Charles Hunt Smith (Court House Residence). This photograph taken around 1914 belongs to the Smith Family. Donated to the society by Mr. Bill Smith. The photo is of his father who was a builder and lived at Pleasant Creek Court house.Photograph of an elderly man dressed in jacket, waistcoat & tie. He is standing in front of a brick building and below 3 steps. The original photo is a sepia colour and cut down just to include the gentleman with an enlarged black and white copy on card with the photo.Dad's father Charles Hunt Smith.stawell

Black and white photograph of Frederick Louis Falk standing beside a horse harnessed into a wheeled vehicle. He is dressed in dark trousers and waistcoat, white shirt and felt hat and has neatly trimmed white beard and moustache. Kalimna West Victoriagenealogy

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Formal mess dress uniform in the colours of Royal Australian Armoured Corps (RAAC), maroon jacket and waistcoat, dark blue trousers with twin yellow stripes down legs. Victorian Mounted Rifles lapel badges and lieutenant colonel badges of rank.mess, uniform, officer, victorian mounted rifles, vmr, raac, armour

Postcard: sepia toned postcard. Biplane floating on pontoons on LH side of postcard, five men in boat on RH side. Men are dressed in suits and waistcoats, wearing hats. On back of card: A.Rapp, Marine Photographer, 39 Bernard Street, Southampton.A.Rapp, Marine Photographersperson, individual, basil watson, basil watson, aeroplane, biplane, southampton.

sepia photograph mounted on grey board. Three young men on left wearing waistcoat, bicycle clips, at centre - on bicycle, wearing racing gear and cycling shoes, on right - wearing 3 piece suit, watch chain, studio photo with painted background.Martin Murphy, Laverton and Morgans, Photographercottage, miners

Tobacco Jar of Staffordshire China depicting King George III. Jar in two parts - top half has figure to waist - light brown coat and figured waistcoat. Hand holding pipe. Lower half has legs with patterned trousers and boots.ornaments, ceramics

Black and white head and shoulder photo of Ross Kurtz playing a flute. He is wearing a check shirt, waistcoat and a large brimmed hat. Typed on a sticker on the back is: Kurtz, Ross. Mudgee. Sep 1981. Also written is Ross Kurtz, Mudgee 9.81.photo, individual, ross kurtz, peter ellis collection, ross kurtz

Mr Joseph Sutton Crow and his wife Jessie (nee Temby) at their marriage in 1910. Sutton became Director of the University Conservatorium, was deeply involved in the musical life of Melbourne and managed concert parties travelling to country towns. Jessie was a soloist, singing, in the early days, at the concerts with visiting and local artists, such as flautist John Amadio. They made their home at ‘Strathmore’, 75 Victoria Crescent, Mont Albert. The donor was their daughter, Winifred Jean Crow.A black and white photograph of a couple dressed in their wedding attire. The bride (standing) is wearing a floor length dress and veil. She has flowers in her hair and is carrying a large bouquet of flowers. The groom (seated) is wearing a coat, with a waistcoat and tie and is carrying a top hat.(mr) joseph sutton crow, (mrs) jessie crow, (miss) jessie temby, conservatorium of music, house names, victoria crescent, mont albert, (mr) john amadio, 'strathmore', opera singer, (miss) winifred jessie temby, (mrs) winifred jessie crow

This is a photograph of Archie Dickson and his wife, Emma ( nee Wainwright), who was married in 1900 to Archibald John Dickson (1855-1930) There is an article noting his death in the Age newspaper, Melbourne, Thursday 12 June 1930, page 6 which reports him to have been the first white child born in the Orbost area. James Thomas Dickson, his brother, was the manager and then licensee of the Commonwealth Hotel in Orbost from about 1903. The Dickson family was a prominent family in early Orbost.A black / white formal studio photograph of a man seated on a chair with a woman standing to the right behind him. He is wearing a frock coat, waistcoat and high stiff collar with a bow tie. Her day dress has a tight - fitting bodice with a deep waistline and long sleeves.dickson-archibald-john commonwealth-hotel-orbost

Small black & white half length photograph of a lady and a man. The lady is wearing a dark coat, hat and scarf. The man is wearing a dark 3-piece suit and a light coloured coat. He is wearing a small cross on the left side of his waistcoat. There are gum trees in the background.photo, group, couple, foster & wilson collection, photograph

Colour photograph. Kids in costume. Horse mask hessian body. Girl in check shirt jeans and hat. Bot in hat check shirt jeans, waistcoat. Child dressed as dog at front. Gravel Hill Primary School. 1988 Production 'The Wallaby Track'' Staple holes in corners.education, primary, gravel hill school

Colour photograph. Man in tartan waistcoat and tie. Woman in long black dress, coloured sash. Corrugated iron wall behind them with toilets boys sign on wall. Back of photo reads: Wedderburn Old Timers Marg Hogan Peter Ellis also Emu Creek.entertainment, dance, bush dance

Black and white photograph mounted on bege frame. 16 men pose in 3 row structure for photograph on front of building with stairs and large columns. They are all in formal suits, most with waistcoat chains - some with freemasonry insignia. Man on the front right is holding a funny looking wood stick.Stamp on front of frame: Bartlett Bros // Bendigovictoria police museum, police officers, police force, bendigo, bartlett bros photograph, free masons, freemasonry

Black and white photograph of 2 men sitting on fallen tree. Man on left, dark 3 piece suit, with watch chain and Fedora hat. Man on right, shirt sleeves, narrow tie, waistcoat, trousers and boots, wearing Fedora hat is reading a book.Possibly are relatives of Basil Miller.person, individual, basil miller

The cast iron gates (manufactured in Glasgow) introduced at the North West entrance in 1907. The gates were purchased from ‘Fairlie” corner of Acland and Anderson Streets, South Yarra at the cost of 72 pounds and cost 60 pounds to install. They had originally cost the owners of ‘Fairlie’ 1200 pounds. Lee Heap Furniture Warehouse of Williamstown used the postcards to advertise. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The image in this postcard shows the gates intact and as installed in 1907. The current layout of this area still reflects the change of design, which followed the 1907 removal of the first gardener's residence and the subsequent re-organisation of this quarter of the gardens. This postcard is evidence of the placement of one of the cannons relocated from Fort Gellibrand in 1906. They were removed from the Gardens in the 1960s. These same cannons remain a feature on the Williamstown waterfront in 2013. Black and white image of main entrance gates which are open. Through the gates can be seen a man in waistcoat standing in front of a cannon. The gates are cast iron, double carriage gates with single pedestrian gates on either side and supported by four cast iron posts with ornamental finials. Front: ‘The Entrance Gates, Williamstown Gardens. Vic.’ ‘0457/2’ ‘THE CROWN STUDIOS, SYDNEY’. Reverse: Centre top ‘POST CARD’ with a logo in the middle of the words. Left top corner a drawing of an artist’s board and brushes with a camera in the centre. Left side ‘MESSAGE ONLY.’ Right side ‘ADDRESS ONLY.’ Top right corner inside a dotted rectangle ‘STAMP HERE’. Bottom on card ‘BY THE CROWN STUDIOS, SYNDEY.’ Under the vertical line down the middle line ‘Neither the Address not the Message must cross this line’. In ink ‘With Compliments / from’. An oval stamp with scalloped rim ‘LEE HEAP FURNITURE MANUFACTURER’ inside inner oval ‘FURNITURE WAREHOUSE, / WILLIAMSTOWN’.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, entrance gates, entrance-gates, cast iron, finials, cannon, crown studios, lee heap furniture warehouse

Small head and shoulder portrait of a man. He is wearing a jacket and a high buttoned waistcoat with a watch chain. He also has a beard. Printer's name and address printed in red on the back with a Coat of Arms, floral work and two birds. Also a printed medallion with '1862 London Honoris causa'.C. Nettleton, 1 Madeline Street, North Melbournephotograph, portrait, male, pportrait of a man, c nettleton

This print of Sir James Young Simpson (1811-1870) was given to the College by Robyn Adams, the daughter of the late obstetrician Gordan Findlay. The portrait was gifted to Dr Findlay when he stated his obstetrical practice in Wellington in 1945. The portrait was then passed to Robyn’s late husband, dermatologist Dr John Adams FRACP FACD, and hung on the wall of his dermatology practice in Wellington until 2014. Sir James Young Simpson was a significant figure in the field of obstetrics. Admitted to the University of Edinburgh at the age of fourteen, he was responsible for introducing the use of chloroform for safe analgesia in childbirth, as well as for the development of an ‘air extractor’ (the forerunner to the modern vacuum extractor) and the creation of obstetric forceps with both long and short handles. Significantly, Simpson’s long handled forceps also became the prototype for many subsequent British designs.Charcoal print in an oval shaped wooden frame. Print features a head and shoulders portrait image of a man, pictured slightly side on with his eyes looking to the left of the viewer. The main is wearing a coat, waistcoat, and a shirt buttoned up to the collar, and has dark coloured hair reaching to his shoulders.anaesthesia

David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). Personal communication from Laurie Newton, Beryl's daughter: Dave and Lily initially lived in East Melbourne after they married. Dave walked across the gardens to work at the MCG. He never drove or owned a car. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. Electoral roll details: 1919 1922 24 Louise Avenue, Mont Albert 1924 20 Barton Street, Mont Albert Dave Mair was a very keen sportsman. This is part of a large donation of material from the Deakin, Mair and Young families. The Deakin, Mair and Young families had many connections with Mont Albert and Surrey Hills.A black & white photocopy of a man with a moustache identified as David Miller Mair. The original is a formal portrait of him wearing a bowler hat and 3 piece suit, the jacket with flower in the buttonhole and the waistcoat with fob watch chain. He has his hands in his pockets and is looking in part profile at the camera. On rear in grey lead pencil: "David Millar Mair / 22.4.1879-16.9.1938". david miller mair, dave mair, lily vipond mair, lily vipond deakin

Small, full length portrait of a man standing beside a small table with a large cloth and some books on it. He is holding a book in his left hand. In his right hand, he is holding a glove. He is wearing a frockcoat, trousers, waistcoat and a high neck shirt. He also has a beard.G. Wherrett, Post Office Portrait Rooms, Barker St., Castlemainephotograph, portrait, male, portrait of a man, g wherett

Army mess dress. Artillery Lt. Col. Jacket navy with lapel badges & ornate pips(U028A) waistcoat red with Australia gold buttons(U028B), trousers(navy with red side stripe(U028D, braces(U028C), boots.(Use shirt & tie from UC023) 2nd red jacket (no Buttonsuniform, ww2, army

The Bendigo District Football Association was superseded in 1913 by the Bendigo Football League. When competition resumed in 1919 after WW1 the League was composed of Eaglehawk, South Bendigo, Sandhurst and Bendigo East. In 1924 Echuca was included and Bendigo East was eliminated. Bendigo East moved to Golden City Football League, and folded in the 1930s.Black and white photograph of Bendigo East Football Club premiers 1919. Team dressed in Football uniform, officials in shirts, waistcoats, brick building in background with double wooden doors. Handwritten in ink on back ' Mr. R. Grylls/ Mr. W. Geisler, Bendigo East 2nd. Rate football club.'Handwritten in ink on back ' Mr. R. Grylls/ Mr. W. Geisler, Bendigo East 2nd. Rate football club.'organization, club/society, bendigo east football club

sepia photograph on green board : group of men at the Central Red, White and Blue Mine. Men are dressed in suits, waistcoats, hatsMine Manager George Kingsley, back row 3rd from right. ( James Lerk 20.10.2000 ) On back of photo Mng 29. Photo taken outside Violet Street, State School.A. Schilling ( Photographer )person, group, central red, white and blue mine

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men, one dressed in a dark suit and the other dressed in trousers and waistcoat, holding a large fish in his right hand. They are standing on the rail tracks of a pier. The men are Frank Wright on the right and Joe Foster on the left. The place is on the pier about 20 miles from Maryborough, Queensland (possibly Hervey Bay).Written in pencil on back - Taken on the pier about 20 miles from Maryborough (Q), Joe Foster sec Q.B.A., Frank Wright, March 1932 Printed on back - Printed by Pat McNamarafrank wright, joe foster, maryborough, pier, hervey bay

Small portrait of a young boy. He is wearing knee length trousers, a jacket with a large front pocket, waistcoat, bowtie, long white socks and boots. He is standing beside a chair with his right hand resting on it. On the chair is a hat. The chair and part of the curtain have been coloured red and the floor red and green pattern. .photograph, portrait, boy, portrait of a boy

Attached George Gross Biography. Vogue Australia|With more than 40 years in the industry,- George Gross is one of Australia's best known fashion designers. Designing his own. label for the last 35 years, Gross is renowned for his glamorous evening wear, corporate and race wear ranges. Embodying style and sophistication, Gross has dressed celebrities the world over in his eponymous label.|With his first creation - a sequined shift, at the tender age of 16 George still believes 'every collection starts with the fabric and is all about the cut and proper finishing. The looks and silhouettes change every season but not dramatically, it is more that they evolve from season to season.'|The George Gross label was first conceived in Adelaide by Gross and his business partner Harry Watt. As designer, both were working for other fashion houses and saw a gap In the market for elegant evening wear, suiting and separates. Joining with his twin sister Kathy, the three began with a small Adelaide store and expanded to include more than 500 retailers worldwide at the height of their business.|Inspired by real women, Gross showcases his love of colour, cut and quality with each collection. His aim is to create sensuous clothing that women of any age, shape or taste look fabulous wearing. Attributing his longevity to a desire for experimentation while also listening to his customers' needs, Gross designs the fabric prints and only uses the best quality natural fibres from Europe.|Gross and Watt have won 13 Australian fashion design awards between them and both work closely with charities throughout Australia. Working primarily with Breast and Prostate Cancer Research, George organises parades around Australia, especially in their home town of Adelaide.|Gross now has seven stand alone stores, nine concession areas in David Jones department stores and numerous wholesale clients Australia wide. Having finished summer 2009, George is now working on winter 2010, his 73rd collection with many more to come.Three piece Grey - brown pin stripe pants suit. Fully lined pants, shaped waist band. Zip front & turned up cuffs. Jacket fully lined, wide reveres, single breasted, one button. Two pockets. Tailored waistcoat, 5 buttons. Two imitation pockets. Stretched lace backGeorge Grosscostume, female

Small, oval waist length portrait of Soln Small, oval waist length portrait of Soln S. Allsop. He is wearing a jacket over a waistcoat. The jacket is buttoned at the neck. He also has a watch chain. He is seated in a chair with his left arm resting on the chair's armrest. Photographer's name and address printed on the front and back. Printed on the back is 'Prize Medal, Wisbech Industrial & Fine Art Exhibition May 1886. S. Allsop. He is wearing a jacket over a waistcoat. The jacket is buttoned at the neck. He also has a watch chain. He is seated in a chair with his left arm resting on the chair's armrest. Photographer's name and address printed on the front and back. Printed on the back is 'Prize Medal, Wisbech Industrial & Fine Art Exhibition May 1886.Edward Johnson, Lower Hill House, Wisbechphotograph, portrait, male, portrait of soln s allsop, edward johnson

Men's black wool waistcoat, fastened with four fabric buttons (1.5cm diameter). Decorative lapels edged with Ric-Rac.Back section of black cotton. Fully lined with cream cotton fabric. Two front pockets lined with black cotton fabric (12 cm X 8 cm). Pockets with 2 cm band at opening edged with black Ric-Rac. Half belt across back of waistcoat (5 cm at sides tapering to 2.5.cm at centre), fastened at centre back with black metal buckle with two prongs. Found inside pocket - small pink pencil (5 cm) with silver coloured metal cap with 2 cm string attached, black metal hollow tube 3.5 cm X 2 cm.costume, male, mens black waistcoat

Small waist length portrait of a man. He is wearing a jacket, shirt and a waistcoat which buttons to the neck. He has a white tie? He also has a beard. The photo has a blue border and the photographer's name printed in blue. On the back, printed in blue, is the photographer's name and address, some decorative work with a crown at the top and a bird on each side.J. W. Burrows, next Commercial Hotel, Pall Mall, Sandhurstphotograph, portrait, male, portrait of a man, j w burrows

Cabinet photograph of young man standing next to urn & pedestal right arm on hip and left arm leaning against urn. Nothing on reverse. Possibly a member of the Opie/Dower/Martin/Adams family, formerly of Castlemaine/Maldon/Mt. Pleasant areas. C.1880's./ wearing a suit and waistcoat / watch chain with coin and German cross?Yeoman & Co., 169 Bourke St. East, Melbournephotograph, portrait, male, cabinet photograph of young man, yeoman & co melbourne, opie, dower, martin, adams

Straight jacket, sleeveless, made from two thicknesses of calico with red and blue stripe. Edges bound with bias-cut calico. Garment is shaped like waistcoat and wraps around with two long ties. The upper yoke is reinforced with a third layer of cloth cut from the selvedges. The ties are made from separate pieces and sewn on at the lower edge.Nonecostume, sunbury asylum, george evans collection