Photograph made by A.P. Winzenried as a possible illustration for, "Green Grows Our Garden." Caption reads, "A Touch of Spring. " Note by T.H. Kneen 18 March 1992," Query: Student identified as Hilda Dance has dark hair - we always knew Hilda as being fair haired!"Colour photograph. Copy of a newspaper article made by A.P. Winzenried. Caption reads, "A Touch of Spring. " Students working near a dry stone wall in the Orchard shown in a 1926 Site Plan. Fruit trees in blossom behind the wall. Handwritten underneath, "J.Teed, H. Dance, E. Pearce, M. Fisher, B. Levick. "The Argus." 18-8-35." On reverse, "Dry stone wall at Burnley.""j.teed, h. dance, e. pearce, m. fisher, b. levick, green grows our garden, a. p. winzenried, orchard, dry stone wall, students working outside, blossom, tools, wooden wheelbarrow

Photo showing completed brick walls of St Pauls Training School.Photograph in sepia showing brick walls of St Pauls Training School completerlocal history, photography, photographs, slides, film, st pauls training school, schools, phillip island, sepia photograph, ken pound

Wall Clock was presented by H. Walsh to the Villers & Heytes Hospital, which the name was not known for Warrnambool Base Hospital, in 1861.The wall clock was a historial item which was mounted on the hosptial first building, built in 1861.1 Wall clock with makings 1 swing 1 keyClock - presented by H. Walsh, Warrnambool to Villers & Heytes Hospital 1861 Key - Made in Englandwall clock, hosptial history

The plaque is attached to the wall on the right side of the entrance the S.A.B.Bronze wall plaque created by the Department of Agriculture, Victoria to commemorate the opening of the Student Amenities Building on 13th December, 1973 by the Premier of Victoria, The Honourable R. J. Hamer, E. D.., M. P. The plaque is attached to the wall on the right side of the entrance to the SAB.DEPARTMENT OF AGRICULTURE, VICTORIA. BURNLEY HORTICULTURAL COLLEGE. THIS PLAQUE IS TO COMMEMORATE THE OPENING OF THE STUDENT AMENITIES BUILDING ON 13TH DAY OF DECEMBER, 1973. BY THE PREMIER OF VICTORIA THE HONOURABLE R.J. HAMER. E.D., M.P. THE HON. IAN SMITH M.P. MINISTER FOR AGRICULTURE DR. D.S. WISHART B.V.SC.. DIRECTORstudent amenities building, opening, r. j. hamer, commemoration, artifact

Green and white soft cover. Black and white illustration of a group of emaciated men with a Japanese guard. Palm trees on LHS. Black and white illustrations including many head and shoulder portraits. Inside cover and fly leaf are covered with autographs and address of members of a 1995 pilgrimage tour to Sandakan. Author - DON WALL. Cover CLEM SEARLE. Pages 218Written on title pge "Greetings to Jack Baines Don Wall "97"books-military-history, books sandakan

Colour photograph of Plaque on walls of old Buninyong BathsThe plaque outlines the history of the baths constructed in the 1870's as a water source, their redesign by C.C.P. Wilson and reconstruction by WW1 soldiers and their continuing role within the Buninyong Community.Colour photograph of the Plaque on the wall of old Buninyong Swimming Pool giving history of the Old Baths in Buninyong Botanical GardensOld swimming pool, Buninyong gardens built c 1918, restored 1993-94. Photo taken Jan 1995returned soldiers ww1, buninyong gardens, memorial gardens, buninyong baths, c.c.p. wilson

In December of 1939 the excavation of a diversion tunnel was commenced to divert water from the East Kiewa River to allow construction of the dam wall. This was completed in February 1940. Lewis Construction Co. had the contract with excavation starting in February and the first batch of concrete placed in September. In 1942 the S.E.C. took over the construction and the wall was completed in March, 1944. Type of construction: reinforced concrete slab buttress.Of historical importance in the Kiewa area as it shows the form work and preparation necessary before the pouring of concrete for the first dam in the hydro electric scheme. The destruction caused by the 1939 bushfires is also evident in the upper left hand corner.A black and white photograph of the early construction of Junction Dam wall viewed from downstreamOn back of photograph (left hand upper corner) Junction Dam 4-4-81 Dam viewed from downstream 352 Time to use for correct Exp. 40 secjunction dam, bogong, secv

In December of 1939 the excavation of a diversion tunnel was commenced to divert water from the East Kiewa River to allow construction of the dam wall. This was completed in February, 1940. Lewis Construction Company had the contract with excavation starting in February and the first batch of concrete placed in September. In 1942 the SECV took over the construction and the wall was completed in March, 1944. Type of construction: Reinforced concrete, slab buttress.Of historical importance in the Kiewa area as it shows the form work and preparation necessary before the pouring of concrete for the first dam in the hydro electric scheme. The destruction caused by the 1939 bushfires is also evident in the upper left hand cornerBlack and white photo, early construction of Junction Dam Wall, viewed from downstreamOn back of photo (left hand upper corner) Junction Dam 5-4-81 Dam viewed from downstream. 352 Time to use for correct exp. 40 sec.bogong, junction dam, secv

Gold Fever illuminates Drury Lane walkway entrance to Bridge Street Mall. The multiple metal forms act like mobiles suspended from the wall line out into the centre of the walkway. The flexing motion of the rolled metal and traffic reflectors wrapped on the ends creates movement and reflections in the laneway. This movement follows a pricing graph for gold from 1851 to 2011. This zigzagging golden graph line tells the tale of the gold rush spreading like lightning across the world. The artwork is of historic and aesthetic significance to the people of Ballarat Gold coloured bended metal, painted metal formed wall fitting and stoppers reflectors installed on wallGOLD FEVER/ Artists: Sue Buchanan and Eli Gianninigold fever, gold rush ballarat

The stone wall is part of the terraces that were built into the hillside at the winery at Goonawarra. They were constructed in the early days when the vineyard was established to terrace the hillside for growing vines. The winery was originally established by Joh Goodall Francis, a former member of the Victorian Legislative Assembly. He acquired a parcel of crown land and proceeded to develop it as a vineyard. The terraces were built by vignerons, who were employed to work on the property. Goonawarra Winery was one of a number of vineyards that were established in the Sunbury area in the 1800s. The volcanic soil and temperate climate were ideal for grape growing.A coloured photograph of a stone wall with a notice to the left of the wall and long dried grassland in the front. A barbed wire fence is in the foreground.terraces, vineyards, goonawarra, james goodall francis

Black and white photograph"Written on back of photograph" Centenary Wall "The" Wall

Created by members of the day centre at Kooyong in the 1990's, weaving was an activity that provided an opportunity to create tactile artwork. In this example, a rectangular shaped woven wall hanging attached to a brown hessian backing and stuck onto a piece of chipboard. Woven piece depicts a series of horizontal stripes in browns, blues, and greens, and grays. Middle section has four felt black and red houses.association for the blind, art works

Old uncle is standing on the mountainside watching over the modern-day empires built on Aboriginal land shaking his head, saying: “they are doing it again, every empire has a rise and fall”. It’s something that has never been learnt over time. — Josh Muir Josh Muir’s work, Roots, was the first temporary artwork to be installed on the Gallery Annex Wall on the approach to Alfred Deakin Place, Police Lane in Ballarat Central. The space is an important site to host this work given that Alfred Deakin Place is commonly used as a place of discussion, engagement, protest and performance.Temporary artwork - printed vinyl application to concrete wallnoneelder, aboriginal and torres strait islander

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Air conditioning units on unshaded wall (looking upwards) in New York City, New York, USAMade in USA/ Air conditioning units in unshaded wall NYC (Handwritten)/ Encircled 42F/ ANH HSE look? (Handwritten)/ Crysler (Handwritten)/ C44 (Handwritten)/ 30 (Handwritten)mit bemis professorship, mit, robin boyd, slide

The mural of the artist's image of early Sunbury was painted on the garage wall of the Sunbury Presbytery. It could be viewed from the former court house garden. The first businesses opened in Sunbury in Macedon Street between Jacksons Creek and Jackson Street. The view in the mural is looking east towards Jacksons Creek.When the railway service reached Sunbury in 1859, the business area then relocated from Macedon Street to the Evans and O'Shanassy Streets precinct. Some businesses still exist at the original Macedon Street site.A coloured scanned photograph of a mural which was painted on a brick wall.murals, early sunbury, macedon street

Colour slide in a mount. Magazine image of the Dominican "Metastasis" / Musical Glass Wall by Xenakis, La Tourette Convent, near Lyon, France (1961). (Architect: Le Corbusier.)Made in Australia (Print) / Dominican "Metastassis" / Musical Glass Wall by Xenakis / musical-eng / Convent d'Etudes / LA TOURETTE / Encircled 4 (All Handwritten)slide, robin boyd

The construction of the Nunawading Community Hub is taking shape with textures concrete wall panels and the stairwell core and lift tower now in place.The construction of the Nunawading Community Hub.nunawading community hub, city of whitehorse, nunawading primary school no. 4190

The photograph features the Administration building of the former Sunbury Asylum and its Ha-ha wall which are located in the Jackson Hill estate. The former Sunbury Asylum was an important Sunbury institution for many years.A coloured photograph of an Edwardian style brick building on a hill and a high brick wall with trees in the background and green lawn in the foreground.sunbury asylum, jackson hill

An educational tool for the study of the human body. Prior to digital pictures - wall charts were used.Used as a teaching aid in the Kiewa Valley before digitisation15 sheets held together by red very thick cardboard with string for hanging attached. For educating people on the human body by displaying on the wall.first aid, education, anatomy, wall charts, health

The lightstation was connected by telephone to Cann River in 1928. The lighthouse retains ablack Bakelite telephone attached to the lantern room wall on timber box mount. It has a crank handle with instructions for its use on the crank dial, and a coiled handset cord, which probably dates the phone to just after 1949 when coiled examples like these began to replace fabric covered smooth cords. An image in 1991 shows the phone in the lower level of the lantern room It is one of four telephones at the lightstsation; with two others attached to walls in the assistant keepers’ quarters, and one in the head keeper’s quarters. The four phones formed an intercom system that facilitated communication between the lightstation buildings. Three telephones of the same wall-mounted, crank dial type remain at Gabo Island Lightstation; four remain at Cape Otway and five older examples remain at Cape Nelson Lightstation As fixtures attached to the wall, the four telephones are considered to be part of the building fabric and therefore included in the existing Victorian Heritage Register listing for the lightstation (VHR 1983).As fixtures attached to the wall, the four telephones are considered to be part of the building fabric and therefore included in the existing VHR listing for the lightstation (VHR 1983).Four telephones with a crank handle mounted on a wooden base, one is fixed to the wall of the lantern room and is black bakelite. Yes

"The dry stone walls provide a tangible link to the area’s white settlement, and they remain a symbol of the profound change in land usage from the original Kulin custodians to the European arrivals of the nineteenth century. The bulk of dry stone wall construction in Victoria occurred between the 1850s and 1880s. The gold rush of the early 1850s in particular inspired a flurry of construction. At this time, labour previously available for shepherding livestock dried up, as men gravitated to the goldfields to seek their fortunes. This necessitated the building of fencing to contain the district’s growing number of sheep, cattle and horses. An explosion in surveying, subdivision and the sale of Crown lands also contributed to a boost in construction. Government regulations that punished pastoralists for allowing their livestock to stray provided further incentive to fence-off previously open expanses of land. The major benefit of this type of fencing was that it utilised the materials at hand; the plentiful grey basalt that scattered the landscape. In the case of the dry stone walls built around Melton, the characteristic round or oval shape of the volcanic fieldstones on the western plains inspired some distinctive designs.54 Another advantage of dry stone walls was their ability to withstand the ravages of flood, fire and drought often experienced in the district. This durability accounts for the fact that many of these fences still exist today". Dry Stone Wall trail brochure/pamphlet for visitors provided by Melton Visitor Information Centrecouncil, landscapes of significance

Set of two adhesive signs advertising The Met. For use on a window or wall. The Met was superseded in 1989 by the Public Transport Corporation. Yields information about some of the public transport signage used by The Met.Set of two signs with adhesive backing. The letters have their own adhesive which would allow them to be placed on a wall or window.the met, public transport, melbourne, signs

Lake Guy Dam is a 'slab and buttress' type wall. A timber frame is built and then filled with concrete. The first batch of concrete was placed in September, 1940. By June, 1941 the buttresses were finished to a height safe from floods and in October of that year a flood of 2,800 cusecs occurred but with only slight damage to the installations. Industrial trouble caused some delays but there was also slow progress on the part of the contractor and the work was taken over by the S.E.C., terminating the contract. The dam was completed in March, 1944. A walkway was made through the dam wall. Lake Guy was named after Mr. L.T. Guy who was the Resident engineer, in charge of construction work and associated activities on the Kiewa Area from 1939 to November 1946.Shows the walkway placed as part of the Lake Guy (Junction) Dam wall. A very good pictorial reference for the future.Black and white photograph of the walkway through Lake Guy (Junction) Dam wall.Handwritten in blue ink on back of photograph "Inside Lake Guy Dam". slab, buttress, dam, mr. l.t. guy

‘Aids to Navigation’ schedule. The schedule, dated 1985, is displayed in a black-painted wooden frame attached to the wall of the lantern room. It is presented on the Commonwealth of Australia letterhead and appears to be typed. The Cape Otway lantern room also retains an ‘Aids to Navigation’ schedule of the same date and type. The Point Hicks schedule has first level contributory significance for its historic value and provenance to the lighthouse.Aids to navigation schedule. Framed in black painted timber. Screwed to wall of lighthouse.Yes

Stone of which wall is constructed is believed to have been used in the construction of Jamieson's Buninyong Inn, built for Margaret Jamieson starting about 1853. She owned the earlier Buninyong Inn which impinged on they surveyed Learmonth St. and was demolished. Margaret died in 1854 before the building was completed by her son, who built the third Buninyong Inn on the corner of Learmonth and Warrenheip. The two story hotel was tenented for a while, then bought by Dr. Sparling who demolished it.Colour photo, bottom section of wall, showing individual Sandstone block with hole to support wooden strut, in reconstruction of wall, at 405 Learmonth St. Buninyongbuninyong, jamieson, sparling, buninyong inn, wall, sandstone