When in the desert it is frightening to see a distant fire, even though you may not see the actual flames. As evening approaches the sky reflects anger and colour. The mesa is also reflecting some of the glow . I imagined it had been burnt already and some embers are still aglow in the evening light All fabrics used in this work are cotton commercial fabrics. My stitching has been done to accentuate the red reflection in the sky. Black rayon thread gives a certain sheen to the mesa with a dried grassy foreground. ‘Sky Series’ Changes are constantly taking place in the sky . I love the variety, colour and movement of the sky which are all a direct result of the clouds, sun and time of day. I certainly think about the sky much more when we are on Safari. The sky is a great indicator of the ever changing time of day and weather conditions …... fine and clear, cloudy, sunset, sunrise and storms. The artwork features a simple ‘mesa’ shape against the sky. A mesa is a flat topped hill. Which are part of the Australian Inland. The mesa I have featured is in recognition of Mt Connor in the Northern Territory.Wangaratta Art Gallery CollectionA embroidered textile depiction of an outback landscape scene during a fire featuring a colour palette of pinks, purples, and browns.june brown, textile, landscape

Ice Cream tin with two children playing with cats on lid. Scenes of children playing around sides of tinEnglish Toffee/Dairy Bell/Two litres/Ice Confectiondomestic items, food storage & preservation

Black and white postcard entitled 'Blackburn' Scene shows corner Railway and Blackburn Roads, Albert Street unmade.railway road, blackburn, hooke, janet emily, blackburn road blackburn, albert arthur

Colour photograph of a Christmas display featuring a scene of Flinders Street Station, Melbourne. The display was in the Myers Building, Ballarat.christmas windows, flinders street station

Possibly pre-World War 2, Mentone Baths with bathing boxes in ParkdaleM The picture details the Hot Sea Baths. They were also considered good for one's health, they were a tourist destination for many years until they were burnt down in the late 1950'sPost Card with beach scene. Baths building on right with beach in front. Cliffs on the left hand side of pictureOn back of picture: "Published by the Rose Stereograph Co. / Armadale Victoria." "Post Card" printed at top of back of card, with drawing of a rose in the centre.mentone baths, beach, rose series, post card, 1940, 1950s

Snow scene in Main Street Olinda opposite shops c1950. Old taxi shown waiting at Taxi rank.olinda, main street, taxi, snow, snow

Set of ten small postcards showing scenes around the Dandenong Ranges, Victoria. See individual entries below.

Small oval shaped tin with hinged lid, decorations of female with cattle on lid & farmyard scenes around sides.domestic equipment, containers, tin

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The many annuals seen in this postcard demonstrates the intensity of Edwardian gardening. Colour scene of staked flowers (mostly blue) surrounding a grassed area with a circular garden in the centre and trees in the backgroundFront: ‘The Botanic Gardens, Williamstown’. Reverse: ‘POST W.T.P. (in a double rectangle inside a patterned diamond) CARD’ centre top of card, underlined with a dividing line down the centre of the card. ‘This Space may be used for Correspondence’ on left side of line; ‘This Space for Address Only.’ on right side of line. Right top corner inside dotted lines to indicate stamp placement ‘Printed / in / Germany / 155/103580’.postcard, garden-beds, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, colour-postcard, flowers

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Unframed watercolour of a coastal scene by David Alexander with a similar unfinished watercolour on verso. Gift of David Alexander, 2013art, artwork, merimbula, david alexander, seaside, coast, seascape, unframed

Two porcelain dress buckles, used on belts. One with brown & blue floral pattern. One with country scene. belt buckles, buckles

Limoges porcelain is hard-paste porcelain produced by factories in and around the city of Limoges, France beginning in the late 18th century. Limoges had strong antecedents in the production of decorative objects. The city was the most famous European centre of vitreous enamel production in the 12th century. These shoes were bought by Mr. & Mrs. H. N. Lord in Paris in 1966.Small Limoges ornamental porcelain chair with scene of a man and woman in a garden on seat and back. Gold frame and edges.china, ornaments, chairs

7081, WMC Manager Keith Parry addressing audience, Seated from L. Mine manager Brian Micke, unknown, unknown, Don Webb Seated far right Jean Earle Standing Pat Krause (bearded), John Van Leeuwin (hat and glasses) 7081a: Crowd Scene at the opening of the Magdala decline Front: L to R Eric and Hazel Lewis, Keith and Elwyn Haymes, Joan and Keith Hallam second row: unknown , unknown, Cynthia and Glynn Cashin, unknown , unknown third row: none known fourth row: Peter Ruthven, unknown, Jack Jones, Ken Dadswell at end, behind him Ian McCann Standing behind Mr and Mrs Kinsella on L. 5th from R. Terry Monaghan 7081b: Male Breaking ground with a Gold Pick (Mr David White, Minister for Minerals and Energy) 7081c: Catapillar Dozer digging the decline. 7081d: Conveyor belt moving soil with two workers 7081e: Underground Photo, a worker looking at drill placement. 7081f: The entrance to Magdala Delcine 1981. 7081g: A large dumper in the decline underground. 7081h: A Vehicle at the entrance to the Magdala Decline. 7081i: A Large group of miners around a vehicle at the entrance to the Magdala decline. 7081j: B/W showing a large rock with the dedication Plaque 7081K: Outside machinery for the drive. 7081l: Tanks containing liquid, one with the shell logo, and a red container. 7081m: Yellow tray truck emerging from the Magdala Decline. 14 Photographs showing crowd scenes at the Magdala Deline Opening in 1981 First shows CEO of WMC Keith Parry addressing the crowd Manager Brian Micke seated on far left Mayor Don Webb seated second from right7081k: On Reverse Stawell Gold MInes: Neg 26: 257 7081l: On Reverse Stawell Gold MInes: Neg 24: 257 7081m: On Reverse Stawell Gold Mines: Neg 25: 257 mining

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.1). Black and white photograph of a semicircular structure set amidst trees on the banks of a lake, with the reflection seen in the lake below. The structure is a concert bowl, with numerous spotlights on the ceiling lighting the stage area below. On the stage is a group of musicians playing. The place is the Concert Bowl in Kenwood, Hampstead, London. The musicians are the London Symphony Orchestra, conducted by Frank Wright. 2). Black and white newspaper clipping of the same scene with a caption. The newspaper is 'The British Bandsman'.1). Written in pencil on back - Kenwood, Hampstead, London, c1969 2). Typed caption - A Remarkable Photograph.The many thousands of visitors to Kenwood, home of outdoor Concerts in Hampstead, London, will recognise the scene of the Concert Bowl, looking over the lake. Our photograph was taken on 7 June this year and shows the London Symphony Orchestra conducted by Frank Wright. The music performed was Mr Wright's Prelidio Marziale and the occasion was the 100th performance at Kenwood.frank wright, conductor, brass bands, london symphony orchestra, kenwood hampstead, concert bowl, reflection on lake

Ship model Eumeralla steamship with one funnel, two masts portholes in hull, set against a coastal scene with lighthouse. Ship is painted green. Model is in a wooden framed glass case. Split on background scene. Case strengthened by metal brackets at top corners and bottom front corners. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society were able to identify a number of Henry Christian's photographs of Port Fairy of which this is one. The scene is of Port Fairy Bay, with the Red lighthouse on Griffith Island on the horizon. In the foreground, two men are rowing a boat. henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, port fairy bay, red lighthouse, griffith island

Each postcard folder was sent to a Mss B Murdoch by F.G.Davey, .1) features New York City, .2) Kansas City, .3) Salt Lake City. Part of the Frederick Gardner Davey DFC RAAF collection. Refer Cat No 3536P for his service records.Postcard folders, set of three containing coloured illustrations depicting city scenes, each folder cover and back depicts a city scene, titles are printed in colour in various fonts, each front cover has a space for an address and postage stamp, on the inside cover of each is a history of each city.On all three covers in black ink, “Miss B Murdoch 123 Wattle street, Bendigo, Victoria, Australia”. On inside cover of .3) handwritten in black ink, “Fondest love, yours truly”postcards, souvenirs

An illustration of a mountain scene on light wood. Originally there was a calendar hanging from the scene. Above the illustration are the words - 'With Compliments from K.P. & A.M. Robertson. Your Family Butcher. 81 View Street, Bendigo Phone 3 6028. Friendly Service - Top Quality Meat - Orders Delivered Free.'bendigo, business, butcher, lydia chancellor collection, collection, k.p. & a.m. robertson, industries, business, bendigo, butcher

Back Lake track is near Metung, East Gippsland.This is a pictorial record of the Gippsland Lakes in the early 20th century.A black / white postcard photograph of a beach scene. Small groups of people are standing on a vegetated sand dune overlooking the water. on front - " Gippsland Lakes via Bairnsdale - the Back Lakes, S. Vogt"gippsland-lakes back-lake-bairnsdale

This photograph has been taken looking up McLeod Street, Orbost from the present farmers' store towards the Club Hotel in 1897.This is a pictorial record of the Orbost township in the late 19th century.A black / white photograph of a street scene. The road is unsealed and there are several wooden buildings. A man can be seen on the left side.orbost-township mcleod-street-orbost

In the letter to his mother R.H. Baron talks about going on leave and visiting Brussels and Antwerp. Part of the Robert H. Baron (No. 3596).and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.1. to 18. Black and white postcard scenes of Charleroi, Belgium. Perforations along left hand side of each card.1. Handwritten on black ink on front "Station". 2. Handwritten in black ink on front. "entrance to town". 1. & 2. Handwritten in black ink on back: 'Letter to R.H. Baron's mother signed Bob. Dated 30/3/19." 3. Handwritten on black ink on front: "Road to College".robert h. baron, cooper collection, postcards, ww1, charleroi.

A book of photographs taken by Nicholas John Caire of places and scenery throughout Victoria.A book of photographs taken by Nicholas John Caire of places and scenery throughout Victoria. Photographs by Nicholas John Caire are among the most widely published late nineteenth and early twentieth-century Australian photographs. Between 1875 and 1905 Nicholas Caire travelled the Victorian countryside, looking to capture the scenery for the commercial market. His artistic sensitivity created images which earned him popular acceptance during his lifetime and an enduring place as one of Australia's finest landscape photographers.Hardcover. Front cover photograph-Fairy Scene at the Landslip, Blacks' Spur c1878-9; taken by Nicholas John Caire.For Jane and Clarephotographers, australia, photograpy, landscapes, history, description, travel, views, anne pitkethly, don pitkethly, nicholas john caire, victoria

A book of photographs taken by Nicholas John Caire of places and scenery throughout Victoria.A book of photographs taken by Nicholas John Caire of places and scenery throughout Victoria. Photographs by Nicholas John Caire are among the most widely published late nineteenth and early twentieth-century Australian photographs. Between 1875 and 1905 Nicholas Caire travelled the Victorian countryside, looking to capture the scenery for the commercial market. His artistic sensitivity created images which earned him popular acceptance during his lifetime and an enduring place as one of Australia's finest landscape photographers.Hardcover. Front cover photograph-Fairy Scene at the Landslip, Blacks' Spur c1878-9; taken by Nicholas John Caire.For Jane and Clarenicholas j caire, photographers, australia, photograpy, landscapes, history, description, travel, views, anne pitkethly, don pitkethly, victoria

Postcard sent to Ballarat College boarder, William L Sloss, by his mother Bernice A Sloss during a visit to Paris with his father in 1929.Its slightly formal phrasing gives insight into parent-child relations of the era. Black and white illustrated postcard; photograph of Paris scene on front; hand-written letter on back and 90p stamp attached;Address: Master Bill Sloss / Ballarat College / Ballarat - Victoria / Australia Letter: 21/3/29 / This is just a tiny corner of Paris. It is a very busy city and the taxis and cars make a dreadful noice - far greater noise than in London. Though traffic is just as great - We are having lovely weather to see this beautiful city. We are all well. Hope you are. Daddy is visiting hospital. Love from us all - Your loving mother, Bernice A Sloss.bernice-a-sloss, ballarat college, boarding, 1929, bill-sloss, william-l-sloss-1934, postcard

Single portraits are of Corporal Alan COOKE VX124263 of 148 General Transport Company. Enlisted 13.3.1943.A collection of photos depicting country scenes, camps, & sporting groups in the Northern Territory 1939 - 1945. Also single portraits.photographs, northern territory

Everyday kitchen items added a feeling of "home" in many of Victoria's institutions. The vintage butter dish is significant in its representatives of a kitchen object frequently used in Victorian institutions. Objects such as these tell the stories of peoples everyday lives.Inscribed with “The Jolly Boatman” River scene – boat, bridge and cottage Two pieces – dish and lid Yellow porcelain – crazed Manufacturer: Lancaster & Sandlandkitchen item, dish

Photograph taken by Jessie Smith ("Girlie") of San Remo who owned the Penguin Cafe in Thompson Avenue, Cowes, Phillip Island One of the Jessie Smith Collection.Black & White photograph of the scene after fire. Chimney remaining standing. Isle of Wight Hotel. 23/4/1925phillip island, isle of wight, phillip island, jessie smith, isle of wight fire, phillip island