A large gas lantern with two lights, one on either side of a central hanging rod, each with a mantle. The fuel container is shaped like a ball. The lantern has a silver / metall apprearance. The glass shades which would have covered the mantles do not exisiting.gas-lantern mantle-lantern

This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Baptismal towel cover, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The white linen cover is made like a bag. it has an inscription. The bag has a press stud closure.In black pen "BAPTISMAL TOWEL"flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, needlework, fine linen, towel cover, baptismal towel cover, baptism service

Black and white copy of a hand drawing, mounted on cardboard of the Alexandra Fountain and the City Family Hotel with handsome cabs. No inscriptions. History: Appears to be a hand-drawn image of what the area MAY have looked like at a certain, unknown, time. Probably of no historical merit.place, streetscape, view point

Postcard, WW1, B&W image of damaged buildings in the town of La Bassee with what looks like a stream flowing between two buildings. A lone figure in uniform stands beside the stream. Above a ruined shop is a sign 'Boucherie Chavaline' (horsemeat butcher)postcard, postcard, ww1, la bassee, france, ruins

Black and white photograph of two unidentified male trainee anaesthetists in what looks like is the Australian Society of Anaesthetists headquarters at Mathoura Road Toorak. One man is seated with a book of diagrams in front of him and the other is standing next to him pointing at an image in the book.•Black paper label glued on bottom front of photograph, written in white ink in capitals and captioned: "He's wrong; and here's why". •Handwritten in black ink on reverse and underlined: Frame 17. •Handwritten in grey pencil on reverse: 20. [17 has been crossed out.]students, trainee anaesthetists

Colour photograph of various vehicles in corrugated iron shedding at Narre Warren orchard. A barrel drum can be seen in the extreme left side of frame. The driveway heading to the sheds has a plough-like device resting there. The section to the left is the first coolstore built on the property.

white yearbook with a large cartoon drawing of a red and blue superhero-like figure waving,, with a stylised WHS symbol in the chest. Very large black writing behind reads 1995 and smaller writing along the bottom reads WANGARATTA HIGH SCHOOL 1995 MAGAZINE1995 WANGARATTA HIGH SCHOOL 1995 MAGAZINE

Black & white Photograph, Bert Graham Collection, The East Bendigo Swimming Club concert 25 August 1973, featuring 5 young people dressed as Hillbillies with instrumments like Guitar, mouthorgan, tambourine, topstick, flute. No 1 in blue biro written on front.bendigo, clubs, bendigo east swimming club

Colour photograph of front entrance gate, with 2 column stone like pillars either side, and driveway to Fortuna Villa property, a sign to the right hand side of entrance reads ' Army Headquarers Survey Regiment' along with 2 smaller lines of writing underneath.

The orthodox version of the origins and history of the Kew Elder(ly) Citizens’ Association was established by Cr. W. D. Vaughan in his book Kew’s Civic Century (1960), when he wrote that: "When Mrs. C. H. Simpson was Mayoress in 1952 she set up the Elderly Citizens’ Association to care for the needs of ages persons in Kew. The idea was strongly supported and a start was made by providing social afternoons for elderly folk at Southesk. Visiting sick people in their homes, providing firewood where needed, and other activities were undertaken by the Association. The aid of Council was sought to further the work. It was decided that a social unit for elderly folk be established at Southesk." (p.126-7). In the following pages, he describes in detail Council’s role in formally establishing the Association. This ‘official’ version was reasserted in the later Thematic Environmental History of the City of Boroondara (2012). However the origins and gestation of community of organisations is rarely straightforward. In 1965, five years after Vaughan’s book was published, the author of East Kew Women’s Club : Twenty Years : 20-7-1945-30-7-1965, writing about the period July 1947 to July 1950, described the role the Club played in establishing the Kew Elder Citizens Association. The author wrote: "At a meeting of the Kew Community Aid, the plight of many elderly people in Kew who were dependent on pensions was raised and in order to ascertain their needs the practice was begun of serving morning tea at the Masonic Hall in Walpole Street, where pensions were then paid. From this beginning the Kew Elder Citizens Association was formed in Kew with wide support, and Club members gave willing support on the committee, in helping serve afternoon tea and in entertainment." (p.4) Photographic evidence also leads to questions about Vaughan’s version of events. A framed photograph in the Society’s Collection shows a Public Meeting to form the Kew Elder Citizens Association in a room at Southesk a year earlier in 1951. Whatever version of the origins of the Association is correct, a later framed photograph in the Society’s collection shows the opening of the completed Clubrooms of the Kew Elder Citizens at South Esk by the Hon. E.P. Cameron M.L.C, Minister of Health, on 12 November 1956. The Association is still active in Kew and is currently located at Hamer Court, opposite the Boroondara General (Kew) Cemetery in High Street, Kew.Historic founding photograph of the Kew Senior Citizens AssociationFramed photograph of a meeting at Southesk in Cotham Road to form the Kew Elder Citizens Club. None of the individuals are named. The meeting was not held in the Drawing Room or Ballroom at Southesk as there is an absence of frescoes on the ceiling. The ceiling in the photograph is a cove ceiling however like that in the front two rooms.Handwritten caption: "Public Meeting to Form Kew Elder Citizens, 1951"kew elder citizens club, kew elderly citizens club, kew senior citizens club, southesk

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A round pressed metal button in red, white and blue. The pale border is designed to look like a belt. The button was initially sold on the 24 March 1916, the day set aside as ‘Button Day For Our Fighting Men’ to raise funds for the servicemen fighting overseas."For Our Fighting Men"patriotic buttons, first world war (1914-18), badges

Children in photo identified as John Colin Reaburn, also known as Jack, and his young brother, Wallace James Reaburn. The Reaburn family came to Surrey Hills in the 1890's and first lived in Russell Street. John Colin Reaburn (B 1899 in Russell St, Surrey Hills; D 1987, Box Hill) and Wallace James Reaburn (B 1910; D 1996) were the children of John Reaburn (1873-1963) and his wife Jane (Jeannie) Nelson Harkins (1875-1959). They has a sister Winifred Jean Reaburn (1904-1983). The family later lived in Union Road on the SW corner of Guildford Road. The house was called 'Fairbank'. John completed his education to eighth grade of Surrey Hills State School, going on to University High School and became an accountant. He later moved away from the area but when the collection of local history commenced in the 1970's, John was living near Belmore Road and became involved. He had a clear recall of early days and played a valuable part in recording details of early Surrey Hills.B/W photo (photo dark) of two young children. The boy standing is dressed in long pants and a jacket with a wide collar like a sailor suit. He is carrying a wide brimmed hat. The other child is seated and wearing a lacy coverall over a dress. 5 tabs / residual glueclothing and dress, surrey hills, children, mr john reaburn, mr john colin reaburn, mr wallace james reaburn

This fairly large woodpecker of the Picadae family is widely distributed across most parts of Europe and the UK, with some occurrence in Western Asia. Preferring semi-open habitats such as woodlands, heathlands and gardens, the species is unique amongst woodpeckers as it prefers to hunt and feed on the ground for its ant prey. This species has a distinctive bright red crown, black moustasche-like stripes, mostly green back plumage and a paler green to yellow breast. This is a female of the species as the male has a red centre to the moustache stripe at the side of the beak. This specimen is a fairly accurate depiction of a Green Woodpecker. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Green Woodpecker has a distinctive red crown on its head that appears patchy. It has a black face, a black moustache-like stripe on each side of the beak, pale eyes and long light yellow-orange beak. The back of the bird is green, and its flank and breast is a pale cream-yellow colour. It has slightly visible distinct white-dotted brown feathers folded into its wings. The specimen is mounted on a wooden perch, with a metal tag tied around its right leg and a paper tag around each leg.Swing tag: 1e. / Green Woodpecker / Catalogue page 66 / Metal tag: 4308 /taxidermy mount, taxidermy, burke museum, beechworth, australian museum, reynell eveleigh johns, bird, woodpecker, green woodpecker, eurasian green woodpecker

This looks like a typical Bush Timber Mill of the period, E Lloyd's Mill, Hoddles Creek Negative Black white. Scanned at 600 dpi. There are five men at work at the mill and also a lady sitting on the front verandah of the nearest hut, possibly mending some material , there are 2 other. hutse lloyds mill timber workers women hoddles creek logs sandy ross

Moulded glass candlestick, looks like cut glass. Moulded glass candlestick holdercandlestick

Signs like this were placed at the front of ambulance stations.Painted sign with white background and red lettering.VICTORIAN CIVIL AMBULANCE SERVICE

Tins like this were used for storage in the 1900'sA medium sized green coffee tin with no lid It has tan 'COFFEE' printed inside a rectangular tan border and two bands around the top and bottom of the tin. Due to its age and use it is rusted and faded.'COFFEE' is printed on the front of the can inside a rectangular border.tins, food containers, food storage cans, coffee containers, coffee tins

This sniper shield may have been used by German troops during the First World War. There are few other examples of sniper shields of this shape or style, so it was possibly not a widely used design.Metal sniper shield constructed of a large flat front with curved edges, onto which a handle-like piece is soldered on one end and bolted on another. This handle has a pin which presumably adjusts the height/angle of the shield in relation to the ground. The third piece of the shield is a stand with a curved end, presumably rests on the ground, and on the other end a series of five holes which adjust the height/angle. The shield itself is roughly square in shape with a rectangular cut out off-centre at the top and a larger rectangular cut out at the base, which forms two pointed ends, possibly for securing into earth like a peg."G-01" is inscribed in ink, a registration number rather than historic inscription.germany, first world war, world war i, world war 1, the great war, sniper, firearm

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cuttings and flower details of two plant species. Six drawings include single cutting of Olearia asteroticha with brown stems, bright green long leaves and blue (daisy-like) flowers with purple and yellow centre, a single cutting of O. ramulosa with green-brown stem, dark green long leaves and white (daisy-like) flowers with pink and yellow centres, one small flower detail (left), one white flower detail (centre) and two leaf details (right). The work is mounted in a double matt (off-white on pale blue), framed under glass in a gold and grey-green frame.Front: Olearia asterotricha (Rough Daisy-bush) " ramulosa (Twiggy " " ) (lower left) (pencil) CEW/84 (lower left in image, next to stem) (maroon pencil) Back: 42 (upper left) (pen)collin woolcock, woolcock collection, botanical drawing, botanical, cema

This is number 16 of 27 items in the Daisy Vickers collection of World War One memorabilia. These items were sent or given to Daisy Ogier (nee Vickers) during World War One by Corporal Arthur Anderson who enlisted from Warrnambool in 1915 at the age of 21. He served in Egypt and France and returned to Australia in 1919. Daisy Ogier (1907-1987) was a student and then a teacher at Warrnambool Technical School with her early teaching years there from 1925 to 1936 and in 1949. She became the head mistress from 1950 to 1963 and in 1968. She officially retired in 1976. Daisy Vickers was one of the best loved and dedicated teachers that the school ever had. She married the Reverend Fred Ogier and continued her association with the school after her husband's death.This card is interesting because of its association with World War One and two local people Daisy Vickers and Arthur AndersonThis postcard shows a photograph of a soldier carrying another soldier under fire. A Gallant Rescue Under Fire. This man saved twenty lives like this. Office photograph Crown Copyright Reserved "Daily Mail" Miss Daisy Vickers Bushfield Post Office Victoria Aus.daisy vickers, arthur anderson, warrnambool technical school, world war 1 postcard

Carriage Sign - Early Puffing Billy Volunteer Advertising These signs were fitted to NBH style carriages. Historic - Puffing Billy Railway Carriage Sign - Early Puffing Billy Volunteer AdvertisingCarriage Sign - Early Puffing Billy Preservation Society Volunteer Advertising Grey timber sign with black painted text.Looking for a Hobby if you like - steam trains - meeting people - handy man jobs - working outdoors Become a Puffing Billy Volunteer Enquire at Puffing Billy's Belgrave Station on your return puffing billy, nbh, advertising

Edison Records was one of the early record labels that pioneered sound recording and reproduction, and was an important player in the early recording industry. The first phonograph cylinders were manufactured in 1888, followed by Edison's foundation of the Edison Phonograph Company in the same year. The recorded wax cylinders, later replaced by Blue Amberol cylinders, and vertical-cut Diamond Discs, were manufactured by Edison's National Phonograph Company from 1896 on, reorganized as Thomas A. Edison, Inc. in 1911. Until 1910 the recordings did not carry the names of the artists. The company began to lag behind its rivals in the 1920s, both technically and in the popularity of its artists, and halted production of recordings in 1929. Thomas A. Edison invented the phonograph, the first device for recording and playing back sound, in 1877. After patenting the invention and benefiting from the publicity and acclaim it received, Edison and his laboratory turned their attention to the commercial development of electric lighting, playing no further role in the development of the phonograph for nearly a decade. Start of the Recording Industry: In 1887, Edison turned his attention back to improving the phonograph and the phonograph cylinder. The following year, the Edison company introduced the ”Perfected Phonograph”. Edison introduced wax cylinders approximately 4+1⁄4 inches (11 cm) long and 2+1⁄4 inches (5.7 cm) in external diameter, which became the industry standard. They had a maximum playing time of about 3 minutes at 120 RPM, but around the turn of the century the standard speed was increased to (first 144) and then 160 RPM to improve clarity and volume, reducing the maximum to about 2 minutes and 15 seconds. Several experimental wax cylinder recordings of music and speech made in 1888 still exist. The wax entertainment cylinder made its commercial debut in 1889 at first, the only customers were entrepreneurs who installed nickel-in-the-slot phonographs in amusement arcades, saloons and other public places. At that time, a phonograph cost the equivalent of several months' wages for the average worker and was driven by an electric motor powered by hazardous, high-maintenance wet cell batteries. After more affordable spring-motor-driven phonographs designed for home use were introduced in 1895, the industry of producing recorded entertainment cylinders for sale to the general public began in earnest. Blank records were an important part of the business early on. Most phonographs had or could be fitted with attachments for the users to make their own recordings. One important early use, in line with the original term for a phonograph as a "talking machine", was in business for recording dictation. Attachments were added to facilitate starting, stopping, and skipping back the recording for dictation and playback by stenographers. The business phonograph eventually evolved into a separate device from the home entertainment phonograph. Edison's brand of business phonograph was called the Ediphone. The collection of three phonograph cylinders are an example of early recorded music use for domestic entertainment. They are significant as they represent the beginnings of the modern recording industry.Cardboard tube-shaped gramophone cylinder box with lid. The printed label on the outside of the box advertises the maker and patent details. The Catalogue Number and Title are either printed or hand written on the cylinder’s lid. This cylinder contained Record no. 49, “B & H Jack” and was made at the Edison Laboratory USA. C. 1905On lid “Edison Record No. 49”, written in pencil “B & H Jack” (it looks like this) On cylinder “EDISON GOLD MOULDED RECORDS ECHO ALL OVER THE WORLD” Patents listed for 1904 & 1905warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, gramophone record, gramophone cylinder, edison cylinder, edison record, home entertainment, music recording, edison laboratory orange nj, usa, national phonograph company of australia ltd sydney, thomas a. edison

Eltham Council (now the Shire of Nillumbik) commissioned this work in 1989 to create an entrance / gateway to Edendale Community Farm. It was also aided by a grant from the Ministry of the Arts (now Arts Victoria). The former name of this work was "Gateway to Edendale Farm". Edendale Farm is a demonstration farm modelling sustainable environmental practices, providing support to the local residents of Nillumbik. Established in 1986, the land was purchased in 1970. It was previously an English gentleman's residence and was used for grazing. It consists of 5.6 hectares, with the Diamond Creek meandering through the property. The Victorian Fences Act 1968 governs liability of occupiers of adjoining lands to fence, and deals with disputes between neighbours regarding boundaries fences and costs. This work took into consideration ideas and suggestions from residents and committees, who required the use of recycled materials and that the work celebrate man's relationship with nature, animals and the earth, as well as relate to the fence-line on the far side of the carpark. Trembath also absorbed significant aspects of local history, making references to Eltham's agricultural past, the clearing of the land, the destruction of trees, the ruthless pruning of trees by suburban Councils and incorporated such Australian features as the post and rail fence. 'The Fences Act 1968' is significant for aesthetic, historic and social reasons at a regional level. It makes prominent the historical and social significance of Edendale and the rural aspects of Nillumbik. The use of existing tree stumps and salt pots in the work explores the iconography of the countryside such as the isolated farmhouse, pioneering farming practices, post and rail fencing and the regrowth of lopped trees. The title of the work, as well as the extensive community involvement in its creation, also makes reference to the Victorian Fences Act 1968, which makes neighbours jointly responsible for the cost of construction and maintenance of fences in the partitioning of land for settlement. 'The Fences Act 1968' has been classified as of regional significance by the National Trust of Australia. The work is an installation of wood and metal, approximately twenty five meters long. The design is very informal and rustic and runs the full width of the fence-line. It comprises groups of recycled tree trunks fitted with metal caps (chrome-nickel 'salt pots' that are shaped like tall bowler / top hats). Metal rods protrude from the trunks and some of these rods have metal birds. Two larger, sentinel-like stumps at the two outer ends have metal flame-like wings, which bend inward. To the left of the entrance, a simple architectural element indicates an isolated farmhouse. The rustic fence runs between the groups of tree trunks with native planting in clumps along it. The fence-line incorporates a functional engineered double gate and post and rail fencing. There may be many interpretations of the work and the intention is to stimulate interest and imagination rather than alienate. Interpretation is based on the personal experience that a visitor brings. The artist recommended that no explanation of the design logic be positioned with the work. N/Apublic art, sculpture, edendale, recycled, wood, metal, fences act 1968, gate, trembath, salt pot, tree stumps

This Airaus A port bottle shaped like an FIII. Khaki & fawn camouflage colouring on top, black nose tip & black under body & wings. .1) Limited edition No 1003 port bottle is the model of body. .2) Detachable nosecone - reveals bottle top & cork.model making - planes, ornaments - glass

Shire Hall in Thompson Avenue, Cowes. Built early 1930's. Demolished 1984/1985. The Shire Hall was also used as a Picture Theatre and Ballroom catering for 200 persons. On the right hand side was the Library which later was moved downstairs. The Council Chambers were on the third floor.Shire Hall in Thompson Avenue, Cowes. Box like building with windows overlooking the street. Note entrance at the middle of the building - also the Notice Board on the right advertising the forth coming films. The building was on three levels. Note Balcony above front door in the middle of the building.local history, photographs, historic, buildings - historical, coloured photograph, john cook, phillip island, cowes shire hall

It show the farm "Willow Vale" Waubra that was once owned by the Christopher and Selina (nee Smith) Harrison family who once lived on this farm and whoes descendants continue to live in the same area today.A very pale sepia photo of the "Willow Vale" farm at Waubra, Victoria that was owned by Christopher and Selina (nee Smith) Harrison. It shows a horse and buggy, along with the main house/houses and out buildings with what look like it could be a slightly dry dam at the bottom of the photo.Nil

Black and white photo copy : image shows line of whims descending towards open shed like building in front of mining dam. On RH side brick chimney. Potentially, the same area as shown in image 2402.237 (see mine sheds, brick chimney and whims).Batchelderplace, bendigo, mining landscape

Arthur Allsop went into the business office at Bendigo (Vic.) of the late Mr. Alfred Joseph. He later operated as an independent bookmaker. Arthur Allsop was a partner in the firm of Kelly and Allsop and was involved in mining and speculation in Bendigo. He was elected as a member of the Bendigo Stock Exchange in 1906. He started his athletic career at picnic sports and was a fine athlete winning many foot races. For 15 years he acted as secretary of the Sandhurst City Fire Brigade, he was captain of the Bendigo lacrosse team. He was a fair cricketer, and played against the English and Australian Elevens. He played football, and acted as secretary to the Bendigo Football Club. In later years he played bowls and captained pennant teams. He was a Past District- Grandmaster in the M.U.I.O.O.F. Allsop eventually moved to Melbourne and then Sydney working as a bookmaker. He died in Sydney in 1921. His wife Belle died in Bendigo in 1914 and is buried in the Bendigo Cemetery.Three letter books used by Bookmaker Arthur Allsop. Dark coloured covers with leather spines and corners. Alphabetical indexes at the front with the bulk of each book with flimsy tissue like pages with letters written in ink. two books filled and one book partially used.horse racing, bookmaker, arthur allsop, kelly and allsop