHS of the bodice has an outer layer of silk fabric with a squared neckline. The RHS of the bodice overlaps the centre opening of the bordered lining to attach across the left shoulder. From the left shoulder the front tapers diagonally to the waistline 4cm to the left of centre. This cross over section is fastened with ten hooks and eyes – seven of the eyes are attached to the bodice lining and three are on the LHS outer silk fabric layer. This section crosses full width to the edge of the LH sleeve, across the top of the shoulder to the neckline. The LHS outer section crosses back over the edge of the centre section. There is a third layer on the RHS with a squared neckline to form a symmetrical appearance. The two side sections are edged with ruffles of fine silk ribbon. The centre section of the crossover part has vertical pintucks extending from the throat for 9 cm. The fullness created by the pintucks is gathered to centre front where the waist dips to a shallow V shape. The back of the bodice has vertical pintucks extending 12 cm from across the shoulders, narrowing to a single vertical strip of pintucks (4 cm) ending at centre waist. The waist is edged with a border of silk ribbon with a horizontal tuck. Inside the back of the bodice above the waist cotton tape ties are attached. These ties extend to the front of the bodice and the ends are fastened with a metal buckle. On this cotton tape at centre back there are to metal hooks for attaching the skirt. Attached to the neckline of the front section of the bodice is a 7 cm stand up collar. The collar extends from the RH shoulder in front of the neck and across the LH shoulder and continues unattached around the back of the neck to attach to the edge of the collar at the RH shoulder. The edges of the collar are fastened with three hooks and eyes. The collar has three full width horizontal pleats and the top edge is trimmed with a frill of fine gathered silk ribbon. On the waistline at centre front and centre back are decorative buttons (3.5 cm) of pearl coloured beads. The buttons have a centre pearl bead bordered by small glass beads surrounded by 9 smaller pearl beads and nine small pearl beads. Each button is edged with a row of tiny class beads with 18 points. The long sleeves are fully lined and made of two sections. The underneath section of the sleeve is ungathered and shaped at the elbow. The upper section of each sleeve is gathered at the shoulders and attached to the underneath section with a series of small pleats down to the elbow creating fullness. There is a small cap sleeve at each shoulder over the top of the gathered sleeve. The cap sleeves are edged with a frill of gathered silk ribbon with a decorative row of gathered silk ribbon parallel to the edge. At each wrist is a gathered frill of silk fabric edged with silk ribbon. Each sleeve has an 8 cm split at the wrist on the back seam. Full length ivory coloured silk skirt. The silk fabric has an all over pattern of scattered leaves. The skirt is fully lined with cotton fabric. The skirt is made of 5 pieces. The centre front panel has two darts at the waistline. The two side panels are cut on the bias and wrap around to form a centre back seam gathered into the waistband and finishing 44 cm below the waist line. Two triangular pieces of fabric are inserted at the back below the centre seam to complete the full circle of the skirt. There is 30 cm back opening. The waistband is made of cotton tape (3cm) fastened with two hooks and eyes with a 2 cm crossover. There is another hook and eye fastener halfway along the opening split. There is one upward facing hook on either side of the centre back opening to attach the matching bodice. The LHS of the back opening has a cotton fabric pocket inserted along the seam. The hem of the skirt is edged with two 5 cm frills of gathered silk fabric.costume, female daywear, silk bodice -
Bendigo Historical Society Inc.
Clothing - WEDDING DRESS
Wedding dress cream coloured full length satin with long sleeves and a train. Sleeves gathered at the shoulder with lily pointed at the wrist. Sleeves have six fabric covered decorative buttons with three metal press studs underneath. Bodice has curved midriff panel with four pintucks defining the panel. Bodice tightly gathered at top of midriff panel. Side opening with plackett with five press studs. Two flounces at LHS from a single piece of fabric folded in half, stitched to side seam just below the sleeve(34cms). A single tie on LHS stitched to side seam at waistline (29cm). Back of the bodice has an opening from the top(10cm) fastened at neckline by two covered buttons and a hand stitched loop. Nine covered decorative buttons at centre back.Peaked collar front and back in two parts (10cm at front peaks).Front and back have centre panel with two panels shaped at the hipline. Back centre panel extends to form a long train. Length waist to centre front hem 102 cms.Length waist to centre back hem 187 cms to form train. Handkerchief hem at lower hemline. Internal seams have ragged edges.costume, female, wedding dress -
Bendigo Historical Society Inc.
Clothing - LADIES BLACK SATIN BONED BODICE, 1880-1900's
Ladies waist length black satin boned bodice. Chelsea style collar forming V shaped neckline dipping to eight cm above the waist. Centre insert of horizontal pintucked fabric extends at centre front from throat to just above wrist. Fastened at centre front with thirteen metal hooks and eyes and crossover fastened on LHS with four hooks and eyes. Bodice is lined with black cotton fabric. Collar extends over shoulders to form imitation collar at back extending to centre back waistline. Centre V shaped insert of pintucked fabric hand stitched in place. Nine fabric encased bones inserted into waistband. Two bones on either side of front of bodice, and one bone on each side seam and three bones across the back of the bodice. Stand-up collar with horizontal pleating (5cm wide). Fastened over left shoulder with three metal hooks and eyes. Long sleeves widening at elbow and gathered onto 25 cm lower sleeve narrowing to wrist. Lower sleeve has three X three groups of horizontal pintucks. Slit at wrist - eight cm fastened with two metal hooks and eyes.costume, female, ladies black satin boned bodice -
Bendigo Historical Society Inc.
Clothing - VICTORIAN BODICE - CINAMON COLOURED SILK, OVERLAID WITH LACE, 1850's
Light camel coloured silk (in very poor condition). Long sleeves overlaid with fine black lace in a floral design. Stand-up collar, five cm deep is overlaid with the fine black lace, and finished with a corded braid on the upper edge. Sleeves are tightly gathered at the shoulder tapering narrow at the wrist, giving a ''leg-o-mutton'' effect. 12cm wide fine black lace, attached at the neck edge, and shoulders, forms a ''puff'' decorative over the shoulder, and continues in a ''over-panel'' to the waistline. Ten x 1cm diameter plastic buttons, with a floral impression in them (2 missing) and 12 hand stitched button holes form the front opening. From the lower opening, six ''pintucks'' 12 cm deep, open into pleats at the lower edge, giving fullness to the bodice. Four metal hooks are evident on the lower tucked front and seven hand stitched eyelets are indicated, but are now severely damaged. Bodice is boned with ten X 17cm long bones, and is fully lined with cotton.A tiny 8cmX7.5cm, oval-at-one-end, pocket is stitched into the front opening, at the bustline. Back hemline dips to a V shape at centre backcostume, female, victorian bodice - cinamon coloured silk -
Kilmore Historical Society
Clothing - 8 Camisoles, , Nightgown case, Underskirt. 10 items, c1920s
Underwear & 1 item of nightwear belonging to Mary Monica Fleck Turner (Smith). Turner Collection.Items of clothing belonging to an early Kilmore family making up part of the Turner Collection.Eight camisoles, one underskirt, one bottom half negligee, one nightgown case. Generally in very good condition. TEX-0055.1 Underskirt, cotton & lace with blue satin ribbon. TEX-0055.3 Embroidered nightgown case TEX-0055.4 Camisole, lace & cotton, circular design on front, cap sleeves, prev. repair L front, cap sleeves with rust stains L sleeve. TEX-0055.5 Camisole, lawn & lace, white ribbon threaded through neckline, small holes throughout. TEX-0055.6 Camisole, white broderie anglaise, narrow fabric shoulder straps, drawstring neckline. Small holes throughout. TEX-0055.7 Camisole, cotton & lace, twisted gold ribbon at neckline, small holesthroughout. TEX-0055.8 Camisole, broderie anglaise, wide lace shoulder straps, blue ribbon at neckline, drawstring waist. 2 buttons missing, tear to lace mid upper back. TEX-0055.9 Camisole, white cotton, embroidered, pink ribbon through neckline, pintucks & drawstring at waist, 3 buttons missing. TEX-0055.10 Camisole, muslin, softlace shoulder straps, blue ribbon at neckline, hook & eye at waist, buttons missing. TEX-0055.11 Camisole, cotton & lace, pink ribbon at neckline, some holes/tears, 2 missing buttons, previous repair under R arm.TEX-0055.11 - Label outside R bodice edge 'Melbourne/Robertson & Moffatt Pty Ltd/Bourke Street'.underwear, nightwear, turner collection, smith -
Bendigo Historical Society Inc.
Clothing - ANDREW - MONSANT COLLECTION: LADIES DRESS - BODICE AND SKIRT, 1909
BHS CollectionWaist length dark green cotton bodice. Fabric has alternating stripes of pulled thread pattern and wider stripes of small dot pattern. Front opening with deep V to waist with lined lace insert extending from throat to waist. LHS of bodice fastened to lace insert with five press studs. Stand up collar of lined black lace (%cm) fastened with two hook and eyes. The bodice is made from five pieces. The two front sections have three knife pleats facing out and falling from the shoulder. The pleats are stitched down for twenty cms from the shoulders. On either side of the front opening is decorative embroidered black lace that extends across the shoulders to the back of the collar. There are two side panels from under the arm. The back section has three box pleats falling from the collars and tapering to the waist. The hem of the bodice is fastened with black cotton tape. Leg of mutton sleeves are trimmed with black embroidered brais at elbow and wrist. Lower sleeves have pintucks from elbow to wrist. The sleeves are lined with black cotton fabric. The back of the bodice is lined with black cotton fabric almost to the hem. A three cm piece of white and blue cotton tape is attached across the lower back with cotton ties at either end. The underarm panels are lined with brown cotton fabric and green satin inserted sections. The front has a separate lining with front opening and shaped with darts. Fastened with six buttons and buttonholes. Two shoulder pads on each side- one white piece under the shoulder and a green satin piece under the gathered section of each sleeve. Dark green full length skirt. Cotton fabric with alternating stripes of pulled thread pattern and wider stripe of small dot pattern. Skirt is made of three sections. Centre front panel widens slightly to hemline. Side panels continue around to join at centre back. Darts at both hips to shape sides. Panels widen to hemline. Inverted pleats at either side of back opening create fullness. Back opening(30cm) has insert of black satin joined to LHS of opening to enlarge the opening. Insert attached to waist band with two press studs. Two other press studs attach skirt to RHS of insert. Brown cotton waistband hand stitched to skirt. Ties attached to waistband at back opening- one cotton tape, one satin ribbon. Front centre panel has a piece of black satin stitched as lining from eighteen cm below waist (57cm deep). Stitched across and attached to side seams. Lower edge trimmed with black lace. Second piece of satin lining stitched to centre seam and stitched around the hip to partway across back.(Looks like a nylon petticoat cut in two pieces and stitched inside skirt as a lining). Hemline has fifteen cm piece of cotton lining attached and lower edge of hem has fringed cotton binding attached.. Side seams of front panel have decorative trim of embroidered braid extending seventy-six cms from waist. Braid then turned ninety degrees and continued in a horizontal zig zag line around to centre back seam (both sides) twenty cms above hem. Hand and machine stitched.costume, female, ladies dress- bodice. -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: BOLSTER PILLOW CASE WITH PIN-TUCKS AND BRODERIE TRIM, Early 1900's
Textiles. Fine linen fabric, white in colour. A 19 cm wide panel of fabric has been sewn to the top of the cover, and is edged on three sides with finely embroidered broderie anglaise featuring a circular, six petalled flower impression. A panel of the same broderie runs through the centre of the panel, and is bordered by a band of three pin-tucks on each side. An envelope of the linen fabric backs the bolster pillow.textiles, domestic, bolster pillow case with pintucks -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: BOLSTER PILLOW CASE WITH CROCHET AND PINTUCK TRIM, Early 1900's
Textiles. Fine linen fabric, white in colour. The top of the cover is finished with an 8 cm deep band of cotton crochet, featuring a diamond shaped pattern - each diamond 5.5 cms deep. A band of 4 pin-tucks, in a 6.5 cm band of linen, and then another band of 4 pin-tucks and a 5 cm deep band of crochet with a slightly narrower band of diamond shapes, and five rows of pin-tucks complete the handwork.textiles, domestic, bolster pillow case with crochet