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Flagstaff Hill Maritime Museum and Village
Photograph - Coastal Scene, Foyle Photographic Studio, Loch Ard Gorge Port Campbell, 1889-1919
The photograph shows the popular tourist attraction, Loch Ard Gorge, which is located along the Great Ocean Road in Victoria, near Port Campbell. The gorge is named after the famous sailing ship, the LOCH ARD, that was wrecked there in 1878. Only two of the 54 passengers and crew survived. FOYLE “Foyle” written on the photograph is the name of Foyle’s Photographic studio. At the time of the photograph, the studio was owned by both Charles and Lilian Foyle (sometimes known as Lillian or Lily), either of whom could have taken this photograph. They also worked together at a later date on the photographs, sketches and paintings of the famous and historical Pioneers’ Honour Board, which is currently on view in the Warrnambool Library. Foyles Photography was the studio of James Charles Foyle. He owned “Foyle’s Photo Card Studios” in Liebig St, Warrnambool, which operated between 1889 – 1919. A letter to the editor (by Mr Edward Vidler) in the Melbourne Argus, 3rd August 1907, mentions that in that year Warrnambool would celebrate the 60th anniversary of its proclamation as a town, and that talented local artist Miss Lily Foyle would paint 200 portraits in watercolour of the pioneers who settled in the district prior to 1860. The Pioneer Honour Board can still be seen on display in the Warrnambool Library. In the Warrnambool Standard, Dec. 1917, “Mr Foyle’s studio was awarded the contract to decorate rail cars on newly opened Trans-Continental railway, assisted by his sister, Miss Findlay.” HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built-in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square-rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29-year-old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3 am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke and opened the case of brandy, which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged, and some of it was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register.Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best-known shipwrecks in Victoria’s history. Foyle's photographs date from the late 19th century to the early 20th century, representing a time of growth in the Warrnambool district and a time when the still relatively new technology of photography was more available to the community.Photograph of Loch Ard Gorge. This sepia coloured rectangular photograph is mounted on a brown cardboard backing that has a wood grain pattern. The photograph has an inscription above it, below it, and in the bottom left corner. It was made for the purpose of a presentation by the Port Campbell Progress Association. Printed above the photograph "PRESENTED BY THE PORT CAMPBELL / PROGRESS ASSOCIATION". Printed below the photograph "LOCH ARD GORGE / PORT CAMPBELL". Hand written on bottom left corner "Foyle". flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, photograph, port campbell, port campbell progress association, foyle photograph, foyle photographic studio warrnambool, warrnambool photo studio -
Flagstaff Hill Maritime Museum and Village
Book - Birthday Book, Raphael Tuck & Sons et al, The Dickens Birthday Book, 1901-1910
Birthday books are used to record the names and birth dates of friends and relatives. This one has a quote from Charles Dickens for each day of the year .The Dickins Birthday book was chosen a a gift to Clara Skirrow, given on January 19th 1911 by Mr and Mrs B Watson. The artist, Pilford Fletcher Watson (1892-1907) was a well established and prominent artist. He was born in London and lived in Sydney, a foundation member of the Australian Academy of Arts in 1887. His works included local scenery, architecture and the interiors of historic buildings. Many of his works were bequeathed to the State Library of New South Wales. The firm Raphael Tuck & Sons Ltd,, was a printer and publisher that operated in London from 1866 to circa 1960s. Its logo is the artist's easel, palette and brush. In 1960 the firm amalgamated with others to become the British Printing Corporation c. 1960. The fly page states that Ralph Tuck & Sons, Ltd. were publishers to Their Majesties, the King and Queen, and Their Royal Highnesses, the Prince and Princess of Wales. This would mean that this book was published in the period when King Edward VII and Queen Alexandra, and Prince George and his wife Princess Mary were able to use these titles, that is, from 1901 to 1910. This early 20th-century Birthday Book is significant for containing quotes by the famous writer Charles Dickins. It is also significant for being illustrated by renowned artist Pilford Fletcher Watson. Ownership of a rare and beautifully presented book like this indicates the value placed on keeping in touch with friends and family in the early 1900s. Charles Dickins Birthday books were published by the same firm, with a similar layout.Book, The Dickens Birthday Book; with 6 illustrations in Colour by P. Fletcher-Watson Publisher: Raphael Tuck & Sons Ltd Printed in England 1901-1910 Artist: P. Fletcher-Watson This padded red leather hardcover book has embossed gold text on front cover and spine. . The six colour illustrations throughout the book were by artist P. Fletcher-Watson; one is a portrait of Dickins. Each date of the year has a quotes from Charles Dickens' works and blank lines below. The drawing on the fly page depicts a stone building with side pillars and a logo in the centre of the horizontal beam. It has a gift inscription for Clara Skirrow on January 19th, 1911. There are several handwritten entries with names and years.Handwritten in black ink: "From Mr & Mrs B. Watson / To Clara Skirrow / With Best wishes / January 19th 1911" Illustration on fly page: Logo [artist's palette, brush and easel] Handwritten entries of names and datesflagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, dickins birthday book, birthday book, p. fletcher-watson, raphael tuck & sons ltd, 1901-1910, charles dickins, dickins quotes, illustrated, 19-01-1911, mr & mrs b. watson, clara skirrow, red cover, british printing corporation, king and queen and trh prince and princess, king edward vii and queen alexandra, antique book, rare book -
Supreme Court of Victoria Library
Portrait, Sir William a'Beckett
Correspondence held by the library has John Denniston Wood (1829-1914), a barrister and politician, presenting the portrait to the Library Committee in 1867. Wood hopes that the painting will "hang there [in the Court] in like manner as the portraits of many of the sages of the law are held in the Courts at Guildhall". Wood also provides information about the painter, Mr Mosely "now deceased", but who was "selected by Sir WIlliam himself" to undertake the commission. Early accounts have the painting hanging in a prominent position in the 'old' Court house at La Trobe and Russell Streets; the portrait was moved down to the library in 1884, when the portraits of Barry, Stawell and Molesworth were also commissioned. Sir William a'Beckett was the first chief justice of the colony of Victoria, having previously had a busy career at the Sydney bar. The portrait is of historic signifcance because of its subject Sir William a'Beckett and its long association with the Court. A full length portrait of Sir William a'Beckett, seated and dressed in his judicial robes. With ornate gold frame with acorn motif.Plaque identifying subject : Sir William a'Beckett, Knight, resident judge of the Supreme Court of New South Wales for the district of Port Phillip from 1846 to 1852, First Chief Justice of the Supreme Court of Victoria from Jan.1852 to Feb 1857.judges, william a beckett, supreme court -
Supreme Court of Victoria Library
Portrait, Justice Sir Thomas a'Beckett
The Argus reports that “In 1916 the members of the bar took the opportunity afforded by his [a’Beckett’s] 80th birthday, and the completion of 30 years on the bench to present to the judges of the Supreme Court, with his permission a portrait of himself, to be placed in line with portraits of other judges in the Supreme Court library. The portrait which depicts Sir Thomas a’Beckett in his robes, was an excellent piece of work of Mr Max Meldrum. The unveiling was made the occasion of a little demonstration at which some congratulatory speeches were made." Sir Thomas a'Beckett arrive in Melbourne as a teenager with his parents in 1851. His uncle was the former Chief Justice, his father a well known solicitor. At the Bar Sir Thomas mainly worked in the Equity jurisdiction, which he took as a specialisation with him to the bench. This is an early work of Meldrum, he won the Archibald prize for portraiture in 1939 and 1940.The portrait is of interest for whom it portrays and as the early work of a well known artist.A full length portrait in oils of Justice Sir Thomas a'Beckett. Sir Thomas is seated, his feet placed on a plush red foot stool. He is dressed in his red judicial robes with white fur trimming and black trousers and a full bottomed wing. Justice a’Beckett has a white beard and moustache, he was 80 years of age when this portrait was painted. In his hand he holds a rolled document. At his elbow, there are books upon a table. He sits in a fine carved wood and leather chair, in the background a gold frame is just visible. A line in the canvas indicates that the size of the painting was expanded. The frame is gold with a gum leaf motif.Max Meldrum 1916a beckett, max meldrum, judge -
Supreme Court of Victoria Library
Portrait, John Schutt, Supreme Court Librarian, 1916/1917
This portrait was presented by the Victorian Bar to the Library in 1917 to commemorate Schutt’s fifty years as the Supreme Court Librarian. The portrait was presented at a ceremony presided over by Mr Mitchell KC who noted the “unanimity with which the members of the profession had adopted the suggestion that the eminent services of Mr Schutt should be recognised in this way.” Chief Justice Madden also spoke on this occasion and there were a number of judges and members of the legal profession present. John Schutt had been born in England in 1831 and migrated to Victoria as a young man, initially working as a school teacher he was appointed librarian, during Redmond Barry’s time in 1866. He started work in the Old Court in Russell street and would have supervised the move of the library to its new and greatly expanded premises in William Street in 1884. As well as secretary to the Library committee, he also acted as the Secretary of the Board of Examiners on occasion. After his death in 1919 in its obituary, the Williamstown Chronicle noted that Schutt was regarded as a Solon, an ancient greek law giver who gave wise advice. Away from the Court he was a councillor of many years standing in Williamstown, representing the Victoria Ward, what is now the suburb of Newport, it would appear Schutt street in Newport was named after him. His eldest son William Schutt was appointed a Supreme Court judge in 1919. The portrait of Schutt is a companion piece to the Sir Thomas a’Beckett picture painted shortly before the Schutt portrait and for the same client, they share the same frame design with gum leaf motif. This portrait was undertaken early in Meldrum’s career and before he had fully developed his theory of painting. Duncan Max Meldrum (1875-1955) was a controversial figure in his later years as he strongly opposed modernism and non-figurative art. His works are found in most of the state galleries, including a wide selection at the National Gallery of Victoria. This portrait is of interest for whom it portrays and as the work of a well known artistFull length portrait in oils of John Schutt. Schutt is standing up looking out the to the viewer. His hand rests on a small pile of books. He is dressed soberly in a three piece black suit. His white beard and hair all meticulously trimmed and realised. The props used in this painting provide the main colour as the background has become dark over the years. The books sit atop of a red and gold draped table. Behind Schutt is what appears to be a crimson velvet chair and he gives every appearence of having just arisen from the chair to engage with the viewer. The painting has an unusual light source at the foot of the painting with Schutt's legs providing shadows. Signed Meldrum lower right hand corner. Plaque inscription is John Schutt, Esq. Supreme Court Librarian -
Orbost & District Historical Society
black and white photograph, Freeman & Co, second half 19th century
Mr. Robert Martin - First Church of England was a clergyman stationed at Orbost - 1884-1891. Mr Martin, who was appointed by Bishop Moorhouse of Melbourne, to be Stipendiary Reader in charge of the district in 1885. Prior to that, Mr Martin, a retired sea captain, had unofficially conducted services in all sorts of places, where a congregation could be gathered together, though his business officially was that of a fire insurance argent. (more information in October 2007 Newsletter)This item is associated with churches in Orbost.A black / white portrait photograph, head and shoulders, of a middle - aged man with a white beard.It is an oval shaped photograph set in a cream cardboard mount.on front at bottom - Freeman & Co Sydneymartin-robert church-of-england-orbost church-orbost -
Orbost & District Historical Society
black and white photograph, 1840s - 1850s
James John Thomson was the first secretary of the Snowy River Shipping Company. The Snowy River Shipping Company was formed by Mr Henry James in 1880 with Captain McNeil as master. This photograph was taken off a one inch daguerrotype which was the first publicly available photographic process, widely used during the 1840s and 1850s.James John Johnston was a prominent citizen of Orbost in the late 19th / early 20th century.A black / white photograph of a man - an octagonal shape on a white buff card.on front above portrait - "One Inch" and a hand-drawn ruler. on front below portrait - in capitals and underlined "Mr J.J. THOMPSON"johnston-j.j. snowy-river-shipping-company -
Orbost & District Historical Society
blak and white photograph, late 19th - early 20th century
This is a photograph of Mr John Scouller (born 1861 , died 1935) who was the first manager of the Orbost Butter Factory which opened in 1892. He filled the position for thirty years.John Scouller was a prominent Orbost citizen in the late 19th and earyl 20th centuries.A black / white head and shoulders portrait of a balding man with a moustache. He is wearing a suit and tie.scouller-john orbost-butter-factory -
Orbost & District Historical Society
black and white photograph, C1877
This is a photograph of Mr Harry Felix . Richardson who selected land at Bete Bolong in 1887. He married Elizabeth Wardle in 1893 and had no children. Harry Richardson was a keen angler, rifle shooter and cricketer and was very much involved with the local community. With his brother, Alan, he had pioneered the move to the Snowy in 1878. He died in Bairnsdale , aged 83, in 1941.Harry Richardson was a prominent and active member of the Orbost community in the late 19th and early 20th centuries.A black / white portrait photograph of a man with wavy hair, a small white beard and moustache. -
Warrnambool and District Historical Society Inc.
Certificate - Federation Celebration Rolfe invitation, 1901
This invitation to a ‘Conversazione’ to celebrate the Federation of the six colonies in Australia into the six States of Australia in 1901 was sent to the invitees after the event to keep as a souvenir of the occasion. The event was hosted by the Government of Victoria. The certificate was designed by George Brougham Austin, a Melbourne architect and artist employed by the Victorian Department of Public Works. He also designed many of the public decorations displayed in Melbourne during the Federation celebrations. Austin’s original work was lithographed by an artist at Sands and McDougall, Melbourne. This particular invitation was sent to George Rolfe and his wife, Annie. George Rolfe (1836-1919), a tea merchant from Melbourne, began buying blocks of land near the mouth of the Hopkins River in Warrnambool in the 1870s. By the early 1880s he owned 50 acres of land in the town and some nearby farming properties. He used the building on the ]and near the mouth of the Hopkins River as holiday accommodation and called the property, Lyndoch. He improved the property with the additions of stables, jetty, boathouse, bone and chaff sheds, reservoir and windmill and extensive gardens. Rolfe spent most of his later life at Lyndoch. Today the property is the site of an Aged Care facility. This certificate is of considerable importance for two reasons: 1. It is an important and attractive memento of a signal event in the history of Australia – the Federation of the States in 1901. 2. The certificate was an invitation to Mr and Mrs George Rolfe. George Rolfe was a prominent Warrnambool person in the late 19th and early 20th centuries. This is a multi-coloured certificate printed on a cream-coloured card. The certificate has an image of the Exhibition Building surrounded by an ornate border of heraldic shields, portraits of the Duke and Duchess of Cornwall and York, views of the six capital cities of Australia, native flora and fauna, the Royal Crest and the Crest of Australia. The names of the invitees are handwritten in black ink. ‘United Australia 1901 One Flag One Hope One Destiny Australian Commonwealth Celebrations’ ‘The Government of Victoria requests the honor of the presence of Mr & Mrs G. Rolfe at a Conversazione in the Exhibition Building on the Evening of Tuesday 7th May 1901 at 8 p.m.’ george rolfe of lyndoch, warrnambool, federation of australia, history of warrnambool, george rolfe -
Glen Eira Historical Society
Article - Joyous Gard
A photocopy of a four page article in Table Talk, dated 01/01/1925, describing Joyous Gard, the Murrumbeena home of Dr J W Springthorpe. The article includes nine photographs of the house exterior and garden, the house interior and Dr and Mrs Springthorpe. It mentions that Mrs Arthur Tuckett laid out the garden, helped out by Mr Guilfoyle in the planning of it. The file also includes a photocopy of the obituary of Dr Springthorpe, published in The Argus newspaper on 24/04/1933. The obituary includes a photograph of Dr Springthorpe. Also included in the file is a list of references relevant to Dr John Springthorpe compiled by Maureen Jones on 09/11/2011. The file also includes a photocopy of a two page article by Maureen Jones, published in The Ancestor magazine in 06/2003, about Dr Springthorpe and his second wife Daisie. The article includes a photograph of the Springthorpe Memorial. The file also includes a printout of an email, dated 14/11/2001, from Maureen Jones to the Glen Eira Historical Society, providing the details of the Exhibition Inner Worlds – Portraits and Psychology, at the University of Melbourne from 18/04/2012 to 22/07/2012, which includes Dr Springthorpe.joyous gard, springthorpe john william, springthorpe annie constance, inglis annie constance, springthorpe dorothy, springthorpe enid, springthorpe lancelot john, springthorpe daisie, johnstone daisie evelyn, murrumbeena, gilbert web, tuckett arthur mrs, guilfoyle mr, springthorpe memorial, omama road, neerim road, caulfield city council, tyers s, johnstone jessie louise, boyd merric, springthorpe guy, gardens, garden plants, furnishings, brick houses, edwardian style, doctors, dentists, architectural styles, architectural features, house names -
Eltham District Historical Society Inc
Binder, Eltham District History, Eltham Road Board, 1856-1871; Research by Keith Chappel, 1971-1974
Eltham District History, Eltham Road Board, 1856-1871Two binders containing 486 A4 pages (photocopied) of mostly handwritten notes from research undertaken of Public Office Records of Victoria various holdings. Some photocopies from source reference books. Includes 20 page subject index (handwritten) at front and 5 pages of notes and sources at rear and a photocopy of short biography of Keith Chappel.a. foley, a. harkness, a. mackie, a. mcintyre, a. von ziegler, a.a. vivian, a.d. kinninmont, a.d. quadri, a.h. grimshaw, a.w. page, aboriginal reserve, aborigines, abraham quarman, abraham rooks, abraham taylor, adam goudie, aenaes harrison, agnes black, agnes charlton, agnes dalrymple, ah chong, ah cock, ah hein, ah lie, ah sing, albert lunson, albert ness, albert parker, albert ramseyor, alert hunt, alex cameron, alex eason, alex mcandrew, alexander crichton, alexander donaldson, alexander falconer, alexander innes, alexander james, alexander mcdonald, alexander miller, alexander thompson, alexander walker, alexander white, alfred armstrong, alfred burgess, alfred davey, alfred deschamp, alfred eddy, alfred hinley, alfred hooper, alfred hubbard, alfred lowman, alfred smith, alfred whelpton, alice power, allen heeps, allwood, amelia neuman, amos taylor, anderson, andersons creek, andrew brown, andrew byrne, andrew harkness, andrew herbert, andrew ross, andrew smith, angus mcdonald, ann emmott, ann mcphee, ann odea, ann plunkett, ann snell, ann tatty, annie ashmore, annie herbert, annie stuart, anthony beale, anthony currie, ants nest, archibald mcphee, arthur connor, arthur lyttle, arthur rooke, arthur young, arthurs creek, arthurs creek school, august ostling, b.o. wallis, barkers creek, barr, belton, benjamin bain, benjamin jenken, benjamin lawford, benjamin rice, benjamin shaw, benjamin smith, benjamin wallis, benjamin walton, berry, bismark hotel, black calf gully, black thursday, boomers gully, bridget bunker, bridget hailes, bridget kearse, bruno hirt, burns, bushranger, c. twiss, c.h. bade, caleb sherar, caledonia, caledonia diggings, campbell hunter, carl euman, caroline davey, catherine kennedy, cathren brock, cecilia farman, chamberlain, chapman, charles caldwell, charles campbell, charles dale, charles draper, charles fowler, charles green, charles hawkins, charles hempel, charles hirt, charles hirtson, charles jefer, charles jesse, charles kerchevell, charles lidgerwood, charles morris, charles peake, charles prince, charles rielly, charles roberts, charles rowand, charles simms, charles souter, charles swan, charles verso, charles wells, charles whelpton, charles williams, charles wingrove, charles woodley, charleys gully, charlotte beltison, charlotte goodwin, ching ah hock, christine brennan, christine mckenzie, christmas hills hotel, christmas hills school, christopher battaila, christopher twiss, chune grove, church of england, church of england school, clarissa milton, cleir hills, colin amos, constable quirke, constable talty, cornelius haley, cornelius stewart, cottles bridge, councillors hotel, cricket, cucksons brewery, d. nicholson, d.w. morrissey, dalry, daniel charleston, daniel harding, daniel jepps, daniel mccarthy, daniel mckenzie, daniel mcloughlin, daniel oloughlin, david boyd, david christian, david clark, david creighton, david rogers, david rolfe, david sharp, david shawcross, david smith, david stevenson, diamond accommodation store, diamond reef mine, dickson, dixon bertram, donald cameron, donald mcmillan, donaldson, dougald mcphee, dr barclay, dugald mcphee, dugald taylor, duncan fraser, duncan smith, dungey, e. hildebrand, e. stichlins, e.f. falkiner, e.j. hughes, e.m. garsed, e.w. morrissey, edith staff, edmund clarke, edmund cuckson, edmund hall, edmund picket, edward bage, edward beltison, edward bunker, edward ford, edward hindley, edward jackson, edward jones, edward kelly, edward qualtrough, edward staff, edward tresain, edward weller, edward whelpton, edward whilpson, edwin biley, edwin cartwright, edwin cohen, edwin deschamp, edwin mcleish, edwin rodda, edwin smith, effie rodda, eliza bellamy, eliza dawson, eliza howell, eliza nield, eliza smith, elizabeth cockshutt, elizabeth eiles, elizabeth fitch, elizabeth gillespie, elizabeth harris, elizabeth herbert, elizabeth hollow, elizabeth le juge, elizabeth plunkett, elizabeth whelpton, ellen hurst, ellen kearse, ellen quarman, ellen sweeney, ellen white, ellis, eltham cemetery, eltham hotel, eltham lower park, eltham market, eltham police station, eltham pound, eltham quarry, eltham racecourse, eltham roads board, eltham school, emile hude, emily anderson, emily blamire, emily coutie, emma smith, emma taylor, ephraim wyett, ernest baillie, ernest henrick, ernest steer, esther porter, ethel baillie, evan jones, evelyn hotel, evelyn observer, ewen cameron, ewen jones, f. chrimes, f. grundel, f.e. falkiner, f.r. howard, fanny benson, fanny white, felix hude, felix noisette, ferdinand ramseyer, flora vale, florence hurst, fogarty, forbes mackenzie, fords creek, frances kearse, francis baker, francis hales, francis raselli, francis steer, frank eiles, frank rogerson, frank tanner, fraser, fred hurst, frederick falkiner, frederick hurst, frederick muller, frederick nink, 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Bendigo Military Museum
Photograph - PORTRAITS
Boer War South African War Photos are copies from old sources on modern photographic paper. Each portrait has white borders, all have the name of the soldier at the bottom, most show rank. .1) Capt Alfred Hobart Strudee 4 V.M.R .2) Lieut Alexander Campbell MacDonald .3) Lieut Timothy Margus Pendlebury 1 V.M.R (INF) wearing a peaked cap with army badge and the number 5 n the front. .4) Cpl. James Peter Fox 2 V.M.R The number 64 is in the image .5) Pte James A McGhie 1 V.M.R (INF) The number 231 is in the image .6) Pte William Henry James 1 V.M.R. (INF) .7) Charles Windsor 1 V.M.R (MR) Number 116 is in the image boer war, south african war, victorian soldiers. -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, FRAMED, C.1914 - 1918
Black & white head & shoulder photo of a soldier wearing collar, tie & jacket, without head gear. Rising Sun badge on R lapel. Mounted on fawn background in a brown wooden frame with gold inner edge & glass front. Cardboard backing has a metal clip each side to attach handing strap.Written in texta pen on backing: “MR G L REID”photographs, framed, portrait -
Bendigo Military Museum
Booklet - BOOKLET, VICTORIA, The Press Gallery Printers, Victoria's Diggers, 1999
Soft cardboard cover, black print on front & spine, white background. Illustrated, 3 full portrait sepia photos of soldiers in uniform. 56 pages, cut, plain, white. Illustrated black & white photos. Stapled.Front cover: “VICTORIA'S DIGGERS. A history of each Victorian military unit which has served overseas from 1860 to 1945. Allan Box” Handwritten in blue ink title page: “from Mr Allan Box Leongatha” Inside back cover: “RSL stamp” booklet, victoria’s diggers -
Bendigo Military Museum
Photograph - PHOTOGRAPHS, FRAMED, 1998
SGT JOHN HNERY LOCKETT, 38th Infantry Battalion, Australian Imperial Force. Enlisted on 24th March 1916 in Mildura. Arrived France 22nd November 1916. Returned to Australia 5th August 1919.Photographs - collection of 5 photographs in a frame, black & white and colour. L - R , Left; a) a full portrait of Sgt. John Henry Lockett. b) 3 medals and ribbons. c) PM John Howard and JH Lockett, d) French Ambassador with Legion of Honour. e) Presentation Ceremony group. Black print on card - two information below photographs. Frame - brown stain timber frame with decorative moulding, dark green cardboard mount with dark red inner edge and 2nd mount, glass front.Black print on white card - 1. "SGT JOHN HENRY LOCKETT" -WITH SERVICE INFORMATION. 2. "Presentation of Legion of Honour to Mr J. Lockett at RSL Memorial Hall on 21st July 1998". with further ceremony information.photography-photographs, frame accessories, military history-army -
Bendigo Military Museum
Postcard, c.1916
Alexander Norman Cummin (Sandy) No 18 enlisted in the AIF in the 38th Batt HQ on 22.2.1916 age 19 years 4 months. Embark for England 20.6.1916, embark for France 22.11.1916, WIA 11.8.1918 Shell wounds (unclear), rejoin unit 23.9.1918, hospital while on leave 1.12.1918 with Bronchitis, return too Australia 24.12.1918 with Influenza, discharged from the AIF 21.3.1919 medically unfit.Portrait black & white of soldier standing. Australian soldier has no head dress, name Sandy. ALEXANDER NORMAN CUMMIN.On photo itself is a small number 4072. The bottom RHS has T L FULLER AMESBURY. The rear: Larkhill Camp Amesbury Salisbury Plain England. To Mr Harvey with love and best wishes Sandy 29.8.16. Sailed June 20/16documents - postcards, photography-photographs, military history - army -
Flagstaff Hill Maritime Museum and Village
Photograph - Mr Henry Giles, International Art Company, Circa 1880
The pair of photographs of Mr Henry and Mrs Mary Jane Giles was made by the International Art Company, the price was 30 shillings and the choice of frame was Rosewood. It is part of the Giles Collection, which also includes a photograph of the couple's daughter Christina Giles, who died in 1899 aged seven years. There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940.This photograph is locally significant due to its association with a local pioneering family. The Giles family collection is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation. The photograph itself is of added significance as we can see the faces of the family whose lives the collection represents . This photograph is a portrait mounted in an oval rosewood frame, one of a pair. This photograph is Henry Giles, dressed formally and showing a moustache and side-burns. The couple in the pair of photographs is Mr and Mrs Giles of Woodford, Victoria. The photographic studio was the International Art Company. It is part of the Giles Collection.Inscription on back of frame "International Art Company 30/-" "Rosewood"warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, photograph late 1800s, oval wooden frame, portrait, mrs mary jane giles of woodford victoria, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century personal effects, mary giles, christine giles -
Phillip Island and District Historical Society Inc.
Photograph - Photograph, black + white, c. 1900
John Cleeland JP of Newhaven, 1826-1914, a native of County Down, Ireland, came to Victoria in 1840 with his parents and settled at Darebin Creek. After a few years spent there he went to sea in his schooner yacht of 200 tons, the Harriet, visiting the South Sea Islands and the west coast of South America. In 1859 he took the well known Albion Hotel, Bourke-street east, Melbourne, the starting place for all Cobb and Co's lines of up-country coaches, and kept it for 22 years, marrying whilst there Miss Blake, of Mornington. Shortly before leaving the hotel he purchased 7000 acres of land at Phillip Island for breeding purposes, and there bred Wollomai, who won the Melbourne Cup in 1875. In 1881 he retired to his magnificent estate, besides which he has another 1000 acres at Bass and other properties. He also once owned racing stables at Brighton, where he had Barwon (which won the Champion race) and other valuable horses. Mr Cleeland is a member of the Phillip Island Council and is a justice of the peace for the central bailiwick. Taken from Victoria and its Metropolis: past and present, 1888. Donated by Ivy Cleeland, John Cleeland's grand-daughter.Portrait of John Cleeland of Wollomai House, Phillip Island.On front: Paris, 119 Swanston Street, Melbourne On back: John Cleeland of Wollomai House.john cleeland, ivy cleeland -
Phillip Island and District Historical Society Inc.
Photographs, 1920's
325-07 Inscription on back of photograph. "Violet Clarke, sister of Jimmy and Jack Clarke all born at San Remo 1880's - 90's. Violet married a Mr Sinclair and was the mother of Laurie. Jimmy & Jack Clarke's nephew, Laurie, like his uncles, never married." 325-08 Inscription on back of photograph. "Violet was the sister of twins Jimmy & Jack Clarke" 325-07 & 08. Hand coloured sepia portraits of Violet Clarke. 325-09. Sepia photograph of Violet Clarke's wedding.325-09. "25 years ago". Violet Clarke's marriage to ? Sinclair. Best man is probably Jack Clarke, brother Jimmy was most likely at sea.violet clarke, jack clarke, arthur woodley -
Phillip Island and District Historical Society Inc.
Photograph, Sergeant Albert Edwin Barnden, About 1917
Albert Barnden was killed in France in May 1917 and is buried there.Sepia portrait in an oval frame of Sergeant Albert Edwin Barnden. Regimental No. 5787 AIFWith sincere regards to Mr and Mrs John Dickie from A. E. Barnden. Sergt. AIF3/4/1917albert barnden, world war 1, army ww1, photographs, local identities, portraits, john dickie -
Phillip Island and District Historical Society Inc.
Photograph Transparency, 1940's
Transparency donated by Mrs B W Higgins who received it from Mrs O McHaffie & Mr J W Gliddon.Black & White Transparency - Portrait of Hannah Douart McHaffiehannah mchaffie, j w gliddon, mrs o mchaffie, phillip island -
Mission to Seafarers Victoria
Photograph - Gelatin silver photograph, Studio portrait of seated man with hat and walking stick, circa 1880-1900
This portrait could be of Captain Daniel McCallum. In the Williamstown Chronicle dating back Saturday 16 March 1895 we could read: " An interesting ceremony will be performed at the Sailor's Rest next Thursday 21st. inst., when a large photo of the late Captain D. McCallum (which has been presented to the Rest) will be unveiled, in the presence, it is expected, of several of those who assisted Captain McCallum in his good, work amongst the sailors, and others who were closely connected with the Mr Ronald Reid a will supply the musical part of the pogramme." Captain McCallum was secretary of the Williamstown Sailors' Rest, located in Ann Street, and had himself saved the rest paying some of its debt. He died in 1887.Many portraits of supporters were unveiled in the several buildings of the Mission. Sadly few reached us and are difficult to identify.Studio portrait of a man sitting, with moustache, wearing a 3 piece suit with buttonhole spray, walking cane ad bowler hat.Signature in red ink in the bottom right corner: "CHUCK-artist"portait, bowler hat -
Greensborough Historical Society
Photograph, David and Martha (Ruston) Medhurst, 1900c
David Medhurst (1855-1939) and wife Martha Ruston Medhurst (1860-1943). This studio portrait (date unknown) shows them as a middle aged couple.Pioneer family of Greensborough.Black and white studio portrait, man standing holding a small piece of paper, woman seated. Open book on small table at her right hand.On back: 'Mr and Mrs Medhurst who did much to help Greensborough. Mrs Medhurst born in Greensboro'. Also later additions of dates of birth and death and connections with descendants.medhurst family, partington family, martha medhurst, david medhurst -
Glenelg Shire Council Cultural Collection
Artwork, other - Portrait, Hugh Millar, n.d
Gilt framed oil painting of Hugh Millar. Seated, in wooden chair, left forearm and right elbow resting on chair arms. Mr Millar is dressed in black suit, white shirt with high collar, black cravat. He is clean shaven, reddish curly hair. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Miniature of Walter Thomas Henty, n.d
... Campbell, Aunt of Mr. E. Campbell. Mr E Campbell Small portrait ...Mr. E. Campbell owned item. Walter Thomas Henty, son of Stephen Henty, married Nancy Campbell, Aunt of Mr. E. Campbell.Small portrait of a man in a suit, one third portrait view. He has thick dark hair cut short at sides, full long beard and a moustache. Wearing a dark suit and white shirt. Mounted in an oval metal frame.mr e campbell -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Four Portraits, n.d
Black and white photograph, framed. Frame: moulded cream. a.) MR. R LOENG 91, MRS H MCDONALD 96, MR J. RUNDELL 102, MR. A MARTIN 92 b) no titleportrait photography -
Glenelg Shire Council Cultural Collection
Photograph - Collection of four photographs - K.S. Anderson and Port of Portland Authorities, n.d
a. black and white passport sized photograph of K.S. Anderson b. black and white photo of K.S. Anderson and his brother Bruce Learmonth Anderson c. Coloured photo of Mr. and Mrs. Edgar, K.S. Anderson, Ralston Thomson d. coloured photo of Brownie and Betty outside shire officesk s anderson, portrait photography, port of portland -
Eltham District Historical Society Inc
Photograph, Portrait panel of Shire of Eltham Councillors 1913 presented to Mr A. G. Thomas CE, 1913
Sepia photograph of a portrait panel of ten councillors of the Shire of Eltham, 1913eltham shire counci, councillors, a.g thomas, e.h. cameron, w.g gray, g.h smith, w.d taylor, j smedley, downer, w morris -
Eltham District Historical Society Inc
Photograph, Past Councillors of the Shire of Eltham from its inception until 1914
Collage of a collection of black and white portraits of men in oval frames with names. They are past councillors and the late Officer C.S. Wingrove of the Shire of Eltham from its inception until 1914. Originally compiled as a farewell gift to Ewan H. Cameron on his retirement from Parliament and community affairs in 1914. The photos were encased in a very large and handsme frame. It was presented to Mr. Cameron as a "testimonial [and] a small token of [Eltham Shire Councillors and community] their heartfelt esteem, and felt Mr Cameron would often look upon the faces encased in the frame, and it would remind him of friendships made and good work performed.' Mr Cameron was a well-respected man described as “Father of all in the County of Evelyn”. There were many living monuments of the good work done by Mr Cameron – schools, churches, halls and railways. Mr Cameron’s retirement was partly due to deafness. On the occasion of the presentation he told his audience that he started his public career in 1858 when he was elected a member of the Castlemaine Mining Board-; he held the position till 1900-42 years. In 1862 he was elected to the Eltham Shire Council (then a Road Board), and retired in 1914-52 years. He entered Parliament in 1874 and retired in 1914 -40 years and 8 months. The Hon Ewan H. Cameron lived at Pigeon Bank, Kangaroo Ground and died 27 September 1915. Names on the photo include: A. Beale, C. H. Bath, W. Morris, S.W. Scott, A. L. White, J. Fitch, W. G. Gray, J Darly Mealy, W. J. Taylor, E.H. Cameron M.L.A., J. Bell, J. Sincadley, R.D. Taylor, R. White, J. Herbert, S. Wingrove, W.B. Thomas, J Cowrey, J. C. Beale. Mr. R. White, 360 Main Rd., Eltham presented this copy to Council. One of the originals of this photograph was destroyed in the fire which burnt the Shire Offices at Kangaroo Ground in February 1934.This unique photo documents early pioneers in the Shire of Eltham. The context of its origins further illustrates the esteem of which E.H. Cameron was held in the community. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, eltham, councilors, a. beale, c.h.bath, w. morris, s.w. scott, a.l. white, j. fitch, w.g. gray, j.w.darly mealy, w.j. taylor, william john taylor, william j. taylor, e. h. cameron, ewan hugh cameron, j. bell, j. sincadeley, r.d. taylor, r. white, j. herbert, s. wingrove, w.b. thomas, j. cowrey, j.c. beale, collage, presentation, retirement