Object. Circular crocheted lace medallions - 16.5 cm in the front, 7 medallions in the back, one of which at the top of the back would possibly fold over the top if required. Eighteen small (1.75 cm) diameter, double petalled floral motifs form the 'handle'. These small double petalled flowers are repeated - in half shape only, around the edge of the purse.costume accessories, female, crocheted purse

Were used by Mr and Mrs Chapple Snr.Square white, fine cotton tablecloth with embroidered flowers and butterflies in the central square. This has a border of drawn thread work, creating a floral pattern all the way around. There are embroidered flowers in the subsequent section of the cloth, edged by a 9.5 cm. hemmed border. Square white or cream-coloured, fine cotton doily with an embroidered, appliqued and crocheted corners and edges.table linen., tablecloths

Clothing. A concealed full length back opening reveals five tiny covered buttons, 7 mm in diameter and five hand-stitched button holes. This opening is bordered by two groups of five very fine pin tucks with a 3 cm spacing between the two groups. The blouse is made from very fine Swiss lawn cotton fabric, and is very soft to the feel. The front has a broad panel thirty cm wide of exquisite pintucks, crochet, lace and embroidery. The embroidery is white on white, and features flowers and leaves in a curved pattern. A crochet panel below the high neckline is 4 cm x 10 cms and is peaked at the lower edge. This is bordered by 1.5 cm wide cotton lace, and horizontal pintucks. Two panels, one on either side of three pintucks, 1.5 cm panel of lace, and then the central panel of embroidery, pintucks, lace, and crochet. Five pintucks, 1.5 cm panel of lace and five more pintucks run the length of the short sleeves. Sleeves are puffed, and gathered at the shoulder, and at the 1.5 cm deep cuff, which is also pintucked. A 1.5 cm deep 'stand-up' collar, spoke-stitched to the garment, as are the sleeves and shoulder seams. Front hemline is curved. Back hemline is straight.costume, female, a full length back opening blouse

Made and presumably worn by Mrs McKeown (nee Ford).A long plain cream or white silk sleeveless nightgown with a fine lace border around the neck line and around the bottom hem of the garment. The neckline is a "V" shape in front. Two white crocheted rosette decorations have been appliqued onto the top front. It has two cotton inserts under the arms. Two fine darts run downwards at the front. costume-female undergarment

Cotton Camisole. Yoke front and back of hand crocheted cotton joined to a cotton lower section in a scalloped shape. Yoke straight across back but dips in a V shape almost to the waist in the front. Provision for ribbon insertion at the sleeve edges and neckline. Bodice gathered onto a fine waistband and peplum. Two small fabric covered metal buttons and one pearl button.Written in pencil and biro nside peplum. 'BHS'costume, female, camisole

Cream coloured flannelette baby nightie with long sleeves. Gathered at waist. Long ties attached at waist with an insert band with pink and blue embroidered word ''Baby''. Back opening at neck with cotton tape ties.Edges of sleeves and neckline have crocheted edges in silk thread.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, cotton flannelette baby nightie

Cream coloured flannelette baby nightie with long sleeves. Gathered at waist. Long ties attached at waist with an insert band with pink and blue embroidered flowers. Back opening with cotton ribbon ties. Edges of sleeves and neckline have crocheted edges in silk thread.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn. .costume, children's, cotton flannelette baby nightie

Cream coloured flannelette baby nightie with long sleeves. Gathered at waist. Long ties attached at waist with an insert band with pink and blue embroidered flowers. Back opening at neck with cotton ribbon ties. Edges at sleeves and neckline have crocheted edges in silk thread.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, cotton flannelette baby nightie

Image of poppy banners draped from top of Memorial Hall, Pall Mall, Bendigo, taken at dawn service 25 April 2015. Poppies were made from wool, both knitted and crocheted, by a group of women in Bendigo who worked on the task at the Bendigo RSL Havilah Road, Bendigo. It is estimated that over 18,000 poppies were made to produce the banners.bendigo, institutions, rsl, bendigo, rsl, poppy

Clothing. Women's knee length white cotton bloomers with 6cm waistband dipping to a V at centre front. Two side openings (30 cm). Originally fastened with cotton tape ties attached to waistband. Ties have been removed. Leg sections gathered into waistband. Legs trimmed at hem with cream coloured crocheted lace (10 cm) edged with light blue.costume, female underwear, women's white cotton bloomers

Dark beige georgette front, tied at sides and worn as an imitation blouse. Has a crochet insert in centre front with three 5.5cm tucks each side of insert stitched with a lighter colour rayon thread. Small up-standing collar also stitched with two rows of the same thread referred to above. Short pieces of white cotton at back of neck and at waist with ties.costume, female

Green woven knitting bag with red piping around each end panel. Two handles, three press-studs . Lined with yellow taffetta - long shallow design. possibly used for knitting or sewing. stylised leaf design textile. includes one pair of green knitting needles with black knobs. One ball of purple Azalea Crochet Knitting Wool by Patonscostume accessories, female, handcrafts, knitting

Given to donor's daughter by her cousinPlastic baby doll dressed in pink hand knitted dress and pants. Doll is bald but has eye lashes and open and shut eyes. The pants are knitted in stocking stitch with elastic threaded through at the waist. The dress is sleeveless with a pink button on each shoulder. The skirt is knitted in a lace pattern with a crochet tie threaded through the waist. The bodice is knitted in stocking stitch.toys, dolls, doll's clothes

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream crocheted bodice with pearl buttons. A net band has been attached at the waistline to facilitate the garment being tucked in. There are some machine made elements hand tacked on but the garment is mainly hand made. Most of the garment is diamond mesh with picot. The yoke is crotchet mesh with applied daisy motifs. Large daffodils and daisy motifs are applied to the main body of the garmentlace, women's clothing

Victorian and Edwardian ladies adorned their hats with various bird feathers. Although living conditions in Moorabbin Shire c1910, were basic families still held onto their traditional English and European customs and took pride in presenting elements of refined society. Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was skilled in craftwork, hand knitting, crochet and dressmaking. Her garments were used by her family and the Ormond Choral Society C1910 Women in Moorabbin Shire followed the fashion from Europe and made their own clothes and accessories using their dressmaking, craftwork and design skills 8 x feathers of various sizes and colours for adorning a Lady's hat c 1910 a) Blue & b) White Ostrich, c) Black Cockerel, d) Black Emu Feathers. e) Brown stripped Coque Diamond Tail f) Pink dyed ostrich, g) Black duck, h) black fur clothing, millinery, hat feathers, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire,reed gladys, clark judy, dairy farms, fruit orchards, footwear, shoes, buckles, clothing, silver, pewter, brass, victorian fashion, edwardian fashion, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear,

A lady's black lace evening stole with 2 tasselsclothing, brighton, moorabbin, pioneers, crochet, bentleigh, early settlers, craftwork

This baby's dress is an example of the clothing made for their children by the families who had settled in the Moorabbin Shire in mid 19th CThe skill and craftsmanship shown in this baby's dress is an example of the clothing made by the pioneer settlers and market gardeners in Moorabbin Shire who had to be self reliant and made their own clothing and utensils.Home-made, infant's short, long-sleeved, cream silk dress. With inset machine-made lace panels and ribbon inserts on bodice and on the sleeve cuffs. Small buttons down the back. .clothing, brighton, moorabbin, pioneers, crochet, bentleigh, early settlers, craftwork

This embroidered white ruffled pillowcase was handmade. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” It was a tradition for brides to have a 'glory box' containing linen and embroidered articles to take to their new home. Many of the items were made by Daisy, a skilled dressmaker. Daisy began her apprenticeship at two shillings and sixpence per week at Miss A. E. Emery's dressmaking establishment at 150-152 Liebig Street, Warrnambool. Considered to be the leading house of fashion in Warrnambool, Miss Emery employed about eight young women who worked long hours to sew elaborate gowns for clients, including wives of graziers who would attend the race carnivals and social functions in Warrnambool. (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is significant for its association with a ‘glory box’ or hope chest’, a tradition of single ladies making and collecting a range of linen and other domestic items in preparation for their future Pillowcase, rectangular in shape with a ruffle edge, white with white floral embroidery. Part of the Chamberlain Dale Lees Collection.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, handmade, craft, manchester, linen, haberdashery, needlework, pillowcase

Black and white image of young child - approx. 6 months, seated on rustic style chair. Baby is dressed in dark dress, white frill on bottom, crocheted apron ( strings of apron tied to chair to secure child in position ). On back of image ' Bendigo Portrait Rooms, F. De Kock & Co, Photographic artists, corner of Mitchell and King Streets. N.B. copies may be had and enlarged to size'F. De Kock & Coperson, individual, baby portrait, bendigo, sandhurst, f. de kock & co.

Long raglan sleeves, round neck with a scalloped edge at the neckline and cuffs. A 1 cm wide nylon ribbon passes through eyelets at the underarm, and ties with a bow at the front opening. Above this, the yoke has three plastic pearl buttons to fasten. The treble pattern of the crochet gives a shell-like effect, to the sleeves, and lower section of the garment, while the yoke, and cuffs have a treble filet pattern.costume, children's, white crochet baby's jacket

Donated by donor and belonged to late husband's grandmotherFine Cotton Supper Cloth 98 cm sq.Drawn threadwork, and white embroidery. Flower design of three petal flowers, long leaves in four corners, and 10cm crochet lace border around the edge. Design is of diamond shaped lozenges with zig-zag edge. Drawn threadwork squared in corners intersect embroidered stems. Drawn threadwork rectangular shape in centre has round needlework medallions in corners.MM in black inkmanchester, table linen, handcrafts, embroidery, crocheting or crochet work

This bodice belonged to Mary Crombie, an early Victorian dentist, who lived in Brighton while she was studying at the Australian College of Dentistry in the mid-1900s, and later returned to the area in her retirement from 1949-1971. Mary Margaret Crombie (1884-1971) was born at Coan Downs Station near Walgett, northern New South Wales, where her father Henry was station manager. After Henry’s untimely death in 1895, Mary and her mother loved for a few years with family members in St Kilda, before moving into a cottage of their own, ‘Rosewood’, at 42 Asling Street, Brighton around 1899. From here, Mary attended Oberwyl Ladies College in St Kilda and later the Australian College of Dentistry, one of only a few women to study dental surgery at the time. She was apprenticed to Ada Tovell (1865-1932), one of Victoria’s first female dentists, who had her own practice in Collins Street. Mary graduated in 1907 and the following year moved with he mother to Yarram in South Gippsland, where she took over the running of a practice owned by Sale dentist Charles Trood, eventually purchasing it from him in 1915. Speaking to a Brighton newspaper in 1961, Mary said she believed that she was the first woman to start a dental practice in Gippsland. For some locals, this took a little getting used to: “Many were amazed, and had some misgivings, when they found that the local dentist was a woman,” she said. “I always remember a huge farmer (he was about 6 ft. 4 in.), who had fortified himself at the local hotel to face the ordeal of visiting the dentist. He almost turned and ran when he saw me. … He was still more amazed when I pulled out his tooth without undue trouble.” The farmer was the best advertisement she could have asked for, telling everybody about the diminutive lady dentist who had calmly extracted his tooth. Mary practiced in Yarram until her retirement in 1949. After selling her practice she returned to Brighton, where she spent the last two decades of her life residing at 25 Oak Grove. Following her death in 1971, her relatives in Brighton donated a number of items from her home to BHS.Black satin bodice, boned, with black faceted glass buttons down the front. High collar. Both collar and cuffs are edged with a black net ruffle. Two rows of seven black crochet-covered buttons at each cuff, fastening with loops. Stray brown threads poking through fabric around the collar, shoulders and back indicate that these areas may originally have featured lace embellishments.mary crombie, 1900s

This decorative embroidered tray cover or tray cloth is beautifully handmade by either Sarah Lees or her daughter Ann Dale (nee Lees). In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” It was a tradition for brides to have a 'glory box' containing linen and embroidered articles to take to their new home. Many of the items were made by Daisy, a skilled dressmaker. Daisy began her apprenticeship at two shillings and sixpence per week at Miss A. E. Emery's dressmaking establishment at 150-152 Liebig Street, Warrnambool. Considered to be the leading house of fashion in Warrnambool, Miss Emery employed about eight young women who worked long hours to sew elaborate gowns for clients, including wives of graziers who would attend the race carnivals and social functions in Warrnambool. (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is significant for its association with a ‘glory box’ or hope chest’, a tradition of single ladies making and collecting a range of linen and other domestic items in preparation for their future marriage. The item is a fine example of early 20th-century needlework and handmade domestic items.Tray cover, rectangle in shape, white with white floral embroidery. Part of the Chamberlain Dale Lees Collection.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, handmade, craft, manchester, linen, haberdashery, needlework, tray cover, tray cloth, tea service, sarah lees, ann dale (nee lees)

Cream coloured hand knitted baby jacket with long sleeves. Fold back collar in zig zag pattern. Body of jacket with vertical zig zag pattern. Sleeves with zig zag pattern. Front opening. Collar, cuffs and hem have crocheted edges in silk thread. Cream satin ribbon tie at neck.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby jacket

The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to be from a group of five people and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003.agricultural shows textile art handicrafts, geelong handweavers and spinners guild inc., crochet, felting, ingeme, mrs val, agricultural shows, textile art, handicrafts

"William (Bill) Clark was engineering manager with Fruehauf tractors, and now starts life as a minister at Kaniva. He'd been in transport engineering for almost 30 years before studying for ordination. The children, both grown up, one married, will remain in Melbourne. Bill told me he enjoys working with people and looks forward to the opportunity to share with lay people who know their community, in communicating toward and with the whole community the love and concern of the gospel. Margaret, his wife, enjoys gardening, crocheting, reading and walking. Bill says his other interests are practical work, including welding." 2017 - retired minister.The two photos show head and shoulders of a middle-aged Clarke.C&N identification.clarke, william, margaret clarke, uniting church minister

Close-up taken at the same time as M0126. Mrs Currie is wearing a dark dress with a deep V-shaped patterned insert which extends from neckline to waist and appears to have looped edging. Her dark, wide-brimmed hat is trimmed with flowers. She holds a dark clutch bag and has dark shoes. There is an elaborate corsage pinned to her dress. She is wearing what appears to be crocheted cotton gloves.

local manufacture either a seemstress or a mother. Time Circa 1920s to 1940s. Distance from towns with haberdasheries would force local manufacture of garments by highly skilled women.Historical period Circa 1920s to 1940s was before easy access to branded manufactured clothes. Majority of basic clothing was hand made either family or skilled friends and neighbours This is Garment is cross referenced to KVHS 0249 and KVHS 0248 and details the growth of a young childGarment has sleeveless top attached to pantaloons at waist and open crotch and going down inner leg seam to 8cm from bottom. Bottom section of each leg adorned with crocheted lace and two pin tucks around bottom of the legs. Top back of garment has three "Mother of Pearl" buttons and narrow 8 mm wide shoulder cross reference to KVHS 0249 and KVHS 0240 straps. Machine stitched cream in colourvest, underwear, child's clothing

The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to form a group and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed and made by Anna Rahoferagricultural shows textile art handicrafts, geelong handweavers and spinners guild inc., crochet, embroidery, ingeme, mrs val rahofer, anna - geelong handweavers and spinners guild inc., agricultural shows, textile art, handicrafts