Used by Margaret Graham's grandmotherRed covered book 'The Australian Enquiry Book''. Refer to the 2/6 By Mrs Lance Rawson printed published by J. W. Knapton & Co. Ltd Collins Street Melbourne. 'The best in World Silver Star Starch' 'One Pound Makes 250 cups Empire Cocoa' Back cover of book very hard to read. Book contains recipes, household hints, farming tips etc, also many ads included.As abovebooks, reference

These were worn by Mr Whiteman, Marjorie Burton's father, when he sang in the church choir. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. She came from a middle-class, working, church-going family. The invention of the dickey was to make the front of a full dress shirt a separate entity in itself, like the detachable collar, so it could be laundered and starched more easily than a traditional shirt with the front attached.Cloth dickeys simulated many different styles and were often often used in marching band or choir uniforms. However they are rarely worn now. These items are examples of a menswear accessory commonly used in the first half of the 20th century. Two silk white dickeys, men' shirt fronts. 2483.29 has tapes with press studs ant the top and bottom and 2 button holes. 2483.30 has 3 button holes and is a double thickness. Both have pleats.men's-clothing accessories shirt-fronts-dickeys burton-marjorie

In 1873 James Griffiths migrated to Melbourne in order to start a tea Business. James lived in the Dandenongs at The Basin where he experimented with growing tea. Griffiths made tin canisters in the 2lbs size for their tea with common kitchen consumables listed on the front . The tins, when emptied, became useful kitchen canisters and helped promote the brand. Example of the names include Flour, Rice, Sugar, Sago, Candied Peel, Tapioca, Spices, Starch, Biscuits, Currants, Barley, String and of course Tea .Food storage rectangular tin, with a hinged lid. The outside is printed in cream and red with the name 'Griffith's Teas' and the word 'SAGO'. The text is set against a cream panel which is bordered with a decorative border of Australian native flora. The whole is set against a dark green background.On each other side of the tin is a different native Australian flower. The lid is impressed with a flannel flower.Printed on the front 'SAGO', also printed on the front and repeated on the top 'USE / GRIFFITHS' Teas / SYDNEY / MELBOURNE. ADELAIDE. BRISBANE'. On the front is the image of a train signal with the words 'SIGNAL / TRADE MARK'tea, james griffiths, canisters, city of moorabbin, cheltenham, melbourne, moorabbin, grocery stores, kitchen equipment

DPCU (Disruptive Pattern Camouflage Uniform) Work dress. Colours light to dark green through to light to dark brown. Cotton/polyester fabric. Khaki colour plastic buttons. 1. 2. & 3. Shirts - work dress. Collar, shoulder epaulettes, two front pockets with concealed button closure flaps. Front five buttons with concealed placket. Long sleeves with cuff. 1. Name patch has been sewn on "GRULKE". Rank Insignia on both sleeves - 3 stripes - Sergeant. Australia colour patch - top left sleeve. 4. & 5. Trousers - new style, two side pockets, two large patch side pockets with two button closer flaps. One back patch pocket with button. Belt loops with buttons. Nylon/metal zipper fly. DPCU pocket lining. Manufacturers label on right front pocket lining.Manufacturer's information on label - black ink print. 2. "ADA/ VICTORIA/ 1995/ ^ / 8415-66-130-0027/ SIZE 92s/ SERVICE NO/ NAME/ 50% POLYESTER 50% COTTON/ MACHINE WASHABLE/ DRIP DRY ONLY/ DO NOT IRON DO NOT STARCH/ DO NOT BLEACH/ A1". 4. & 5. "ADI/ VICTORIA/ 1995/ ^ 8415-66-134-8921/ SIZE 95r/ CUT NO 3603/ SERVICE NO/ NAME/ 50% POLYESTER 50% COTTON/ MACHINE WASHABLE DRIP DRY ONLY/ DO NOT IRON DO NOT STARCH/ DO NOT BLEACH"passchendaele barracks trust, uniform, army, work dress, dpcu

Shirt - camouflage jungle green and brown, polyester/cotton fabric, with long sleeves, shoulder epaulettes, two front pockets with button down flap and one sleeve pocket with button down flap, plastic buttons. Two rank insignia on sleeves - Corporal. Cotton manufacturers label, green, with black print information. Green cotton label information - black ink print: "ADI/VICTORIA/^/ 8415-66.130.0032/ SIZE 92R/ SERVICE NO./ NAME/ 50% Polyester/ 50% Cotton/MACHINE WASHABLE/ DRIP DRY ONLY/ DO NOT IRON/ DO NOT STARCH/ DO NOT BLEACH" uniform, army, camouflage wear

This foot powder tin may have been manufactured for use by troops in Vietnam, if the inscription "P.D. 5/69" might refer to it's manufacture in May 1969. Khaki coloured rectangular tin constructed of a rectangular base with rounded edges, attached to one long rectangular section bent into sides, another rectangular piece with rounded edges forms the top. In top of tin, a screw on lid with seven punched holes allows the contents to be shaken out of the tin. Content residue still visible on lid but appears that the tin is otherwise empty. Inscriptions throughout described below.On front of tin "[broad arrow]/FOOT POWDER/2 OZ. NET WEIGHT/ MURPHY, LIEBERT PTY. LTD./SYDNEY, AUSTRALIA." Right side "P.D. 5/67". Back of tin "FORMULA/SALICYLIC ACID 3%/STARCH 10%/TALC 87%" medical, foot, foot powder, athlete's foot, vietnam war, 1960s

320 p. : Bound in calico which is printed with product advertisementsjames grant, fiction, t. craig [bookbinder], short stories

This petticoat came from the estate of Ena Heazlewood and was donated to the Warrnambool and District Historical Society by Ena’s daughter. It appears to have been home-made. Mary Josephine (Ena) Todd was born in Warrnambool in 1920 and worked as a hairdresser at Josephine’s Salon in Warrnambool. In 1942 she married a Warrnambool man, Jack Heazlewood, a stoker on the H.M.A.S. Sydney at the time. They later lived in Sydney. A petticoat such as this one would have been stiffened with starch and worn under a ball dress (or a stage costume) in the mid 20th century. This petticoat is of interest as an example of a skirt worn underneath a ballroom dress or a stage costume in the mid 20th century. It also has some provenance as it come from the estate of Ena Heazlewood, a former Warrnambool resident.This item is a white cotton petticoat with a flap opening at the front waist enclosed by two white buttons. The petticoat is gathered at the waist to make a wide flared skirt and has alternating panels of plain white cotton and broderie anglaise material. There is a flounce at the end stitched with cotton-covered rope at the top and the bottom of the flounce. The bottom of the petticoat has a cotton lace trim. vintage clothing, todd & heazlewood families, warrnambool, history of warrnambool

http://www.clag.com.au/about/about.htm http://en.wikipedia.org/wiki/Clag_(glue) Clag was first trademarked in 1898 by Joseph Angus, manufacturer, of 216 Nicholson Street, North Fitzroy, Melbourne. The National Archives of Australia holds the original trademark application - a digitised version is available online (see References). The exact composition of the original paste is unknown but is thought to have been starch-based. Australian schools commonly request that parents purchase Clag paste for their children as part of the stationery lists that are circulated before each school year. The main reason for this is Clag's reputation for safety and ease of use. The bottle includes a brush recessed into the lid that children find relatively easy to handle, and the packaging does not contain any small components that children might swallow. The main ingredient of Clag is wheat starch dissolved in a water base, meaning that children can safely swallow the glue without incident It feels cold to touch and when applied to paper, it sometimes alters the colour of what is on it and causes paper to warp, owing to the high water content of the glue. There is an Australian slang usage of the word "clagged" derived from the characteristic of Clag Paste and can be used in place of the words, "clogged", "congested", "restricted" or "stuck". Bottle used for clag. The bottle has the original marking made by Angus P/l who trademarked the glue in 1898.Angus & Co Pty Ltd, ISM 12school, bottle, glue, clag, trademark, wheat starch

Both photographers were concerned about heritage places soon to be demolished or altered. Printing of the postcards was paid for by Port Melbourne Council.From a set of nine colour postcards featuring heritage places on the Port waterfront. Images by Alison KELLY (nos 4-9) and James LAURITZ (nos 1-3) 1991 1. Aerial photo of Bay St. 2. Starch factory shell. 3. Sunset over Station Pier. 4. Beacon (outer) 5. Gatehouse Station Pier. 6. Seamen's Mission building. 7. Abel Tasman ferry. 8. Old Eastern kiosk. 9. Centenary Bridge stairway.piers and wharves - station pier, piers and wharves - princes pier, piers and wharves - lagoon pier, beacons, built environment, transport - ferries, missions to seamen, james lauritz, alison kelly, abel tasman

Crochet covers for milk jugs, teacups and bowls were produced to repel the dreaded Australian blow fly. They were typically decorated with Australian flora and fauna and commemorative motifs and sometimes edged with beads, shells and other three dimensional forms, not only for appearance, but also to weigh down the crochet so it would stay safely in place on the jug. The three dimensional parts were stiffened with sugar syrup, or sometimes starch, paraffin or gelatine. The main sources for crochet cover and other needlework designs available to women were in journals, magazines and pattern books. In the first half of the 20th century women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homes, decorating or protecting furniture, floors and walls, and keeping off flies and insects from food. Small square milk jug cover that has been hand crocheted with crown, flag and date patterned into centre. It has a red, white and blue beaded fringe.cover milk-jug-cover handcraft tableware

The item is a representative example of previously standard issue uniform and is in excellent condition. As a set alongside 0040.2, the uniform has aesthetic significance in its design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Field shirt in disruptive pattern colours of green, khaki and browns. Long sleeve with five buttons up the front, two chest pockets with button-down flap pockets. Both sleeves are reinforced from the elbow down to the cuff; cuffs are fastened with a single plastic button. Above the right chest pocket is a patch with embroidered inscription in black thread on disruptive pattern backing. Shirt also features plain epaulette's on both shoulders, fastened by plastic button. Manufacturer's label on interior reads "ADI P/L/VICTORIA/1989/[broad arrow]/8415.66.130.0033/SIZE. 100R/NAME/SERVICE NO./MACHINE WASHABLE/DRIP DRY ONLY/DO NOT IRON/DO NOT STARCH/DO NOT BLEACH" Patch above chest pocket reads "PARKER"camouflage, uniform, australian defence force, disruptive pattern

467 p. Bound in calico which is printed with product advertisements. fictionfiction, john galt, t. craig [bookbinder]

The little blue bag was stirred around in the final rinse water on washday. It disguised any hint of yellow and helped the household linen look whiter than white. The main ingredients were synthetic ultramarine and baking soda, and the original "squares" weighed an ounce and cost 1 penny. Reckitt’s had been in the blue and starch business in Hull, England, even before they started importing French ultramarine in the 1850s to make the new blue rinse additive at their English factory. These blue bags, being alkaline , were useful to ease the pain of wasp, ant and insect bites. Reckitts blue bags were an essential part of washday for early settlers in Moorabbin Shire and continued to be used throughout 20thC.Laundry blue bags (2), 'Reckitt's' Blue Bag, paper-wrap made by Reckitt and Colman (Australia) Ltd, Australia, c 2oth C. Made of powdered ultramarine and baking soda. RECKITT& COLMAN PTY.LIMITED SYDNEY AUSTRALIA / Reckitt's Bag Blue / Squeeze the bag in the last rinse / & stir. This keeps your linen white / / RECKITT & COLMAN PTY. LIMITED SYDNEY AUSTRALIA. Red & white stripes Regd.reckitts pty ltd., hull u.k., moorabbin, bentleigh, early settlers, pioneers, laundry equipment, linen, clothing, washing aids

Welmar white formal men's waistcoat. Back less. Shawl lapels. White starched marcella fabric. Single breasted with three buttons and button holes at waist. Pockets on either side at waist level. Each side of waistcoat has two X 1 cm buttons inside of the waistcoat. There is a tab ( 23 cmX2 cm) with three eyelets to join pieces behind the neck. A buckle is attached at waist level on the side of each piece through which a cotton tape (155 cm X 2 cm) is threaded to be tied at the back of the wearer.Label inside LH section ''WELMAR'' All cotton. Dresswear 40.Stamp on both pieces 50 54costume, male, men's formal waistcoat

This nurse's collar, cap and apron would have been worn by student nurses at the Alfred Hospital in Melbourne in the 1960's. Although the style did not change much from earlier years the length of the skirt had shortened. The white semi circular collar has a single row of drawn thread work 1.5 centimeters from the outer edge and is made of starched cotton fabric. The cap is made of a half circle of fine white cotton lawn with a turn back front edge bearing the Alfred Hospital emblem. It has a tape casing about 1.5 centimeters from the edge which contains a thin tape for gathering up the edge of the cap. The white cotton apron has a 5 panel skirt, a waistband with four covered buttons and a bib front which went over the shoulders and buttoned at the back of the waistband.The collar has written in black marker - D.L.Ross E.37; Also written in black marker - E980; A tape printed and machine stitched on - L.A. Holberton The cap has a printed emblem - Alfred Hospital Incorp. Melbourne, Service and Care The apron has written in black maker - M Taylor; E877; J. Williamsalfred hospital, nursing, nurse uniform, student nurse uniform, nurse apron, nurse cap, nurse collar, apron, costume, textiles

Ruth Woodward was the daughter of Alan Richardson a sawmiller at Tabbara. Richardson Helped build and held ticket for paddle steamer "Curlip". Crochet covers for milk jugs, teacups and bowls were produced to repel the dreaded Australian blow fly. They were typically decorated with Australian flora and fauna and commemorative motifs and sometimes edged with beads, shells and other three dimensional forms, not only for appearance, but also to weigh down the crochet so it would stay safely in place on the jug. The three dimensional parts were stiffened with sugar syrup, or sometimes starch, paraffin or gelatine. The main sources for crochet cover and other needlework designs available to women were in journals, magazines and pattern books. This item is an example of a handcrafted item and reflects the needlework skills of women in the families of the early settlers.Small handmade star-shaped milk cover with a white tulle centre and beading coming down to points off the centre. Beads are clear and black.milk-cover handcrafts needlework beading richardson

A tie pin is a neckwear controlling device, originally worn by wealthy English gentlemen to secure the folds of their cravats. They were first popularized at the beginning of the 19th century. Cravats were made of silk, satin, lace and lightly starched cambric, lawn and muslin, and stickpins were necessary accoutrements to keep these expensive fabrics in place and safe. Stickpins commonly used pearls, and other precious gemstones set in gold or other precious metals and were designed specifically for their owners. By the 1860s, wearing cravats had been embraced by the English upper middle classes with a consequently lower quality of materials and designs used in both the neckwear and in the stickpins used to keep it in place. By the 1870s Americans had embraced stickpins and designs were mass-produced. 3 men's metal lapel pins with coloured glass inserts 1 yellow 2 red jewellery, tie-pins, male neckwear, moorabbin, brighton, early settlers, pioneers, cheltenham

A tie pin is a neckwear-controlling device, originally worn by wealthy English gentlemen to secure the folds of their cravats. They were first popularized at the beginning of the 19th century. Cravats were made of silk, satin, lace and lightly starched cambric, lawn and muslin, and stickpins were necessary accoutrements to keep these expensive fabrics in place and safe. Stickpins commonly used pearls and other precious gemstones set in gold or other precious metals and were designed specifically for their owners. By the 1860s, wearing cravats had been embraced by the English upper middle classes with a consequently lower quality of materials and designs used in both the neckwear and in the stickpins used to keep it in place. By the 1870s Americans had embraced stickpins and designs were mass-producedThe family of Lorna Risstrom were early settlers in Moorabbin ShireA tie-stud and chain in a small, blue velvet covered, silk lined, hinged jewellery box with . The tie-stud has a red stone set in gold metalmoorabbin, bentleigh, cheltenham, early settlers, pioneers, market gardneners, jewellery, risstrom lorna, tie-pins, tie- studs, cravats, silk, lace,

Very formal fashion for men in the City of Moorabbin c 1960 was a tailor made formal 'white tie' tails dinner suit with cut away jacket and pleated trousers that have a satin stripe down the outer seams There are 3 large black plastic buttons on each side of silk lined jacket and 4 small black plastic buttons on each sleeve. Special occasions, events and ceremonies were when men wore this outfit. The full outfit comprised of a white dress shirt, white starched collar, white bow tie, white waistcoat, gold pocket watch, mother of pearl or white studs and cufflinks with black leather shoes. A white flower may have been worn of jacket.This formal 'white tie', dinner suit with tails, cut away jacket and pleated trousers was typical of that worn by men c 1960 in City of Moorabbin for very formal occasions.A tailor made formal 'white tie' tails dinner suit with cut away jacket and pleated trousers that have a satin stripe down the outer seams There are 3 large black plastic buttons on each side of silk lined jacket and 4 small black plastic buttons on each sleeve.professional tailor 4 buttons on sleevesclothing, formal wear, dress shirt, tails, dinner suit, tailors, bowtie white, bowtie black, tuxedo, waistcoat, cufflinks, maynard dennis, city of moorabbin, freemasons lodge, city of moorabbin historical society, early settlers, market gardeners, bentleigh, cheltenham, moorabbin,

White cotton, nurse's apron, heavily starched. Three piece skirt, lightly gathered at back, adjoins a 4.5 cm waistband, and bib front which has broad shoulder straps 8.5 cms wide which cross at the back, and button to the waistband, leaving a 10 cm long rounded tab finished end. No buttons evident, which probably suggests removable buttons, fastened with safety pins, or "hair clip" type fasteners. A 3.5 cms tuck has been sewn around the hemline.Two buttonholes in shoulder strap tab end. Three button holes in back waistband. Worn by Merryn Ellison.costume, female, white cotton nurse's apron

.1) Goggles, black plastic frame, foam padding, black strap. Brand name Oakley. .2) Camouflage paint in plastic container, hinged lid with mirror inside. 3 divided sections with dark green, light green & brown used paint. .3) Patch, square, at top - yellow, middle - white above blue, bottom - bright light green. .4) Foot powder in dark green plastic container, twist lid with holes. .5) Container, dark green plastic cylinder, 11 matches, assorted. .6) Container lid, snap on, for .5). .7) Tube of army personal insect repellent. Dark green plastic tube with screw top lid, unnumbered. Instructions & warnings printed on back of tube. .8) Metal signalling plate, Polished steel signalling plate with small hole in center. Instructions printed on one side. .9) Vinyl sleeve for signalling plate, green. Dole K.1) Written on foam in black texta: DOLEY. .2) Austcam NSN 6850-36-130-0172. Military Sunscreen DDM↑ 0598. .4) Foot Powder, Colbar Pty Ltd, 50g net, B/C 5-98, Formula Salicylic Acid 3%, Starch 10%, Talc 87%. .7) NSN 6840-66-106-0247.military equipment, containers, preventative medicine, goggles

This bottle labelled No Rub liquid wax proclaims the wonders of No-Rub, no-slip, and shines as it dries. The bottle still contains some of the liquid floor wax, made by J R Alexander & Sons Limited. The company was registered as a limited company from 1924 to 1975. However, the firm's advertisement and referrals from satisfied Melbourne customers, printed in The Argus, Melbourne, on Mach 19th, 1954, states that it made the first shoe polish, Supreme, in Australia as long ago as 1900. The firm made a range of household cleaning products such as floor wax, shoe polish and fabric starch. The J R Alexander & Sons Ltd. No-Rub liquid wax was advertised in various states of Australia from around 1936 until the 1950s. Later advertisements show sketches of the wax containers, which were round bottles or metal cans. The bottle in our collection is likely to be made around the 1960s.Bottle; brown glass with metal cap and yellow, orange and black label on the front. Flat rectangular-shaped bottle with a short neck and rounded shoulders The bottle has a black metal screw top lid and contents inside. There are inscriptions on the label. The bottle contains No Rub Floor Wax. Made by J R Alexander and Sons, of Adelaide, Melbourne, Sydney and BrisbanePrinted on the label: "SHAKE WELL" "No-Rub" TRADE MARK REGD." "THE NON-SLIP / Liquid / FLOOR WAX / Saves Labour / Saves Time" "Shines as it dries" "NETT CONTENTS 15 FLUID OZS"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, glass technology, bottle, glass bottle, brown glass, cleaning product, floor cleaner, floor polish, domestic cleaner, no-rub, floor wax, non-slip, flat bottle, bottle contents, liquid wax, j r alexander & sons, household cleaning, cleaning products, zippy starch, zippy window cleaner, liquid floor wax, no rub floor wax, supreme shoe polish, rectangular bottle

Royal Australian Corps of Transport mess dress belonging to Kevin John Herdman. Part of the Kevin John Herdman No. 397661 Collection, See Catalogue No. 5942P for details of his service record..1) Black jacket with two button-down breast pockets and two side pockets with flaps. Jacket buttons at the neck and down the front. Unit insignia on right collar. White starched false collar attached with studs. All buttons bear a unit insignia and are gold coloured. Major's rank insignia on each epaulette. Manufacturer's label on inside left. .2) Pair of black trousers with two white stripes down the outside of each leg. Buttons on waist band for attaching braces. .3) White elastic adjustable braces. .4) Black peaked cap with red band. Gold coloured braiding on peak. Brown coloured sweat band and clear plastic lining..1) On manufacture's label: 'DAVID KLEIN PTY LTD, PTY LTD, VICTORIA, 1966, (upwards arrow)'. On false collar: 'C.G.C.F., SIZE 15'. .2) On manufacturer's label: 'DAVID KLEIN PTY LTD, PTY LTD, VICTORIA, 1966, (upwards arrow)'. .3) Stamped on leather joiner: 'P-F, 10 73, (upwards arrow), 44'. .4) Inside cap: 'COMMONWEALTH GOVERNMENT CLOTHING FACTORIES, MELBOURNE,6 3/4'.uniform, mess dress, royal australian corps of transport, kevin john herdman